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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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THAT'S MY BOO
Non classifié
297
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184
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137
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124
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85
Piano Facile
30
Orgue
11
Accordéon
5
1 Piano, 4 mains
5
Piano grosses notes
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 4 mains
1
+ 6 instrumentations
Retracter
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Guitare
26
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23
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6
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5
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5
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5
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3
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2
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1
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1
Banjo
1
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128
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25
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24
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18
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10
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5
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4
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3
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3
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3
Voix duo, Piano
3
Voix Soprano, Piano
3
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2
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2
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1
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1
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1
Voix Tenor, Piano
1
+ 13 instrumentations
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Quatuor de Saxophones: 4 saxophones
164
Flûte, Hautbois, Clarinette, Basson
147
Quintette de Saxophone: 5 saxophones
61
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
59
Flûte traversière et Piano
26
Saxophone Alto et Piano
25
Ensemble de Clarinettes
15
Ensemble de saxophones
12
Hautbois, Piano (duo)
8
Quintette de Flûte : 5 flûtes
8
Saxophone Tenor et Piano
7
2 Flûtes traversières (duo)
5
2 Saxophones (duo)
5
Quatuor de Flûtes : 4 flûtes
4
Flûte traversière
3
Quatuor de Clarinettes: 4 clarinettes
3
2 Clarinettes (duo)
3
Ensemble de Flûtes
3
Clarinette et Piano
3
Clarinette
2
Cor anglais, Piano
2
Clarinette, Basson (duo)
1
Saxophone Soprano et Piano
1
Hautbois (partie séparée)
1
Flute, harpe et violon
1
Clarinette, Guitare (duo)
1
Saxophone
1
Saxophone Baryton, Piano
1
Clarinette, Violon (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette Basse, Piano
1
Quatuor de Flûtes à bec
1
+ 27 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
129
Quatuor de cuivres: 4 trombones
37
Quatuor de Cuivres
29
Cor et Piano
17
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Ensemble de Trombones
12
Ensemble de Trompettes
10
Trompette, Piano
9
Trompette
9
Trio de Cuivres
7
Trombone
5
Tuba
4
2 Trompettes (duo)
3
2 Trombones (duo)
2
Cor anglais, Piano
2
Ensemble de Cors
1
Bass Clef Instruments
1
Trombone basse et Piano
1
Trompette (partie séparée)
1
Tuba et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Euphonium, Piano (duo)
1
Trombone et Piano
1
Trompette, Trombone (duo)
1
+ 19 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
195
Ensemble de Violons
10
Ensemble d'Altos
10
Violon et Piano
9
Harpe
9
Violoncelle
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Violon
5
Trio à Cordes: violon, alto, violoncelle
4
Alto (partie séparée)
4
Trio à Cordes: 2 violons, violoncelle
3
Violon, Violoncelle (duo)
2
Violon (partie séparée)
2
Harpe, Voix
2
Violoncelle, Piano
1
Violoncelle (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
Alto seul
1
Violon, Alto (duo)
1
Alto, Piano
1
+ 17 instrumentations
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Orchestre & Percussions
Orchestre
17
Ensemble Jazz
14
Orchestre d'harmonie
13
Ensemble de cuivres
11
Orchestre à Cordes
9
Orchestre de chambre
6
Ensemble de Percussions
5
Jazz combo
4
Cloches
3
Vibraphone
2
Batterie
2
Fanfare
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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FLUTE TRAVERSI…
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Orchestre d'harmonie
Partitions à imprimer
13 partitions trouvées
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1
Lord Maxwell's Goodnight - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Percy Aldridge Grainger
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Brian S
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Lord Maxwell's Goodnight - Sco
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G. Meredith Publications
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1501543 Composed by Percy Aldridge Grainger. Arranged by Brian S. Wilson. 20th Century,Classical. 8 pages. G. Meredith ...
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Concert Band - Level 3 - SKU: A0.1501543 Composed by Percy Aldridge Grainger. Arranged by Brian S. Wilson. 20th Century,Classical. 8 pages. G. Meredith Publications #1077486. Published by G. Meredith Publications (A0.1501543). This orchestration is the end product of my book entitled Orchestrational Archetypes in Percy Grainger's Wind Band Music. In an attempt to understand the enigmatic style of Grainger's wind band music, I made a detailed analysis of his recurring orchestrational practices with regard to melody, countermelody, part writing and contrapuntal dynamics. The conclusion is that the Grainger sound is a function of recurring orchestrational techniques, rather than other compositional elements such as melody or harmony. This information was then used to dish up selected Grainger voice and piano pieces in his own idiosyncratic style. I also arranged “British Waterside” and “The Cutting of The Hay” (G. Schrimer). Lord Maxwell’s Goodnight is a reflective, moving piece based on a ballad about Lord Maxwell, who has killed a rival in a long-standing bloody family feud and is leaving for Scotland to avoid prosecution. He bids good-bye to his wife, his lands and his country. Lord Maxwell’s Goodnight appears as Grainger’s British Folk Music Setting No. 42 for high tenor voice or unison male chorus and 4 strings (violin, viola, 2 cellos) in 1904. The original is in the key of F major but has been shifted to Db major in this orchestration. The lyrics of the first verse are: Adieu, madame, my mother dear,But and my sisters three O!Adieu, fair Robert of Orchardstane,My heart is woe for thee, O!Adieu, the lily and the rose,The primrose fair to see, O!Adieu, my ladye, and only joy,For I may not stay with thee, O!.
$10.00
Lord Maxwell's Goodnight - Set of Parts
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Percy Granger
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Brian S
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Lord Maxwell's Goodnight - Set
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G. Meredith Publications
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1501664 Composed by Percy Granger. Arranged by Brian S. Wilson. 20th Century,Classical. 37 pages. G. Meredith Publicati...
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Concert Band - Level 3 - SKU: A0.1501664 Composed by Percy Granger. Arranged by Brian S. Wilson. 20th Century,Classical. 37 pages. G. Meredith Publications #1077544. Published by G. Meredith Publications (A0.1501664). SET OF PARTS. Score sold separately. This orchestration is the end product of my book entitled Orchestrational Archetypes in Percy Grainger's Wind Band Music. In an attempt to understand the enigmatic style of Grainger's wind band music, I made a detailed analysis of his recurring orchestrational practices with regard to melody, countermelody, part writing and contrapuntal dynamics. The conclusion is that the Grainger sound is a function of recurring orchestrational techniques, rather than other compositional elements such as melody or harmony. This information was then used to dish up selected Grainger voice and piano pieces in his own idiosyncratic style. I also arranged “British Waterside” and “The Cutting of The Hay” (G. Schrimer). Lord Maxwell’s Goodnight is a reflective, moving piece based on a ballad about Lord Maxwell, who has killed a rival in a long-standing bloody family feud and is leaving for Scotland to avoid prosecution. He bids good-bye to his wife, his lands and his country. Lord Maxwell’s Goodnight appears as Grainger’s British Folk Music Setting No. 42 for high tenor voice or unison male chorus and 4 strings (violin, viola, 2 cellos) in 1904. The original is in the key of F major but has been shifted to Db major in this orchestration. The lyrics of the first verse are: Adieu, madame, my mother dear,But and my sisters three O!Adieu, fair Robert of Orchardstane,My heart is woe for thee, O!Adieu, the lily and the rose,The primrose fair to see, O!Adieu, my ladye, and only joy,For I may not stay with thee, O!.
$35.00
The Best Hymns of All Time (for Wind Instruments) Book 2
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Orchestre d'harmonie
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FACILE
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Musique Sacrée
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Various
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Colin Kirkpatrick
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.522171 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 123 pages. Colin K...
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Concert Band - Level 2 - SKU: A0.522171 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 123 pages. Colin Kirkpatrick Publications #5726781. Published by Colin Kirkpatrick Publications (A0.522171). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 123-page PDF file for instant download. Book 2 contains the following twenty popular hymns: A Mighty Fortress is our God (Ein Feste Burg); Awake my Soul (Morning Hymn); All Creatures of our God and King (Lasst uns Erfreuen); All People that on Earth do Dwell (Old Hundredth); Angels we have Heard on High (Gloria); Be thou my Vision (Slane); Come Thou Font of Every Blessing (Nettleton); Eternal Father, Strong to Save (Melita); God moves in a Mysterious Way (London New); Glory to Thee, My God, This Night (Tallis Canon); How Sweet the Name of Jesus Sounds (St. Peter); Immortal, Invisible, God Only Wise (St. Denio); Onward, Christian Soldiers (St. Gertrude); Let us with a Gladsome Mind (Monkland) Love Divine, All Loves Excelling (Beecher); Praise my Soul, the King of Heaven (Lauda Anima); The Day Thou Gavest (St. Clement); The King of Love my Shepherd is (St. Columba); We Plough the Fields and Scatter (Wir pflügen); Lead Us, Heavenly Father, Lead Us (Mannheim). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
The Best Hymns of All Time (for Wind Instruments) Book 3
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Orchestre d'harmonie
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FACILE
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Musique Sacrée
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Various
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Colin Kirkpatrick
#
The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin K...
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Concert Band - Level 2 - SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin Kirkpatrick Publications #5726785. Published by Colin Kirkpatrick Publications (A0.522172). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 138-page PDF file for instant download. Book 3 contains the following twenty popular hymns: All Hail the Power of Jesus’ Name (Miles Lane); All things Bright and Beautiful (Bright and Beautiful); Alleluia, Sing to Jesus (Hyfrydol); Blessed Assurance (Assurance); Come, Ye Thankful People, Come (St George’s Windsor); Father, Hear the Prayer we Offer (Sussex & Gott Will's Machen); For the Beauty of the Earth (Dix); Glorious Things of Thee are Spoken (Austrian hymn); How Firm a Foundation (Foundation); Jesu, Lover of my Soul (Hollingside); Jesus Loves Me, This I Know (Jesus Loves Me); Joyful, Joyful, We Adore Thee (Hymn to Joy); Kum Ba Yah (Afro-American folksong); Mine Eyes have Seen the Glory (Battle Hymn of the Republic); O God, Our Help In Ages Past (St. Anne); Morning has Broken (Bunessan); Praise to the Lord the Almighty (Lob den Herren); Shall We Gather at the River? (Hanson Place); The God of Abraham Praise (Leoni); When Peace Like a River (Ville du Havre). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
Estonia National Anthem: Mu Isamaa (My Fatherland)
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Orchestre d'harmonie
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FACILE
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Patriotique
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Fredrik Pacius
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Colin Kirkpatrick
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Estonia National Anthem: Mu Is
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Colin Kirkpatrick Publications
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SheetMusicPlus
Large Ensemble - Level 2 - SKU: A0.522128 Composed by Fredrik Pacius (1809 - 1891). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 35 pag...
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Large Ensemble - Level 2 - SKU: A0.522128 Composed by Fredrik Pacius (1809 - 1891). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 35 pages. Colin Kirkpatrick Publications #3382783. Published by Colin Kirkpatrick Publications (A0.522128). Colin Kirkpatrick’s National Anthems Express ESTONIA: Mu Isamaa This quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. Note that this anthem is virtually identical to the anthem of Finland. There is a minor difference in part of the melody and the repeat structure is different. This arrangement consists of a two-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute, oboe, piccolo, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$4.99
"Toccata" from Organ Symphony No. 5 - Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Charles Marie Widow
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Andrew Middleton
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"Toccata" from Organ
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Andrew Middleton
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.735841 Composed by Charles Marie Widow. Arranged by Andrew Middleton. Romantic Period. Score and parts. 138 pages. Andr...
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Concert Band - Level 4 - SKU: A0.735841 Composed by Charles Marie Widow. Arranged by Andrew Middleton. Romantic Period. Score and parts. 138 pages. Andrew Middleton #5759639. Published by Andrew Middleton (A0.735841). The final movement of Charles Marie Widow's Organ Symphony No. 5 is a bright Toccata that has both power and wit in it's main theme. This piece has been used in numerous ceremonies, including the Royal Wedding. This arrangement for concert band will add pomp and ceremony to any concert. With lots of doubling of parts as well we lower brass parts written in transposing clef, it will be suitable for all combinations of wind ensemble!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$24.99
Light Cavalry Overture - Concert Band
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Orchestre d'harmonie
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FACILE
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Classique
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Frank von Suppe
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Andrew Middleton
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Light Cavalry Overture - Conce
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Andrew Middleton
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.736028 Composed by Frank von Suppe. Arranged by Andrew Middleton. Romantic Period. Score and parts. 150 pages. Andrew M...
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Concert Band - Level 2 - SKU: A0.736028 Composed by Frank von Suppe. Arranged by Andrew Middleton. Romantic Period. Score and parts. 150 pages. Andrew Middleton #6099605. Published by Andrew Middleton (A0.736028). From Suppe's opera of the same name, Light Cavalry Overture is rousing piece that will start any rehearsal of concert off with bang. This arrangement for Concert Band is ideal for ensembles with lots of brass, although all parts are doubled across the woodwinds and brass.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$29.99
Revelations 5 (Mvt. II)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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John Dorhauer
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Revelations 5
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John J Dorhauer
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1024060 Composed by John Dorhauer. 20th Century,Contemporary. Score and Parts. 126 pages. John J Dorhauer #59173. Publi...
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Concert Band - Level 4 - SKU: A0.1024060 Composed by John Dorhauer. 20th Century,Contemporary. Score and Parts. 126 pages. John J Dorhauer #59173. Published by John J Dorhauer (A0.1024060). Back to School 2015 This standalone movement balances chaotic, breakneck ensemble writing with placid, luscious quieter moments. Inspired by the fifth chapter of the Book of Revelation, the music vividly depicts the duality of the lion/lamb character (hence the plurality of the title), and the ample use of mixed meter and solo opportunities (particularly for flute and percussion) will offer an engaging challenge to most high school ensembles. Although this is the middle movement of a three-movement work, it works in its own self-contained world. Contact information: johnjdorhauer@gmail.com PRO: ASCAP Social Media: https://www.facebook.com/JohnDorhauer?fref=ts / https://twitter.com/JohnDorhauer Duration: 9 minutes Year of Release: 2011 Program Notes: This composition is intended to function on two different levels: it is simultaneously a programmatic depiction of the events that unfold in Revelation 5 and a musical representation of the duality found in the scripture. It was this sense of duality that persuaded me to keep the s at the end of Revelation in the title – it is as if there are multiple revelations to be found within both the scripture and my musical interpretation of it. In the book of Revelation, the prophet John is sharing an apocalyptic vision to a group of churches in Asia as a means of hope – even though these people were being persecuted for their beliefs, John promises the rapture in which God will save the believers and destroy the nonbelievers. The fifth chapter begins with John’s ascension to heaven, and it concludes just before the Christ-like Lion of Judah breaks the seals of the scroll that will unleash the rapture. While this is intended to be a message of hope, it will also bring about cataclysmic death and destruction. Herein lies the duality – how can a message of hope come as the result of such a violent outcome? Movement II (of three) corresponds with only verse 6, and it is more of a character study than a programmatic narrative. It examines the Lion of Judah character, which is portrayed at first as an overwhelming and aggressive figure after it approaches from the distance in the hazy beginning section. This character is also depicted in the scripture as a lamb, though, and this is reflected in the piece’s latter half, which is a softer reimagining of the Lion character’s material. The Lion and the Lamb are not two different characters but, rather, different sides of the same character. It is this duality that drives the movement, and it explains the connections between these otherwise distinct sections. This movement was originally performed by the CCPA Wind Ensemble in April 2010 when it received first place in CCPA’s wind ensemble composition contest.
$50.00
A Promise to Stand By:
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Orchestre d'harmonie
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Contemporain
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Benjamin Ayotte
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A Promise to Stand By:
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published...
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Concert Band - SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published by Ayotte Custom Musical Engravings (A0.733009). A promise to stand by... this phrase indicate loyalty, steadfastness, being a man of one's word, knowing that integrity and honor are the enduring qualities by which we will be judged; not fame, fortune, influence, or other worldly measures. It is no surprise, therefore, that this phrase was incorporated by Lou Fortunate and Msgr Herman Kucyk, of blessed memory, into the alma mater of Divine Child High School. When I was approached by Mr. Bush and the Divine Child Band Boosters about the possibility of writing a piece to celebrate the fiftieth anniversary of the band program I was excited, flattered, and--most of all--humbled that I should be chosen out of many worthier candidates, in my estimation. Divine Child has had, for the longest time--since the beginning, it seems--a vibrant and thriving fine arts program involving music (both vocal and instrumental), theatre, and the visual arts as well as literature and poetry. I began to conceive of a work that would pay homage to each of these arts musically and be a celebration of all that Divine Child has to offer. One of my favourite composers, Gustav Mahler, famously said, a symphony must be like the world; it must contain everything. In the 1988 vice-presidential debate, Lloyd Bentsen famously said to Dan Quayle, Senator, you're no Jack Kennedy. A voice in my head said, Benjamin, you're no Gus Mahler. As the discarded drafts in the recycle bin took on a life of their own, I eventually dismissed the idea as impractical, and even vainglorious. I settled upon a more general idea to make the music about the band program. Most every student in the band program goes through the rigors of marching band and performs at the Falcon football games where they become intimate with the Three School Songs: the Falcon Fanfare, the Fight Song, and the Alma Mater. Taking the latter piece as my inspiration, I meditated upon the mission of the school: a promise to educate us in body, mind, and spirit. Divine Child High School stands by her promise, recruiting some of the best teachers in the area to guide us through the tumultuous adolescent years. We students, too, have a promise: to strive to be worthy of this gift, and to accept it and use it for the betterment of society. In band class, under Leo Tallieu, I learned to listen; to contribute to the group; to consider my part in relation to the whole ensemble; to show leadership when needed; and to be a role player when needed. And so, my conception of the piece changed. I wanted to use melodic, harmonic, and rhythmic devices that would be familiar to all DCHS band students, but to use them in a new and different way; to recontextualize them. As time went on, Bob Bush asked me if I would be able to work in a tribute to two band students who had tragically died in the last few years: Blaise H.
$19.99
Cherry Lake March
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Orchestre d'harmonie
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DÉBUTANT
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Gary Gazlay
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Cherry Lake March
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 1 - SKU: IZ.CBW192-S Composed by Gary Gazlay. Score. 9 pages. Imagine Music - Digital #CBW192-S. Published by Imagine Music - Digit...
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Concert band - Grade 1 - SKU: IZ.CBW192-S Composed by Gary Gazlay. Score. 9 pages. Imagine Music - Digital #CBW192-S. Published by Imagine Music - Digital (IZ.CBW192-S). 9 x 12 in inches.The composition Cherry Lake March was written for my band students with the purpose of providing them with song to perform at concerts and various programs. The title was inspired by Cherry Lake, which is a 600 acre lake located in Madison County Florida. It is a beloved lake of Madison County that gives beautiful sights and unique activities for all ages. The name stems from the presence of wild cherry trees near the water's edge, according to Allen Morris' book of place names.It is my hope that Cherry Lake March will provide students with a song that they will enjoy learning to play, and provide other music educators with a teaching tool that can be used to motivate and encourage their students.Cherry Lake March is dedicated to all of my former music students in the Madison County Florida School System, who I had the privilege of teaching from 1974-2016.
$10.00
Cherry Lake March
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Orchestre d'harmonie
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DÉBUTANT
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Gary Gazlay
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Cherry Lake March
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 1 - SKU: IZ.CBW192 Composed by Gary Gazlay. Score and Parts. 30 pages. Imagine Music - Digital #CBW192. Published by Imagine Music ...
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Concert band - Grade 1 - SKU: IZ.CBW192 Composed by Gary Gazlay. Score and Parts. 30 pages. Imagine Music - Digital #CBW192. Published by Imagine Music - Digital (IZ.CBW192). 9 x 12 in inches.The composition Cherry Lake March was written for my band students with the purpose of providing them with song to perform at concerts and various programs. The title was inspired by Cherry Lake, which is a 600 acre lake located in Madison County Florida. It is a beloved lake of Madison County that gives beautiful sights and unique activities for all ages. The name stems from the presence of wild cherry trees near the water's edge, according to Allen Morris' book of place names.It is my hope that Cherry Lake March will provide students with a song that they will enjoy learning to play, and provide other music educators with a teaching tool that can be used to motivate and encourage their students.Cherry Lake March is dedicated to all of my former music students in the Madison County Florida School System, who I had the privilege of teaching from 1974-2016.
$50.00
Elegy-Field of Blood
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - ...
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Concert band - Grade 4 - SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00
Elegy-Field of Blood
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Mu...
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Concert band - Grade 4 - SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00
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