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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Who
Non classifié
5 781
Piano & claviers
Piano seul
8 291
Piano, Voix
4 145
Piano Facile
2 095
Piano, Voix et Guitare
1 541
Orgue
471
Instruments en Do
351
Accompagnement Piano
240
1 Piano, 4 mains
159
Piano Trio: piano, violon, violoncelle
54
2 Pianos, 4 mains
52
Piano grosses notes
42
Accordéon
22
Piano Quatuor: piano, violon, alto, violoncelle
13
Piano (partie séparée)
12
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Orgue, Piano (duo)
11
Piano Quatuor: piano, 2 violons, violoncelle
8
Clavecin
7
1 Piano, 6 mains
5
Ligne De Mélodie, Piano
2
Orgue, Trompette (duo)
2
Clavier
2
Ensemble de Pianos
1
Accordéon, Voix
1
Fake Book
1
2 Pianos, 8 mains
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
890
Guitare
416
Ligne De Mélodie, (Paroles) et Accords
287
Ukulele
165
Basse electrique
154
Paroles et Accords
146
2 Guitares (duo)
69
Piano, Guitare (duo)
26
Mandoline
26
Dulcimer
22
Guitare (partie séparée)
20
Banjo
17
3 Guitares (trio)
14
4 Guitares (Quatuor)
13
Ensemble de guitares
5
Mandoline, Guitare (duo)
3
Ukulele Baryton
3
Guitare, Flûte, Clarinette
2
Basse électrique (partie séparée)
2
Guitare Pedal Steel
1
2 Dulcimers (duo)
1
2 Ukuleles
1
Guitare, Violon, Violoncelle (trio)
1
Orchestre à Plectres
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
3 018
Chorale 3 parties
563
Chorale 2 parties
412
Chorale TTBB
281
Chorale Unison
271
Chorale SSAA
162
Voix duo, Piano
121
Voix Soprano, Piano
102
Voix Alto, Piano
91
Voix Tenor, Piano
76
Voix Baryton, Piano
67
Voix seule
58
Voix duo
49
Voix haute
48
Voix Tenor
35
Chorale
29
Voix Soprano
26
Pack Instrumental pour Chorale
19
Voix moyenne, Piano
16
Voix Mezzo-Soprano, Piano
9
Voix basse, Piano
8
Chorale SSATTB
6
Chorale SSAATTBB
4
Soli, choeur mixte et accompagnement
3
Chorale SSAB, Piano
2
Voix basse
2
Chorale SSATB
2
Chorale SSAATB
1
Voix, Guitare
1
+ 24 instrumentations
Retracter
Vents
Flûte traversière et Piano
452
Clarinette et Piano
411
Quatuor de Saxophones: 4 saxophones
377
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
368
2 Saxophones (duo)
314
Hautbois, Piano (duo)
305
Saxophone Alto et Piano
293
Flûte traversière
289
Flûte, Hautbois, Clarinette, Basson
258
Clarinette
236
Saxophone Alto
215
Saxophone (partie séparée)
194
Quatuor de Clarinettes: 4 clarinettes
193
2 Flûtes traversières (duo)
192
Saxophone Tenor et Piano
181
2 Clarinettes (duo)
177
Saxophone Soprano et Piano
163
Hautbois (partie séparée)
143
Quintette de Saxophone: 5 saxophones
142
Saxophone Tenor
132
Saxophone Baryton, Piano
107
Flûte, Clarinette (duo)
82
3 Saxophones (trio)
81
Ensemble de Flûtes
76
Cor anglais, Piano
76
Quatuor de Flûtes : 4 flûtes
72
Ensemble de Clarinettes
72
2 Hautbois (duo)
68
3 Clarinettes (trio)
64
Flûte et Guitare
55
Hautbois, Basson (duo)
55
Saxophone, Clarinette (duo)
49
Clarinette, Violon (duo)
46
Clarinette Basse, Piano
44
Ensemble de saxophones
44
2 Flûte à bec (duo)
42
Quintette de Clarinettes: 5 clarinettes
41
Quatuor de Flûtes à bec
40
Clarinette, Guitare (duo)
36
Flûte à bec Soprano
35
Hautbois
33
Clarinette, Basson (duo)
33
Saxophone Soprano
30
Clarinette (partie séparée)
29
Quintette de Flûte : 5 flûtes
28
Trio de Flûtes: 3 flûtes
28
Flûte, Violon
28
Flûte à Bec
27
Hautbois, Clarinette (duo)
27
Clarinette et Alto
25
Cor Anglais
25
5 Flûtes à bec
24
Saxophone
23
Clarinette, Trompette (duo)
23
Flute (partie séparée)
23
Flûte, Hautbois, Clarinette (trio)
23
Hautbois, Clarinette, Basson (trio d'anches)
18
Flûte à bec Alto
17
Saxophone Baryton
17
Flûte, Trompette (duo)
17
Hautbois, Flûte
17
Flûte, Saxophone (duo)
16
Flûte, Alto (duo)
16
Flûte, Violoncelle
16
Harmonica
15
Clarinette, Violoncelle (duo)
12
3 Flûtes à bec (trio)
11
Flûte, Clarinette et Basson
11
Hautbois, Violoncelle
10
Flûte, Hautbois (duo)
10
Flûte à bec Alto, Piano
9
Flûte, Clarinette, Piano (trio)
9
Flûte à bec Soprano, Piano
8
Flûte, Violon, Piano
8
Cor anglais, Guitare (duo)
8
Ocarina
7
Ensemble De Flûte à bec
7
2 Clarinettes, Piano
7
Flûte irlandaise
6
2 Flûtes traversières, Piano
6
Flûte à bec Tenor
6
Flûte à bec, Guitare (duo)
6
Flûte, Basson et Piano
5
Saxophone et Guitare
5
Piccolo, Piano
5
Flûte, Hautbois, Piano (trio)
5
Saxophone et Orgue
4
Hautbois, violon (duo)
4
Clarinette, Harpe (duo)
4
Instruments en Mib
4
Saxophone et Harpe
4
2 Hautbois, Piano
3
Flûte, Clarinette, Violon (trio)
3
2 Cors Anglais Et Pianoforte
3
Hautbois et alto (duo)
3
4 Hautbois
3
Hautbois, Guitare (duo)
3
Hautbois, Basson et Piano
3
Clarinette Basse
3
Flûte, Trombone (duo)
2
Hautbois, Harpe
2
2 Clarinettes, Basson
2
Flûte, Violoncelle, Piano (trio)
2
Hautbois, Clarinette et Piano (Trio)
2
Flûte à bec Alto, Basse continue
2
Clarinette, Trombone (duo)
2
Flûte, Hautbois, Basson
2
3 Hautbois
2
Flute, harpe et violon
2
Flûte à Bec, Piano
2
2 Saxophones, Piano
2
Cornemuse
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, trombone et piano
1
Flûte, Hautbois, Violon
1
Cor anglais et Harpe (duo)
1
Flûte, Violon et Violoncelle
1
Clarinette, Basson, Piano (trio)
1
Flûte, Violoncelle, Guitare
1
Piccolo
1
2 Flûtes à bec, Piano
1
Flûte traversière, Orgue (duo)
1
Flûte, alto et harpe
1
Flûte, Violon, Violoncelle et Piano
1
Ensemble de Hautbois
1
+ 120 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
374
Trombone et Piano
277
Trompette
266
Trompette, Piano
247
Cor et Piano
216
Quatuor de Cuivres : 2 trompettes, trombone, tuba
208
Trombone
195
Cor
148
Tuba
130
Tuba et Piano
120
Trompette (partie séparée)
96
Trombone (partie séparée)
95
2 Trompettes (duo)
84
Cor anglais, Piano
76
Euphonium, Piano (duo)
75
2 Trombones (duo)
70
2 Cors (duo)
57
Trompette, Trombone (duo)
45
Quatuor de Cuivres: 2 trompettes, Cor, trombone
45
Quatuor de Cuivres
40
Quatuor de cuivres: 4 trombones
34
Trompette, Saxophone (duo)
32
2 Tubas (duo)
28
Cor Anglais
25
Ensemble de Trombones
20
Cor (partie séparée)
20
Trompette, Cor (duo)
20
Quatuor de cuivres: 4 trompettes
19
Quatuor de cuivres: 4 cors
18
3 Trombones (trio)
16
Tuba (partie séparée)
15
Ensemble de Trompettes
12
Tuba et Orgue
12
2 Euphoniums et 2 Tubas
12
Ensemble de Cors
11
4 Tubas
9
Trio de Cuivres
8
Cor anglais, Guitare (duo)
8
Euphonium
7
Trombone, Cor (duo)
7
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Trombone basse et Piano
6
Instruments en Sib
6
2 Euphoniums (duo)
5
Cor, Tuba (duo)
5
Cor, Violoncelle (duo)
5
Trompette, Tuba (duo)
5
Trombone, Tuba (duo)
5
Bass Clef Instruments
5
Trombone basse
3
2 Cors Anglais Et Pianoforte
3
Cor et Harpe
3
Euphonium, Tuba (duo)
3
Trompette, Harpe
3
Trompette, Violoncelle et Piano
3
2 Cors, Piano
2
2 Trompettes, Clavier (piano ou orgue)
2
Trompette et Guitare
2
3 Tubas (trio)
2
Cor et Basson (duo)
1
Cor anglais et Harpe (duo)
1
Cor et Orgue
1
Trompette, violon (duo)
1
Trombone, Violon (duo)
1
Tuba ou Euphonium ou Saxhorn
1
4 Euphoniums
1
3 Trompettes (trio)
1
3 Cors (trio)
1
Trombone et orchestre
1
Ensemble de Tubas
1
Instruments en Fa
1
+ 66 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
927
Violon et Piano
575
Violon
481
Violoncelle, Piano
387
Alto, Piano
316
Violoncelle
306
Harpe
295
Alto seul
195
Violon, Violoncelle (duo)
171
2 Violons (duo)
170
Trio à Cordes: violon, alto, violoncelle
155
2 Violoncelles (duo)
109
Contre Basse
100
Contrebasse, Piano (duo)
98
Violon, Alto (duo)
92
2 Altos (duo)
88
Quintette à cordes: 2 violons, alto, violoncelle, basse
60
Alto (partie séparée)
57
Trio à Cordes: 2 violons, violoncelle
53
Violon, Guitare (duo)
41
Alto, Violoncelle (duo)
40
Violon (partie séparée)
37
4 Violoncelles
34
Contrebasse (partie séparée)
32
Violoncelle , Guitare (duo)
23
Trio à cordes: 3 violins
22
Trio à Cordes: 3 violoncelles
21
Alto, Guitare (duo)
20
Quatuor à cordes : 4 altos
19
Harpe, Voix
19
Harpe, Violon (duo)
19
Violon, Basson (duo)
18
2 Contrebasses (duo)
15
Piano Trio: Violon, Alto, Piano
15
Quatuor à cordes: 4 violons
14
2 Harpes (duo)
14
Trio à cordes: 3 altos
13
Violoncelle (partie séparée)
11
Harpe, Flûte (duo)
9
Violoncelle, Contrebasse (duo)
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Alto et Basson
5
4 Contrebasses
4
2 Violoncelles, Piano
4
Alto et Harpe
4
Trio à Cordes: 2 violons, alto
4
Violoncelle, Orgue
3
Ensemble de Violons
3
Ensemble de Violoncelles
3
3 Harpes
3
2 Violons, Piano
3
Alto et orchestre
2
5 Harpes
2
2 Altos, Piano
1
Harpe, Violon, Violoncelle
1
Violoncelle, Orchestre
1
Ensemble d'Altos
1
Harpe et Piano
1
Alto, Orgue
1
Harpe, Trombone (duo)
1
Harpe, Violoncelle (duo)
1
Violon, Clarinette, Piano (trio)
1
Harpe, Quatuor à cordes
1
Violon, Orgue
1
Harpe (partie séparée)
1
+ 61 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 920
Orchestre à Cordes
407
Orchestre
389
Ensemble Jazz
241
Ensemble de cuivres
230
Cloches
171
Orchestre de chambre
169
Batterie
135
Fanfare
90
Jazz combo
82
Ensemble de Percussions
50
Percussion (partie séparée)
24
Batterie (partie séparée)
20
Marimba
16
Xylophone
6
Ensemble d'École
6
2 Xylophones
6
Vibraphone
6
Percussion
6
Xylophone, Piano
5
Timbales (partie séparée)
3
Quintette à Vent
2
Quintette de Cuivres: autres combinaisons
2
Instrumentation Flexible
1
Xylophone (partie séparée)
1
Bongos
1
Marimba et Orgue
1
Marimba, Piano (duo)
1
Conga
1
Vibraphone et Marimba
1
Piano et Orchestre
1
2 Marimbas
1
Orchestre, Violon
1
Bodhran
1
+ 29 instrumentations
Retracter
Autres
Théorie de la musique
4
Formation musicale - Solfège
3
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
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ENFANTS : EVEIL - IN…
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Crtitères actifs :
The Who
Orchestre d'harmonie
Partitions à imprimer
1 920 partitions trouvées
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1901
The Home Coming March (1908) - Concert Band Score and Parts PDF
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Contemporain
#
E
#
Brendan Elliget MAGA 537
#
The Home Coming March
#
BJE Music
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
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Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
Oot-kwa-tah, Dance of the Seven Sisters
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brett L
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Oot-kwa-tah, Dance of the Seve
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Sonata Grendel Publishing
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #6748213. Publish...
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Concert Band - Level 4 - SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #6748213. Published by Sonata Grendel Publishing (A0.837514). Note: for best results, print the score (first 38 pages) on 8.5 X 14 (legal) sized paper and print the parts on 8.5 X 11 (letter) sized paper. M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Oot-kwa-tah is dedicated to Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster.The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star.
$40.75
Amazing Grace (And Then Some)
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Orchestre d'harmonie
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Musique Sacrée
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Marc Oliver
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Amazing Grace
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - SKU: A0.733028 Composed by Marc Oliver. Arranged by Ayotte Custom Musical Engravings. Praise & Worship,Sacred,Spiritual. Score and parts....
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Concert Band - SKU: A0.733028 Composed by Marc Oliver. Arranged by Ayotte Custom Musical Engravings. Praise & Worship,Sacred,Spiritual. Score and parts. 42 pages. Ayotte Custom Musical Engravings #2347283. Published by Ayotte Custom Musical Engravings (A0.733028). Almost everybody and his mother on the Planet have written their own arrangements of Amazing Grace so I guess I should not be the exception. Amazing Grace (And Then some) is written for Solo Tuba, accompanied by a wind band. I was inspired to write this chart by a young man named Brandon Jones who lives in the Mobile, Alabama area. He was about 20 years old at the time of this writing (in 2012). He wanted to dedicate it to his father who had died when Brandon was about 4 or 5 years old. My arrangement of Amazing Grace (And Then Some) is not just another theme and variations type of work. Instead, I have interwoven two additional hymns (Praise to the Lord, the Almighty and I Will Sing of My Redeemer) in order to break up the monotony of just the one hymn (hence the subtitle And Then Some) Oh, did I mention that Brandon plays a C tuba that was passed down from his father?
$49.99
1917: The Halifax Disaster
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by Wi...
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Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
The True Heroes
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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Classique
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Keiron Anderson
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The True Heroes
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Songburd Music
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1411069 Composed by Keiron Anderson. Classical,Contemporary. 124 pages. Songburd Music #993415. Published by Songburd M...
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Concert Band - Level 5 - SKU: A0.1411069 Composed by Keiron Anderson. Classical,Contemporary. 124 pages. Songburd Music #993415. Published by Songburd Music (A0.1411069). Keiron Anderson brings us music for the moment, and perhaps no other moment yet in the 21st Century has revealed the vulnerable nature of humanity, and the interconnectedness of our world more than the COVID-19 pandemic, officially announced on March 11, 2020 by the World Health Organization.  The True Heroes is a piece that tells a part of the dramatic story of the struggles, heartaches and triumphs of the world’s medical professionals, and all who were a part of the health care industry to whom this piece is dedicated.  Using a dissonance in the chords, structured upon two perfect fifths a semi-tone apart, Anderson opens the story with suddenness and a pushed tempo that conveys an urgency and anxiety about the growing pandemic, and depicts how the health care workers are not people with super-powers, but rather individuals who are committed to self-sacrifice in using their skills to save the lives of others. The crisis is not over as we reach the middle of the piece where the tempo slows to a more thoughtful pace, allowing the health care worker (and the listener) a moment to rest, to reflect and to meditate, and to give enough time for the emotions to mend and energy to rebuild while the pandemic rages on around them.  Then the music once again resumes its original pace with growing fanfare for the health care worker and their resilience in the face of a momentous task, leading to a more dramatic and triumphal sound and force to conclude the piece.
$125.00
Fanfare For The Fallen
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Orchestre d'harmonie
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INTERMÉDIAIRE
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George Willson
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Fanfare For The Fallen
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George Willson
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.927174 Composed by George Willson. 20th Century,Contemporary,Patriotic. Score and Parts. 70 pages. George Willson #4607...
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Concert Band - Level 3 - SKU: A0.927174 Composed by George Willson. 20th Century,Contemporary,Patriotic. Score and Parts. 70 pages. George Willson #4607975. Published by George Willson (A0.927174). War, by its nature, claims the lives of those who enter it, and over the course of history, many have fallen in the service of their countries who have gone to war for one reason or another. Fanfare for the Fallen seeks to honor those who have fallen in service and conjure the image of them marching into their glorious afterlife. Christianity holds that there is no greater love than laying down one's life for another, and many cultures believe that dying in battle yields glory in the great beyond. So whether marching into heaven, Valhalla or some other bright light at the end of the tunnel, let this music provide the soundtrack of trumpeting angels and one last ticker tape parade as these warriors are welcomed into their eternal home.This is a piece of intermediate difficulty with a nice melody and a John Williams' Olympic Fanfare feel to it. While the trumpets soar in their high registers for the heralding sections, the range for the rest of the piece (and the rest of the band) stays mostly in the center of the instruments. While 32nd notes are found here and there, the tempo sitting at around 80 keeps their difficulty, as well as the 16th note woodwind runs, in check. George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.Mp3 provided is a midi extracted from the composition program.
$35.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ri...
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Concert Band - Level 3 - SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ride (A0.784346). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$45.00
The Circus Bee
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Orchestre d'harmonie
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Contemporain
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Henry Fillmore
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Marc Oliver
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The Circus Bee
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - SKU: A0.733031 Composed by Henry Fillmore. Arranged by Marc Oliver. 20th Century. Score and parts. 74 pages. Ayotte Custom Musical Engrav...
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Concert Band - SKU: A0.733031 Composed by Henry Fillmore. Arranged by Marc Oliver. 20th Century. Score and parts. 74 pages. Ayotte Custom Musical Engravings #2347385. Published by Ayotte Custom Musical Engravings (A0.733031). The Circus Bee is a circus march written by Henry Fillmore of Cincinnati, Ohio in February 1908. Because of its complexity and advanced writing, it is sometimes used as either an opener or an encore piece in band concerts. The Circus Bee was a celebration of sorts for the fact that Henry Fillmore and his father, who managed their publishing business in Cincinnati, finally agreed that the young composer could publish his music at home, even though it did not meet the elder Fillmore's standard of being religious music. It was during this period of conflict between father and son that Henry, showing defiance to his father for not repenting his desire to write marches, reportedly told him, I will huff and I will puff, and I will continue to write marches. This alleged statement by the younger Fillmore gave birth to one of his many composing pseudonyms, Will Huff. The march is named after an imaginary circus newspaper and reflects Fillmore's lifelong interest in circuses and his varied experiences while touring with five different big top shows where he played the trombone. He was also famous for his many trombone marches, such as Bones Trombone, Teddy Trombone and the famous Lassus Trombone, all showcasing the trombone glissando, or smear, caused by moving the trombone slide in and out while playing the instrument (usually loud).
$59.99
The Munsters Theme
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Orchestre d'harmonie
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FACILE
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Jack Marshall
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Kyle L
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The Munsters Theme
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KyleMac Music
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1208594 Composed by Jack Marshall. Arranged by Kyle L. McKinzey. Contest,Festival,Film/TV,Holiday. Score and Parts. 42 ...
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Concert Band - Level 2 - SKU: A0.1208594 Composed by Jack Marshall. Arranged by Kyle L. McKinzey. Contest,Festival,Film/TV,Holiday. Score and Parts. 42 pages. KyleMac Music #806702. Published by KyleMac Music (A0.1208594). THE MUNSTERS†was an American sitcom airing on CBS from 1964 to 1966. It depicted the home life of a family of benign monsters. The series was a satire of American suburban life, the wholesome television family fare of the era and traditional monster movies. The music, by Jack Marshall, was described by writer Jon Burlingame as a Bernard-Herrmannmeets-Duane-Eddy sound. This arrangement has fun bass lines, so they will enjoy this and need to work on it sounding creepy. Though not marked throughout, the bass line should be separated and emulate a picked electric bass articulation throughout. The rest of the winds is more suitable for 1st & 2nd-year players. Ex. The 2nd clarinets do not cross the break. The percussion is written for a drum set but can be separated as a traditional part for concert band. As usual, I have included plenty of percussion parts to go around. The tom part can be ad-libbed by a drumkit player if you go with that option. The part itself is optional but does help if splitting the drum part. There are three different mallet parts with the xylophone and marimba carrying the load. Bells can be optional. There are lots of sound effects in the accessories part. Ratchet, Cowbell, Vibra-slap, Tambourine, Whistle, Siren whistle. These can be easily substituted with what you have on hand. I hope your students and audiences (and you) have fun with this piece. I appreciate all comments, questions, and criticisms. KyleMac Music
$49.99
The Love of God
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Frederick M
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Leandro Bizama
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The Love of God
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Leandro Bizama Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.933695 Composed by Frederick M. Lehman. Arranged by Leandro Bizama. Christian,Christmas,Easter,Jewish,Sacred. Score and...
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Concert Band - Level 3 - SKU: A0.933695 Composed by Frederick M. Lehman. Arranged by Leandro Bizama. Christian,Christmas,Easter,Jewish,Sacred. Score and parts. 44 pages. Leandro Bizama Music #2907105. Published by Leandro Bizama Music (A0.933695). The Love of God, for Concert Band, Grade Level 2.5, dur. 4 mins.The lyrical nature of the tune combined with the powerful poem about God's love make this one of the greatest hymns ever. This arrangement maintains the power of the tune and represents the beauty of the poetry musically. Each verse has its own special setting corresponding to the words of the hymn. Starting in a mysterious, martial and subdued style, The Love of God develops into a strong but respectful to the hymn type of finale, complete with musical representations of the waves of the sea. It is accessible to High School groups but also appropriate for Community or College ensembles. Because of its history (see below) it can appeal to a wide range of faiths and inspire unity and peace. Audiences and performers alike are sure to find it inspiring and uplifting.---A little about the history of the hymn:Could we with ink the ocean fill, and were the skies of parchment made;Were every stalk on earth a quill, and every man a scribe by trade;To write the love of God above would drain the ocean dry;Nor could the scroll contain the whole, though stretched from sky to sky.These timeless words inspired Lehman to write The Love of God after they were found edged on the wall of an asylum patient's room. They are an adaptation and translation of a poem originally written in Aramaic by the Jewish Rabbi of Worms, Germany around the year 1050. This poem in turn is similar to a passage in the Qur'an. What an incredible journey for these great words: an ancient poem that has its roots in the Qur'an, later adapted by a Rabbi, written on the wall of an insane asylum by a patient, and finally taken up by a Christian to be the basis of a beautiful song. Surely God's love and music are the only two things powerful enough in our World to bring unity and respect in the face of pride and violence.For more about the arranger, visitwww.leandrobizama.comSources:http://www.hymnary.org/text/the_love_of_god_is_greater_farhttp://library.timelesstruths.org/music/The_Love_of_God/http://www.tanbible.com/tol_sng/sng_theloveofgod.htm
$30.00
Abraham’s Daughter: March from the Civil War
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Stephen R Dalrymple
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Abraham’s Daughter: Marc
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and...
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Concert Band - Level 3 - SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and parts. 54 pages. Stephen R Dalrymple #3566019. Published by Stephen R Dalrymple (A0.818257). Abraham’s Daughter: March from the Civil War ♫ by Septimus Winter (1861) ♫ with When Johnny Comes Marching Home by Patrick Gilmore a.k.a. Louis Lambert (1863). ♫ arranged for concert band by Stephen R Dalrymple ♫ After a family trip to Gettysburg, Antietam, Harper’s Ferry, and Ford Theater, I created a concert band arrangement to solidify the trip in my mind using a popular Civil War song from the North, “Abraham’s Daughter,†and a song used by both North and South, “Johnny Comes Marching Home.†♫ Music was a means for soldiers to release the tensions of war. By December 1861 the Union army had 28,000 musicians in 618 bands, not counting soldiers who travelled with violins and other musical instruments. Soldiers often sang as they marched by day and at night in camp. Musical duels were not uncommon between Union and Confederate bands. This idea inspired the last section of the arranger where the 2 songs are played against each other. ♫ Septimus Winner wrote “Abraham’s Daughter†in 1861 for the Minstrel stage. “Abraham’s Daughter†pictures a fresh recruit that is on his way to Washington DC to be processed and trained for future battles. ♫ Given the unpublished verses we have, Abraham’s Daughter was undoubtedly sung and embellished by Union soldiers as they travelled from battlefield to battlefield. ♫ Winner is also known for writing “Ten Little Injuns†“Listen to the Mockingbird†and “Where, Oh Where Has My Little Dog Gone?†♫ Abraham Lincoln had 4 sons, Robert Todd, Edward Baker, William Wallace, and Thomas (Tad); but no daughters. So, who is Abraham’s daughter? ♫ Oh! Should you ask me who she am, Columbia is her name, sir; She is the child of Abraham, Or Uncle Sam, the same, sir. Now if I fight, why ain't I right? And don't you think I oughter. The volunteers are a-pouring in From every loyal quarter, And I'm goin' down to Washington To fight for Abraham's daughter. ♫ At the beginning of the war, the majority of soldiers, North and South, were fighting to uphold their view of government, each side justifying its position by quoting the Constitution. Southern States saw each State as a sovereign, independent nation. Abraham Lincoln insisted that the United States were one nation. For Abraham Lincoln, the purpose of the war was to preserve the Union. The undivided union was Lincoln’s daughter. ♫ arrangement © 2000, 2013 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Electric Bass, Snare and Bass Drums, Cymbals, and Bells. 3) Condensed Conductor’s Score in a smaller format for use in a 10 inch tablet 4) The same parts formatted for a 10 inch tablet. ♫ The YouTube video contains a full recording.
$19.00
The Sands of Time Movement II: Go Down Moses
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Orchestre d'harmonie
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FACILE
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Peyton T
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The Sands of Time Movement II:
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Starkweather Arts Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.993114 Arranged by Peyton T. Starkweather. African,Contemporary,Spiritual. Score and parts. 33 pages. Starkweather Arts...
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Concert Band - Level 2 - SKU: A0.993114 Arranged by Peyton T. Starkweather. African,Contemporary,Spiritual. Score and parts. 33 pages. Starkweather Arts Publications #3686107. Published by Starkweather Arts Publications (A0.993114). This piece is intended for Field Opera: an orchestral Marching Band featuring theatre, ballet, and strings. This piece is elegant and suited for Orchestra, Wind Ensemble, and of course, Marching Band.The piece is one minute long and is meant to be suited next to other Egyptian features, such as the other movement of The Sands of Time. In the second movement of The Sands of Time, we further into Egyptian mythology with a cross arrangement of Go Down Moses, an African American Spiritual about the Harriet Tubman, whose codename was Moses among the slaves at the time and Aquarium, by Camille Saint-Saens from Carnival of The Animals.At the surface level, the concepts of these pieces have nothing in common, but musically, their melodies are quite similar. The piece is beautiful and catchy, despite its literal and lyrical meanings, although we can use this as a tool to delve from our time into an Egyptian fantasy.Audio Link:https://soundcloud.com/charmonicmajor/go-down-moses
$20.00
Advance! The Royal British Legion
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Clive Longhurst
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Advance! The Royal British Leg
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Clive Longhurst
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1346333 Composed by Clive Longhurst. March. 61 pages. Clive Longhurst #931156. Published by Clive Longhurst (A0.1346333...
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Concert Band - Level 3 - SKU: A0.1346333 Composed by Clive Longhurst. March. 61 pages. Clive Longhurst #931156. Published by Clive Longhurst (A0.1346333). I wrote this march over 12 years ago, when I was first getting into composing/arranging, and it was rather too 'busy'. Too many musicians doing too much. So I had another look and made it more playable by bands of a lesser technical aptitude.It is dedicated to all the volunteers, who give up their time, to make the Royal British Legion the steadfast organisation it has become. They truly are the unsung heroes of the charity. I hope this march pays them the compliment it is meant to. There will soon be a brass band version available.Page 11 is a useful advice sheet for printing.I hope your band enjoys playing it, be it on the march or a concert.
$10.00
National Anthem of ROC Taiwan (for Band): San Min Chu I
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Orchestre d'harmonie
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FACILE
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Patriotique
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Ch'eng Mao-yün 1900-1957
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Colin Kirkpatrick
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National Anthem of ROC Taiwan
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1089002 Composed by Ch'eng Mao-yün 1900-1957. Arranged by Colin Kirkpatrick. Patriotic. Score and parts. 27 pages. C...
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Concert Band - Level 2 - SKU: A0.1089002 Composed by Ch'eng Mao-yün 1900-1957. Arranged by Colin Kirkpatrick. Patriotic. Score and parts. 27 pages. Colin Kirkpatrick Publications #693217. Published by Colin Kirkpatrick Publications (A0.1089002). This anthem should not be confused with the National Anthem of the People's Republic of China, known as March of the Volunteers which is the anthem of mainland China including its special administrative regions of Hong Kong and Macau. The national anthem of ROC Taiwan was first used as the anthem for the whole of China when the country was controlled by the Kuomintang. However, in 1949 the Kuomintang government was ousted and relocated to the island of Taiwan to continue their government, using the same symbols of state that they used in mainland China. The anthem is informally known as San Min Chu I or San Min Zhu Yi (Three Principles of the People), though this name is never used in formal or official occasions. This band set comprises the following: Full Score (20 staves) plus parts for Flutes, Oboe 1, Oboe 2, Clarinet 1, Clarinet 2, Clarinet 3, Bassoons, Alto Sax, Tenor Sax, Baritone Sax, Trumpet 1, Trumpet 2, Horn 1 in F, Horn 1 in E flat, Horn 2 in F, Horn 2 in E flat, Trombone 1, Trombone 2, Baritone BC and TC (same part as Trb 1), Tuba, Timpani and Percussion (3 players).
$19.95
The Four Seasons in the Basque Country
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Orchestre d'harmonie
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Gregory Fritze
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The Four Seasons in the Basque
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Musica Nova USA
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SheetMusicPlus
Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Publishe...
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Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
The Flight of the Bumble Bee - Rimsky Korsakov - For solo Bb Clarinet and Concert Band
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Orchestre d'harmonie
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AVANCÉ
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N
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Raymond Fenech
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The Flight of the Bumble Bee -
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Raymond Fenech
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1046491 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Opera,Pop,Romantic Period....
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Concert Band - Level 5 - SKU: A0.1046491 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Opera,Pop,Romantic Period. Score and parts. 59 pages. Raymond Fenech #651010. Published by Raymond Fenech (A0.1046491). Flight of the Bumblebee is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture. The piece closes Act III, Tableau 1, during which the magic Swan-Bird changes Prince Gvidon Saltanovich (the Tsar's son) into an insect so that he can fly away to visit his father (who does not know that he is alive). The duration of this is 2.07 minutes and it is a difficult level piece.
$35.00
Another One Bites The Dust
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Queen
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Joop Derks
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Another One Bites The Dust
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Derksarrangementen
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1255097 By Queen. By John Deacon. Arranged by Joop Derks. 20th Century,Pop. Score and Parts. 104 pages. Derksarrangemen...
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Concert Band - Level 3 - SKU: A0.1255097 By Queen. By John Deacon. Arranged by Joop Derks. 20th Century,Pop. Score and Parts. 104 pages. Derksarrangementen #848690. Published by Derksarrangementen (A0.1255097). A surprising arrangement for concert band completed with BassGuitar, Guitar, keys and vocals (male/female or together). The intro starts with the characteristic bass line played by the trombone section. Later in the piece a surprising special for the whole orchestra. A surprising arrangement without any real concessions to the original.Full Score, Flute, Oboe, Bassoon, Clarinet (Eb), Clarinet (Bb 1,2,3) Bass Clarinet, Alto sax (1,2), Tenor sax, Baritone  sax, Horn (1,2) in F and Eb, Trumpet (1,2,3), Trombone (1,2,3) In C, Bb TC and Bb BC, Bass trombone, Euphonium in C, Bb BC and Bb TC, Bass Tuba in C and Bb BC, Bb TC, Eb BC and Eb TC, Drum set, Percussion, Piano, Guitar, Bass Guitar and Vocals. For more information please contact Derksarrangementen@home.nlAlso check out my other Queen arrangements: Innuendo, Killer Queen, Breakthru, We are the champions, Don't stop me now, It's a hard life, Save me and Too much love will kill you.About the arranger: Joop Derks is a musician, conductor and arranger from the Netherlands. He has been working for the Dutch Military Music for years and also conducts a number of civilian concert bands.
$90.00
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Keith Terrett
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Te...
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Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99
The European Anthem
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Orchestre d'harmonie
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Classique
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Ludwig van Beethoven
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Herbert von Karajan
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The European Anthem
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Schott Music - Digital
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SheetMusicPlus
Wind band - SKU: S9.Q2749 Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven. Arranged by Herbert von Karajan. ...
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Wind band - SKU: S9.Q2749 Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven. Arranged by Herbert von Karajan. This edition: set of parts. Downloadable, Set of parts. Duration 2' 15. Schott Music - Digital #Q2749. Published by Schott Music - Digital (S9.Q2749). The European Hymn is the hymn not only of the European Union but of Europe in a broader sense. The melody has been taken from the Ninth Symphony by Ludwig van Beethoven from 1823. In the last movement of this symphony Beethoven set music to the 'Ode to Joy' by Friedrich von Schiller from 1785. This poem sprang from Schiller's idealistic vision of men who become brothers – a vision Beethoven shared with him. In 1972 the Council of Europe adopted Beethoven's 'Ode to Joy' as its anthem. The well-known conductor Herbert von Karajan was commissioned to arrange three instrumental versions – for solo piano, wind orchestra and symphony orchestra. Without words, in the universal language of music, the anthem is an expression of the idealistic values of freedom, peace and solidarity which Europe stands for. In 1985 the heads of state and government adopted the hymn as the EU's official anthem. It does not replace the national anthems of the member states, but rather celebrates common values as well as unity in diversity. The score of this offical anthem is exclusively available from the Schott publishing house.(1 Piccolo-Flöte, 2 Flöten, 2 Oboen, 2 Fagotte, 1 Kontrafagott, 1 Klarinette in Es, 3 Klarinetten in B, 1 Bass-Klarinette in B, 2 Alt-Saxophone in Es, 1 Tenor-Saxophon in B, 1 Bariton-Saxophon in Es, 3 Trompeten in B, 2 Kornette in B, 2 Hörner in F, 3 Posaunen, 2 Flügelhörner in B, 3 Tenorhörner in B, 1 Bariton, 2 Tuben, Pauken, Kontrabass).
$47.99
Feed The Birds (tuppence A Bag)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Richard M
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Matt Nabozny
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Feed The Birds
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Matthew Nabozny LLC
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1236233 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Matt Nabozny. Broadway,Film/TV,Musical/Show. ...
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Concert Band - Level 3 - SKU: A0.1236233 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Matt Nabozny. Broadway,Film/TV,Musical/Show. Score and Parts. 38 pages. Matthew Nabozny LLC #831745. Published by Matthew Nabozny LLC (A0.1236233). Feed the Birds is a song written by the Sherman Brothers (Richard M. Sherman & Robert B. Sherman) and featured in the 1964 motion picture Mary Poppins. The song speaks of an old beggar woman (the Bird Woman) who sits on the steps of St Paul's Cathedral, selling bags of breadcrumbs to passers-by for two pence a bag (equivalent to about 13p in 2022) so that they can feed the many pigeons which surround the old woman. The scene is reminiscent of the real-life seed vendors of Trafalgar Square who began selling birdseed to passers-by shortly after its public opening in 1844.
$60.00
Issue 4, Series 1 - A Hero's Anthem from Strange Myths and Wondrous Images - A Comic Book Chronicle
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
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Issue 4, Series 1 - A Hero's A
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886121 Composed by Jason McChristian. Contemporary. Score and parts. 49 pages. Jason Gary McChristian #552335. Publishe...
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Concert Band - Level 4 - SKU: A0.886121 Composed by Jason McChristian. Contemporary. Score and parts. 49 pages. Jason Gary McChristian #552335. Published by Jason Gary McChristian (A0.886121). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. A Hero's Anthem - ...FROM THE DESTRUCTION A CRY IS HEARD, FROM THE CROWD A HERO EMERGES....
$40.00
The Cross Kirk and the lang walk
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Graham Hamilton
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The Cross Kirk and the lang wa
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Hambone Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Medieval. 93 pages. Ha...
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Concert Band - Level 3 - SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Medieval. 93 pages. Hambone Music #1018489. Published by Hambone Music (A0.1438470). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and intermediate level concert bands, school bands and symphonic wind ensembles should manage it easily. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery.Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme.Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination.Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
The Cabinet of Dr. Caligari
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Ian Deterling
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Flutes 1, 2
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The Cabinet of Dr. Caligari
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Ian Deterling
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.742975 Composed by Ian Deterling. Contemporary,Film/TV,Halloween. Score and parts. 86 pages. Ian Deterling #3587379. Pu...
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Concert Band - Level 4 - SKU: A0.742975 Composed by Ian Deterling. Contemporary,Film/TV,Halloween. Score and parts. 86 pages. Ian Deterling #3587379. Published by Ian Deterling (A0.742975). The Cabinet of Dr. Caligari is silent German expressionist film from 1920. Considered by many to be the first 'true' horror film, Caligari was incredibly innovative with its use of cinematography, warped sets, and the first substantial use of what is now known as the ‘plot-twist’ ending. The title character of the film, Dr. Caligari, has a cabinet - (believe it or not!) - and in this cabinet lives the somnambulist (the sleepwalker), Cesare, who goes around carrying out Caligari's evil deeds. Directed by Robert Wiene and staring Werner Krauss and Conrad Veidt, The Cabinet of Dr. Calagari continues to influence, inspire, and captivate filmmakers even today. This work for concert band makes use of several themes used in Deterling's orchestral score that he composed to accompany the film:’Dr. Caligari’ theme [A] - first heard in alto saxophones and horns (measures 5-6).‘Dr. Caligari’ theme [B] - first heard in clarinets 1, 2 and trumpets (measures 13-14).‘Cesare’ theme - first heard in low winds and low brass (measures 20-22).‘Jane/Love’ theme - first heard in horns and trombones (measures 61-64).‘Plot twist is about to happen’ theme - first heard in clarinets (measures 113-116).Piccolo; Flutes 1, 2; Oboe; Bassoons 1, 2; Clarinets in Bb 1-3; Bass Clarinet in Bb; Contrabass Clarinet; Alto Saxophones 1, 2; Tenor Saxophone; Baritone Saxophone; Trumpets in Bb 1-3; Horns in F 1-4; Trombones 1, 2; Bass Trombone; Euphonium; Tuba; Double Bass; Percussion 1 (Bass Drum, Tambourine); Percussion 2 (Suspended Cymbal, Tam-tam, Triangle, High-Hat, Crash Cymbals); Xylophone; TimpaniSpecial note: the Bassoon 2, Contrabass Clarinet, Horns 2 & 4, and Double Bass parts are optional because they’re always either doubled or cued in other parts. Score and set of parts. https://www.youtube.com/watch?v=ueywDp-gtTY
$68.00
The Golden Spinning wheel, Op.109 - Score Only
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Antonin Dvorak
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Timothy R wheeler
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The Golden Spinning wheel, Op.
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Plantagenet Publishing
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1101689 Composed by Antonin Dvorak. Arranged by Timothy R wheeler. Romantic Period. Score and parts. 317 pages. Plantag...
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Concert Band - Level 5 - SKU: A0.1101689 Composed by Antonin Dvorak. Arranged by Timothy R wheeler. Romantic Period. Score and parts. 317 pages. Plantagenet Publishing #705066. Published by Plantagenet Publishing (A0.1101689). A symphonic poem by Dvorak, composed in early 1896. The work is about a king, who whilst travelling, through a forest, came across a local girl, Domenicka. They fall in love and get married. The king goes to battle, whilst away, the identical step-sister murders Domeicka. The king finds out about this, via a golden spinning wheel, who brings the girl back to life. Then king hears about what's happened, he punishes the sister and mother, and throws them to the wolves and lives happily ever after.
$30.00
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