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--INSTRUMENTS--
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The Invisible Man
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Vous avez sélectionné:
The Invisible Man
SheetMusicPlus
Partitions à imprimer
4 partitions trouvées
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The Dancing Forest
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Orchestre d'harmonie
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INTERMÉDIAIRE
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New Age
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Contemporain
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Ben Ledochowski
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The Dancing Forest
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Ben Ledochowski
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1023643 Composed by Ben Ledochowski. Contemporary,New Age. Score and parts. 31 pages. Ben Ledochowski #6217581. Publish...
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Concert Band - Level 3 - SKU: A0.1023643 Composed by Ben Ledochowski. Contemporary,New Age. Score and parts. 31 pages. Ben Ledochowski #6217581. Published by Ben Ledochowski (A0.1023643). Far to the westernmost regions of Russia, and then farther still, there is a place known as theDancing Forest of Kaliningrad. It is a mysterious, otherworldly place where trees grow in tangles,knots, and other unfathomable shapes, a place described by local psychics as a point of conflict where great positive and negative forces collide. Due to its remarkable air of mystery, the forest has woven its way into the legends and folklore of the region. My personal favorite legend about it goes as follows: The Prussian prince Barty used to hunt in these forests. Chasing a Roe deer one day, heheard a wonderful tune, and as he came to a field, he saw a beautiful girl playing a lyre. She was a Christian and her name was Predislava. The prince proposed to her but she replied that she would marry only a man of her faith. Prince Barty agreed to become a Christian as long as she could prove the power of her invisible God was more powerful than the surrounding trees. Predislava played her lyre. Birds grew silent, and the trees started dancing. The prince then took a bracelet from his hand and gave it to her as a token of their betrothal. On this very spot, many years later, there grew the Dancing Forest.This piece is my homage to the Dancing Forest of Kaliningrad and all its associated legends. Premiered by the Santa Teresa High School Concert Band in May 2019, the work is scored for a concert band of intermediate size and skill level and is designed to help introduce high school musicians to modal music and unconventional key signatures. Furthermore, the piece is inspired by multiple rhythmic and harmonic elements of rock and folk music in an attempt to help bridge the gap between popular music and contemporary wind ensemble repertoire. Enjoy!
$19.99
The Best Hymns of All Time (for Wind Instruments) Book 2
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Orchestre d'harmonie
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FACILE
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Musique Sacrée
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Various
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Colin Kirkpatrick
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.522171 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 123 pages. Colin K...
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Concert Band - Level 2 - SKU: A0.522171 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 123 pages. Colin Kirkpatrick Publications #5726781. Published by Colin Kirkpatrick Publications (A0.522171). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 123-page PDF file for instant download. Book 2 contains the following twenty popular hymns: A Mighty Fortress is our God (Ein Feste Burg); Awake my Soul (Morning Hymn); All Creatures of our God and King (Lasst uns Erfreuen); All People that on Earth do Dwell (Old Hundredth); Angels we have Heard on High (Gloria); Be thou my Vision (Slane); Come Thou Font of Every Blessing (Nettleton); Eternal Father, Strong to Save (Melita); God moves in a Mysterious Way (London New); Glory to Thee, My God, This Night (Tallis Canon); How Sweet the Name of Jesus Sounds (St. Peter); Immortal, Invisible, God Only Wise (St. Denio); Onward, Christian Soldiers (St. Gertrude); Let us with a Gladsome Mind (Monkland) Love Divine, All Loves Excelling (Beecher); Praise my Soul, the King of Heaven (Lauda Anima); The Day Thou Gavest (St. Clement); The King of Love my Shepherd is (St. Columba); We Plough the Fields and Scatter (Wir pflügen); Lead Us, Heavenly Father, Lead Us (Mannheim). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
Accentus
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Orchestre d'harmonie
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Gary Gazlay
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Accentus
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Imagine Music - Digital
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SheetMusicPlus
Concert Band - SKU: IZ.CBW221-S Composed by Gary Gazlay. Score. 16 pages. Imagine Music - Digital #CBW221-S. Published by Imagine Music - Digital (IZ.CB...
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Concert Band - SKU: IZ.CBW221-S Composed by Gary Gazlay. Score. 16 pages. Imagine Music - Digital #CBW221-S. Published by Imagine Music - Digital (IZ.CBW221-S). 8.5 x 11 inches.This chorus is a setting of a sonnet from an 1874 collection by Henry Wadsworth Longfellow (1807–1882). It vividly describes the appearance of The Galaxy (The Milky Way) with a stream of images: “Torrent of light, the “river of the air whose bed of “glimmering stars appear “Like gold and silver sands in some ravine / Where mountain streams have left their channels bare! Before sharing his poetic opinion of just what The Galaxy is, Longfellow dismisses the view of the eleventh-century Spaniard, who sees it as “the pathway for Santiago Matamoros* to “descend…in celestial armor to save the Christians from the Muslim Moors. Nor does he endorse the ancient Greek view that The Galaxy amounts to a sky “scorched [by] the hoofs of Phaeton's§ horses, when he almost set the world on fire by driving his sun chariot too close to the earth.Ultimately Longfellow sees The Galaxy as “the white drift of worlds o'er chasms of sable, / The star-dust…whirled a loft…From the invisible chariot-wheels of God.The music reflects many of the poem's images, for example: women's voices alone at “gold and silver sands; an open fifth at “channels bare; a quicker tempo at the militant reference to the Spaniard; longer notes at “heav'ns were fair; fugato entrances and a faster tempo at “hot coursers trod; upward spiraling sixteenth notes at “stardust that is whirled aloft; and a climax followed by a softening uncharacteristic chord progression at “invisible chariot-wheels of God.
$8.00
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The Invisible Man
