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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Trumpet Sonata
Non classifié
235
Piano & claviers
Accompagnement Piano
5
Piano seul
5
Orgue, Trompette (duo)
4
Orgue
3
Piano Facile
3
Piano, Voix
1
+ 1 instrumentations
Retracter
Guitares
Voix
Chorale SATB
1
Vents
Ensemble de saxophones
12
Flûte, Hautbois, Clarinette, Basson
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Quintette de Saxophone: 5 saxophones
5
Ensemble de Clarinettes
3
Clarinette, Trompette (duo)
2
Saxophone Alto et Piano
2
Flûte, Trompette (duo)
2
5 Flûtes à bec
1
Flûte à Bec
1
Saxophone Tenor et Piano
1
Flûte traversière et Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Ensemble de Flûtes
1
Quintette de Flûte : 5 flûtes
1
Clarinette
1
+ 11 instrumentations
Retracter
Cuivres
Trompette, Piano
98
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
94
Trompette
56
Quatuor de Cuivres : 2 trompettes, trombone, tuba
36
2 Trompettes (duo)
36
Trompette (partie séparée)
19
Quatuor de Cuivres
9
Trompette, Trombone (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Trio de Cuivres
5
Ensemble de Trompettes
4
Ensemble de Trombones
3
Cor
3
Ensemble de Cors
3
Trombone et Piano
3
Instruments en Sib
2
Trompette, Saxophone (duo)
2
Quatuor de cuivres: 4 trompettes
2
3 Trompettes (trio)
2
Tuba et Piano
1
Trombone (partie séparée)
1
2 Trombones (duo)
1
Trompette, Harpe
1
Trompette, Cor (duo)
1
+ 19 instrumentations
Retracter
Cordes
Ensemble de Violons
1
Ensemble de Violoncelles
1
Ensemble d'Altos
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle, Piano
1
+ 1 instrumentations
Retracter
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Orchestre
14
Ensemble de cuivres
11
Orchestre d'harmonie
7
Orchestre à Cordes
6
Ensemble de Percussions
2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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Vous avez sélectionné:
Trumpet Sonata
Orchestre d'harmonie
Partitions à imprimer
7 partitions trouvées
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Sonata for trumpet and concert band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Herry Purcell
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JORDI MARTI
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Sonata for trumpet and concert
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Jordi MartÃ
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.816839 Composed by Herry Purcell. Arranged by JORDI MARTI. Baroque,Concert,Wedding,World. Score and parts. 57 pages. Jo...
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Concert Band - Level 3 - SKU: A0.816839 Composed by Herry Purcell. Arranged by JORDI MARTI. Baroque,Concert,Wedding,World. Score and parts. 57 pages. Jordi Martà #4338415. Published by Jordi Martà (A0.816839). Sonata in D Major for trumpet by Henry Purcell. Written for strings and continuo. Arrangement for trumpet and concert band in the original pitch.
$49.99
Concertino for Trumpet and Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Richard E Brown
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Concertino for Trumpet and Ban
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Dacker Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.814738 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 149 pages. Dacker Music #3049061. Publishe...
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Concert Band - Level 3 - SKU: A0.814738 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 149 pages. Dacker Music #3049061. Published by Dacker Music (A0.814738). The Italian word concertino means little concerto, and as that title indicates, Concertino for Trumpet and Band closely follows traditional sonata form on a somewhat smaller scale. With a home key of G minor, the three movements are: 1. Allegro agitato - sonata-allegro - G minor 2. Andante cantabile - passacaglia - A-flat major 3. Allegro con fuoco - rondo-tarantella - G minorThis composition is the composer's transcription of his Sonatina for Trumpet and Piano.The price includes license to make as many copies of each part as necessary. Grade: Solo 4 - Band 3+ Duration: 7:00
$65.00
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Sonata for Alto Saxophone, Op. 29 (37-Piece Digital Pack)
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Anthony LaBounty
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Sonata for Alto Saxophone, Op.
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Hal Leonard - Digital
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SheetMusicPlus
Level 5 - SKU: HX.330213 Arranged by Anthony LaBounty. This edition: scorch. Classical. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Di...
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Level 5 - SKU: HX.330213 Arranged by Anthony LaBounty. This edition: scorch. Classical. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.330213).
Digital Pack includes
:
Sonata for Alto Saxophone, Op. 29 - Conductor Score (Full Score)
Sonata for Alto Saxophone, Op. 29 - Solo Eb Alto Saxophone
Sonata for Alto Saxophone, Op. 29 - Flute 1
Sonata for Alto Saxophone, Op. 29 - Flute 2
Sonata for Alto Saxophone, Op. 29 - Oboe 1
Sonata for Alto Saxophone, Op. 29 - Oboe 2
Sonata for Alto Saxophone, Op. 29 - Bb Clarinet 1
Sonata for Alto Saxophone, Op. 29 - Bb Clarinet 2
Sonata for Alto Saxophone, Op. 29 - Bb Clarinet 3
Sonata for Alto Saxophone, Op. 29 - Bb Bass Clarinet
Sonata for Alto Saxophone, Op. 29 - Eb Contra Alto Clarinet
Sonata for Alto Saxophone, Op. 29 - Bb Contra Bass Clarinet
Sonata for Alto Saxophone, Op. 29 - Bassoon 1
Sonata for Alto Saxophone, Op. 29 - Bassoon 2
Sonata for Alto Saxophone, Op. 29 - Eb Alto Saxophone 1
Sonata for Alto Saxophone, Op. 29 - Eb Alto Saxophone 2
Sonata for Alto Saxophone, Op. 29 - Bb Tenor Saxophone
Sonata for Alto Saxophone, Op. 29 - Eb Baritone Saxophone
Sonata for Alto Saxophone, Op. 29 - Bb Trumpet 1
Sonata for Alto Saxophone, Op. 29 - Bb Trumpet 2
Sonata for Alto Saxophone, Op. 29 - Bb Trumpet 3
Sonata for Alto Saxophone, Op. 29 - F Horn 1
Sonata for Alto Saxophone, Op. 29 - F Horn 2
Sonata for Alto Saxophone, Op. 29 - Trombone 1
Sonata for Alto Saxophone, Op. 29 - Trombone 2
Sonata for Alto Saxophone, Op. 29 - Bass Trombone
Sonata for Alto Saxophone, Op. 29 - Euphonium in Bass Clef
Sonata for Alto Saxophone, Op. 29 - Euphonium in Treble Clef
Sonata for Alto Saxophone, Op. 29 - Tuba
Sonata for Alto Saxophone, Op. 29 - Contrabass
Sonata for Alto Saxophone, Op. 29 - Violincello
Sonata for Alto Saxophone, Op. 29 - Timpani
Sonata for Alto Saxophone, Op. 29 - Percussion 1
Sonata for Alto Saxophone, Op. 29 - Percussion 2
Sonata for Alto Saxophone, Op. 29 - Percussion 3
Sonata for Alto Saxophone, Op. 29 - Percussion 4
Sonata for Alto Saxophone, Op. 29 - Percussion 5
$95.00
Beethoven’s Browne
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Stephen R Dalrymple
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Beethoven’s Browne
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.818277 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Classical. ...
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Concert Band - Level 3 - SKU: A0.818277 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Classical. Score and parts. 60 pages. Stephen R Dalrymple #4855443. Published by Stephen R Dalrymple (A0.818277). Beethoven’s Browne ♫ transcription of Piano Sonata 6 Movement 2 by Ludwig van Beethoven Opus 10 Number 2 ♫ arranged by Stephen R Dalrymple for Concert Band ♫ arrangement © 2001, 2020 Stephen R Dalrymple ♫ recording ℗ 2022 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission is granted to make photocopies of parts and additional scores for a medium size school band. ♫ Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Trumpet 1, Trumpet 2, F Horn, Trombone/Baritone/Bassoon, Treble Clef Baritone, Tuba, Electric Bass, Snare/Triangle and Timpani. ♫ Beethoven’s 6th Piano Sonata is dedicated to Countess Anna Margarete von Braun. It was written during 1796-1798. Beethoven was 25 to 28 years old at the time. ♫ In Sonata Six Beethoven substituted a 3:4 movement for the typical slow movement. Although he used the common Minuet, Trio, Minuet formula, he experimented with the form by eliminating literal repetitions. Sonata 6 consists of 3 movements. This piece is based on the middle movement of the middle sonata. This middle movement has 3 sections. It is written in 3:4 time. The middle section of the movement is written in trio form. ♫ The YouTube video contains a full recording.
$19.00
Kristinmark Overture for Concert Band
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Orchestre d'harmonie
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FACILE
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Contemporain
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Gregory Fritze
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Kristinmark Overture for Conce
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.917396 Composed by Gregory Fritze. 20th Century,Classical,Contemporary. Score and parts. 125 pages. Musica Nova USA #48...
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Concert Band - Level 2 - SKU: A0.917396 Composed by Gregory Fritze. 20th Century,Classical,Contemporary. Score and parts. 125 pages. Musica Nova USA #4821537. Published by Musica Nova USA (A0.917396). Kristenmark Overture was commissioned and composed for the Symphonic Wind Ensemble of the University of Minnesota Duluth, Mark Whitlock conductor and the Symphony Band of the University of Wisconsin River Falls, Kristin Tjornehoj, conductor.The name Kristinmark are the first names of both conductors.It has been played many times in Europe, South America and the United States. It is often used in honor band festivals as it fits the level of difficulty (grade 4) for the average high school band festival and good duration for such events – seven minutes. The piece is in a clear Sonata Allegro form and includes short solos for trombone, horn, alto sax, trumpet, timpani, snare drum, tuba, oboe, crotales, flute, piccolo, bassoon, euphonium and clarinet. Non of the solos are very long or difficult. The solos are meant to feature as many musicians as possible. In some cases, alternate instruments have cues if particular instrumentalists are not strong performers . In 2017 Kristenmark Overture was submitted to The American Prize Composition Contest, Band Division. It placed as a Semi Finalist that year.Kristenmark Overture can be heard by the Brazilian Wind Orchestra, conducted by Dario Sotelo at: http://www.youtube.com/watch?v=bk-PvXTvxy8
$60.00
Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
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Orchestre d'harmonie
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FACILE
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Gregory Fritze
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Sinfonietta - A Symphony in Th
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pa...
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Concert Band - Level 2 - SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pages. Musica Nova USA #6078853. Published by Musica Nova USA (A0.917410). Sinfonietta (alternate title SinfonÃa de Vino y Aceite de Magallon) is a composition for concert band that can be played by any band whether it has 100 players or 30 players. It is at grade 3 level of difficulty and has several substitute parts for ensembles that may not have complete instrumentation. Although the scoring includes piccolo, oboes, bassoons, and French horns, these instruments are not needed to command a good performance.Sinfonietta adheres to classical forms of symphonies by composers such as Mozart, Haydn and Beethoven. The forms are very clear so the players of the band can learn this important history. The first movement is in standard Sonata Allegro form.The second movement is in A B A form and features a solo trumpet. The third movementis in a Rondo form (A B A C A) with three distinct themes. The work was commissioned in 2017 by the town of Magallón, Spain in celebration of the town’s industries of wine and olive oil. The mayor of the town of 1,000 inhabitants, Victor Manuel Chueca Rodriguez, was specific in his request for a composition at grade 3 level of difficulty. He also suggested the title as Symphony. Since it a three-movement composition instead of a four-movement composition (the normal Minuet and Trio movement is not included in this piece), the title of Sinfonietta instead of Symphony is used.Gregory Fritzeis a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositionsfor orchestra, band, chamber ensemblesand soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d'Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria, and others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$75.00
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Trumpet Sonata 
