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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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Thou Art the Way
Sheetmusicplus
Non classifié
825
Piano & claviers
Piano seul
398
Piano, Voix
197
Orgue
148
Piano Facile
73
Piano, Voix et Guitare
52
Instruments en Do
23
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Trio: piano, violon, violoncelle
10
2 Pianos, 4 mains
8
1 Piano, 4 mains
7
Accompagnement Piano
6
Orgue, Piano (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano grosses notes
2
1 Piano, 6 mains
1
+ 11 instrumentations
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Guitares
Piano, Guitare (duo)
114
Guitare
60
Guitare notes et tablatures
25
2 Guitares (duo)
15
Ukulele
10
Ligne De Mélodie, (Paroles) et Accords
4
Mandoline
3
Paroles et Accords
2
Basse electrique
2
4 Guitares (Quatuor)
1
Ensemble de guitares
1
Cithare
1
Banjo
1
+ 8 instrumentations
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Voix
Chorale SATB
207
Chorale 3 parties
74
Chorale 2 parties
29
Chorale TTBB
28
Chorale Unison
17
Chorale SSAA
15
Voix Alto, Piano
11
Voix Soprano, Piano
6
Chorale SSAB a cappella
5
Voix seule
5
Voix haute
3
Voix basse, Piano
3
Voix Tenor
2
Chorale SSATTB
2
Voix Baryton, Piano
2
Voix duo, Piano
2
Voix duo
2
Chorale SSAATTBB
1
Voix Tenor, Piano
1
+ 14 instrumentations
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Vents
Hautbois, Piano (duo)
260
Clarinette et Piano
224
Flûte traversière et Piano
212
Saxophone Alto et Piano
169
Saxophone Tenor et Piano
146
2 Saxophones (duo)
101
Clarinette
53
Quatuor de Saxophones: 4 saxophones
53
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
44
Flûte traversière
43
2 Flûtes traversières (duo)
33
Saxophone, Clarinette (duo)
30
Saxophone Alto
29
Flûte, Hautbois, Clarinette, Basson
26
2 Clarinettes (duo)
25
Quintette de Saxophone: 5 saxophones
24
Clarinette, Violon (duo)
23
Hautbois (partie séparée)
22
Saxophone Soprano et Piano
22
Saxophone Baryton, Piano
20
Quatuor de Clarinettes: 4 clarinettes
18
Clarinette, Trompette (duo)
16
Saxophone Tenor
16
Saxophone (partie séparée)
13
Ensemble de Clarinettes
13
Hautbois, Basson (duo)
12
Flûte, Clarinette (duo)
12
Quatuor de Flûtes : 4 flûtes
11
3 Clarinettes (trio)
11
2 Hautbois (duo)
11
Clarinette et Alto
11
Flûte à bec Soprano
10
Hautbois, Clarinette (duo)
10
Cor anglais, Piano
10
Flûte, Saxophone (duo)
9
Flûte, Trompette (duo)
8
Flûte, Violon
8
Ensemble de Flûtes
8
Hautbois, Flûte
8
Flûte irlandaise
8
Flûte, Alto (duo)
7
Flûte, Clarinette et Basson
7
2 Flûte à bec (duo)
6
Hautbois
5
Quatuor de Flûtes à bec
5
5 Flûtes à bec
5
Clarinette Basse, Piano
5
3 Saxophones (trio)
4
Flûte et Guitare
4
Ensemble de saxophones
4
Flute (partie séparée)
3
2 Clarinettes, Piano
3
Flûte à bec Alto, Piano
3
Clarinette (partie séparée)
3
Cor Anglais
3
Trio de Flûtes: 3 flûtes
3
Flûte, Clarinette, Piano (trio)
3
2 Saxophones, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone
2
Flûte à bec Alto
2
Flûte, Alto et Piano
2
Ocarina
2
Clarinette, Guitare (duo)
2
Flûte, Hautbois (duo)
2
Cor anglais, Guitare (duo)
2
Clarinette, Basson (duo)
1
Flûte à Bec, Piano
1
Hautbois, Guitare (duo)
1
Flûte et Quatuor à Cordes
1
Quintette de Flûte : 5 flûtes
1
Flûte, trombone et piano
1
Flûte, Violon, Violoncelle et Piano
1
Flûte à bec Tenor
1
Flûte, Violon et Violoncelle
1
Hautbois, violon (duo)
1
Saxophone et Orgue
1
Clarinette Basse
1
Piccolo, Piano
1
Flûte, Violon, Piano
1
Flûte, Hautbois, Piano (trio)
1
Saxophone Baryton
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Harmonica
1
3 Flûtes à bec (trio)
1
Clarinette, Harpe (duo)
1
Flûte à Bec
1
Piccolo
1
Flûte, Hautbois, Basson
1
+ 84 instrumentations
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Cuivres
Trombone et Piano
175
Trompette, Piano
118
Trompette
108
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
70
Cor et Piano
62
Trombone
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Trompette, Saxophone (duo)
22
Tuba et Piano
18
Trompette (partie séparée)
17
Cor
16
2 Trompettes (duo)
16
Trompette, Trombone (duo)
15
Quatuor de Cuivres
13
2 Trombones (duo)
13
Cor anglais, Piano
10
Euphonium, Piano (duo)
8
2 Tubas (duo)
8
2 Cors (duo)
7
Tuba
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Trombone (partie séparée)
7
Tuba et Orgue
4
Quatuor de cuivres: 4 trombones
3
Cor (partie séparée)
3
Cor Anglais
3
2 Euphoniums et 2 Tubas
2
Quatuor de cuivres: 4 cors
2
Ensemble de Trompettes
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Quatuor de cuivres: 4 trompettes
2
Trio de Cuivres
2
Ensemble de Cors
2
Cor anglais, Guitare (duo)
2
3 Trompettes (trio)
1
Ensemble de Trombones
1
2 Cors, Piano
1
Ensemble de Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
Tuba (partie séparée)
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
289
Violon et Piano
241
Alto, Piano
231
Violoncelle, Piano
185
Violon, Violoncelle (duo)
174
Violon
165
Trio à Cordes: violon, alto, violoncelle
141
Violoncelle
51
Quintette à cordes: 2 violons, alto, violoncelle, basse
38
Violon, Alto (duo)
28
Alto seul
28
2 Violons (duo)
23
2 Violoncelles (duo)
18
2 Altos (duo)
15
Contrebasse, Piano (duo)
15
Trio à Cordes: 2 violons, violoncelle
14
Harpe
13
Alto (partie séparée)
13
Contre Basse
8
Harpe, Voix
6
Violoncelle , Guitare (duo)
5
4 Violoncelles
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
2 Contrebasses (duo)
4
Violon, Guitare (duo)
4
Alto, Violoncelle (duo)
4
Quatuor à cordes: 4 violons
3
2 Harpes (duo)
3
Trio à cordes: 3 violins
3
Contrebasse (partie séparée)
3
Harpe, Flûte (duo)
2
Trio à Cordes: 3 violoncelles
2
Violon (partie séparée)
2
Trio à Cordes: 2 violons, alto
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Piano Trio: Violon, Alto, Piano
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orchestre
1
Violoncelle (partie séparée)
1
+ 34 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
170
Orchestre à Cordes
140
Orchestre
79
Ensemble Jazz
38
Ensemble de cuivres
35
Orchestre de chambre
33
Cloches
18
Ensemble de Percussions
10
Batterie
8
Jazz combo
5
Percussion (partie séparée)
2
Fanfare
2
Marimba
2
Piano et Orchestre
1
Ensemble d'École
1
Vibraphone
1
2 Marimbas
1
Percussion
1
Xylophone, Piano
1
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Théorie de la musique
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Thou Art the Way
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The Home Coming March (1908) - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
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Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
Let The Sunshine In
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Orchestre d'harmonie
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INTERMÉDIAIRE
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The Fifth Dimension
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Benoit BARRAIL
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Let The Sunshine In
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Benoît Barrail
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1309819 By The Fifth Dimension. By Galt Macdermot, Gerome Ragni, and James Rado. Arranged by Benoit BARRAIL. 20th Centu...
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Concert Band - Level 3 - SKU: A0.1309819 By The Fifth Dimension. By Galt Macdermot, Gerome Ragni, and James Rado. Arranged by Benoit BARRAIL. 20th Century,Broadway,Musical/Show,Pop,Rock. 55 pages. Benoît Barrail #898965. Published by Benoît Barrail (A0.1309819). All parts of the choir are doubled in the instrumental parts. French lyrics. Hair is a rock musical by James Rado and Gerome Ragni (lyrics) and Galt MacDermot (music) created off-Broadway, in a cellar in Greenwich Village, in October 1967 and then played on Broadway at the Public Theater from April 1968 for four years without interruption. The New York Times said: It's finally the first musical that speaks to today. A product of the hippie counterculture and sexual revolution of the 1960s, some of his songs, inspired by New Age theory, became anthems of the peace movements against the Vietnam War. After a first export to London, the French version was created in Paris at the Théâtre de la Porte-Saint-Martin on May 30, 1969, its naked scenes causing a real scandal. The song Laissez entrer le soleil (Let the sunshine in) was performed by Julien Clerc during this French creation.Toutes les parties de chœur sont doublées à l’orchestre. Paroles françaises. Hair est une comédie musicale rock de James Rado et Gerome Ragni (paroles) et de Galt MacDermot (musique) créée «off-Broadway», dans une cave de Greenwich village, en octobre 1967 puis jouée à Broadway au Public Theater à partir d'avril 1968 pendant quatre ans sans interruption. Le New-York Times dit: « C'est enfin la première comédie musicale qui parle d'aujourd'hui ». Produit de la contre-culture hippie et de la révolution sexuelle des années 1960, certaines de ses chansons, inspirées de la théorie du New Age, sont devenues des hymnes des mouvements pacifistes contre la guerre du Viêt Nam. Après une première exportation à Londres, la version française est créée à Paris au théâtre de la Porte-Saint-Martin le 30 mai 1969, ses scènes dénudées provoquent un véritable scandale. La Chanson Laissez entrer le soleil fut interprétée par Julien Clerc lors de cette création française.
$54.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ri...
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Concert Band - Level 3 - SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ride (A0.784346). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$45.00
The Best Hymns of All Time (for Wind Instruments) Book 2
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Orchestre d'harmonie
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FACILE
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Musique Sacrée
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Various
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Colin Kirkpatrick
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.522171 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 123 pages. Colin K...
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Concert Band - Level 2 - SKU: A0.522171 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 123 pages. Colin Kirkpatrick Publications #5726781. Published by Colin Kirkpatrick Publications (A0.522171). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 123-page PDF file for instant download. Book 2 contains the following twenty popular hymns: A Mighty Fortress is our God (Ein Feste Burg); Awake my Soul (Morning Hymn); All Creatures of our God and King (Lasst uns Erfreuen); All People that on Earth do Dwell (Old Hundredth); Angels we have Heard on High (Gloria); Be thou my Vision (Slane); Come Thou Font of Every Blessing (Nettleton); Eternal Father, Strong to Save (Melita); God moves in a Mysterious Way (London New); Glory to Thee, My God, This Night (Tallis Canon); How Sweet the Name of Jesus Sounds (St. Peter); Immortal, Invisible, God Only Wise (St. Denio); Onward, Christian Soldiers (St. Gertrude); Let us with a Gladsome Mind (Monkland) Love Divine, All Loves Excelling (Beecher); Praise my Soul, the King of Heaven (Lauda Anima); The Day Thou Gavest (St. Clement); The King of Love my Shepherd is (St. Columba); We Plough the Fields and Scatter (Wir pflügen); Lead Us, Heavenly Father, Lead Us (Mannheim). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
To Celebrate Life (Concert Band - score and parts)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Jeffrey Hoover
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To Celebrate Life
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Musicart Publications
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.971644 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and parts. 74 pages. Musicart Publications #4288327...
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Concert Band - Level 3 - SKU: A0.971644 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and parts. 74 pages. Musicart Publications #4288327. Published by Musicart Publications (A0.971644). For concert band - grade 3. Duration: 4 min. 30 sec. To Celebrate Life is a joyous work, commissioned The Bridgeway Stonegate Concert Band (Sacramento, California) in honor of school shooting victims and people of the community of Marjory Stoneman Douglas High School in Parkland, Florida. Three themes are interwoven through the work - Time, Life, and Thought. A blog documents the writing of the work: https://jeffreyhooverart.wixsite.com/mysite/bridgeway-stongate-commissionWritten for an advanced jr. high/beginning high school band. 2 fl, ob, bssn, 2 cl, bcl, 2 asax, tsax, bsax, 2 tpt, F hrn, 2 trb, euph (with asax substitute), tuba, bass, bells, timp, 3 perc.Jeffrey Hoover's work- music ranging from soloist to symphony orchestra -has received recognition through the prestigious Trieste prize, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, the Luigi Russolo competition, grants, publications, fellowships, and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. Frequently combining painting with composition, Hoover creates works that can be both seen and heard by the audience. Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.
$50.00
A Distant Manger Fantasy - Harnessing the enchanting melody of 'Away in a Manger'.
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Orchestre d'harmonie
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INTERMÉDIAIRE
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James Symington
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James Symington
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A Distant Manger Fantasy - Har
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James Edward Ernest Symington
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1410136 Composed by James Symington. Arranged by James Symington. Christmas,Holiday,Jazz,Praise & Worship,Religious. 72...
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Concert Band - Level 3 - SKU: A0.1410136 Composed by James Symington. Arranged by James Symington. Christmas,Holiday,Jazz,Praise & Worship,Religious. 72 pages. James Edward Ernest Symington #992593. Published by James Edward Ernest Symington (A0.1410136). 🎺 Explore a fresh interpretation of a beloved Christmas carol with A Distant Manger Fantasy, a stunning composition for solo trumpet and symphonic wind band. 🎄Derived from the timeless carol Away in a Manger, this modern adaptation breathes new life into the traditional melody, infusing it with intricate arrangements and dynamic instrumentation. The result? A captivating musical journey that retains the charm of the original while offering a contemporary twist that resonates with audiences today.In this innovative rendition, the solo trumpet takes center stage, supported by the rich harmonies and vibrant colors of the symphonic wind band. Together, they weave a tapestry of sound that transports listeners to a place of holiday enchantment and wonder.But what sets A Distant Manger Fantasy apart is its thoughtful modifications to the public domain work. While honoring the essence of the original carol, this composition introduces fresh harmonies, rhythmic variations, and expanded instrumental parts, breathing new life into a beloved classic.With additional parts available for tenor horns and Eb Bass, this composition offers flexibility and versatility, making it an ideal choice for wind ensembles and concert bands seeking a unique addition to their repertoire.Experience the magic of Christmas in a whole new way with A Distant Manger Fantasy. Contact us today to explore licensing options and bring this modern masterpiece to your ensemble's next performance. 🌟🎶.
$49.99
The Fog Meets the Storm for small wind band and percussion
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James M Johnson
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The Fog Meets the Storm for sm
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Myles Music James Johnson
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Publis...
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Concert Band - Level 4 - SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Published by Myles Music James Johnson (A0.995515). Duration: 4: 23level: intermediate to advancedConcert festival type of piece!Fog Meets the Storm to program notes: One of my goals was to create a piece that demonstrates many different mood changes and sound effects, that we experience in the climate that we live in. Whether we are journeying to the mountains or driving to work, mother nature is always on display. Therefore, I believe mother nature symbolizes pleasure, pain, and despair. Having the opportunity to grow up in New England and now living in Maine, I have seen a WIDE variety of weather within just a period of 24 hours! While living on the West Coast I will never forget my drive on the 395 going north and seeing the Sierra Nevada mountains (to my left) tall and grand with snow covered mountain tops! To the right, you would see and feel the hot desert! Although the performers do not need to envision mountaintops or deserts you need to respect the different sections and moods of the piece and know that everything is changing around us, all the time. As musical artists, we can convey our life journeys through our individual sound as well as the ensemble; whether it’s through enjoying nature, life’s challenges, and celebrations! Enjoy making traditional sounds and nontraditional sounds with your instrument.
$50.00
Carson Cooman: Fantasy on "Nassau" for organ and four part wind band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Carson Cooman
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Carson Cooman: Fantasy on &quo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.535419 Composed by Carson Cooman. 20th Century,Sacred. Score and parts. 39 pages. Musik Fabrik Music Publishing #623728...
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Concert Band - Level 3 - SKU: A0.535419 Composed by Carson Cooman. 20th Century,Sacred. Score and parts. 39 pages. Musik Fabrik Music Publishing #6237283. Published by Musik Fabrik Music Publishing (A0.535419). Fantasy on “Nassau†(2004) for organ and four-part band was written for and is dedicated to Wayne Leupold and Kernersville Moravian Church, Kernersville, NC.The work is based on the Moravian chorale tune NASSAU. The opening section of the work is slow and mystical: the band plays the first few notes of the chorale and the organ emerges from the chords with harmonic commentary.In the next section the organ and the band present the tune antiphonally because the organ emerges with a triplet figuration. This next development section builds to a climax. The band then plays the chorale tune all the way through for the first time with an organ “descant.â€The final section recalls the opening material and the work ends in tranquillity The disposition and instrument assignments for the parts is left at the conductor’s discretion. Though conceived originally for the “Moravian church bands†of the American South, the work may be played by any sort of band (including concert band) or combination of brass or wind instruments.
$29.95
Setting the Watch for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Graham Boag
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Setting the Watch for Concert
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Graham Boag
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1074188 Composed by Graham Boag. Classical,Contemporary,Contest,Festival. Score and parts. 168 pages. Graham Boag #6784...
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Concert Band - Level 3 - SKU: A0.1074188 Composed by Graham Boag. Classical,Contemporary,Contest,Festival. Score and parts. 168 pages. Graham Boag #678469. Published by Graham Boag (A0.1074188). I originaly wrote this march for Brass Band. It's called 'Setting the Watch' and is inspierd by the Ripon Hornblower with the tradition going back over a thousand years to Saxon times when Viking raids were common occurrences and people lived in fear of their property, livestock and even lives being lost in night-time attacks. In 886, the English King was Alfred the Great and he made it his mission to visit his people bringing a message of safety and stability. In Ripon he granted the people a Royal Charter and gave them a symbolic horn as a gift, advising them that they should be always alert to the dangers of invaders. The people of Ripon decided to employ a night watchman that they called a “wakemen†to patrol from dusk until dawn ready to sound the horn gifted by the King should he spot any trouble approaching. For further reassurance, the wakeman sounded the horn at each of the four corners of the market place at 9pm every night to let the people know that he was on duty and they could sleep easily. This sounding of the horn at 9pm became known as setting the watch.
$39.99
The Flowing River
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Wesley Besancon
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Wesley Besancon
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The Flowing River
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Wesley Besancon
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1161489 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Chamber,Contest,Festival,Spiritual. Score ...
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Concert Band - Level 4 - SKU: A0.1161489 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Chamber,Contest,Festival,Spiritual. Score and Parts. 14 pages. Wesley Besancon #761847. Published by Wesley Besancon (A0.1161489). Program Notes:Composer Wesley Besancon always liked going out and sitting next to rivers. Well, he has discovered a riverbed beside his house, and has decided to write a composition about it! This is a slow, lyrical, and free piece to help give people the surreal experiance of being beside a river. The surrogate feeling coming off of the river and onto the land is strong within this piece! I hope you enjoy The Flowing River.Notes to Conductor:This is supposed to feel timeless (kind of without a time signiture) so do whatever you can to give that feeling.Start the Riveraudio file and when you hear a crackling sound, start the piece.The Forest file should start at 57.The Riverend file should start on the last pausing measure (92)To get these files, email me at Wesleybesancon@gmail.com.
$4.99
The Flowing River
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Wesley Besancon
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Wesley Besancon
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The Flowing River
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Wesley Besancon
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1161478 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Chamber,Contest,Festival,Spiritual. Score ...
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Concert Band - Level 4 - SKU: A0.1161478 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Chamber,Contest,Festival,Spiritual. Score and Parts. 48 pages. Wesley Besancon #761833. Published by Wesley Besancon (A0.1161478). Program Notes:Composer Wesley Besancon always liked going out and sitting next to rivers. Well, he has discovered a riverbed beside his house, and has decided to write a composition about it! This is a slow, lyrical, and free piece to help give people the surreal experiance of being beside a river. The surrogate feeling coming off of the river and onto the land is strong within this piece! I hope you enjoy The Flowing River.Notes to Conductor:This is supposed to feel timeless (kind of without a time signiture) so do whatever you can to give that feeling.Start the Riveraudio file and when you hear a crackling sound, start the piece.The Forest file should start at 57.The Riverend file should start on the last pausing measure (92)To get these files, email me at Wesleybesancon@gmail.com
$44.99
Corner Of The Sky
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Stephen Schwartz
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John Ivor Holland
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Corner Of The Sky
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1410590 Composed by Stephen Schwartz. Arranged by John Ivor Holland. 20th Century,Broadway,Contest,Festival,Film/TV,Mus...
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Concert Band - Level 3 - SKU: A0.1410590 Composed by Stephen Schwartz. Arranged by John Ivor Holland. 20th Century,Broadway,Contest,Festival,Film/TV,Musical/Show,Pop. 50 pages. John Ivor Holland #993011. Published by John Ivor Holland (A0.1410590). PIPPIN is a 1972 musical with music and lyrics by Stephen Schwartz and book by Roger O. Hirson. Bob Fosse, who directed the original Broadway production, also contributed to the libretto. The musical uses the premise of a mysterious performance troupe, led by the Leading Player, to tell the story of Pippin, a young prince on his search for meaning and significance. The 'fourth wall' is broken numerous times during most traditional productions. The protagonist and his father, Charlemagne, are characters derived from two historical figures of the early Middle Ages, though the plot is fictional and presents no historical accuracy. As of January 2024, the original run of Pippin is the 37th longest-running Broadway show. The song 'Corner of the Sky' occurs towards the start of the show, with Pippin addressing the other Players as if they are the professors at his college graduation; he sings of his wish for fulfilment, believing he must find his purpose in life, hence this song being used frequently for graduation ceremonies and other such events. This arrangement retains the original key of A major, which shifts up to B flat major and can be used in conjunction with the choral arrangement by Teena Chinn.
$49.99
Isn't It Enough to Think...Without Having to Believe (or, The Only Church)
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Orchestre d'harmonie
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Contemporain
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Neal Endicott
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Isn't It Enough to Think...Wit
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Neal Endicott Music
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SheetMusicPlus
Concert Band - SKU: A0.1030824 Composed by Neal Endicott. Contemporary. Score and parts. 35 pages. Neal Endicott Music #1249. Published by Neal Endicott...
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Concert Band - SKU: A0.1030824 Composed by Neal Endicott. Contemporary. Score and parts. 35 pages. Neal Endicott Music #1249. Published by Neal Endicott Music (A0.1030824). This piece was originally titled Istn’t it Enough, drawing inspiration from the famous passage from The Hitchhiker’s Guide to the Galaxy. I changed the wording slightly to be more encompassing of different modes of perception (thought is a broader concept than sight and the word think created better melodic material than the word see, using the method described below) I provided an alternate title to more clearly convey the meaning behind the piece. That is; that the only church that I will ever need is the one I find in musical expression and in the beauty of the natural world. Though Adams’ meaning was meant to convey the primary reasoning for his atheism-a reason that I use as well-I also see it as an admonishment of our need for constant stimulation. Adams felt-and I feel-that people need to take the time to slow down and enjoy life: we need to enjoy the beauty of the garden (both literally and metaphorically). That, quite simply, is what this piece is (or at least what it is to me). Among the compositional techniques that I used in this piece is one that I have been using quite a lot. I call it crypto-serialism. The basic concept is that I will take a piece of text (the Douglas Adams quote, in this case) and convert each letter to a number between 0 and 11 and then convert those numbers to musical pitches, where 0 = C, 1 = C#, etc. The technique offers me a way to draw actual musical ideas from the text itself, which I see as a means of creating a deeper connection to the text. The piece is dedicated to the Four Horsemen of the Non-Apocolypse: Richard Dawkins, Christopher Hitchens, Sam Harris, and Daniel Dennett.
$25.00
Trapped
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Publ...
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Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00
Laissez Entrer Le Soleil
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Arthur Mac Dermot, Bertrand Ca
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Benoit BARRAIL
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Laissez Entrer Le Soleil
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Benoît Barrail
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1309797 Composed by Arthur Mac Dermot, Bertrand Castelli, Gerome Ragni, Jacques Lanzman, and James Rado. Arranged by Be...
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Concert Band - Level 3 - SKU: A0.1309797 Composed by Arthur Mac Dermot, Bertrand Castelli, Gerome Ragni, Jacques Lanzman, and James Rado. Arranged by Benoit BARRAIL. 20th Century,Broadway,Musical/Show,Pop,Rock. 55 pages. Benoît Barrail #898963. Published by Benoît Barrail (A0.1309797). For 2-part choir and concert bandAll parts of the choir are doubled in the instrumental parts. Hair is a rock musical by James Rado and Gerome Ragni (lyrics) and Galt MacDermot (music) created off-Broadway, in a cellar in Greenwich Village, in October 1967 and then played on Broadway at the Public Theater from April 1968 for four years without interruption. The New York Times said: It's finally the first musical that speaks to today. A product of the hippie counterculture and sexual revolution of the 1960s, some of his songs, inspired by New Age theory, became anthems of the peace movements against the Vietnam War. After a first export to London, the French version was created in Paris at the Théâtre de la Porte-Saint-Martin on May 30, 1969, its naked scenes causing a real scandal. The song Laissez entrer le soleil (Let the sunshine in) was performed by Julien Clerc during this French creation.Toutes les parties de chœur sont doublées à l’orchestre. Hair est une comédie musicale rock de James Rado et Gerome Ragni (paroles) et de Galt MacDermot (musique) créée «off-Broadway», dans une cave de Greenwich village, en octobre 1967 puis jouée à Broadway au Public Theater à partir d'avril 1968 pendant quatre ans sans interruption. Le New-York Times dit: « C'est enfin la première comédie musicale qui parle d'aujourd'hui ». Produit de la contre-culture hippie et de la révolution sexuelle des années 1960, certaines de ses chansons, inspirées de la théorie du New Age, sont devenues des hymnes des mouvements pacifistes contre la guerre du Viêt Nam. Après une première exportation à Londres, la version française est créée à Paris au théâtre de la Porte-Saint-Martin le 30 mai 1969, ses scènes dénudées provoquent un véritable scandale. La Chanson Laissez entrer le soleil fut interprétée par Julien Clerc lors de cette création française.
$54.99
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Set of Parts)
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Franz Liszt
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Michael Barrera
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Der Tanz in der Dorfschenke |
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Michael Barrera
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1463454 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 251 pages. Michae...
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Concert Band - Level 5 - SKU: A0.1463454 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 251 pages. Michael Barrera #1042150. Published by Michael Barrera (A0.1463454). Https://www.michaelbarreraflute.com/shop/p/mephisto-waltz1-band-partsTwo Episodes from Lenau’s Faust | Mephisto Waltz No. 1Program NotesFranz Liszt’s first Mephisto Waltz is a programmatic work based on an episode from Nikolaus Lenau’s 1836 verse drama Faust. The program note that appears in the original printed score is noted here:There is a wedding feast in progress in the village inn, with music, dancing, carousing. Mephistopheles and Faust pass by, and Mephistopheles induces Faust to enter and take part in the festivities. Mephistopheles snatches the fiddle from the hands of a lethargic fiddler and draws from it indescribably seductive and intoxicating strains. The amorous Faust whirls about with a full-blooded village beauty in a wild dance; they waltz in mad abandon out of the room, into the open, away into the woods. The sounds of the fiddle grow softer and softer, and the nightingale warbled his love-laden song. Mephisto Waltz No. 1 is paired with a work preceding it, Midnight Procession (Der Nächtliche Zug), however this piece is not as widely performed. Liszt later transcribed the waltz into a piano duet and a virtuosic solo piano work. Each of these versions were written around the same time, roughly 1859-62. The orchestral version also has an alternate ending, which is softer and fades away. This arrangement features both endings. This work was then followed by three more Mephisto Waltzes. No. 2 was also written as both an orchestral and piano work, while Nos. 3 and 4 were for piano only. Of the four, the first is the most popular, although the third is also praised as highly musically. InstrumentationWritten for Wind Ensemble of any size (Number indicates how many parts - some parts include divisi)1 Piccolo (doubles Flute 3) 2 Flutes2 Oboes2 Bassoons1 Clarinet (E flat)3 Clarinets (B flat)1 Bass Clarinet (B flat)1 Contrabass Clarinet (B flat)2 Alto Saxophones1 Tenor Saxophone1 Baritone Saxophone3 Trumpets (B flat)4 Horns (F)2 Trombones1 Bass Trombone1 Euphonium1 Tuba1 String BassTimpaniMarimbaCymbalTriangle.
$79.99
"Flight Of The Bumble Bee"-Background Track for Piano-Jazz/Pop Version-Video
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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Fishel Pustilnik
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"Flight Of The Bumble Bee
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F & N Enterprise
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.633401 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and...
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Concert Band - Level 4 - SKU: A0.633401 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and parts. 7 pages. F & N Enterprise #3395675. Published by F & N Enterprise (A0.633401). Background Track for famous Flight Of The Bumble Bee by Nikolai Rimsy-Korsakov for Piano (Jazz/Pop Version). Plus Version at SMP: SO 292873https://www.youtube.com/watch?v=GluziM0y9x8The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic
$2.99
I Saw Three Ships (Christmas) - Concert Band Score and Parts
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Noël
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Traditional
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Brendan Elliget MAGA 537
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I Saw Three Ships
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750927 Composed by Traditional. Arranged by Brendan Elliget MAGA 537. Christmas. Score and parts. 41 pages. BJE Music #...
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Concert Band - Level 3 - SKU: A0.750927 Composed by Traditional. Arranged by Brendan Elliget MAGA 537. Christmas. Score and parts. 41 pages. BJE Music #5009435. Published by BJE Music (A0.750927). I Saw Three Ships (Come Sailing In) is a traditional and popular Christmas carol from England. The earliest printed version of I Saw Three Ships is from the 17th century, possibly Derbyshire, and was also published by William Sandys in 1833. The lyrics mention the ships sailing into Bethlehem, but the nearest body of water is the Dead Sea about 20 miles (32 km) away. The reference to three ships is thought to originate in the three ships that bore the purported relics of the Biblical magi to Cologne Cathedral in the 12th century. Another possible reference is to Wenceslaus II, King of Bohemia, who bore a coat of arms Azure three galleys argent. Another suggestion is that the ships are actually the camels used by the Magi, as camels are frequently referred to as ships of the desert. [Wikipedia] The bright arrangement is for full Concert Band. The MP3 was recorded with NotePerformer 3. Part of this arrangement was used in my Christmas Suite No. 1. (See associated scores) Grade = 4 Duration 1:50 mins
$20.00
Be Thou My Vision
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Traditional
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Andrew Wainwright
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Be Thou My Vision
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Andrew Wainwright
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.890756 Composed by Traditional. Arranged by Andrew Wainwright. Christian,Sacred,World. Score and parts. 41 pages. Andre...
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Concert Band - Level 3 - SKU: A0.890756 Composed by Traditional. Arranged by Andrew Wainwright. Christian,Sacred,World. Score and parts. 41 pages. Andrew Wainwright #6446259. Published by Andrew Wainwright (A0.890756). A highly evocative arrangement of the popular hymn, also known as Slane. The arranger Andrew Wainwright responds to the ethereal quality of the tune with an exquisite layering of texture. The three-verse setting grows to a glorious climax on the final verse, before dying away to a serene ending.
$54.99
The Trio
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Ennio Morricone
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Marco Pasquini
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The Trio
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Arr. by Marco Pasquini
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1322802 Composed by Ennio Morricone. Arranged by Marco Pasquini. 20th Century,Film/TV. 114 pages. Arr. by Marco Pasquin...
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Concert Band - Level 3 - SKU: A0.1322802 Composed by Ennio Morricone. Arranged by Marco Pasquini. 20th Century,Film/TV. 114 pages. Arr. by Marco Pasquini #911089. Published by Arr. by Marco Pasquini (A0.1322802). IL TRIELLO (THE TRIO)Composed by Ennio Morricone, Arranged by Marco Pasquini for Solo Trumpet (Bb or C), Concert Band & Choir (optional) - 114 pagesINSTRUMENTATIONConductor, Solo Bb Trumpet, Piccolo C, Flute 1 e 2, Oboe 1 e 2, Eb Piccolo ClarinetBb Clarinet 1 e 2, Bb Clarinet 3 e 4, Bb Bass Clarinet, Eb Alto Sax 1 e 2Bb Tenor Sax 1 e 2, Eb Baritone Sax, F Horn 1 e 2, F Horn 3 e 4, Trumpet 1Trumpet 2 e 3, Trombone 1 e 2, Bass Trombone, Euphonium 1, Euphonium 2Tuba, Mallets -Glockenspiel, Timpani, Tubolar Bells, Percussion, Snare DrumBass Drum, Classic Guitar, Synth (Strings patch), Pianoforte, Choir SATBOptional parts:Solo C Trumpet, Bassoon, Soprano Sax, Eb Horn 1, 2, 3 e 4, TC Trombone 1, 2 e 3, TC Euphonium 1 e 2, TC Tuba, String BassThe piece can also be performed without the synt, without the guitar (but with the piano) and without the choir.Grade 3Duration: 5'30Â [Score + Set of Parts included] Sound track by Il buono, il brutto, il cattivo the 1966 film directed by Sergio Leone. In the triello scene, after a very tense wait, Blonde kills Sentenza, while Tuco, whose gun was discharged during the night by his companion, finds himself unarmed and at his mercy. But Blonde spares him, reveals to him that no name is indicated on the stone, and forces him to dig in the unknown man's grave next to Stanton's. The two thus come into possession of the dollars, but Blonde plays one last atrocious prank on Tuco: while the latter was digging he prepared a noose hanging from a tree, and forces the bandit to stick his neck through it while balancing precariously on a cross wooden. Then he ties his hands, and before his incredulous eyes he loads half the loot onto Sentenza's horse and walks away. He will save him in the usual way, shooting the rope from afar, amidst the bandit's begging, tears and finally insults.
$130.00
Victory Day (Parts)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Gary D
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Victory Day
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DR GARY D BELSHAW
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.796686 Composed by Gary D. Belshaw (ASCAP). 20th Century,Patriotic. Score and parts. 339 pages. DR GARY D BELSHAW #3538...
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Concert Band - Level 4 - SKU: A0.796686 Composed by Gary D. Belshaw (ASCAP). 20th Century,Patriotic. Score and parts. 339 pages. DR GARY D BELSHAW #3538813. Published by DR GARY D BELSHAW (A0.796686). This is the COMPLETE SET OF PARTS (339 pages) of this work; whether you choose 2-sided printing or booklet printing, all the parts you need will be printed without having to make duplicate copies afterward. Of course, you may print only the parts you need.The Conductor's Score is available elsewhere here in Sheet Music Plus. A separate Oversized Conductor's Score is also available separately. Both scores list the Instrumentation of the work, and the Distribution of parts.Duration of this work is about 4:30.A dramatic overture for Concert Band, Victory Day was composed specifically to be premiered by the Pioneer Band of Wayland Baptist University on tour during Victory Day Celebrations in Russia. Be sure to check out the Program Notes on the inside cover.
$49.99
Coleridge-Taylor Danse Negre from the African Suite Op. 34, No. 4 transcribed for Concert Band by Mi
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Orchestre d'harmonie
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Classique
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1896, Coleridge-Taylor was ear
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Samuel Coleridge-Taylor
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Michael Shaw
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Coleridge-Taylor Danse Negre f
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - SKU: A0.733220 Composed by Samuel Coleridge-Taylor. Arranged by Michael Shaw. Romantic Period. Score and parts. 161 pages. Ayotte Custom ...
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Concert Band - SKU: A0.733220 Composed by Samuel Coleridge-Taylor. Arranged by Michael Shaw. Romantic Period. Score and parts. 161 pages. Ayotte Custom Musical Engravings #6341569. Published by Ayotte Custom Musical Engravings (A0.733220). Samuel Coleridge-Taylor was born in Holborn, London on August 15, 1875 and died from pneumonia at the age of 37 in Croy- don, England on September 1, 1912. At an early age his grandfather began teaching him how to play the violin. His musical ability was obvious and at the age of 15, his extended family arranged for Taylor to study at the Royal College of Music. While at RCM he changed from violin to composition, working under professor Charles Villiers Stanford. His classmates included Ralph Vaughan Williams and Gustav Holst. He was later helped by Edward Elgar in 1898, who described Coleridge-Taylor as far and away the cleverest fellow going amongst the young men. By 1896, Coleridge-Taylor was earning a reputation as a composer and was also accepted as an excellent conductor. In 1898 at the age of 23 he composed the African Suite. Danse Nègre is the last of the four movements that make up the African Suite, Op. 35 (proceeded by Introduction, A Negro Love Song, and Valse). Coleridge-Taylor saw it as his mission in life to help establish the dignity of the black man. He was greatly influenced by black American poet P. L. Dunbar. He made three successful visits to the United States to great acclaim. In 1904, on his first USA tour he was received by President Theodore Roosevelt at the White House. Above all, though, Samuel Coleridge-Taylor was known as a man of great dignity and patience.
$79.99
Magnon (for Concert Band)
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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Luis Cardoso
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Magnon
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Luis Cardoso
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.934376 Composed by Luis Cardoso. Contemporary. Score and parts. 129 pages. Luis Cardoso #6168173. Published by Luis Car...
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Concert Band - Level 5 - SKU: A0.934376 Composed by Luis Cardoso. Contemporary. Score and parts. 129 pages. Luis Cardoso #6168173. Published by Luis Cardoso (A0.934376). For Concert Band 12mThe anthropologists say that Cro-Magnon men lived in caves and used some basic tools, such as hooks and needles. They cooked, made clothes, and buried the dead. Some say they made art, painting on the walls of the caves. They were the first to question things. I imagine that, with curiosity, they invented faith. They cooked faith with fear to invent courage. I made this piece in 2011 when I started researching new languages ​​for my writing. The previous piece, Eli, Eli, sought to represent a current men walking on their faith, searching for it. Magnon seeks to represent an older man, seeking to give reason to his own fear. The style of musical writing is different from my other works. There are three distinct pieces within this piece, almost like movements, unified by a structure of relationships between notes and use of motifs, although these rarely occur in the same way. The melodies are divided and their pieces are thrown for as multiple possibilities of the timbres. Above technical considerations, there is a constant sense of instability more or less pronounced. Such is fear
$200.00
Fanfare For the Marcus Band - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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David M
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Fanfare For the Marcus Band -
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David Sterrett Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1039841 Composed by David M. Sterrett. Classical. Score and parts. 10 pages. David Sterrett Music #644689. Published by...
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Concert Band - Level 3 - SKU: A0.1039841 Composed by David M. Sterrett. Classical. Score and parts. 10 pages. David Sterrett Music #644689. Published by David Sterrett Music (A0.1039841). I composed this piece while I was still a student at Marcus High School and a member of the band, myself (2002-2006). This fanfare was commissioned by Amanda Drinkwater, the director of bands at the time, to be a symbol of heart and identity for the organization – to be performed by the band while marching onto the field, as well as to promote a sense of comradery and unity among all members of the band. I was lucky enough to call Amanda Drinkwater one of my earliest mentors in music, and I will always be grateful for her encouragement and teaching, and for giving me this opportunity. Towards the end of my time in high school, I had gotten very serious about composition and trumpet performance, and was looking ahead to music as my future college major and career. That timing was serendipitous for each of us. Amanda conceived of this project that year, and, knowing of my passion for composing, graciously offered me the opportunity to compose the piece. For me, I was thrilled to accept the opportunity, and it meant a lot. I cherished my experiences in the Marcus Band, and I saw this as my chance to give something back. In that spirit, even though the piece is short, I put my heart into it. This commission was also my first professional engagement as a composer, and that was tremendously exciting.
$14.99
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