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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Step With Me
Non classifié
179
Piano & claviers
Piano, Voix
192
Piano seul
118
Piano, Voix et Guitare
54
Piano Facile
26
Instruments en Do
15
Accompagnement Piano
7
Piano Quatuor: piano, 2 violons, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
2
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Guitare
6
Guitare notes et tablatures
4
Ligne De Mélodie, (Paroles) et Accords
3
Basse electrique
3
Piano, Guitare (duo)
2
Mandoline
1
Guitare (partie séparée)
1
+ 2 instrumentations
Retracter
Voix
Chorale 2 parties
204
Voix duo, Piano
126
Chorale SATB
112
Chorale Unison
82
Chorale 3 parties
76
Voix duo
21
Chorale TTBB
14
Chorale SSAA
7
Voix haute
2
Voix Soprano, Piano
1
Voix Baryton, Piano
1
Voix seule
1
+ 7 instrumentations
Retracter
Vents
Saxophone Soprano et Piano
27
Saxophone Tenor et Piano
22
Clarinette et Piano
18
Flûte traversière et Piano
17
Quatuor de Saxophones: 4 saxophones
17
Saxophone Alto et Piano
16
2 Saxophones (duo)
14
Flûte, Hautbois, Clarinette, Basson
12
Flûte traversière
12
Hautbois, Piano (duo)
10
Clarinette
10
Flûte, Clarinette (duo)
9
Hautbois (partie séparée)
8
Ensemble de Clarinettes
8
Saxophone Alto
7
Saxophone Tenor
4
Flûte, Violon, Piano
4
2 Clarinettes (duo)
3
Saxophone (partie séparée)
3
Saxophone Baryton, Piano
3
Flûte, Violon, Violoncelle et Piano
3
Harmonica
2
Ensemble de Flûtes
2
Hautbois
1
Cor anglais, Piano
1
Trio de Flûtes: 3 flûtes
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Flûte, Basson et Piano
1
Flute (partie séparée)
1
2 Flûtes traversières (duo)
1
+ 25 instrumentations
Retracter
Cuivres
Trompette, Piano
20
Trombone et Piano
18
Trompette
17
Cor et Piano
12
2 Trombones (duo)
9
Cor
9
2 Trompettes (duo)
8
Trombone
8
Trompette, Cor (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Tuba
3
Euphonium
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette (partie séparée)
2
2 Cors (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Trombone basse et Piano
2
Quatuor de Cuivres
2
Cor anglais, Piano
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 trombones
1
+ 16 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
36
Violon
23
Violoncelle, Piano
21
Alto, Piano
19
Violon et Piano
18
Violoncelle
15
Alto seul
13
Violon, Violoncelle (duo)
9
Harpe
9
Trio à Cordes: violon, alto, violoncelle
8
Piano Trio: Violon, Alto, Piano
7
Violon, Alto (duo)
6
2 Violoncelles (duo)
5
Alto (partie séparée)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Contre Basse
4
2 Altos (duo)
1
2 Contrebasses (duo)
1
Trio à Cordes: 2 violons, alto
1
2 Harpes (duo)
1
2 Violons (duo)
1
4 Violoncelles
1
Alto, Violoncelle (duo)
1
Contrebasse (partie séparée)
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
21
Orchestre d'harmonie
14
Orchestre
9
Orchestre à Cordes
5
Ensemble de Percussions
3
Orchestre de chambre
2
Ensemble Jazz
1
Batterie
1
Batterie (partie séparée)
1
Fanfare
1
Xylophone ou Marimba ou Vibraphone
1
Jazz combo
1
Piano et Orchestre
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Ventes
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Nouveautes
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avec audio
avec vidéo
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Crtitères actifs :
Step With Me
Orchestre d'harmonie
Partitions à imprimer
14 partitions trouvées
<
1
Don't Sit Under The Apple Tree (with Anyone Else But Me)
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Orchestre d'harmonie
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AVANCÉ
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Charlie Tobias, Lew Brown, and
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Trevor Denyer
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Don't Sit Under The Apple Tree
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Trevor Denyer
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1127399 Composed by Charlie Tobias, Lew Brown, and Sam H. Stept. Arranged by Trevor Denyer. 20th Century,Standards. Sco...
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Concert Band - Level 5 - SKU: A0.1127399 Composed by Charlie Tobias, Lew Brown, and Sam H. Stept. Arranged by Trevor Denyer. 20th Century,Standards. Score and parts. 82 pages. Trevor Denyer #728023. Published by Trevor Denyer (A0.1127399). An ever-popular song that was enjoyed during the 1940's and ever since. This arrangement has a good play for all parts with a twist(!) in the middle. Print the parts double-sided as presented and the page turns will work. Enjoy!
$49.99
All Of Me
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Orchestre d'harmonie
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INTERMÉDIAIRE
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John Legend
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Tom Rundle-Wood
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All Of Me
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Tom Rundle-Wood
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.985267 By John Legend. By John Stephens and Toby Gad. Arranged by Tom Rundle-Wood. Hip-Hop,R & B. Score and parts. 56 p...
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Concert Band - Level 3 - SKU: A0.985267 By John Legend. By John Stephens and Toby Gad. Arranged by Tom Rundle-Wood. Hip-Hop,R & B. Score and parts. 56 pages. Tom Rundle-Wood #6667869. Published by Tom Rundle-Wood (A0.985267). Arranged for Flexi-Ensemble this arrangement passes the melody around parts 1-4 with your part 5 being that solid foundation for everyone to work with. Parts in C, Bb, Eb, F and Strings.
$49.99
Monody
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Christian F
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Stephen Cai
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Monody
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Stephen Cai
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Vid...
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Concert Band - Level 4 - SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Video Game. Score and Parts. 66 pages. Stephen Cai #876297. Published by Stephen Cai (A0.1285185). Monody - TheFatRat (Christian F. J. Buettner) arr. Stephen Cai for Concert BandProgram Notes:MUSIC As a sequel to Pigstep by Lena Raine and Exodus by Ernest Gold, I have decided to take on the challenge of arranging the ever-famous glitch hop song, Monody by Christian Buettner (known more prominently by his online alias, TheFatRat).Similarly to Pigstep, my first arrangement, I ran into the challenge of instrumentation, as Monody’s original soundtrack almost entirely consisted of electronic instruments. However, I used the same technique I did with Pigstep to overcome this problem: assign basslines to low brass, treble melodies to mid-range instruments, and high parts to upper woodwinds. Unlike Pigstep, Monody pushed me to be more creative with the percussion section, as I had to puzzle out recreating all of the numerous sound effects throughout the piece with traditional percussion instruments. I even decided to notate a conch shell line for the war horn present at the beginning and the coda! At the end, however, it all came together nicely, and I came to realize that both this song and the process of arranging it represent a journey, albeit in different contexts. The word “Monody†refers to, in a literal sense, a song sung to mourn one’s death, which accordingly fits with my view of the piece as a journey where the narrator loses their companion. Writing the introduction measures (M.22) carried me through the genuine feelings of embarking on a mythical undertaking as the original soundtrack intends to portray. The lively middle section (M.70) was enjoyable to write as well, because the music itself is upbeat and full of energy. Finally, arranging the solo section was probably my most memorable experience. The slow and subtly melancholic character of the melody (the oboe solo) very closely alludes to the narrator’s mourning, and the enchanting lyrics originally written for this section further confirms their loss:    I still hear you in the breeze,    See your shadows in the trees;    Holding on, memories never change. The chords and harmonies that the original soundtrack provided were relatively simple to transcribe, and I found joy complementing them with luscious percussion effects. This is my interpretation of Monody, and I believe that it would be best performed as a journey, one which we can relate to as it encompasses the theme of loss; a monody. ARTWORK I also took up the challenge of creating original cover artwork for Monody, and I have to say, my level of appreciation for artists of any kind has skyrocketed ever since that endeavor. It took nearly two months of watching YouTube tutorials, onerous idea crunching, and using my sister’s drawing tablet, but I had nevertheless completed it with advice from some of my more experience peers (including my sister). Formal Credits: Cai, Stephen and Rachel Cai. “Monody†Arrangement for Concert Band cover. 2023 Lastly, I want to say thanks to my friend Matteo Sohn for being such a huge musical inspiration, and thank you for acknowledging my arrangement!
$59.99
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Keith Terrett
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Scipio
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Te...
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Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99
Carmen Suite No. 2 (A4)
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Orchestre d'harmonie
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AVANCÉ
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Georges Bizet
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Shinji Kasama
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Carmen Suite No. 2
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Kasama Music Corporation
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1207831 Composed by Georges Bizet (1838–1875). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and ...
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Concert Band - Level 5 - SKU: A0.1207831 Composed by Georges Bizet (1838–1875). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and Parts. 476 pages. Kasama Music Corporation #805952. Published by Kasama Music Corporation (A0.1207831). [This Publication is in A4 size. Letter size (8/5 x 11) is also available.]Carmen Suite No. 2  6.  Marche des contrebandiers (Introduction to Act III)  7.  Habañera (Act I)  8.  Nocturne (Michaela’a Aria, Act III)  9.  Chanson du Toréador (Act II)  10. La Garde Montante (Children’s Chorus, Act I)  11. Danse Bohême (Chanson Bohème, Act II)Carmen Suite No. 2, from the famous opera by Georges Bizet (1838–1875), consists of vocal numbers in the opera. The voice parts are given to various orchestral instruments in the suite. This transcription is in the original keys, except (#11) Danse Bohême, which is transposed up a half step from the original key.This publication is for concert band with full score (pp. 1–83), piccolo–harp (pp. 85–341), and transposed parts (pp. 342–476).A printed score and the parts on CD-ROM are available for purchase at www.kasamamusic.com.
$28.00
Carmen Suite No. 2 (8/5 x 11)
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Orchestre d'harmonie
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AVANCÉ
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Georges Bizet
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Shinji Kasama
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Carmen Suite No. 2
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Kasama Music Corporation
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1207830 Composed by Georges Bizet (1838–1875). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and ...
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Concert Band - Level 5 - SKU: A0.1207830 Composed by Georges Bizet (1838–1875). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and Parts. 476 pages. Kasama Music Corporation #805951. Published by Kasama Music Corporation (A0.1207830). [This Publication is in letter size (8/5 x 11). A4 size is also available.]Carmen Suite No. 2 (8/5 x 11)  6.  Marche des contrebandiers (Introduction to Act III)  7.  Habañera (Act I)  8.  Nocturne (Michaela’a Aria, Act III)  9.  Chanson du Toréador (Act II)  10. La Garde Montante (Children’s Chorus, Act I)  11. Danse Bohême (Chanson Bohème, Act II)Carmen Suite No. 2, from the famous opera by Georges Bizet (1838–1875), consists of vocal numbers in the opera. The voice parts are given to various orchestral instruments in the suite. This transcription is in the original keys, except (#11) Danse Bohême, which is transposed up a half step from the original key.This publication is for concert band with full score (pp. 1–83), piccolo–harp (pp. 85–341), and transposed parts (pp. 342–476).A printed score and the parts on CD-ROM are available for purchase at www.kasamamusic.com.
$28.00
Mystery
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jennifer Lucy Cook
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John Ivor Holland
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Mystery
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1446801 Composed by Jennifer Lucy Cook. Arranged by John Ivor Holland. 21st Century,Classical,Contemporary,Contest,Fest...
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Concert Band - Level 4 - SKU: A0.1446801 Composed by Jennifer Lucy Cook. Arranged by John Ivor Holland. 21st Century,Classical,Contemporary,Contest,Festival. 76 pages. John Ivor Holland #1026566. Published by John Ivor Holland (A0.1446801). Jennifer Lucy Cook is a composer and lyricist based in Los Angeles, specialising in music for the stage and screen, choral work, and pop songwriting. Of 'Mystery', she writes: Nothing has brought me nearer to the brink of insanity more than my futile grip on life. Controlling, planning, and carefully crafting the next step continues to be virtually pointless, and yet I persist. *sigh* Letting go is beautiful but elusive, like hanging onto smoke, and impatience is always at my heels. 'Mystery' is the musical ravings of a slightly deranged person reminding themselves to trust the process – after all, what good is a life without surprises? “Once you tell a secret, there’s no secret left to tell”, and thus, life keeps her mystery guarded. This arrangement has been created as part of an ongoing project to bring more music by women into the worldwide concert band repertoire.
$69.99
Rhythms of the Spirit
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Orchestre d'harmonie
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Contemporain
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James M
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Rhythms of the Spirit
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Jim Stephenson Music, Inc.
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SheetMusicPlus
Concert Band - SKU: A0.1030888 Composed by James M. Stephenson. Contemporary. Score and parts. 154 pages. Jim Stephenson Music, Inc. #48491. Published b...
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Concert Band - SKU: A0.1030888 Composed by James M. Stephenson. Contemporary. Score and parts. 154 pages. Jim Stephenson Music, Inc. #48491. Published by Jim Stephenson Music, Inc. (A0.1030888). Written by internationally renowned, Chicago-based composer, James M. Stephenson stephensonmusic.com Jim@Stephensonmusic.com Product info: http://stephensonmusic.com/product/rhythms-of-the-spirit Facebook: https://www.facebook.com/jim.stephenson.946 Twitter: https://twitter.com/ComposerJim YouTube: https://www.youtube.com/user/JimmyThird/featured Duration: 9' Commissioned by and dedicated to the Grand Symphonc Winds; Matthew George, Music Director. Premiered May 2, 2013. Notes about the Music: In the spring of 2012, I was in Minnesota attending some performances, and had the fortunate opportunity of catching up with Matthew George, conductor of the Grand Symphonic Winds. Matt had given the world premiere performance of my Concerto for Brass Quintet (Dodecafecta), and has always had a major presence in the formation of new works for winds, so I was very delighted when he brought up the idea of a new work for his group. The Grand Symphonic Winds, in honor of their 25th anniversary, were looking to celebrate the influx of many international cultures which had become a significant part of the landscape in Minnesota. This immediately called out to me in musical terms, namely in the forms of rhythms and spirituality (hence the title!) The piece opens and closes with heroic and beautiful music, signifying (to me) what most cultures seem to all be saying, but in different languages: we all just want peace, harmony and love. The entire middle section is very rhythmic, using many percussion instruments found in different cultures, also represented in Minnesota: Latin America (claves, bongos), Africa (Djembe) and if possible, Southeast Asia (Dholak). And just for fun, I even spelled out Minnesota in Morse code, but this was merely for my own enjoyment! I wish to thank Matt George, for all he has done for the field of music in Wind Ensembles, and specifically to him and the Grand Symphonic Winds for entrusting to me the responsibility of composing this new work, which I truly hope finds its home in the literature. Jim Stephenson March, 2013 Instrumentation: Wind Ensemble – one per part, except: 2 tubas recommended, French Horns doubled Recommended: Rhythm percussion sit in the middle of the ensemble, or immediately in front of the conductor, where visible to audience. Percussion instruments needed: Snare Drum, Bass Drum, Cymb. a2 Claves, Djembe, Marimba, Triangle, Vibes, Bongos (or Dholak) Xylophone, Glock., Tambourine, Sus. Cymb. (if desired, the Dholak could replace the Bongos, using high/low sounds).
$140.00
2/3 March
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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George Willson
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2/3 March
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George Willson
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.927168 Composed by George Willson. 20th Century,Contemporary. Score and parts. 73 pages. George Willson #3515727. Publi...
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Concert Band - Level 4 - SKU: A0.927168 Composed by George Willson. 20th Century,Contemporary. Score and parts. 73 pages. George Willson #3515727. Published by George Willson (A0.927168). The piece is at least a grade 3 due to competing time signatures, contrapuntal melodies, and persistent upper register work across several sections.Written during my time in the Army, this march emerged as a sort of musical joke. The melody and rhythm parts alternate between 6/8 and 2/4 (or 2 over 3) time throughout the piece with the quarter and dotted-quarter keeping the same beat. It incorporates nearly every march convention that my friend and I could think of from the low brass taking over the strain and piccolo obbligato to the baffling euphonium arpeggios in the final strain along with the equally bafflingly obnoxious trombone countermelody. At the same time, it breaks convention by granting the horn players the melodic line in the trio section instead of giving them the back beats they love so much. One of the stranger jokes whose meaning one might miss is the mix up of beats at the key change which was done deliberately to put the generals and first sergeants out of step. It also contains a symphony's worth of stingers at the end (because 19-year-old me was hilarious ... apparently).
$35.00
Festive Expressions
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Orchestre d'harmonie
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Daniel Baldwin
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Festive Expressions
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Imagine Music - Digital
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SheetMusicPlus
Wind ensemble/concert band - SKU: IZ.CBW209-S Composed by Daniel Baldwin. Score. 49 pages. Imagine Music - Digital #CBW209-S. Published by Imagine Music...
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Wind ensemble/concert band - SKU: IZ.CBW209-S Composed by Daniel Baldwin. Score. 49 pages. Imagine Music - Digital #CBW209-S. Published by Imagine Music - Digital (IZ.CBW209-S). 9 x 12 in inches.In the fall of 2013, I was approached by Tyler Goodrich White of the Lincoln Symphony who had heard of my interest in composing a holiday piece featuring the surrounding area's Suzuki students, and he gave me the green light with just a couple of stipulations: one, it had to feature the tunes from the Suzuki book, and also needed to be presented in the same order and in the same keys; and two, it needed to be interesting for the audience and the orchestra.The piece began with those sketches of Suzuki tunes. Interspersed were my original orchestral interludes, what I intended to be a combination of beautiful, dramatic, and playful, with hints of recognizable Christmas tunes woven into the background. Festive Expressions was the resulting composition, which can be performed with or without Suzuki Soloists. It was premiered by Lincoln's Symphony Orchestra on December 7, 2013 with Tyler Goodrich White conducting over 100 Suzuki Soloists on stage.The Wind Ensemble arrangement, Satana Autumn, was created for Fred J. Allen and the Stephen F. Austin State University Wind Ensemble; it was intended as a gift in response to a wonderful piece he wrote for me when I was a public school teacher.
$16.00
Festive Expressions
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Orchestre d'harmonie
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Daniel Baldwin
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Festive Expressions
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Imagine Music - Digital
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SheetMusicPlus
Wind ensemble/concert band - SKU: IZ.CBW209 Composed by Daniel Baldwin. Score and Parts. 157 pages. Imagine Music - Digital #CBW209. Published by Imagin...
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Wind ensemble/concert band - SKU: IZ.CBW209 Composed by Daniel Baldwin. Score and Parts. 157 pages. Imagine Music - Digital #CBW209. Published by Imagine Music - Digital (IZ.CBW209). 9 x 12 in inches.In the fall of 2013, I was approached by Tyler Goodrich White of the Lincoln Symphony who had heard of my interest in composing a holiday piece featuring the surrounding area's Suzuki students, and he gave me the green light with just a couple of stipulations: one, it had to feature the tunes from the Suzuki book, and also needed to be presented in the same order and in the same keys; and two, it needed to be interesting for the audience and the orchestra.The piece began with those sketches of Suzuki tunes. Interspersed were my original orchestral interludes, what I intended to be a combination of beautiful, dramatic, and playful, with hints of recognizable Christmas tunes woven into the background. Festive Expressions was the resulting composition, which can be performed with or without Suzuki Soloists. It was premiered by Lincoln's Symphony Orchestra on December 7, 2013 with Tyler Goodrich White conducting over 100 Suzuki Soloists on stage.The Wind Ensemble arrangement, Satana Autumn, was created for Fred J. Allen and the Stephen F. Austin State University Wind Ensemble; it was intended as a gift in response to a wonderful piece he wrote for me when I was a public school teacher.
$80.00
Rocky Mountain Vista
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Orchestre d'harmonie
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FACILE
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Folklorique/Traditionel
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Stephen R Dalrymple
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Stephen R Dalrymple
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hear the wind blow
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Rocky Mountain Vista
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.818279 By Stephen R Dalrymple. By American Folk Song. Arranged by Stephen R Dalrymple. Folk. Score and parts. 52 pages....
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Concert Band - Level 2 - SKU: A0.818279 By Stephen R Dalrymple. By American Folk Song. Arranged by Stephen R Dalrymple. Folk. Score and parts. 52 pages. Stephen R Dalrymple #4854631. Published by Stephen R Dalrymple (A0.818279). Rocky Mountain Vista ♫ American Folk Song ♫ “Rocky Mountain High†with “Down in the Valley†and “Home on the Range†♫ arranged for concert band by Stephen R Dalrymple ♫ What would you see if you climbed to the rim of the Rocky Mountains (or the Appalachians)? I arranged 2 American folk songs of unknown authorship, Rocky Mountain and Down in the Valley, plus Home on the Range (by Brewster Higley (lyrics 1874) and Daniel Kelly (melody pre 1905) to portray our western mountains and range land. ♫ [2021 Update: Actually, modern theory says Rocky Mountain came from the Appalachian Mountains and describes the rocky mountains of the Appalachians, not the Rockies. But for many the song evokes memories of the Rocky Mountains. So if you look to the west or the east for high mountains, you're covered.] ♫ Rocky mountain, rocky mountain, rocky mountain high, When you’re on that rocky mountain, hang your head and cry. Loo, loo, loo, loo, Do remember me. Loo, loo, loo, loo, Do remember me. ♫ Down in the valley the valley so low, Hang your head over; hear the wind blow. Hear the wind blow dear; hear the wind blow. Hang your head over; hear the wind blow. ♫ Oh, give me a home where the buffalo roam, Where the deer and the antelope play, Where seldom is heard a discouraging word, And the skies are not cloudy all day. ♫ Home, home on the range, Where the deer and the antelope play, Where seldom is heard a discouraging word, And the skies are not cloudy all day. ♫ How often at night, when the heavens were bright, With the light of the twinkling stars, Have I stood here amazed, and asked as I gazed, If their glory exceeds that of ours! ♫ sequenced by the arranger ♫ arrangement © 2001, 2019 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute/Oboe, Clarinet 1, Clarinet 2, Clarinet 3, Bass Clarinet, Alto Clarinet/Alto Alto Sax, Tenor Sax, Baritone Sax, Trumpet 1, Trumpet 2, French Horn, Trombone/Bass Clef Baritone/Bassoon, Treble Clef Baritone, Tuba, Electric Bass, Snare Drum/Bass Drum, Triangle/Cymbal, and Bells. ♫ The YouTube video contains the full recording.
$19.00
Abraham’s Daughter: March from the Civil War
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Stephen R Dalrymple
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but no daughters
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Abraham’s Daughter: Marc
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and...
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Concert Band - Level 3 - SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and parts. 54 pages. Stephen R Dalrymple #3566019. Published by Stephen R Dalrymple (A0.818257). Abraham’s Daughter: March from the Civil War ♫ by Septimus Winter (1861) ♫ with When Johnny Comes Marching Home by Patrick Gilmore a.k.a. Louis Lambert (1863). ♫ arranged for concert band by Stephen R Dalrymple ♫ After a family trip to Gettysburg, Antietam, Harper’s Ferry, and Ford Theater, I created a concert band arrangement to solidify the trip in my mind using a popular Civil War song from the North, “Abraham’s Daughter,†and a song used by both North and South, “Johnny Comes Marching Home.†♫ Music was a means for soldiers to release the tensions of war. By December 1861 the Union army had 28,000 musicians in 618 bands, not counting soldiers who travelled with violins and other musical instruments. Soldiers often sang as they marched by day and at night in camp. Musical duels were not uncommon between Union and Confederate bands. This idea inspired the last section of the arranger where the 2 songs are played against each other. ♫ Septimus Winner wrote “Abraham’s Daughter†in 1861 for the Minstrel stage. “Abraham’s Daughter†pictures a fresh recruit that is on his way to Washington DC to be processed and trained for future battles. ♫ Given the unpublished verses we have, Abraham’s Daughter was undoubtedly sung and embellished by Union soldiers as they travelled from battlefield to battlefield. ♫ Winner is also known for writing “Ten Little Injuns†“Listen to the Mockingbird†and “Where, Oh Where Has My Little Dog Gone?†♫ Abraham Lincoln had 4 sons, Robert Todd, Edward Baker, William Wallace, and Thomas (Tad); but no daughters. So, who is Abraham’s daughter? ♫ Oh! Should you ask me who she am, Columbia is her name, sir; She is the child of Abraham, Or Uncle Sam, the same, sir. Now if I fight, why ain't I right? And don't you think I oughter. The volunteers are a-pouring in From every loyal quarter, And I'm goin' down to Washington To fight for Abraham's daughter. ♫ At the beginning of the war, the majority of soldiers, North and South, were fighting to uphold their view of government, each side justifying its position by quoting the Constitution. Southern States saw each State as a sovereign, independent nation. Abraham Lincoln insisted that the United States were one nation. For Abraham Lincoln, the purpose of the war was to preserve the Union. The undivided union was Lincoln’s daughter. ♫ arrangement © 2000, 2013 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Electric Bass, Snare and Bass Drums, Cymbals, and Bells. 3) Condensed Conductor’s Score in a smaller format for use in a 10 inch tablet 4) The same parts formatted for a 10 inch tablet. ♫ The YouTube video contains a full recording.
$19.00
Epic Steve - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Brendan Elliget MAGA 537
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Epic Steve - Concert Band Scor
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Brendan Elliget
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SheetMusicPlus
Concert Band - Intermediate - Composed by Brendan Elliget MAGA 537. Contemporary Classical. Score, Set of Parts. 35 pages. Published by Brendan Elli...
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Concert Band - Intermediate - Composed by Brendan Elliget MAGA 537. Contemporary Classical. Score, Set of Parts. 35 pages. Published by Brendan Elliget
This short Concert Band composition (originally for Orchestra) was written for my son Stephen (Epic Steve) who works as a digital animator ? The music depicts a possible future animation involving an ?epic? tale. Let me know what you think of the composition. The MP3 was recorded with NotePerformer. Also available at this site for Orchestra.
Grade = 4 Duration = 2:25 mins
$25.00
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