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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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MANDOLINE
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UKULELE
VIBRAPHONE
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XYLOPHONE
So What’Cha Want
Non classifié
78
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Piano seul
190
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142
Piano, Voix
14
Piano, Voix et Guitare
6
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1
Piano Trio: piano, violon, violoncelle
1
Instruments en Do
1
+ 2 instrumentations
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Guitares
Guitare
2
Guitare notes et tablatures
1
Basse electrique
1
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Chorale SATB
4
Chorale 3 parties
3
Voix duo, Piano
2
Chorale TTBB
1
Chorale 2 parties
1
Chorale SSATTB
1
+ 1 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
65
Quintette de Saxophone: 5 saxophones
64
Flûte, Hautbois, Clarinette, Basson
50
Quatuor de Saxophones: 4 saxophones
44
Ensemble de saxophones
10
Saxophone (partie séparée)
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
Cor Anglais
5
Hautbois (partie séparée)
5
Flûte traversière
5
Saxophone Alto
5
Flûte traversière et Piano
4
Saxophone Alto et Piano
4
Saxophone Soprano et Piano
4
Saxophone Baryton, Piano
4
Clarinette
4
Hautbois, Piano (duo)
4
Clarinette et Piano
4
Ensemble de Clarinettes
4
Saxophone Tenor
4
Cor anglais, Piano
4
Quatuor de Clarinettes: 4 clarinettes
3
Quintette de Flûte : 5 flûtes
3
Ensemble de Flûtes
2
Saxophone Tenor et Piano
2
2 Clarinettes (duo)
1
Quatuor de Flûtes : 4 flûtes
1
2 Flûtes traversières (duo)
1
2 Saxophones (duo)
1
+ 24 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
62
Quatuor de Cuivres
61
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Cor Anglais
5
Cor
5
Tuba
5
Trompette, Piano
4
Cor et Piano
4
Trombone
4
Trombone et Piano
4
Trompette (partie séparée)
4
Tuba et Piano
4
Cor anglais, Piano
4
Ensemble de Trombones
4
Ensemble de Trompettes
2
Ensemble de Cors
2
2 Trompettes (duo)
1
+ 12 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
65
Quintette à cordes: 2 violons, alto, violoncelle, basse
58
Violon
10
Violon et Piano
10
Alto, Piano
5
Violoncelle
5
Contrebasse, Piano (duo)
4
Violoncelle, Piano
4
Contre Basse
4
Alto (partie séparée)
3
Violon, Alto (duo)
3
Alto seul
3
Ensemble d'Altos
2
Ensemble de Violons
2
Harpe
2
Trio à Cordes: 2 violons, violoncelle
1
+ 11 instrumentations
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Orchestre & Percussions
Ensemble Jazz
10
Orchestre d'harmonie
6
Batterie
4
Orchestre à Cordes
4
Orchestre
2
Orchestre de chambre
2
Piano et Orchestre
1
Ensemble de Percussions
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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ORCHESTRE
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Crtitères actifs :
So What’Cha Want
Orchestre d'harmonie
Partitions à imprimer
6 partitions trouvées
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1
In Your Slumber
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Orchestre d'harmonie
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DÉBUTANT
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Aaron Fonzi
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In Your Slumber
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971....
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Concert Band - Level 1 - SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971. Published by Aaron Fonzi (A0.998359). This lyrical piece is a delightful way to introduce your young band to ballad style. Exploring slurs, accents, dynamics, caesuras, ritardandos and more, you'll be shocked by how sophisticated this beautiful piece sounds while using only a limited number of notes. Written to convey the playful innocence of a child dreaming, In Your Slumber balances the calm of a starry sky with the imagination and adventure of a child's mind at rest. Simple and elegant, the lullaby played by the flutes in the beginning gives way to an imaginative variation on the theme by the trumpets and clarinets at B. Gentle, pulsating tenutos in the harmonizing chords underneath are symbolic of relaxed, rhythmic breathing underlying the musical thoughts flowing by above them. Just as in dreams we seldom have control of which direction the story may go, D takes us somewhere else musically and implies a build to a false climax. At E, we are greeted with the quiet sounds of the night once more, but this time our imagination runs wild as the music builds to the climax of the piece at F. This powerful proclamation of the melody is concluded with a gentle final statement in the flute and clarinet, and the piece concludes with the final twinkle of the stars as the sun rises for a new day.Full of imagination, beauty and teachable moments throughout, I hope that you and your students can enjoy and appreciate this piece for it's simple beauty as I do. Onward!~Aaron FonziREHEARSAL NOTES:1. The clarinet part should be a very light drone creating atmosphere at the beginning- the same goes for the clarinet and saxophone at rehearsal E.2. It's easy to get too loud too soon in this piece, so remind your students to have patience. F is the climax of the piece, but many young students will want to play C as if it is. Similarly, be sure to balance the trumpet/ clarinet and the flute/ oboe/ bells at C so both lines come out evenly.3. Take your time in measure 48- we want to naturally fade away and pause before going on at rehearsal E. This increase and decrease in energy is a characterization of the ebb and flow of the piece.4. At F, there are 3 important parts that must be balanced: flute/oboe/bells; trumpet/clarinet; alto saxophone/horn. For best results, balance these 3 parts, and encourage the alto/horn line to play out a bit more than they think they need to. They are the new part which must be heard here.5. Have fun and use your imagination in terms of expressing the music- ask your students what it makes them think of and create a story to go along with it. Let this ultimately guide your interpretation. I am consistently impressed with the creative ideas my students come up with, so let them decide how the music should sound with their own stories. In your slumber, anything is possible!
$15.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ri...
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Concert Band - Level 3 - SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ride (A0.784346). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$45.00
Gaúcho - Corta-Jaca By Chiquinha Gonzaga for band
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Orchestre d'harmonie
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FACILE
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Francisca Gonzaga
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Idalmo Santos
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Gaúcho - Corta-Jaca By
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Idalmo Santos
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.978107 Composed by Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. 20th Century,Latin,World...
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Concert Band - Level 2 - SKU: A0.978107 Composed by Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. 20th Century,Latin,World. Score and parts. 23 pages. Idalmo Santos #6679863. Published by Idalmo Santos (A0.978107). The famous Corta-jaca, the name with which the tango Gaúcho became popular, is one of Chiquinha Gonzaga's most recorded and best-known songs, along with Ó abre alas, Lua branca, and Atraente. It was born on the stages of musical theaters, where it was danced in the final scene of the burlesque operetta of national costumes Zizinha Maxixe, imitated from French by an anonymous author, performed at the Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa), the anonymous author of the play, ended up putting verses to the music of Corta-jaca, helping to popularize it, especially after his version was recorded on disc by the duo Os Geraldos. Throughout history, Corta-jaca frequented other stages and repertoires: café-cantante, chope-berrante, rodas de choro... But it was at the Palácio do Catete, in 1914, that it achieved its glory. Performed on the guitar by first lady Nair de Teffé, it caused political scandal and ended up nicknaming the administration of Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa made from the rostrum. When asked what was the corta-jaca he had heard so much about, he concluded: The lowest, the most vulgar, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions the corta-jaca is performed with all the honors of Wagner's music, and one does not want the conscience of this country to revolt, our faces to blush and the youth to laugh! Never before in the history of Brazil had eminently popular music been performed at the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca has become a classic of the great repertoire of Brazilian instrumental music, meriting recordings by, among others, Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, TurÃbio Santos, countless bands, and some sung versions. It was written by the maestro also for singing and piano and small orchestra: oboe, viola, timpani, horns (bass), bassoon.
$13.33
Symphony No. 6 in G minor
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Charles -Marie Widor, Charles
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Nelson Ramos
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Symphony No. 6 in G minor
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Published / Arranged by Nelson Ramos
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1354678 Composed by Charles -Marie Widor, Charles Marie Widor, and Widor. Arranged by Nelson Ramos. 19th Century,Romant...
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Concert Band - Level 4 - SKU: A0.1354678 Composed by Charles -Marie Widor, Charles Marie Widor, and Widor. Arranged by Nelson Ramos. 19th Century,Romantic Period,Sacred. 194 pages. Published / Arranged by Nelson Ramos #939373. Published by Published / Arranged by Nelson Ramos (A0.1354678). IMPORTANT: If you want to help me, and instead of buying the arrangement via this platform, that takes 50% comission over the price from the arranger / composer, please contact me via email at nelsonramos@pm.me and I may even make you a discount, since I will receive the value in its entirety.I decided to arrange the first movement of Widor's Sixth Symphony because I deem of paramount importance that Band Directors start making the concert band repertoire more varied, so as to avoid what usually happens: concert/wind bands keep playing the same pieces over and over again, usually Tchaikovsky overtures, or Wagnerian overtures. Namely, I think that the various textures this arrangement, when properly played, provides, will make for a very interesting piece.
$45.00
Symphonie Fantastique
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Hector Berlioz and Louis-Hecto
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Nelson Ramos
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Symphonie Fantastique
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Published / Arranged by Nelson Ramos
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1141642 Composed by Hector Berlioz and Louis-Hector Berlioz. Arranged by Nelson Ramos. 19th Century,Classical,Romantic ...
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Concert Band - Level 4 - SKU: A0.1141642 Composed by Hector Berlioz and Louis-Hector Berlioz. Arranged by Nelson Ramos. 19th Century,Classical,Romantic Period. 266 pages. Published / Arranged by Nelson Ramos #741982. Published by Published / Arranged by Nelson Ramos (A0.1141642). IMPORTANT: If you want to help me, and instead of buying the arrangement via this platform, that takes 50% comission over the price from the arranger / composer, please contact me via email at nelsonramos@pm.me and I may even make you a discount, since I will receive the value in its entirety.I decided to arrange the last movement of the Symphonie Fantastique, by Louis-Hector Berlioz, because I deem of paramount importance that Band Directors start making the concert band repertoire more varied, so as to avoid what usually happens: concert/wind bands keep playing the same pieces over and over again, usually Tchaikovsky overtures, or Wagnerian overtures.
$50.00
United
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Orchestre d'harmonie
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FACILE
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John M
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United
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John Michael Pasternak
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1275549 Composed by John M. Pasternak. Classical,Film/TV,Instructional. Score and Parts. 30 pages. John Michael Pastern...
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Concert Band - Level 2 - SKU: A0.1275549 Composed by John M. Pasternak. Classical,Film/TV,Instructional. Score and Parts. 30 pages. John Michael Pasternak #867416. Published by John Michael Pasternak (A0.1275549). With so many things in the world that seem to divide us, I wanted to write a piece to allow ensembles to focus on what unites us. It is my hope that this piece helps groups realize the importance of working together not just with their music, but to make the world a better place. I hope you and your students enjoy “United!â€.
$50.00
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So What’Cha Want