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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Solo con ver
Non classifié
4 331
Piano & claviers
Piano seul
11 220
Piano, Voix
816
Piano Facile
517
Orgue
336
Piano, Voix et Guitare
306
Instruments en Do
160
Accompagnement Piano
141
Accordéon
47
1 Piano, 4 mains
45
Piano (partie séparée)
22
Piano Trio: piano, violon, violoncelle
21
2 Pianos, 4 mains
14
Orgue, Piano (duo)
11
Orgue, Trompette (duo)
10
Piano grosses notes
8
Clavecin
7
Clavier
4
Instrument seul et Orgue
3
1 Piano, 6 mains
2
2 Pianos, 8 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Ensemble d'Accordéons
1
+ 17 instrumentations
Retracter
Guitares
Guitare
531
Guitare notes et tablatures
257
Ukulele
74
Dulcimer
48
Guitare (partie séparée)
44
Mandoline
21
4 Guitares (Quatuor)
18
Ligne De Mélodie, (Paroles) et Accords
17
Basse electrique
15
2 Guitares (duo)
13
Piano, Guitare (duo)
13
Paroles et Accords
10
Banjo
7
2 Mandolines (duo)
3
2 Ukuleles
3
3 Guitares (trio)
2
Mandoline, Piano (duo)
2
Ukulele Baryton
2
Ensemble de guitares
2
Mandoline, Guitare (duo)
1
Dobro
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
1 355
Voix duo, Piano
201
Chorale 3 parties
180
Voix Soprano, Piano
140
Voix Alto, Piano
121
Chorale 2 parties
101
Chorale Unison
90
Voix duo
88
Chorale TTBB
88
Voix haute
78
Voix Tenor, Piano
71
Voix Baryton, Piano
59
Chorale SSAA
56
Voix seule
52
Voix Tenor
38
Voix Soprano
30
Voix basse, Piano
26
Voix moyenne, Piano
19
Soli, choeur mixte et accompagnement
18
Voix basse
7
Voix Mezzo-Soprano, Piano
4
Chorale SSAATTBB
3
Pack Instrumental pour Chorale
2
Voix et basse continue
1
Chorale
1
Chorale SSATB
1
+ 21 instrumentations
Retracter
Vents
Flûte traversière
1 575
Flûte traversière et Piano
1 189
Clarinette
556
Saxophone Alto
488
Clarinette et Piano
381
Saxophone Tenor
325
Saxophone Alto et Piano
303
Hautbois, Piano (duo)
275
Saxophone (partie séparée)
256
Saxophone Tenor et Piano
233
Saxophone Soprano et Piano
190
Hautbois (partie séparée)
177
2 Flûtes traversières (duo)
147
Hautbois
112
Saxophone Baryton, Piano
106
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
84
Saxophone Soprano
83
Cor anglais, Piano
75
Flûte à bec Soprano
72
Quatuor de Saxophones: 4 saxophones
72
Clarinette Basse, Piano
71
Quatuor de Clarinettes: 4 clarinettes
68
2 Saxophones (duo)
67
Flûte, Hautbois, Clarinette, Basson
65
Flûte et Guitare
58
Quintette de Saxophone: 5 saxophones
57
Saxophone Baryton
56
Ensemble de Clarinettes
50
Flûte à Bec
49
Ensemble de saxophones
45
2 Clarinettes (duo)
42
Clarinette, Guitare (duo)
41
Flûte à bec Alto
38
3 Saxophones (trio)
36
Cor Anglais
31
2 Flûtes traversières, Piano
28
Flûte à bec Tenor
28
Quatuor de Flûtes : 4 flûtes
26
Flute (partie séparée)
24
Flûte, Clarinette (duo)
22
Quintette de Clarinettes: 5 clarinettes
20
3 Clarinettes (trio)
20
Quintette de Flûte : 5 flûtes
18
Ensemble de Flûtes
18
Flûte, Violon, Piano
16
Trio de Flûtes: 3 flûtes
15
Cor anglais, Guitare (duo)
15
Flûte à bec Soprano, Piano
13
2 Hautbois (duo)
12
Hautbois, Guitare (duo)
10
Piccolo, Piano
10
Clarinette (partie séparée)
10
Clarinette, Violon (duo)
9
Saxophone et Guitare
9
Saxophone et Orgue
8
Quatuor de Flûtes à bec
7
Saxophone, Clarinette (duo)
7
Flûte traversière, Orchestre
7
Piccolo
6
Flûte à bec Alto, Piano
6
Flûte traversière, Orgue (duo)
6
Instruments en Mib
6
Harmonica
5
2 Flûte à bec (duo)
5
Saxophone
5
Flûte traversière, Basse continue
5
2 Saxophones, Piano
5
Cornemuse
5
Flûte, Clarinette et Basson
5
Hautbois, Basson (duo)
5
Flûte irlandaise
4
Flûte, Violon
4
Ocarina
4
Ensemble De Flûte à bec
4
Hautbois, Flûte
4
Clarinette, Basson (duo)
4
Flûte, Clarinette, Piano (trio)
4
Flûte, Violoncelle, Guitare
3
Flûte, Hautbois, Clarinette (trio)
3
Clarinette, Harpe (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Clarinette Basse
3
3 Flûtes à bec (trio)
2
Flûte, Hautbois, Basson
2
Flûte, Hautbois (duo)
2
Hautbois, Harpe
2
5 Flûtes à bec
2
Clarinette, Trompette (duo)
2
Saxophone et Piano
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Trompette (duo)
2
2 Cors Anglais Et Pianoforte
2
Flûte à Bec, Piano
2
Hautbois, Clarinette (duo)
2
Clarinette, Orgue
2
Flute, harpe et violon
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Clarinettes, Basson
1
Flûte, Violon, Violoncelle et Piano
1
Clarinette, Orchestre
1
Flûte et Trio à cordes
1
Flûte, Alto (duo)
1
Flûte, Violon, Guitare
1
Ensemble de Hautbois
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Basson et Piano
1
Clarinette, Violoncelle (duo)
1
Flûte, Violon et Violoncelle
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Flûte, Violoncelle
1
Flûte, Saxophone (duo)
1
Clarinette et Alto
1
2 Clarinettes, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
+ 111 instrumentations
Retracter
Cuivres
Trompette
539
Trombone
388
Cor
297
Trombone et Piano
262
Trompette, Piano
241
Cor et Piano
212
Tuba
176
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
134
Trompette (partie séparée)
109
Trombone (partie séparée)
109
Tuba et Piano
99
Euphonium, Piano (duo)
78
Cor anglais, Piano
75
Quatuor de Cuivres : 2 trompettes, trombone, tuba
69
Ensemble de Trompettes
46
Cor Anglais
31
Euphonium
25
2 Trompettes (duo)
22
Trompette, Trombone (duo)
21
Ensemble de Trombones
20
Cor (partie séparée)
19
2 Trombones (duo)
18
Quatuor de Cuivres
16
Tuba (partie séparée)
16
2 Cors (duo)
15
Cor anglais, Guitare (duo)
15
Quatuor de cuivres: 4 trombones
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Instruments en Sib
9
Quatuor de cuivres: 4 cors
9
Euphonium, Tuba (duo)
9
Trombone basse
9
Bass Clef Instruments
8
Ensemble de Cors
7
Trompette, Cor (duo)
6
2 Euphoniums et 2 Tubas
6
2 Tubas (duo)
6
Trio de Cuivres
5
Trombone basse et Piano
5
Trompette, Saxophone (duo)
4
Quatuor de cuivres: 4 trompettes
4
3 Trombones (trio)
4
2 Euphoniums (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Tuba et Orgue
2
3 Trompettes (trio)
2
4 Tubas
2
3 Tubas (trio)
2
2 Cors Anglais Et Pianoforte
2
3 Cors (trio)
2
Trombone et orchestre
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Tubas
1
Cor et Orgue
1
Clarinette, Cor (duo)
1
Trompette, Orchestre
1
Trombone, Orgue
1
+ 52 instrumentations
Retracter
Cordes
Violon
917
Harpe
708
Violoncelle
547
Contre Basse
530
Violon et Piano
502
Quatuor à cordes: 2 violons, alto, violoncelle
469
Alto seul
425
Violoncelle, Piano
328
Violon, Violoncelle (duo)
295
Alto, Piano
284
Trio à Cordes: violon, alto, violoncelle
235
Quintette à cordes: 2 violons, alto, violoncelle, basse
98
Alto (partie séparée)
84
Contrebasse, Piano (duo)
64
2 Violons (duo)
57
Violon, Alto (duo)
46
Trio à Cordes: 2 violons, violoncelle
46
Contrebasse (partie séparée)
27
2 Violoncelles (duo)
26
Violon, Guitare (duo)
18
2 Altos (duo)
17
Alto, Violoncelle (duo)
17
Violoncelle , Guitare (duo)
16
Harpe, Flûte (duo)
16
Harpe, Violon (duo)
15
Violon (partie séparée)
15
Violoncelle (partie séparée)
11
Trio à cordes: 3 violins
9
Alto et Harpe
9
Harpe, Violoncelle (duo)
8
Trio à Cordes: 3 violoncelles
8
Harpe, Voix
8
Trio à cordes: 3 altos
8
Quatuor à cordes: 4 violons
7
Alto, Guitare (duo)
6
4 Violoncelles
6
Ensemble de Violons
6
Ensemble d'Altos
5
2 Contrebasses (duo)
5
Violoncelle, Contrebasse (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
2 Harpes (duo)
3
Violoncelle, Orchestre
3
Violon, Basse continue
3
Violoncelle, Orgue
3
2 Violons, Piano
2
Quatuor à cordes : 4 altos
2
Ensemble de Violoncelles
2
2 Violons et Basse continue
1
Harpe, Quatuor à cordes
1
Trio à Cordes: 2 violons, alto
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violon, Orgue
1
Autoharp
1
4 Contrebasses
1
Piano Trio: Violon, Alto, Piano
1
Harpe et Piano
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
970
Ensemble Jazz
374
Orchestre à Cordes
291
Orchestre
270
Orchestre de chambre
141
Ensemble de cuivres
113
Cloches
51
Jazz combo
48
Marimba
46
Fanfare
28
Vibraphone
23
Batterie (partie séparée)
21
Xylophone, Piano
17
Ensemble de Percussions
17
Batterie
13
Xylophone
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Percussion (partie séparée)
5
Ensemble d'École
5
Piano et Orchestre
3
Quintette de Cuivres: autres combinaisons
2
2 Xylophones
2
Orchestre, Violon
2
Big band
1
Marimba, Piano (duo)
1
Instrumentation Flexible
1
+ 21 instrumentations
Retracter
Autres
Formation musicale - Solfège
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
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CLARINETTE
CLAVECIN
CLOCHES
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DOBRO - GUI…
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FLUTE A DIX…
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433
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
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INSTRUMENTAL
|
Cordes
Violon
Alto
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Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
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Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
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Banjo
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Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
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Orchestre d'Harmonie
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Ensemble de Cuivres
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Methodes
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Orchestre de chambre
Ensemble de percussions
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|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
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|
Débutant
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Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
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|
PIANO
|
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Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
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INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
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DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
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SAXOPHONE
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FANFARE - BANDA
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CHARANGO
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MANDOLINE
PERCUSSIONS
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CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
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GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
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Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLONCELLE
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951
Kristinmark Overture for Concert Band
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Orchestre d'harmonie
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FACILE
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Contemporain
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Gregory Fritze
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Kristinmark Overture for Conce
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.917396 Composed by Gregory Fritze. 20th Century,Classical,Contemporary. Score and parts. 125 pages. Musica Nova USA #48...
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Concert Band - Level 2 - SKU: A0.917396 Composed by Gregory Fritze. 20th Century,Classical,Contemporary. Score and parts. 125 pages. Musica Nova USA #4821537. Published by Musica Nova USA (A0.917396). Kristenmark Overture was commissioned and composed for the Symphonic Wind Ensemble of the University of Minnesota Duluth, Mark Whitlock conductor and the Symphony Band of the University of Wisconsin River Falls, Kristin Tjornehoj, conductor.The name Kristinmark are the first names of both conductors.It has been played many times in Europe, South America and the United States. It is often used in honor band festivals as it fits the level of difficulty (grade 4) for the average high school band festival and good duration for such events – seven minutes. The piece is in a clear Sonata Allegro form and includes short solos for trombone, horn, alto sax, trumpet, timpani, snare drum, tuba, oboe, crotales, flute, piccolo, bassoon, euphonium and clarinet. Non of the solos are very long or difficult. The solos are meant to feature as many musicians as possible. In some cases, alternate instruments have cues if particular instrumentalists are not strong performers . In 2017 Kristenmark Overture was submitted to The American Prize Composition Contest, Band Division. It placed as a Semi Finalist that year.Kristenmark Overture can be heard by the Brazilian Wind Orchestra, conducted by Dario Sotelo at: http://www.youtube.com/watch?v=bk-PvXTvxy8
$60.00
Set Free to go Home - grade 3 concert band
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Orchestre d'harmonie
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FACILE
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Gregory Fritze
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Set Free to go Home - grade 3
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.917409 Composed by Gregory Fritze. 20th Century,Contemporary,Instructional,Standards. Score and parts. 52 pages. Musica...
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Concert Band - Level 2 - SKU: A0.917409 Composed by Gregory Fritze. 20th Century,Contemporary,Instructional,Standards. Score and parts. 52 pages. Musica Nova USA #6075605. Published by Musica Nova USA (A0.917409). Set Free to go Home was composed in the fall of 2019. It was commissioned by Dr. Kristen Tjornehoj, Conductor of the University of Wisconsin at River Falls Symphony Band in remembrance of Kaye Bird, who passed away in 2016 as a resident of River Falls and a member of the community for several years. Kaye Bird was also a resident of Indiana, PA for 37 years and was a well respected teacher in the public schools there. Set Free to go Home was premiered by the Indiana University of Pennsylvania Symphony Band at Fisher Auditorium on February 6, 2020, conducted by Dr. Jason Worzbyt. It is agrade 3 band piece with a duration of five minutes. It is published by Musica Nova USA and availableon sheetmusicplus.com and jwpepper.com.Performance Notes: Set Free to go Home was composed with flexible instrumentation in mind.There are several instruments listed in the score that would enhance the piece (such as harp, oboes,double bass, ect.) but are not necessary to convey a successful performance. For example, if there are not five percussionists available, the piece may be played by less performers with the use of a drumkit, with one person playing two or more parts. This composition can sound very good whether thereare fifteen players or a band with one hundred players.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, includingFirst Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winnerin Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International MusicCompetition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers andmany others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria,and others. His compositions include works published by several publishers in the United States, SouthAmerica and Europe and have been performed extensively throughout the world.He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer atmany colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$40.00
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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Orchestre d'harmonie
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FACILE
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #345...
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Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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A
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Stephen Davies
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"Clarinet Concert Concert
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Stephen Davies
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen...
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Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
Winter's Breath (Symphonic Band & Solo Voice)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Jeffrey Ouper
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Winter's Breath
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Jeffrey Ouper
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.866215 Composed by Jeffrey Ouper. Christian,Christmas,Contemporary. Score and parts. 74 pages. Jeffrey Ouper #2899041. ...
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Concert Band - Level 3 - SKU: A0.866215 Composed by Jeffrey Ouper. Christian,Christmas,Contemporary. Score and parts. 74 pages. Jeffrey Ouper #2899041. Published by Jeffrey Ouper (A0.866215). NOTE: These are the instrumental parts only. The conductor score (legal size paper) is a separate download. All instrument parts and vocal piano reduction score is included in this download.This version of Winter's Breath is scored for Symphonic Band and solo voice. It will make a great addition to your next holiday concert. The duration of the song is about 6 minutes.About the song:Winter’s Breath is an original Christmas song (original music and lyrics) composed in 2014. The lyrics embrace both a secular and religious message of peace, love, and hope inspired by the beauty of winter snow. I really wanted to write a more profound Christmas song with an important message embracing a modern view of Christmas since so many songs are commercialized or limited in meaning.Having lived in the Arizona desert since 2007, snow has become a novelty to me, and I was inspired by its beauty and the memories I had of winter growing up in northern Illinois. The chorus that repeats throughout the song presents an irony of winter warming the soul. I found this to be both interesting and also meaningful in that I was describing my new viewpoint of winter snow (seeing more beauty in it than before) and presenting a metaphor for life-one that encourages the listener to see the beauty in something that most northerners despise.The first verse begins with sensory perceptions including seeing, hearing, touching, and smelling various natural qualities of winter. The second verse describes the joy of children playing in the snow and their belief in winter stories. The third verse is directed at worrying adults with a message of hope for the future. The bridge encourages the listener to look past the negativity and differences in other people and look towards Christmas and the new year for a hope renewed. The final verse concludes with the traditional religious view of Christmas tradition.
$39.95
Winter's Breath (Symphonic Band & Solo Voice)
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Orchestre d'harmonie
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Jeffrey Ouper
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Winter's Breath
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Jeffrey Ouper
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SheetMusicPlus
Concert Band - SKU: A0.866212 Composed by Jeffrey Ouper. Christian,Christmas,Contemporary. Score and parts. 29 pages. Jeffrey Ouper #2896541. Published ...
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Concert Band - SKU: A0.866212 Composed by Jeffrey Ouper. Christian,Christmas,Contemporary. Score and parts. 29 pages. Jeffrey Ouper #2896541. Published by Jeffrey Ouper (A0.866212). NOTE: This is the conductor's score only. It is legal size. The instrumental parts for the piece are a separate download.This version of Winter's Breath is scored for Symphonic Band and solo voice. It will make a great addition to your next holiday concert. The duration of the song is about 6 minutes. About the song:Winter’s Breath is an original Christmas song (original music and lyrics) composed in 2014. The lyrics embrace both a secular and religious message of peace, love, and hope inspired by the beauty of winter snow. I really wanted to write a more profound Christmas song with an important message embracing a modern view of Christmas since so many songs are commercialized or limited in meaning.Having lived in the Arizona desert since 2007, snow has become a novelty to me, and I was inspired by its beauty and the memories I had of winter growing up in northern Illinois. The chorus that repeats throughout the song presents an irony of winter warming the soul. I found this to be both interesting and also meaningful in that I was describing my new viewpoint of winter snow (seeing more beauty in it than before) and presenting a metaphor for life-one that encourages the listener to see the beauty in something that most northerners despise. The first verse begins with sensory perceptions including seeing, hearing, touching, and smelling various natural qualities of winter. The second verse describes the joy of children playing in the snow and their belief in winter stories. The third verse is directed at worrying adults with a message of hope for the future. The bridge encourages the listener to look past the negativity and differences in other people and look towards Christmas and the new year for a hope renewed. The final verse concludes with the traditional religious view of Christmas tradition.
$39.95
Concertutti (Concerto for 3 Trumpets and Concert Band)
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Orchestre d'harmonie
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AVANCÉ
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Joseph Hasper
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Concertutti
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Joseph Hasper
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.734878 Composed by Joseph Hasper. 20th Century,Contemporary,Instructional. Score and parts. 110 pages. Joseph Hasper #4...
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Concert Band - Level 5 - SKU: A0.734878 Composed by Joseph Hasper. 20th Century,Contemporary,Instructional. Score and parts. 110 pages. Joseph Hasper #4293625. Published by Joseph Hasper (A0.734878). Concertutti is a triple concerto for 3 Bb trumpets (with optional flugelhorn) and concert band. The solo parts are advanced, technical, difficult, and hugely fun to play! The band parts are modest in range and difficulty, designed to be playable by a good high school band. Duration: 8'00.Concertutti is a portmaneau, a made-up word combining concerto (a composition for one or more soloists with a large ensemble) and tutti (everyone). To my knowledge this is the first concerto for three trumpets to have been composed in the past 250 years. (The only other triple concertos in the repertoire are one by J.S. Bach and two by Antonio Vivaldi.) Concertutti was commissioned by The Northwest Passage Trumpet Trio and was premiered by them on May 3, 2019 with the Grove City College Wind Ensemble under the direction of Dr. Jeffrey Tedford. A revised version was performed by The Northwest Passage Trumpt Trio on June 30, 2019 with the Hollidaysburg Community Band, under the direction of Doug Stephens. The current edition is a second revision, with the chief differences of being over three minutes shorter and sporting a new coda.
$69.00
Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
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Orchestre d'harmonie
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FACILE
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Gregory Fritze
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Sinfonietta - A Symphony in Th
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pa...
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Concert Band - Level 2 - SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pages. Musica Nova USA #6078853. Published by Musica Nova USA (A0.917410). Sinfonietta (alternate title SinfonÃa de Vino y Aceite de Magallon) is a composition for concert band that can be played by any band whether it has 100 players or 30 players. It is at grade 3 level of difficulty and has several substitute parts for ensembles that may not have complete instrumentation. Although the scoring includes piccolo, oboes, bassoons, and French horns, these instruments are not needed to command a good performance.Sinfonietta adheres to classical forms of symphonies by composers such as Mozart, Haydn and Beethoven. The forms are very clear so the players of the band can learn this important history. The first movement is in standard Sonata Allegro form.The second movement is in A B A form and features a solo trumpet. The third movementis in a Rondo form (A B A C A) with three distinct themes. The work was commissioned in 2017 by the town of Magallón, Spain in celebration of the town’s industries of wine and olive oil. The mayor of the town of 1,000 inhabitants, Victor Manuel Chueca Rodriguez, was specific in his request for a composition at grade 3 level of difficulty. He also suggested the title as Symphony. Since it a three-movement composition instead of a four-movement composition (the normal Minuet and Trio movement is not included in this piece), the title of Sinfonietta instead of Symphony is used.Gregory Fritzeis a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositionsfor orchestra, band, chamber ensemblesand soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d'Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria, and others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$75.00
Moon River (33-Piece Digital Pack)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Jazz
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Mariage/Ballade
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Henry Mancini
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Michael Brown
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Moon River
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Hal Leonard - Digital
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SheetMusicPlus
Concert band Timpani - Level 3 - SKU: HX.258112 Composed by Henry Mancini. Arranged by Michael Brown. Jazz,Standards,Wedding. Individual instrument part...
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Concert band Timpani - Level 3 - SKU: HX.258112 Composed by Henry Mancini. Arranged by Michael Brown. Jazz,Standards,Wedding. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.258112).
Digital Pack includes
:
Moon River - Conductor Score (Full Score)
Moon River - Vocal Solo
Moon River - Bb Clarinet/Trumpet Solo
Moon River - Eb Alto Saxophone Solo
Moon River - F Horn Solo
Moon River - Piccolo
Moon River - Flute
Moon River - Oboe
Moon River - Bassoon
Moon River - Bb Clarinet 1
Moon River - Bb Clarinet 2
Moon River - Bb Clarinet 3
Moon River - Eb Alto Clarinet
Moon River - Bb Bass Clarinet
Moon River - Eb Alto Saxophone 1
Moon River - Eb Alto Saxophone 2
Moon River - Bb Tenor Saxophone
Moon River - Eb Baritone Saxophone
Moon River - Bb Trumpet 1
Moon River - Bb Trumpet 2
Moon River - Bb Trumpet 3
Moon River - F Horn 1
Moon River - F Horn 2
Moon River - Trombone 1
Moon River - Trombone 2
Moon River - Baritone B.C.
Moon River - Baritone T.C.
Moon River - Tuba
Moon River - String Bass
Moon River - Percussion 1
Moon River - Percussion 2
Moon River - Mallet Percussion
Moon River - Timpani
$75.00
Dinner for Four - CONDUCTOR'S SCORE ONLY
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Kenneth Amis
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Dinner for Four - CONDUCTOR'S
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Amis Musical Circle - Digital
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SheetMusicPlus
Concert Band - intermediate - SKU: AQ.AMC-WB-005SCO Composed by Kenneth Amis. Music of Black Composers and Artists. A short feature piece or 4 soloists....
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Concert Band - intermediate - SKU: AQ.AMC-WB-005SCO Composed by Kenneth Amis. Music of Black Composers and Artists. A short feature piece or 4 soloists. Conductor score. 30 pages. Amis Musical Circle - Digital #AMC-WB-005SCO. Published by Amis Musical Circle - Digital (AQ.AMC-WB-005SCO). 11 x 17 inches.Commissioned by the MIT Wind Ensemble, Dinner for Four was conceived as a short feature piece for 2 pairs of like instruments performed by teacher-student duos. The premier was performed by two flutes and two tubas; however, any balanced pair of high and low instruments may be used (e.g., 2 alto saxes and 2 trombones). Alternate transpositions of the high and low solo parts are available. If solo instrumentalists are not available in pairs any appropriately balanced quartet of instrumentalists may be featured.
$12.00
CONCERTO FOR HORN - S. R. Mercadante - solo horn part only (full band accomp. available separately)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Saverio Raffaele Mercadante
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Brian Harris
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CONCERTO FOR HORN - S. R. Merc
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Bandroom.com Publications
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.859735 Composed by Saverio Raffaele Mercadante (1795? - 1870). Arranged by Brian Harris. 19th Century,Classical,Romanti...
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Concert Band - Level 3 - SKU: A0.859735 Composed by Saverio Raffaele Mercadante (1795? - 1870). Arranged by Brian Harris. 19th Century,Classical,Romantic Period,Standards. 4 pages. Bandroom.com Publications #553447. Published by Bandroom.com Publications (A0.859735). Written around 1820 by Italian composer Saverio Raffaele Mercadante, this engraving of his CONCERTO FOR HORN is in the original key and has been meticulously edited. Consisting of two sections, the beautiful, plaintive opening slow section (Larghetto alla Siciliano) is about 2.5 minutes in length and works well as a stand-alone feature to showcase the sonority of the horn. It would be perfect for a talented high school player. The concluding fast section (Allegretto brillante) is bubbly, delightful, and quite technically challenging in a few spots. The concert band / wind ensemble accompaniment (available separately) is scored to prevent overpowering the soloist and will work with smaller groups for senior recitals, etc. NOTE: This download is for the 4-page SOLO PART ONLY. If you wish to purchase the band parts and full score, please visit www.bandroom.com. This SOLO PART will also work with the Kuyper setting for piano accompaniment. The score and parts are error-free, as I spent considerable time in editing and making corrections to the parts while it was prepared for performance. This SOLO PART has tightly-cropped margins so it will print as large as possible on letter-sized paper. You can view the conductor score and sample parts as well as listen to a live recording of the work on my website (URL above) or on YouTube at https://youtu.be/NuMFb5p5Kfk____________________________ ARRANGER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years. Many of his arrangements and compositions are available here as digital downloads and from www.bandroom.com ____________________________
$10.00
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and concert b
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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1871, Mayeur was also named Sa
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Louis Adolphe Mayeur
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Paul Wehage
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Louis Mayeur: Grande Fantaisie
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.534137 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 50 ...
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Concert Band - Level 4 - SKU: A0.534137 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 50 pages. Musik Fabrik Music Publishing #3133405. Published by Musik Fabrik Music Publishing (A0.534137). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. This is the score and solo part only for the concert band version. Versions are available from Musik Fabrik for piano, for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$25.95
Double Concertino (for Tenor Saxophone, Tuba and Concert Band)
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Orchestre d'harmonie
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Contemporain
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Luis Cardoso
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Double Concertino
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Luis Cardoso
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SheetMusicPlus
Concert Band - SKU: A0.934343 Composed by Luis Cardoso. Contemporary. Score and parts. 228 pages. Luis Cardoso #4632793. Published by Luis Cardoso (A0.9...
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Concert Band - SKU: A0.934343 Composed by Luis Cardoso. Contemporary. Score and parts. 228 pages. Luis Cardoso #4632793. Published by Luis Cardoso (A0.934343). The concerto is in three movements, following the usual quick-slow-quick pattern. The first movement is very energetic, with a predominantly rhythmic structure. The second movement has a melodious song that will be developed exploiting the sound resources of the wind band, with the constant intervention of the soloists. The third movement represents a struggle between the two soloists, assisted by the band and recovery the constant rhythmic tension.This work was created as a result of a challenge from the tuba player Sérgio Carolino, being very demanding for the soloists. Was dedicated toSérgio Carolino and Mário Marques, who were soloists at the premiere whit the Banda Sinfónica Portuguesa, conducted by the composer in
$200.00
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and concert b
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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1871, Mayeur was also named Sa
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Louis Adolphe Mayeur
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Paul Wehage
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Louis Mayeur: Grande Fantaisie
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.534138 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 204...
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Concert Band - Level 4 - SKU: A0.534138 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 204 pages. Musik Fabrik Music Publishing #3133407. Published by Musik Fabrik Music Publishing (A0.534138). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. This is the score and complete parts for the concert band version. Versions are available from Musik Fabrik for piano, for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$90.95
The Stars and Stripes Forever (40-Piece Digital Pack)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Americana
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Patriotique
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John Philip Sousa
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Dr
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The Stars and Stripes Forever
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Hal Leonard - Digital
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SheetMusicPlus
Level 4 - SKU: HX.327476 By John Philip Sousa. Arranged by Dr. William D. Revelli. This edition: scorch. American,Concert,Patriotic,Standards. 1 pages. ...
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Level 4 - SKU: HX.327476 By John Philip Sousa. Arranged by Dr. William D. Revelli. This edition: scorch. American,Concert,Patriotic,Standards. 1 pages. Duration 240. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.327476).
Digital Pack includes
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The Stars and Stripes Forever - Conductor Score (Full Score)
The Stars and Stripes Forever - Condensed Score
The Stars and Stripes Forever - Piccolo
The Stars and Stripes Forever - Flute 1
The Stars and Stripes Forever - Flute 2
The Stars and Stripes Forever - Oboe 1, 2
The Stars and Stripes Forever - Bassoon 1, 2
The Stars and Stripes Forever - Eb Clarinet
The Stars and Stripes Forever - Bb Clarinet 1
The Stars and Stripes Forever - Bb Clarinet 2
The Stars and Stripes Forever - Bb Clarinet 3
The Stars and Stripes Forever - Eb Alto Clarinet
The Stars and Stripes Forever - Bb Bass Clarinet
The Stars and Stripes Forever - Eb Contra Alto Clarinet
The Stars and Stripes Forever - Bb Contra Bass Clarinet
The Stars and Stripes Forever - Eb Alto Saxophone 1
The Stars and Stripes Forever - Eb Alto Saxophone 2
The Stars and Stripes Forever - Bb Tenor Saxophone
The Stars and Stripes Forever - Eb Baritone Saxophone
The Stars and Stripes Forever - Solo Bb Cornet
The Stars and Stripes Forever - Bb Cornet 1
The Stars and Stripes Forever - Bb Cornet 2
The Stars and Stripes Forever - Bb Cornet 3
The Stars and Stripes Forever - Bb Trumpet 1
The Stars and Stripes Forever - Bb Trumpet 2
The Stars and Stripes Forever - F Horn 1
The Stars and Stripes Forever - F Horn 2
The Stars and Stripes Forever - F Horn 3
The Stars and Stripes Forever - F Horn 4
The Stars and Stripes Forever - Trombone 1
The Stars and Stripes Forever - Trombone 2
The Stars and Stripes Forever - Trombone 3
The Stars and Stripes Forever - Baritone B.C.
The Stars and Stripes Forever - Baritone T.C.
The Stars and Stripes Forever - Tuba
The Stars and Stripes Forever - String Bass
The Stars and Stripes Forever - Snare Drum
The Stars and Stripes Forever - Bass Drum/Cymbals
The Stars and Stripes Forever - Bells/Triangle
The Stars and Stripes Forever - Timpani
$70.00
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Silvertube Variations
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Samuel Livingston
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some are quiet and tranquil
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Silvertube Variations
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBW195 Composed by Samuel Livingston. Score and Parts. 81 pages. Imagine Music - Digital #CBW195. Published by Imagine ...
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Concert band - Grade 4 - SKU: IZ.CBW195 Composed by Samuel Livingston. Score and Parts. 81 pages. Imagine Music - Digital #CBW195. Published by Imagine Music - Digital (IZ.CBW195). 9 x 12 in inches.Silvertube Variations is a set of variations for concert band with flute solo. (The title refers to the solo flute.) The music is consistently melodic, with harmonies that are modal and consonant. The piece begins with a simple, folk-like theme, played by the solo flute, alone. The theme is then repeated in the full band, with a chord progression that is not as simple as the tune seems to imply. The piece continues with several variations on that chord progression. Some variations feature the soloist, some feature specific sections of the band, and some use all the resources of the full band. Some variations are brisk and playful; some are quiet and tranquil; some are expansive and forceful. In the final variation, the full band builds toward a climax, and then, just before the final chord, stops abruptly. After a moment of silence, the solo flute, again playing alone, reprises the theme, and a quiet two-bar coda in the woodwinds and horns ends the piece.
$80.00
Silvertube Variations
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Samuel Livingston
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some are quiet and tranquil
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Silvertube Variations
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBW195-S Composed by Samuel Livingston. Score. 25 pages. Imagine Music - Digital #CBW195-S. Published by Imagine Music ...
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Concert band - Grade 4 - SKU: IZ.CBW195-S Composed by Samuel Livingston. Score. 25 pages. Imagine Music - Digital #CBW195-S. Published by Imagine Music - Digital (IZ.CBW195-S). 9 x 12 in inches.Silvertube Variations is a set of variations for concert band with flute solo. (The title refers to the solo flute.) The music is consistently melodic, with harmonies that are modal and consonant. The piece begins with a simple, folk-like theme, played by the solo flute, alone. The theme is then repeated in the full band, with a chord progression that is not as simple as the tune seems to imply. The piece continues with several variations on that chord progression. Some variations feature the soloist, some feature specific sections of the band, and some use all the resources of the full band. Some variations are brisk and playful; some are quiet and tranquil; some are expansive and forceful. In the final variation, the full band builds toward a climax, and then, just before the final chord, stops abruptly. After a moment of silence, the solo flute, again playing alone, reprises the theme, and a quiet two-bar coda in the woodwinds and horns ends the piece.
$80.00
Ein Morgen, ein Mittag, ein Abend in Wien (Morning, Noon and Night in Vienna), overture by Franz von
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Franz von Suppe
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Albert Schwarzmann
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Ein Morgen, ein Mittag, ein Ab
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Edition Schwalbe
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1021848 Composed by Franz von Suppe. Arranged by Albert Schwarzmann. Romantic Period. Score and parts. 192 pages. Editi...
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Concert Band - Level 5 - SKU: A0.1021848 Composed by Franz von Suppe. Arranged by Albert Schwarzmann. Romantic Period. Score and parts. 192 pages. Edition Schwalbe #6644221. Published by Edition Schwalbe (A0.1021848). Franz von Suppé was a typical child of the multiethic Austrian-Hungarian monarchy with Italian, Dalmatian and Viennese ancestors. His full name was Francesco Ezechiele Ermenegildo de Suppè. He is regarded as father of the Viennese operetta. As he very often composed on bad quality librettos, most of his operettas nowadays are no more performed on stage. But many of his overtures and melodies are still popular, like this overture to the operetta Ein Morgen, ein Mittag, ein Abend in Wien (Morning, Noon and Night in Vienna), which was first performed in Vienna in February 1844. The original cello solo starting at bar 14was transcribed in this arrangement to the bass clarinet, as it is the only wind instrument in this score covering the range of the cello's solo part. There are also alternatives for clarinet (as in the orchestral score) or flugelhorn combined with euphonium. This transcription was commissioned by Wind Philharmonic Mozarteum Salzburg and first performed conducted by Hansjoerg Angerer at their 2014 New Year's Concert on January 6th in Salzburg, Austria. A live recording of this piece is included on the CD Eine musikalische Reise UMR65, Barcode 9120007612141 available at https://naxosdirekt.de/items/eine-musikalische-reise-557962 . Further details at: https://www.blaeserphilharmonie-mozarteum.at/
$142.40
Shepherds' Rocking Carol — concert band
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Orchestre d'harmonie
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FACILE
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Noël
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Czech traditional carol
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Todd Marchand
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Shepherds' Rocking Carol — c
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Con Spirito Music
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SheetMusicPlus
Composed by Czech traditional carol. Arranged by Todd Marchand. Christmas. Score, Set of Parts. 28 pages. Published by Con Spirito Music...
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Composed by Czech traditional carol. Arranged by Todd Marchand. Christmas. Score, Set of Parts. 28 pages. Published by Con Spirito Music
?Shepherds? Rocking Carol? is a traditional Czechoslovakian folk tune (?Hajej, nynej, Jezisku?) with lyrics loosely translated by the Anglican clergyman, Percy Dearmer. With Ralph Vaughan Williams, Dearmer was co-editor of The English Hymnal (1906) as well as The Oxford Book of Carols (1928), in which his translation, ?Little Jesus, Sweetly Sleep,? appears with the Czech tune.
This arrangement for young/developing band is an ideal vehicle for the budding oboist, featuring the oboe on melody in the first presentation of the tune and recapitulating at the work?s end. (A clarinet solo / substitute for oboe part is provided.)
Although conservative in range and technical demands, ?Shepherds? Rocking Carol? incorporates a variety of instrumental, dynamic, and harmonic contrasts that make it both simple and elegant, and ideal for developing musicianship in every section of the band.
$45.00
King Solomon Suite
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Orchestre d'harmonie
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DÉBUTANT
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Gary D
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King Solomon Suite
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DR GARY D BELSHAW
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.796750 Composed by Gary D. Belshaw. Christian,Instructional,Jewish,Standards. Score and parts. 17 pages. DR GARY D BELS...
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Concert Band - Level 1 - SKU: A0.796750 Composed by Gary D. Belshaw. Christian,Instructional,Jewish,Standards. Score and parts. 17 pages. DR GARY D BELSHAW #4802143. Published by DR GARY D BELSHAW (A0.796750). Full (Conductor's) Score only . Beginning Concert Band. Duration, about four minutes.A three-movement suite, this composition provides a suitable educational initiative on the history of one of the most famous of all kings. Would also serve well in a collaborative endeavor with your school or church's dramatic arts department. A perfect addition to your first-year band's spring concert, or to open their second year with confident assertions of musicianship. Don't be surprised if, when contests are over, and your students are standing in line at the theme park, if you hear them humming these tunes.
$5.00
Crime Comedy Ouverture
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Orchestre d'harmonie
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Contemporain
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Fredrik Schwenk
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Crime Comedy Ouverture
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Fredrik Schwenk
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SheetMusicPlus
Concert Band - SKU: A0.1022032 Composed by Fredrik Schwenk. 20th Century. Score and parts. 25 pages. Fredrik Schwenk #6303893. Published by Fredrik Schw...
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Concert Band - SKU: A0.1022032 Composed by Fredrik Schwenk. 20th Century. Score and parts. 25 pages. Fredrik Schwenk #6303893. Published by Fredrik Schwenk (A0.1022032). This Crime Comedy Overture was written in 2020 for the composition competition of the 9th International Youth Band Meeting of the Wind Youth in the Bund Deutscher Blasmusikverbände (BDB). The difficulty level of the work was conceived in such a way that more demanding, partly soloistic tasks are provided in the first voices in each case, while the other voices are easier to perform. The work contains deliberate allusions to Paul Dukas' symphonic poem The Sorcerer's Apprentice (1897), Igor Stravinsky's Symphony in 3 Movements (1946) and Dimitri Shostakovich's Symphony No. 10 in E minor, op. 93 (1953).
$25.00
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