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Should Have Been Us
Orchestre d'harmonie
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The Nutcracker Suite
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Orchestre d'harmonie
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AVANCÉ
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Billy Strayhorn and Duke Ellin
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John Ivor Holland
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The Nutcracker Suite
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1496270 Composed by Billy Strayhorn and Duke Ellington. Arranged by John Ivor Holland. 20th Century,Classical,Jazz,Stan...
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Concert Band - Level 5 - SKU: A0.1496270 Composed by Billy Strayhorn and Duke Ellington. Arranged by John Ivor Holland. 20th Century,Classical,Jazz,Standards. 532 pages. John Ivor Holland #1072809. Published by John Ivor Holland (A0.1496270). The Nutcracker Suite is an interpretation of the music from Tchaikovsky's 1892 ballet by American pianist, composer and bandleader Duke Ellington and his long-time collaborator and orchestrator, Billy Strayhorn. Recorded for Columbia Records in 1960, it features jazz interpretations of nine movements from the original work in various styles and in a slightly different order, including more exotic instruments than would normally be found in the jazz ensemble:Overture Toot Toot Tootie Toot (Dance of the Reed-Pipes)Peanut Brittle Brigade (March)Sugar Rum Cherry (Dance of the Sugar-Plum Fairy)Entr'acteVolga Vouty (Russian Dance)Chinoiserie (Chinese Dance)Dance of the Floreadores (Waltz of the Flowers)Arabesque Cookie (Arabian Dance)Now fully arranged for concert band, without piano (as Ellington didn't actually play very much on the original recording) this is a difficult work, but players and audiences will love it - starring roles are given to most of the band at various points and the original solos played by the Ellington orchestra have been included for authenticity but chords added as well, should your players wish to make their own music. The Oboe part doubles Cor Anglais in a few movements, but this is cued if not available and important moments are also sensitively cross-cued throughout should the ensemble not be complete - absolutely essential, however, are the drums and bass, who are ever-present throughout and provide the beating heart of the work. An excellent choice for Christmas, of course, but could come out at any time of year.Also available separately:Peanut Brittle Brigade:https://www.sheetmusicdirect.com/en-US/se/ID_No/1602903/Product.aspxSugar Rum Cherry:https://www.sheetmusicdirect.com/en-US/se/ID_No/1602888/Product.aspxDance of the Floreadores:https://www.sheetmusicdirect.com/en-US/se/ID_No/1602867/Product.aspx.
$199.99
Do You Hear How Many You Are?
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Orchestre d'harmonie
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FACILE
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Contemporain
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spin...
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Concert Band - Level 2 - SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spindrift Pages (A0.1027468). Do You Hear How Many You Are? for Concert Band was originally written in April and May of 2010 for SATB choir. I made this concert band arrangement in 2012. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes Grade 2 -Finalist, 3rd International Frank Ticheli Competition -Premiered April 19 2013 by the Minot State University Symphonic Band, Devin Otto, conductor Website: keanesouthard.instantencore.com.
$85.00
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