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Vous avez sélectionné:
Simple Sue
Orchestre d'harmonie
Partitions à imprimer
2 partitions trouvées
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Grey Clouds and Silver Linings
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Orchestre d'harmonie
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FACILE
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Anthea John-Phillip
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Grey Clouds and Silver Linings
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Anthea John-Phillip
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.937894 Composed by Anthea John-Phillip. Contemporary,Instructional. Score and parts. 19 pages. Anthea John-Phillip #201...
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Concert Band - Level 2 - SKU: A0.937894 Composed by Anthea John-Phillip. Contemporary,Instructional. Score and parts. 19 pages. Anthea John-Phillip #2010403. Published by Anthea John-Phillip (A0.937894). This simple intermediate piece has a march feel with strong driving percussive beats. Most parts are doubled in order to make the music more versatile for bands with instrumentation issues. Two and four bar phrases are used with melodic scale patterns that represent the Silver Linings and the second major theme. This piece starts with the first theme Grey Clouds that are played by the brass, lower woodwinds, saxophones, and percussion section. The two themes are played together at the end finishing with rhythmic unison.
$20.00
Strange Gravity - for Contrabassoon and Symphonic Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
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Strange Gravity - for Contraba
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886144 Composed by Jason McChristian. Contemporary. Score and parts. 270 pages. Jason Gary McChristian #3108221. Publis...
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Concert Band - Level 4 - SKU: A0.886144 Composed by Jason McChristian. Contemporary. Score and parts. 270 pages. Jason Gary McChristian #3108221. Published by Jason Gary McChristian (A0.886144). Forceful and sinister, this is music that might emanate from a witch’s cauldron or some primordial ooze. The contrabassoon slithers through the scene, mocked by brass fanfares, accompanied by timpani strikes, and interrupted by violent guiro scratches. A faster tempo ensues; the woodwinds and mallet percussion announce scalar flourishes followed by an angular theme presented by the contrabassoon. The section concludes with nimble music in the woodwinds, marked by sprightly accents and dramatic changes of color. The middle section of the piece begins with a murky background and a plaintive statement from the orchestral bells and vibraphone. Marked Ethereal, this section features a rhythmic motive that develops into a distant ostinato. The simple bell statement matures, growing powerful and triumphant. The music settles, the menacing music from the beginning returns. What was once sinister, now takes on a rhapsodic and mildly optimistic nature. All of the earlier themes are now cast in different guises and pitted against each other. The cauldron is stirred, the ooze flows, and the contrabassoon, now alone, simmers. As the piece comes to a close the instruments return one by one to join each other in one final, primal scream.
$80.00
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