English version
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Way It Used To Be
Non classifié
247
Piano & claviers
Piano seul
92
Instruments en Do
37
Piano Facile
34
Piano, Voix
32
Piano, Voix et Guitare
27
Orgue
15
1 Piano, 4 mains
2
Accompagnement Piano
1
+ 3 instrumentations
Retracter
Guitares
Guitare notes et tablatures
28
Guitare
19
Ukulele
17
4 Guitares (Quatuor)
1
Mandoline
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
53
Chorale 3 parties
17
Chorale Unison
9
Chorale TTBB
8
Chorale 2 parties
8
Chorale SSAA
5
Voix Soprano, Piano
1
+ 2 instrumentations
Retracter
Vents
Flûte traversière et Piano
22
2 Saxophones (duo)
17
Saxophone Alto et Piano
13
Clarinette et Piano
12
Hautbois, Piano (duo)
11
Saxophone Tenor et Piano
11
Flûte traversière
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Saxophone Soprano et Piano
10
Ensemble de Clarinettes
10
Saxophone Baryton, Piano
8
Saxophone Alto
8
Quintette de Saxophone: 5 saxophones
8
Quatuor de Saxophones: 4 saxophones
8
Cor anglais, Piano
7
Saxophone, Clarinette (duo)
7
Quatuor de Clarinettes: 4 clarinettes
7
Clarinette
7
2 Flûtes traversières (duo)
6
2 Clarinettes (duo)
6
Flûte à bec Soprano
5
Clarinette Basse, Piano
5
Flûte, Hautbois, Clarinette, Basson
5
Hautbois (partie séparée)
4
Clarinette, Violon (duo)
4
Saxophone Tenor
4
Flûte, Violon
4
Clarinette, Trompette (duo)
4
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Saxophone (duo)
3
Quintette de Flûte : 5 flûtes
3
Quatuor de Flûtes : 4 flûtes
3
Saxophone (partie séparée)
3
Flûte, Clarinette (duo)
3
Ensemble de Flûtes
3
Flûte, Alto (duo)
3
Ensemble de saxophones
3
Ocarina
2
Flûte, Alto et Piano
2
Flûte, Trompette (duo)
2
Hautbois, Flûte
2
2 Hautbois (duo)
2
Hautbois, Basson (duo)
2
5 Flûtes à bec
2
Hautbois, Clarinette (duo)
2
Flûte à bec Alto, Piano
1
2 Flûtes traversières, Piano
1
Piccolo, Piano
1
Harmonica
1
Quatuor de Flûtes à bec
1
Flûte à bec Alto
1
2 Clarinettes, Piano
1
Saxophone et Orgue
1
Flûte, Violon, Piano
1
Saxophone
1
Clarinette et Alto
1
+ 51 instrumentations
Retracter
Cuivres
Trompette
16
Trombone et Piano
11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Cor et Piano
11
Trombone
10
Cor anglais, Piano
7
Euphonium, Piano (duo)
7
Trompette, Trombone (duo)
6
Trompette, Saxophone (duo)
5
Trompette, Piano
5
Tuba
3
Cor
3
2 Trompettes (duo)
3
2 Trombones (duo)
3
Ensemble de Trompettes
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de cuivres: 4 trombones
2
Ensemble de Cors
2
Quatuor de Cuivres
2
Quatuor de cuivres: 4 trompettes
1
Ensemble de Tubas
1
Euphonium
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: 4 cors
1
Tuba et Piano
1
+ 21 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
36
Violon et Piano
19
Violoncelle, Piano
13
Alto, Piano
12
Violon
11
Harpe
10
Violon, Violoncelle (duo)
10
Violoncelle
8
2 Violons (duo)
7
Violon, Alto (duo)
6
Alto seul
4
2 Violoncelles (duo)
4
2 Altos (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
2 Harpes (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Contrebasse, Piano (duo)
2
4 Violoncelles
1
Quatuor à cordes: 4 violons
1
Violon, Guitare (duo)
1
Alto (partie séparée)
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
27
Orchestre d'harmonie
27
Orchestre
25
Ensemble Jazz
13
Ensemble de cuivres
13
Cloches
10
Orchestre de chambre
9
Vibraphone et Marimba
1
Jazz combo
1
Piano et Orchestre
1
Batterie
1
Percussion
1
Ensemble de Percussions
1
+ 8 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions Gratuites
93
Partitions Numériques
27
Librairie Musicale
152
Matériel de Musique
632
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
The Way It Used To Be
Orchestre d'harmonie
Partitions à imprimer
27 partitions trouvées
<
1
26
The Best Hymns of All Time (for Wind Instruments) Book 2
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.522171 Composed by Various. Arran…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.522171 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 123 pages. Colin Kirkpatrick Publications #5726781. Published by Colin Kirkpatrick Publications (A0.522171). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 123-page PDF file for instant download. Book 2 contains the following twenty popular hymns: A Mighty Fortress is our God (Ein Feste Burg); Awake my Soul (Morning Hymn); All Creatures of our God and King (Lasst uns Erfreuen); All People that on Earth do Dwell (Old Hundredth); Angels we have Heard on High (Gloria); Be thou my Vision (Slane); Come Thou Font of Every Blessing (Nettleton); Eternal Father, Strong to Save (Melita); God moves in a Mysterious Way (London New); Glory to Thee, My God, This Night (Tallis Canon); How Sweet the Name of Jesus Sounds (St. Peter); Immortal, Invisible, God Only Wise (St. Denio); Onward, Christian Soldiers (St. Gertrude); Let us with a Gladsome Mind (Monkland) Love Divine, All Loves Excelling (Beecher); Praise my Soul, the King of Heaven (Lauda Anima); The Day Thou Gavest (St. Clement); The King of Love my Shepherd is (St. Columba); We Plough the Fields and Scatter (Wir pflügen); Lead Us, Heavenly Father, Lead Us (Mannheim). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
29.49 €
#
Orchestre d'harmonie
#
Various
#
Colin Kirkpatrick
#
The Best Hymns of All Time
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Bluey Theme Song
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.1377507 Composed by Jonathan Bush…
(+)
Concert Band - Level 1 - Digital Download SKU: A0.1377507 Composed by Jonathan Bush. Arranged by Sam Fettig. Children,Pop. 37 pages. Sam Fettig #962100. Published by Sam Fettig (A0.1377507). https://www.samfettigmusic.com/BLUEY FOR BEGINNING BAND!The original Bluey Theme uses a 3-2 clave rhythm for the entire song. This two-measure pattern ends differently every other time, creating a four-measure pattern that occurs throughout and never changes! All students (except the shaker) play this pattern at the very beginning, establishing the basis for the entire arrangement.Only six notes are used. Students’ familiarity with the music will be an asset as they tackle a melody that may be a new challenge to them. With this in mind, the melody is always doubled or cued elsewhere; no section will ever have to play it alone. There are four opportunities for either a soloist or a soli of any combination! These occur at bars 21, 25, 49 and 53.  Have fun with these spots, giving everyone an opportunity. It will, of course, need to be mapped out for a performance. Students will shout the Bluey characters’ names just like the show’s theme. There is one spot to insert a name of your choosing - a student, teacher, administrator, family member, or pet! Alternatively, you can replace any of the character’s names to truly personalize the song. I hope you and your students enjoy learning and performing Bluey!
$50.00
46.1 €
#
Orchestre d'harmonie
#
Jonathan Bush
#
Sam Fettig
#
Bluey Theme Song
#
Sam Fettig
#
SheetMusicPlus
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett.…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99
27.65 €
#
Orchestre d'harmonie
#
Keith Terrett
#
Scipio
#
The Royal Hussar
#
Keith Terrett
#
SheetMusicPlus
The Cabinet of Dr. Caligari
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.742975 Composed by Ian Deterling.…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.742975 Composed by Ian Deterling. Contemporary,Film/TV,Halloween. Score and parts. 86 pages. Ian Deterling #3587379. Published by Ian Deterling (A0.742975). The Cabinet of Dr. Caligari is silent German expressionist film from 1920. Considered by many to be the first 'true' horror film, Caligari was incredibly innovative with its use of cinematography, warped sets, and the first substantial use of what is now known as the ‘plot-twist’ ending. The title character of the film, Dr. Caligari, has a cabinet - (believe it or not!) - and in this cabinet lives the somnambulist (the sleepwalker), Cesare, who goes around carrying out Caligari's evil deeds. Directed by Robert Wiene and staring Werner Krauss and Conrad Veidt, The Cabinet of Dr. Calagari continues to influence, inspire, and captivate filmmakers even today. This work for concert band makes use of several themes used in Deterling's orchestral score that he composed to accompany the film:’Dr. Caligari’ theme [A] - first heard in alto saxophones and horns (measures 5-6).‘Dr. Caligari’ theme [B] - first heard in clarinets 1, 2 and trumpets (measures 13-14).‘Cesare’ theme - first heard in low winds and low brass (measures 20-22).‘Jane/Love’ theme - first heard in horns and trombones (measures 61-64).‘Plot twist is about to happen’ theme - first heard in clarinets (measures 113-116).Piccolo; Flutes 1, 2; Oboe; Bassoons 1, 2; Clarinets in Bb 1-3; Bass Clarinet in Bb; Contrabass Clarinet; Alto Saxophones 1, 2; Tenor Saxophone; Baritone Saxophone; Trumpets in Bb 1-3; Horns in F 1-4; Trombones 1, 2; Bass Trombone; Euphonium; Tuba; Double Bass; Percussion 1 (Bass Drum, Tambourine); Percussion 2 (Suspended Cymbal, Tam-tam, Triangle, High-Hat, Crash Cymbals); Xylophone; TimpaniSpecial note: the Bassoon 2, Contrabass Clarinet, Horns 2 & 4, and Double Bass parts are optional because they’re always either doubled or cued in other parts. Score and set of parts. https://www.youtube.com/watch?v=ueywDp-gtTY
$68.00
62.69 €
#
Orchestre d'harmonie
#
Ian Deterling
#
Flutes 1, 2
#
The Cabinet of Dr. Caligari
#
Ian Deterling
#
SheetMusicPlus
Arctic Fanfare
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.757442 Composed by James Michael bicigo. Co…
(+)
Concert Band - Digital Download SKU: A0.757442 Composed by James Michael bicigo. Contemporary,World. Score and parts. 52 pages. Polar Publications #3012023. Published by Polar Publications (A0.757442). This work was commissioned by Ron Inyoue for the Arctic Winer Games in Fairbanks, Alaska 2014. When Ron Inouye first discussed a fanfare for the Arctic Winter Games to be held in Fairbanks in 2014, he asked me to somehow represent the peoples of the north and to include something of native drumming, particularly, Inuit drumming. Since the fanfare is for the games, it needs to be able to be used in its entirity or in parts depending on how much time or the purpose of the fanfare in a given situation. This fanfare is therefore composed with three distinct sections that can be used separately or together depending on the circumstance. The Opening four measures of the brass is reminiscent of much of my music representing the Aurora Borealis. The Drumming is inspired by Inuit and Yupik drumming. I use the two different types of drum and blend the drumming style of the Yupik and Inuit cultures in a bit of a western context. The Yupik tradition of hard beat and soft beat is represented in the dynamics of the drums. The Inuit tradition of establishing the steady beat and then passing rhythmic patterns between the parts is represented throughout the work in all of the drum parts. There is a nod to Athabascan old time fiddle music in the choice of an Irish/Scotish traditional melody entitled The Far North. This is also a traditional Canadian Northern Tier American camping and scouting song. Finally, there is a traditional Fanfare that can be used independently to call people to an event or back from an intermission. It is my sincere hope that this fanfare represents all of us in some way and leaves enough to the listener, that they will relate their own experience of the North in the music they hear. James Bicigo August 18, 2013
$50.00
46.1 €
#
Orchestre d'harmonie
#
James Michael bicigo
#
Arctic Fanfare
#
Polar Publications
#
SheetMusicPlus
Isn't It Enough to Think...Without Having to Believe (or, The Only Church)
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.1030824 Composed by Neal Endicott. Contempo…
(+)
Concert Band - Digital Download SKU: A0.1030824 Composed by Neal Endicott. Contemporary. Score and parts. 35 pages. Neal Endicott Music #1249. Published by Neal Endicott Music (A0.1030824). This piece was originally titled Istn’t it Enough, drawing inspiration from the famous passage from The Hitchhiker’s Guide to the Galaxy. I changed the wording slightly to be more encompassing of different modes of perception (thought is a broader concept than sight and the word think created better melodic material than the word see, using the method described below) I provided an alternate title to more clearly convey the meaning behind the piece. That is; that the only church that I will ever need is the one I find in musical expression and in the beauty of the natural world. Though Adams’ meaning was meant to convey the primary reasoning for his atheism-a reason that I use as well-I also see it as an admonishment of our need for constant stimulation. Adams felt-and I feel-that people need to take the time to slow down and enjoy life: we need to enjoy the beauty of the garden (both literally and metaphorically). That, quite simply, is what this piece is (or at least what it is to me). Among the compositional techniques that I used in this piece is one that I have been using quite a lot. I call it crypto-serialism. The basic concept is that I will take a piece of text (the Douglas Adams quote, in this case) and convert each letter to a number between 0 and 11 and then convert those numbers to musical pitches, where 0 = C, 1 = C#, etc. The technique offers me a way to draw actual musical ideas from the text itself, which I see as a means of creating a deeper connection to the text. The piece is dedicated to the Four Horsemen of the Non-Apocolypse: Richard Dawkins, Christopher Hitchens, Sam Harris, and Daniel Dennett.
$25.00
23.05 €
#
Orchestre d'harmonie
#
Neal Endicott
#
Isn't It Enough to Think...Without Having to Believe
#
Neal Endicott Music
#
SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
44.21 €
#
Orchestre d'harmonie
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
#
jmsgu3
#
SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.21 €
#
Orchestre d'harmonie
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
#
jmsgu3
#
SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabri…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.21 €
#
Orchestre d'harmonie
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
#
jmsgu3
#
SheetMusicPlus
America's Favorite Christmas Carols - Wind Instruments
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.522188 Composed by Various. Arran…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.522188 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Christmas,Praise & Worship. Score and parts. 190 pages. Colin Kirkpatrick Publications #6403623. Published by Colin Kirkpatrick Publications (A0.522188). This essential collection may be all you ever need for your wind instruments at Christmas. It's a bargain price too! These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. The publication consists of a four-staff score in concert pitch together with fifteen separate parts in various transpositions plus a simplified optional keyboard part. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. These four-part arrangements use flexible instrumentation so that you can exercise considerable control over the instrumental voicing or use them for non-standard ensembles. You can also create interesting instrumental tone color by omitting groups of instruments. If the ensemble is large enough you could omit brass instruments in the quieter sections, or use a solo trumpet against a woodwind background. There are endless possibilities.The complete set includes: Part 1 in B flat, E flat and C; Part 2 in B flat, E flat and C; Part 3 in B flat, E flat, F and C and Part 4 in B flat, E flat and C. Parts 1 and 2 in C have been printed an octave higher than the pitch shown in the score because invariably the parts lie too low for flute or oboe. For elementary players, a Part 1 in C (low) is included at concert (score) pitch. Parts 3 and 4 in C are in the bass clef. The arrangements could be played by virtually any combination of conventional wind band instruments. Using the optional keyboard part they could also be used as solos, duets or trios. The scores and all the parts are contained in a single 190-page PDF file. Please note that these arrangements are not necessarily compatible with other Kirkpatrick arrangements published by Glyn Joseph Editions. The collection incuers the following favorite carols: Angels We Have Heard On High (Gloria); Lo, How a Rose E’er blooming (Es ist ein Ros entsprungen); O Come, O Come Emmanuel (Veni Emmanuel); The First Noel; Ding Dong! Merrily on High (Bransle de l’Officiel); O Come All Ye Faithful (Adeste Fidelis); Hark! The Herald Angels Sing (Mendelssohn); Go Tell It on the Mountain; O Little Town of Bethlehem (St. Louis); O Holy Night (Cantique de Noël); Silent Night (Stille Nacht); Away in a Manger (Mueller); Joy to the World (Antioch); O Christmas Tree (Tannenbaum); We Three Kings (Kings of Orient); I Heard the Bells on Christmas Day (Waltham); What Child is This? (Greensleeves); God Rest You Merry, Gentlemen; Good King Wenceslas (Tempus Adest Floridum) and We Wish You a Merry Christmas.
$19.99
18.43 €
#
Orchestre d'harmonie
#
Various
#
Colin Kirkpatrick
#
America's Favorite Christmas Carols - Wind Instruments
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Medioevo By Jannes Jacobs
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.1012109 Composed by Jannes Jacobs. Contempo…
(+)
Concert Band - Digital Download SKU: A0.1012109 Composed by Jannes Jacobs. Contemporary. Score and parts. 359 pages. Jannes Jacobs #3569171. Published by Jannes Jacobs (A0.1012109). Medioevo is a Composition based on impressions from the dark ages. The composer wrote the piece to take you on a journey through this remarkable period of time.Part 1: The Promised Beginning Land Of Departurethe part opens with a decisive rhythm in the lower brass, woodwind and percussion section. The theme played by the woodwinds is written to give the listeners a middle eastern feeling. This represents the crusades. The higher brass section play a nice and static counter theme.Part 2: Enchanted DominionThis section a bit mysterious and magic, played by mallets and flutes. The theme from the Oboe represents the ghost of a warlock trapped on the dominion. As we pas trough the dominion we need the protection of the church represented by the Harpsichord (clavecimbel) and clarinets.Part 3: The rustling ForestsAfter leaving the Enchanted Dominion we gallop with our horse trough the Rustling Forests. These forest show fast winds and have a lyric theme played by the trumpets and saxesPart 4: The SquareOnce trough the Forests we get to the Village square where the market is on going. We have several sales men selling their goods. These are represented in the themes of the woodwinds. The confusion gets to much and we try to hide from the sales men. The trumpets represent this part in a piano 5/4 movement which bring a big contrast trough the noises from the market place. In the end we need to get through the market place so we find a way to keep the sales men away by playing a wonderful legato melody which the dwarf’s taught us.Part 5: Dwarf’sThese social and kind people have a little village outside of the town where joyful melodies sound from both children as adults and elderly dwarf’s. the themes are divided under the different solo players of the woodwind sections.Part 6: Run or HideAfter a nice time with the Dwarf’s we continue our path but soon we face a large army coming our way. What do we do Run or Hide? This part is full of different melodies and counter melodies to represent the indecisiveness of the Dark Ages.Part 7: NeverlandWe arrive in the land of the elves where the tenor sax and horns play an agitato atmosphere to represent our hart beat when we see these beautiful creatures. The themes from the flutes and euphoniums show the grace and beauty of the elves. While the harp creates an elf like atmosphere.Part 8 The castle Gardenswe arrive in the castle gardens. These gardens are the most beautiful in the whole land. It makes the orchestra say Ahh. While the percussion section gives it a magical feeling. After being amassed we soon find out that these gardens are made for the Authorities and paid by our tax money which gives us a double feeling. Should this money not be better spend on good music?Part 9 Black Powderafter we find out the castle lord wrongly used or tax money we go and find some black powder to blow him up. After being hunted down by the castle lord trying to get some black powder. We find ourselves in the glorious fight.Part 10: Rageour glorious fight with the castle lord continues into an enormous climax where we are stroke down and ends up with a one way ticket to the graveyard.Part 11: The GraveyardThe whole orchestra sings a spiritual song to guide us into the afterlives. An angle comes to collect our soul (represented by the piccolo flute). And slowly or name is forgotten.
$15.00
13.83 €
#
Orchestre d'harmonie
#
Jannes Jacobs
#
Medioevo By Jannes Jacobs
#
Jannes Jacobs
#
SheetMusicPlus
Toolin' Around
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1433072 Composed by Rusty Toots. …
(+)
Concert Band - Level 3 - Digital Download SKU: A0.1433072 Composed by Rusty Toots. Classical,Comedy,Contemporary. 38 pages. Russell Ward #1013501. Published by Russell Ward (A0.1433072). It's a Saturday morning. After a busy and hectic week, you have nothing scheduled. Your wife and kids are happily occupied with things that don't involve you. Time to mentally check out, retreat to the man cave and find something to do that doesn't involve anything other than what is physically in front of you. On the radio in the background, there are some old blokes musing laconically about football. You don't really know what you'll be doing, but it will involve tools and not giving a flip about anything else for a little while. You may even need to make a trip to the hardware store at some stage... who knows? Tooling-a-Round is the first movement of what is (planned to be) a multi-movement work for concert band, depicting the cherished role of backyard shed in the life of a typical suburban middle-aged family man. Quavers are to be played rhythmically swung, with articulations observed whole-heatedly to highlight the playful and irreverent mood throughout - staccato markings in particular are to be exaggerated. The sound of real tools should be used in the percussion parts where indicated (e.g. saw, file, hammer, toolbox, circular saw, power drill etc.) with rhythms to be approximated in order to give the impression of a project getting underway as the piece progresses and the protagonist meanders from one task to the next.This piece is dedicated to busy fathers who work hard to preserve their capacity to create, play and explore.
$75.00
69.14 €
#
Orchestre d'harmonie
#
Rusty Toots
#
Toolin' Around
#
Russell Ward
#
SheetMusicPlus
Arizona Centennial Overture - Band Version
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.755100 Composed by Sy Brandon. 20…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.755100 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 130 pages. Sy Brandon #3384569. Published by Sy Brandon (A0.755100). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close.The score prints on legal size paper and the parts on letter.
$39.99
36.87 €
#
Orchestre d'harmonie
#
Sy Brandon
#
Arizona Centennial Overture - Band Version
#
Sy Brandon
#
SheetMusicPlus
Uncle John From Jamaica
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.1216926 By Vengaboys. By Danski and Delmund…
(+)
Concert Band - Digital Download SKU: A0.1216926 By Vengaboys. By Danski and Delmundo. Arranged by Amphibia Cultural Legacy. Broadway,Classical,Disco,Film/TV,Musical/Show,Pop. Score and Parts. 24 pages. Amphibia Cultural Legacy #813455. Published by Amphibia Cultural Legacy (A0.1216926). The Great Champion is an instrumental cover remixed with an orchestra from Amphibia Cultural Legacy, based on the classic hit single Uncle John From Jamaica by Vengaboys. This cover is used for Amphibia Legacy as the Champion Quartet's Theme. This powerful, stirring composition blends modern and classical music. The strings and horns create a majestic atmosphere, while the drums provide a driving and energetic beat. This arrangement perfectly captures the spirit of the Vengaboys' original, giving it a unique and uplifting twist. The Great Champion is sure to be a hit with classical and pop music fans.This instrumental cover is a fantastic, award-winning piece of music that will surely be a hit at any celebration, party, or event. It is an excellent choice for those looking for a unique and memorable soundtrack to their special occasion. The music is upbeat and lively, featuring a mix of traditional instruments, including horns, strings, drums, and electronic elements. The result is a modern and timeless sound, perfect for any event.The instrumental cover is full of energy and emotion, making it an excellent choice for any occasion. This music will surely get everyone to celebrate, whether it’s a wedding, anniversary, birthday, or graduation. It’s also perfect for corporate events, dinner parties, and other special occasions. The music will surely bring everyone a smile and create a memorable atmosphere.This instrumental cover is an excellent choice for any occasion and will surely be a hit with guests. It’s sure to be the perfect soundtrack to any event and will leave a lasting impression on all who hear it.
$100.00
92.19 €
#
Orchestre d'harmonie
#
Vengaboys
#
Amphibia Cultural Legacy
#
Uncle John From Jamaica
#
Amphibia Cultural Legacy
#
SheetMusicPlus
Beauty And The Beast
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1429542 By Celine Dion & Peabo Br…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.1429542 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Brian L Monroe. 20th Century,Broadway,Film/TV,Musical/Show. 46 pages. BLM Music Publications (https://brianmonroemusic.com) #1010240. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1429542). This arrangement of Beauty and the Beast, a nod to the Disney hit featuring Angela Lansbury as Mrs. Potts, is adaptable to different performance scenarios. It's been arranged for a Grade 4 Concert Band with options for Vocal Soloist or Alto Saxophone Solos. If a vocal soloist is used, the 1st Alto Saxophone part can be used to double the melody or eliminated, allowing for a flexible and personalized performance.
$60.00
55.31 €
#
Orchestre d'harmonie
#
Celine Dion & Peabo Bryson
#
Brian L Monroe
#
Beauty And The Beast
#
BLM Music Publications
#
SheetMusicPlus
God Is Working His Purpose Out - Orchestra - Concert Band or Mixed Ensemble Score and Parts PDF
Orchestre d'harmonie
Full Orchestra - Level 2 - Digital Download SKU: A0.750941 Composed by Millicent D.…
(+)
Full Orchestra - Level 2 - Digital Download SKU: A0.750941 Composed by Millicent D. Kingham (1866- 1927). Arranged by Brendan Elliget MAGA 537. Christian,Praise & Worship,Sacred. Score and parts. 31 pages. BJE Music #5022141. Published by BJE Music (A0.750941). God Is Working His Purpose Out is an English Christian hymn. It was written in 1894 by Arthur Campbell Ainger as a tribute to the Archbishop of Canterbury, Edward White Benson. The original music for the hymn was written at the same time by Millicent D. Kingham but a number of other pieces of music have been used for the hymn in recent times.The Refrain God Is Working His Purpose Out is based on Habakkuk 2:14; For the earth will be filled with the knowledge of the glory of the LORD, As the waters cover the sea. The hymn references God being always at work to realize his will for the world and for humanity. It also references Philippians 2:12–13 in that God works in humanity to act according to his purpose. [Wikipedia][God is working his purpose out as year succeeds to year: God is working his purpose out, and the time is drawing near; nearer and nearer draws the time, the time that shall surely be, when the earth shall be filled with the glory of God as the waters cover the sea.] Verse 1This arrangement is for full Orchestra or Concert Band or any combination of both ensembles and could be used to accompany the singing of the traditional words. – There is also an optional chorded Keyboard or Piano part. There is a Descant part for Flute, Clarinet and/or Trumpet that can be played in the 2nd and 4th verses.Grade = 3 Duration = 2:50 mins. (4 Verses)The MP3 was recorded with NotePerformer 3.
$15.00
13.83 €
#
Orchestre d'harmonie
#
Millicent D
#
Brendan Elliget MAGA 537
#
God Is Working His Purpose Out - Orchestra - Concert Band or Mixed Ensemble Score and Parts PDF
#
BJE Music
#
SheetMusicPlus
No Restrictions
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1265088 By RAY MC CULLOCH. By RAY…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.1265088 By RAY MC CULLOCH. By RAY MC CULLOCH. Arranged by RAY MC CULLOCH. 21st Century,Contemporary,Historic. Score and Parts. 7 pages. Turtle Music Company #857931. Published by Turtle Music Company (A0.1265088). This was initially intended as a release from Covid. However as I came closer to completion I realized that it could be a release from ANY restraining situation. There is first, a realization of the confinement then second, the joy of restrictions being released and the third an awareness of our NEW situation and that it ALSO has its set of restrictions. We have the newfound freedom but we're STILL bound just in a different way with different 'rules.' I used to teach it like Same thing just different..
$49.99
46.09 €
#
Orchestre d'harmonie
#
RAY MC CULLOCH
#
RAY MC CULLOCH
#
No Restrictions
#
Turtle Music Company
#
SheetMusicPlus
Three Latin Dances - Score Only
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.1082229 Composed by Jeff Tyzik. A…
(+)
Concert Band - Level 5 - Digital Download SKU: A0.1082229 Composed by Jeff Tyzik. Arranged by Jeff Tyzik. Latin. Score and parts. 31 pages. Jeff Tyzik/Macaroni Music #686377. Published by Jeff Tyzik/Macaroni Music (A0.1082229). Three Latin Dances was composed for the Eastman Wind Ensemble at the request of Mark Scatterday in September of 2018. In the past twenty years, Mark has been very instrumental in encouraging me to compose wind music. I am grateful for the many wind ensemble projects and recordings we have collaborated on including IMAGES, our CD that was released in October 2018. I've always been attracted to the music of great Latin composers including de Falla, Gimenez, Chapi, Piazzolla, Ginastera, Lacuona and many others. In this short suite, I used three different popular Latin dance forms. The first dance section is based on the Danzón, a Cuban dance that is slow, formal and elegant. The Danzón transitions into a Cha Cha, another Cuban dance that is a medium tempo rhythmic dance that I first experienced during my student days at Eastman when I played in local Latin bands. After a brief recap of the Danzón another transition evolves into a Malambo, an Argentine dance that is exciting, up tempo and whose roots can be traced back to the 1600s. As one might imagine, the percussion section is very busy and featured throughout from the elegant and lyrical introduction to the exciting finish. As an alumni of the EWE under Donald Hunsberger, it is an honor to have this preeminent Eastman ensemble premiere this new suite with Mark Scatterday conducting at Severance Hall in Cleveland on May 7, 2019.
$50.00
46.1 €
#
Orchestre d'harmonie
#
Jeff Tyzik
#
Jeff Tyzik
#
Three Latin Dances - Score Only
#
Jeff Tyzik/Macaroni Music
#
SheetMusicPlus
Victory On My Parade
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.1202805 Composed by Amphibia Cultural Legac…
(+)
Concert Band - Digital Download SKU: A0.1202805 Composed by Amphibia Cultural Legacy. Broadway,Classical,Film/TV,March,Multicultural,Musical/Show,World. Score and Parts. 3 pages. Amphibia Cultural Legacy #801569. Published by Amphibia Cultural Legacy (A0.1202805). Victory On My Parade is a beautiful instrumental cover that has been remixed with an orchestra by Amphibia Cultural Legacy. The piece is based on the end credits from JumpStart 1st Grade Reading, a popular educational game for young children. This remix serves as a testament to how music can be used to inspire and uplift people.The instrumentation of Victory On My Parade is truly remarkable, with each instrument blending seamlessly into the next. The orchestra breathes new life into this classic tune, creating an electrifying atmosphere that leaves listeners wanting more. Whether you are a fan of orchestral music or not, it's hard not to appreciate the passion and skill that went into creating this remix.In conclusion, Victory On My Parade by Amphibia Cultural Legacy is an exceptional piece of music that showcases the power of collaboration between talented musicians.
$80.00
73.75 €
#
Orchestre d'harmonie
#
Amphibia Cultural Legacy
#
Victory On My Parade
#
Amphibia Cultural Legacy
#
SheetMusicPlus
Love For Laina
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1504087 Composed by Horatio Sp af…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.1504087 Composed by Horatio Sp afford / Philip Bliss. Arranged by Jonathan L Nelson. Contest,Festival,Religious. 122 pages. Jonathan Nelson #1079545. Published by Jonathan Nelson (A0.1504087). A Message from her father, Leander (Andy) Bridges III would not have you to be ignorant brethren concerning them who are asleep as we do not sorrow as those who have no hope. It is with this paradoxical emotion that we present a commissioned work that is dear to our hearts.On May 20, 2022, our lives were changed forever as our daughter, Laina Michelle Bridges, passed away in a car accident. My wife and I as well as our extended family have chosen to not focus on the tragic passing of our daughter but on the exceptional eleven years that she graced us with her presence.It is as a result of her dynamic life that the title of this commissioned piece is so aptly appropriate. Love for my daughter has caused a transcendence beyond race, ethnicity, religious and political affiliation. And with the paradoxical emotion of sorrow filled joy, I humbly present a commissioned work by Dr. Jonathan Nelson in honor of the late Laina Michelle Bridges, Love for Laina.
$90.00
82.97 €
#
Orchestre d'harmonie
#
Horatio Sp afford / Philip Bliss
#
Jonathan L Nelson
#
Love For Laina
#
Jonathan Nelson
#
SheetMusicPlus
Love For Laina
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1379250 Composed by Horatio Sp af…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.1379250 Composed by Horatio Sp afford / Philip Bliss. Arranged by Jonathan L Nelson. Contest,Festival,Spiritual. 122 pages. Jonathan Nelson #963930. Published by Jonathan Nelson (A0.1379250). A Message from her father, Leander (Andy) Bridges III would not have you to be ignorant brethren concerning them who are asleep as we do not sorrow as those who have no hope. It is with this paradoxical emotion that we present a commissioned work that is dear to our hearts.On May 20, 2022, our lives were changed forever as our daughter, Laina Michelle Bridges, passed away in a car accident. My wife and I as well as our extended family have chosen to not focus on the tragic passing of our daughter but on the exceptional eleven years that she graced us with her presence.It is as a result of her dynamic life that the title of this commissioned piece is so aptly appropriate. Love for my daughter has caused a transcendence beyond race, ethnicity, religious and political affiliation. And with the paradoxical emotion of sorrow filled joy, I humbly present a commissioned work by Dr. Jonathan Nelson in honor of the late Laina Michelle Bridges, Love for Laina.
$90.00
82.97 €
#
Orchestre d'harmonie
#
Horatio Sp afford / Philip Bliss
#
Jonathan L Nelson
#
Love For Laina
#
Jonathan Nelson
#
SheetMusicPlus
A New Beginning
Orchestre d'harmonie
Concert band - Digital Download SKU: IZ.CBW201-S Composed by Thomas Juzwiak. Score.…
(+)
Concert band - Digital Download SKU: IZ.CBW201-S Composed by Thomas Juzwiak. Score. 15 pages. Imagine Music - Digital #CBW201-S. Published by Imagine Music - Digital (IZ.CBW201-S). 9 x 12 in inches.A New Beginning is a piece about second chances and hope. Hope for peace throughout the world. Hope for tolerance and hope for better times. It ponders the question, What if we had a chance to do it all over again? The words are powerful as is their meaning. The composition is available in SATB/Piano format as well as SATB/Concert Band and can be used in many types of settings. It's message is worth telling any time of the year. It is the composer's hope that the listener, as well as the performers, walk away from this piece with ideals to think about and to practice.
$10.00
9.22 €
#
Orchestre d'harmonie
#
Thomas Juzwiak
#
A New Beginning
#
Imagine Music - Digital
#
SheetMusicPlus
A New Beginning
Orchestre d'harmonie
Concert band - Digital Download SKU: IZ.CBW201 Composed by Thomas Juzwiak. Score an…
(+)
Concert band - Digital Download SKU: IZ.CBW201 Composed by Thomas Juzwiak. Score and Parts. 49 pages. Imagine Music - Digital #CBW201. Published by Imagine Music - Digital (IZ.CBW201). 9 x 12 in inches.A New Beginning is a piece about second chances and hope. Hope for peace throughout the world. Hope for tolerance and hope for better times. It ponders the question, What if we had a chance to do it all over again? The words are powerful as is their meaning. The composition is available in SATB/Piano format as well as SATB/Concert Band and can be used in many types of settings. It's message is worth telling any time of the year. It is the composer's hope that the listener, as well as the performers, walk away from this piece with ideals to think about and to practice.
$60.00
55.31 €
#
Orchestre d'harmonie
#
Thomas Juzwiak
#
A New Beginning
#
Imagine Music - Digital
#
SheetMusicPlus
Dos Por Cinco
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1393193 By Shane Vickery. By Shan…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.1393193 By Shane Vickery. By Shane Vickery. Arranged by Shane Vickery. 21st Century,Contemporary,Latin. 33 pages. Bandapalooza #976687. Published by Bandapalooza (A0.1393193). Five groups of melodic instruments with two pitches each. Concert Bb & EbConcert Bb & FConcert D & EbConcert Bb & CThis fun piece with an infectious grove will be fun for your students and audience!Dos Por Cinco was designed to be used as a warm-up or teaching piece, but it will work well as a fun number for concert performance. Concepts that are reinforced in this piece include:Matching articulationMatching dynamicsIntonationBalance & blendAntiphony - separate sections share equal responsibility in performing the melody in the same way athletes share responsibility in a baton relay race.
$15.00
13.83 €
#
Orchestre d'harmonie
#
Shane Vickery
#
Shane Vickery
#
Eb
Concert Bb &
#
Dos Por Cinco
#
Bandapalooza
#
SheetMusicPlus
Sidewinder
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1405543 Composed by Lee Morgan. A…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.1405543 Composed by Lee Morgan. Arranged by John Ivor Holland. 20th Century,Film/TV,Jazz,Soul,Standards. 92 pages. John Ivor Holland #988601. Published by John Ivor Holland (A0.1405543). 'The Sidewinder' is a 1964 album by jazz trumpeter Lee Morgan, recorded in New Jersey, U.S. It was released on the Blue Note label and the title track is perhaps Morgan's all-around best-known composition; it would go on to become a jazz standard and was additionally released as a single, entering the Billboard Hot 100 in January 1965. Morgan recorded the track with tenor saxophonist Joe Henderson, pianist Barry Harris, double bassist Bob Cranshaw and drummer Billy Higgins. The album became Blue Note's best-selling record ever, breaking the previous sales record and saving the label from near bankruptcy. Record producer Michael Cuscuna recalls the unexpected success: the company issued only 4,000 copies upon release. Needless to say, they ran out of stock in three or four days. And 'The Sidewinder' became a runaway smash. The title track was used as the music in a Chrysler television advertisement during the 1965 Baseball World Series, without Morgan's permission; he threatened to sue, Chrysler agreed not to show the advertisement again and settled the case. This arrangement has been adapted from the jazz ensemble version by Mark Taylor, retaining solos for alto sax and trumpet, although an optional cut can be taken if necessary to skip these.
$59.99
55.31 €
#
Orchestre d'harmonie
#
Lee Morgan
#
John Ivor Holland
#
Sidewinder
#
John Ivor Holland
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
