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24
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22
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21
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2 Trombones (duo)
56
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55
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
47
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12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Trompette
11
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9
2 Euphoniums (duo)
8
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8
Trompette (partie séparée)
8
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Cor et Piano
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Trombone
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Cor Anglais
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Tuba
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3 Trompettes (trio)
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3 Trombones (trio)
2
2 Cors (duo)
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2 Trompettes, Clavier (piano ou orgue)
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2 Tubas (duo)
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Cor
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Quatuor de Cuivres
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Cor (partie séparée)
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4 Tubas
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Tuba et Piano
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Bass Clef Instruments
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Cor, Violoncelle (duo)
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Trompette, Violoncelle (duo)
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3 Cors (trio)
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Quatuor de cuivres: 4 trompettes
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CORDES
Trio à Cordes: violon, alto, violoncelle
202
Quatuor à cordes: 2 violons, alto, violoncelle
188
Violon, Violoncelle (duo)
182
Violon
126
2 Violons (duo)
71
2 Violoncelles (duo)
64
2 Altos (duo)
47
Harpe
45
Violon et Piano
43
Violoncelle, Piano
28
Violon, Alto (duo)
25
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
Trio à Cordes: 2 violons, violoncelle
20
Alto, Piano
19
Violoncelle
14
Trio à Cordes: 2 violons, alto
9
2 Harpes (duo)
6
Alto seul
5
4 Violoncelles
5
Alto, Violoncelle (duo)
5
Contre Basse
4
Violon (partie séparée)
4
Trio à cordes: 3 violins
4
Violon, Basson (duo)
4
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes: 4 violons
3
Harpe, Flûte (duo)
3
Violon, Guitare (duo)
2
Alto (partie séparée)
2
Ensemble de Violons
2
Alto et Basson
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Harpe, Voix
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Ensemble d'Altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe et Piano
1
2 Violoncelles, Piano
1
Contrebasse (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Piano Trio: Violon, Alto, Piano
1
Contrebasse, Piano (duo)
1
Violoncelle, Contrebasse (duo)
1
Violoncelle , Guitare (duo)
1
2 Violons, Piano
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
135
Orchestre d'harmonie
89
Cloches
68
Ensemble de cuivres
46
Orchestre
28
Ensemble Jazz
22
Orchestre de chambre
20
Ensemble de Percussions
18
Jazz combo
7
Xylophone, Piano
3
Vibraphone
2
Quintette de Cuivres: autres combinaisons
2
Batterie
2
2 Xylophones
2
Xylophone
2
Orchestre, Violon
1
Percussion
1
Ensemble d'École
1
Marimba
1
Piano et Orchestre
1
2 Marimbas
1
Percussion (partie séparée)
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Denmark: The Two National Anthems
Orchestre d'harmonie
Large Ensemble - Level 2 - Digital Download SKU: A0.522130 Composed by Ditlev Ludvi…
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Large Ensemble - Level 2 - Digital Download SKU: A0.522130 Composed by Ditlev Ludvig Rogert (1742-1813) and Hans Ernst Krøyer (1798 -1879). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 37 pages. Colin Kirkpatrick Publications #3428555. Published by Colin Kirkpatrick Publications (A0.522130). Denmark has two national anthems. The first, Der er et yndigt land (There is a lovely land) is the civil national anthem and the most frequently performed. When it was first published in 1819, the anthem had twelve verses but today it has been significantly shortened. The dotted rhythm in measure 15 (in Parts 1 and 2) is sometimes played as two equal eighth notes (quavers). The second anthem, Kong Christian stod ved højen mast (King Christian stood by the lofty mast) has equal status but is mainly used for royal and military occasions. At such times, it is either performed alone or the two anthems are played together. Known simply as Kong Christian it is traditionally sung in Denmark immediately after midnight every New Year's Eve. The audio sample contains the first, more popular anthem. These quick and easy national anthem arrangements are essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. Note that this anthem is virtually identical to the anthem of Finland. There is a minor difference in part of the melody and the repeat structure is different. This arrangement consists of a four-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Note the parts in Kong Kristian go a bit too low for flute and oboe, so Parts 1a or 2a should be used instead. Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (flute, oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction.
$8.99
8.24 €
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Orchestre d'harmonie
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Ditlev Ludvig Rogert
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Colin Kirkpatrick
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Denmark: The Two National Anthems
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Colin Kirkpatrick Publications
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SheetMusicPlus
Two Favorite Children's Tunes for Young Concert Band
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1514089 Composed by Robert Schuma…
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Concert Band - Level 4 - Digital Download SKU: A0.1514089 Composed by Robert Schumann. Arranged by Bud Caputo. 21st Century,Children,Romantic Period. 28 pages. Bud Caputo #1088553. Published by Bud Caputo (A0.1514089). Here are two great tunes to perform for recruiting concerts in your elementary feeder schools, yet will be entertaining to all audiences.Both, The Headless Horseman and Happy Farmer, are part of The Album for the Young by Robert Schumann, originally for piano, arranged here for Young Concert Band.Album for the Young (Album für die Jugend), Op. 68, was composed by Robert Schumann in 1848 for his three daughters. The album consists of a collection of 43 short works. Unlike the Kinderszenen, they are suitable to be played by children or beginners. The second part, starting at Nr. 19 (Kleine Romanze), is marked Für Erwachsenere (For adults; For more grown-up ones) and contains more demanding pieces.All ranges will be comfortable for young bands.Here is a vdeo link to the string version that will provide you with a condensed version of this band arrangement.Video linkhttps://youtu.be/G2ExQxILRqQ.
$19.95
18.28 €
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Orchestre d'harmonie
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Robert Schumann
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Bud Caputo
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Two Favorite Children's Tunes for Young Concert Band
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Bud Caputo
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SheetMusicPlus
ChorAlles - Easy Chorales for Junior or Beginning Band (grade 1)
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.770426 Composed by Ivan Marini. B…
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Concert Band - Level 1 - Digital Download SKU: A0.770426 Composed by Ivan Marini. Baroque,Contemporary,Instructional,Praise & Worship,Sacred. Score and parts. 22 pages. Www.dalsegno.eu #5221533. Published by www.dalsegno.eu (A0.770426). Three very easy chorales for beginning or Junior Band.Accurately scored for Grade 1 with easy keys and limited ranges:Flute: 1 Octave (A to A)Oboe (opt.): 1 Octave (F to F)Clarinet: bottom G to throat ASaxophones: 1 Octave (G to G)Trumpet: 1 Octave (B to B)Horn: 1 Octave (C to C)Low Brass: 1 Octave (written C to C, sounding Bb to Bb)Two Timpani opt.Every instrument or family takes the lead for a well-changing sound despite the easy level.Extended cross-cueing for smaller and/or incomplete bands.Ideal for band classes but also as a warm-up or tuning exercise for more experienced players, for final concerts and for every sacred or worship event.Complete set with full score and parts: Flute/Oboe, Bb Clarinet, Bb Bass Clarinet (opt.), Eb Alto Sax, Bb Tenor Sax, Bb Trumpet, F Horn, C Bassoon/Trombone/Euphonium, Bb Euphonium TC, C Basses, Timpani (opt.).Duration ca. 4 mins., 6 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.99
2.74 €
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Orchestre d'harmonie
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Ivan Marini
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ChorAlles - Easy Chorales for Junior or Beginning Band
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www.dalsegno.eu
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SheetMusicPlus
Set Free to go Home - grade 3 concert band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.917409 Composed by Gregory Fritze…
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Concert Band - Level 2 - Digital Download SKU: A0.917409 Composed by Gregory Fritze. 20th Century,Contemporary,Instructional,Standards. Score and parts. 52 pages. Musica Nova USA #6075605. Published by Musica Nova USA (A0.917409). Set Free to go Home was composed in the fall of 2019. It was commissioned by Dr. Kristen Tjornehoj, Conductor of the University of Wisconsin at River Falls Symphony Band in remembrance of Kaye Bird, who passed away in 2016 as a resident of River Falls and a member of the community for several years. Kaye Bird was also a resident of Indiana, PA for 37 years and was a well respected teacher in the public schools there. Set Free to go Home was premiered by the Indiana University of Pennsylvania Symphony Band at Fisher Auditorium on February 6, 2020, conducted by Dr. Jason Worzbyt. It is agrade 3 band piece with a duration of five minutes. It is published by Musica Nova USA and availableon sheetmusicplus.com and jwpepper.com.Performance Notes: Set Free to go Home was composed with flexible instrumentation in mind.There are several instruments listed in the score that would enhance the piece (such as harp, oboes,double bass, ect.) but are not necessary to convey a successful performance. For example, if there are not five percussionists available, the piece may be played by less performers with the use of a drumkit, with one person playing two or more parts. This composition can sound very good whether thereare fifteen players or a band with one hundred players.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, includingFirst Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winnerin Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International MusicCompetition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers andmany others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria,and others. His compositions include works published by several publishers in the United States, SouthAmerica and Europe and have been performed extensively throughout the world.He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer atmany colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$40.00
36.65 €
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Orchestre d'harmonie
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Gregory Fritze
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Set Free to go Home - grade 3 concert band
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Musica Nova USA
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SheetMusicPlus
American Patrol
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1398335 Composed by Frank W. Meac…
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Concert Band - Level 4 - Digital Download SKU: A0.1398335 Composed by Frank W. Meacham. Arranged by George Caldwell. 20th Century,Jazz. 23 pages. George Caldwell #981608. Published by George Caldwell (A0.1398335). American Patrol is meant to be an introduction to swing from the big band era of Glenn Miller Duke Ellington etc. Notation is straight forward but to get the desired swing feel should be taken as 2 quavers equals crotchet quaver triplet, a little bit like 6/8 effect but always in 4/4. Parts to be played straight are marked as such. Because of the playability of the Accordion some parts are also marked as divided between two or more players.
$80.00
73.29 €
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Orchestre d'harmonie
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Frank W
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George Caldwell
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American Patrol
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George Caldwell
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SheetMusicPlus
Concertutti (Concerto for 3 Trumpets and Concert Band)
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.734878 Composed by Joseph Hasper.…
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Concert Band - Level 5 - Digital Download SKU: A0.734878 Composed by Joseph Hasper. 20th Century,Contemporary,Instructional. Score and parts. 110 pages. Joseph Hasper #4293625. Published by Joseph Hasper (A0.734878). Concertutti is a triple concerto for 3 Bb trumpets (with optional flugelhorn) and concert band. The solo parts are advanced, technical, difficult, and hugely fun to play! The band parts are modest in range and difficulty, designed to be playable by a good high school band. Duration: 8'00.Concertutti is a portmaneau, a made-up word combining concerto (a composition for one or more soloists with a large ensemble) and tutti (everyone). To my knowledge this is the first concerto for three trumpets to have been composed in the past 250 years. (The only other triple concertos in the repertoire are one by J.S. Bach and two by Antonio Vivaldi.) Concertutti was commissioned by The Northwest Passage Trumpet Trio and was premiered by them on May 3, 2019 with the Grove City College Wind Ensemble under the direction of Dr. Jeffrey Tedford. A revised version was performed by The Northwest Passage Trumpt Trio on June 30, 2019 with the Hollidaysburg Community Band, under the direction of Doug Stephens. The current edition is a second revision, with the chief differences of being over three minutes shorter and sporting a new coda.
$69.00
63.22 €
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Orchestre d'harmonie
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Joseph Hasper
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Concertutti
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Joseph Hasper
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SheetMusicPlus
A Fistful Of Dollars
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1403955 By Ennio Morricone. By En…
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Concert Band - Level 2 - Digital Download SKU: A0.1403955 By Ennio Morricone. By Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. 63 pages. Lorenzo Bocci #987080. Published by Lorenzo Bocci (A0.1403955). A FISTFUL OF DOLLARS (Per un pugno di dollari) From A Fistful Of Dollarsfor Solo Trumpet and Concert Band (with Fanfare Band parts) - Grade 3 - Digital Download Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. For Solo Trumpet and Concert Band. With optional Choir (SATB). Score and parts. With Fanfare Band parts. Duration 1'49''. Published by Lorenzo Bocci.Instrumentation:Full Score, Bb Solo Trumpet, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Double Bass, Timpani, Percussion 1 (Bass Drum, Cymbals), Percussion 2 (Snare Drum, Castanets), Guitar, Choir (SATB) (Opt.).Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.A Fistful of Dollars (Per un pugno di dollari) is a film directed by Sergio Leone and starring Clint Eastwood in his first leading role, alongside Gian Maria Volonté, Marianne Koch, Wolfgang Lukschy, Sieghardt Rupp, José Calvo, Antonio Prieto and Joseph Egger. Released in Italy in 1964 and in the United States in 1967, the film initiated the popularity of the spaghetti Western genre. It was followed by For a Few Dollars More and The Good, the Bad and the Ugly, both also starring Eastwood. Collectively, the films are known as the Dollars Trilogy, or the Man with No Name Trilogy. The film's music was written by Ennio Morricone. Sergio Leone requested Morricone to write a theme that would be similar to Dimitri Tiomkin's El Degüello (used in Rio Bravo). Although the two themes are similar, Morricone stated that he used a lullaby that he had composed previously, and developed the theme from that. The song is characterized by a famous trumpet solo, played by the Apulian Michele Lacerenza; it was also released on 45 rpm by RCA Italiana and was one of the best-selling records of the year.Subscribe to my YouTube Channel to stay updated on new releases.
$89.00
81.54 €
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Orchestre d'harmonie
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Ennio Morricone
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Ennio Morricone
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Lorenzo Bocci
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A Fistful Of Dollars
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Lorenzo Bocci
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabri…
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.93 €
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Orchestre d'harmonie
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.93 €
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Orchestre d'harmonie
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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jmsgu3
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SheetMusicPlus
1917: The Halifax Disaster
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenn…
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Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
21.06 €
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Orchestre d'harmonie
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
March-Scherzo from Symphony No. 1
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.840481 Composed by Camille Saint-…
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Concert Band - Level 4 - Digital Download SKU: A0.840481 Composed by Camille Saint-Saens. Arranged by Ted R. Marcus. 19th Century,Classical,Contest,Festival,March,Romantic Period. Score and Parts. 109 pages. Ted R. Marcus #3088637. Published by Ted R. Marcus (A0.840481). Camille Saint-Saëns was only 17 when he wrote his first published symphony. But he already had a mature mastery of orchestral writing, along with the courage to defy convention: A march takes the place of the normal triple-meter scherzo movement. It's an unconventional march that starts with an elegant melody, surveys a wide range of emotions, and dissipates into a quiet ending. It's really neither a march nor a scherzo, but something all its own.This colorful concert band arrangement was written for an adult community band. It's appropriate for a college or community band, or an adventurous high school wind ensemble. It features two solo flutes, two solo clarinets, soprano saxophone, vibraphone, and marimba (the vibraphone part is cued to allow performance without the marimba). It also requires strong oboe and bassoon players. Extensive cues allow rehearsal and performance without oboes, bassoons, soprano saxophone, and/or mallet percussion.  Duration: approx. 5:00. The audio clip is a complete performance by the Peninsula Symphonic Winds. Instrumentation: Flute 1A and 1B (two solo players) / Flute 2 / Oboe 1-2 / Clarinet 1A and 1B (two solo players) / Clarinet 2-3 / Alto Clarinet / Bass Clarinet / E-flat Contra-alto clarinet (optional alternate for string bass) / B-flat Contrabass Clarinet (optional alternate for string bass) / Bassoon 1-2 / Soprano Saxophone / Alto Saxophone / Tenor Saxophone / Baritone Saxophone / Trumpet 1-2-3 / Horn 1-2-3-4 / Trombone 1-2-3 / Euphonium / Baritone T.C. / String Bass / Vibes / Marimba (Vibes part has cues for performance without marimba)  Please visit my Web site to explore more classics for adventurous concert bands.
$45.00
41.23 €
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Orchestre d'harmonie
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Camille Saint-Saens
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Ted R
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March-Scherzo from Symphony No. 1
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Ted R. Marcus
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SheetMusicPlus
A Celebration of Bells (A Christmas Overture)
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.934824 Composed by Calkin, James …
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Concert Band - Level 2 - Digital Download SKU: A0.934824 Composed by Calkin, James Pierpont, and Longfellow. Arranged by Christopher Durigg. Christmas,Contemporary,Folk. Score and parts. 44 pages. Christopher Durigg #6433709. Published by Christopher Durigg (A0.934824). PUBLISHER: C. DURIGG MUSICPUBLISHER WEBSITE: www.cdurigg.com VISIT FOR AN AUDIO SAMPLE RECORDING AND VIRTUAL SCORE: http://www.cdurigg.com/cdb002.htmlC. DURIGG MUSIC ID FOR THIS PIECE: CDB-002GRADE LEVEL: EMERGING BAND SERIES (Grade 1.5)OTHER ASSOCIATED SERIES: LIMITED OR FULL BAND SERIESWHAT IS THE LIMITED OR FULL BAND SERIES FROM C.DURIGG MUSIC?Do you have intermediate or advanced students in a very small band program? Are your students ready for more intermediate or advanced band repertoire, yet the band’s limited instrumentation holds them back?My Limited or Full series is geared toward the success of small bands with limited instrumentation. These pieces aim at giving small bands more advanced music within the framework of a young band arrangement. If you like the music, these pieces also sound great with a larger full instrumentation.PRODUCT DESCRIPTION:The joyful ringing of bells is often associated with the holiday season. This is a common theme running through Christmas Carol literature. Conceived as a fun, accessible overture for young bands or bands with limited instrumentation, A Celebration of Bells highlights two of the most beloved Christmas carols associated with bells. The piece begins with a joyful brass bell-tone fanfare accompanied by trilling woodwinds. The introduction gives way to mostly-unison woodwind rendition of I Heard the Bells On Christmas Day. The brass then further works out the melody with a more chordal presentation. The woodwinds present a short, light interlude, followed by an explosive snare drum and full-band chord one key higher than the beginning. The piece shifts to a Jingle Bells march. Following the march, the music modulates back down one key and returns to a full band, Maestoso version of I Heard the Bells. The overture comes to a close with a return to the familiar introductory bell tones. This piece is sure to be a festive hit for both your students and their audience!
$30.00
27.49 €
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Orchestre d'harmonie
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Calkin, James Pierpont, and Longfellow
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Christopher Durigg
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A Celebration of Bells
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Christopher Durigg
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SheetMusicPlus
Schnoodles 32 Easy Flex Duets for Band (Bb Tpt, Cl, Bar)
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.799952 Composed by Brad Carman. C…
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Concert Band - Level 2 - Digital Download SKU: A0.799952 Composed by Brad Carman. Contemporary,Folk,Standards. Score and parts. 54 pages. Brad Carman #5988509. Published by Brad Carman (A0.799952). Schnoodles Flex Duet Repertoire for Band is a collection of 32 easy duets that can be played by any two wind or keyboard players or group of players; including full band! Following in the footsteps of Schnibbles for Two, these duets offer variety, fun, and encourage creative expression and musical experimentation. This duet book asks the student to consider multiple interpretations, and making connections to other art forms, such as visual art, creative writing, and dance. Used as a compliment to any band method, this collection helps to bridge the gap between unison playing and the more ambitious ensemble repertoire that requires both independence and sometimes extreme patience, especially for those that do not carry the melody. With Schnoodles, each part takes turns carrying and supporting the melody giving each player the opportunity to experience both roles simultaneously. While Schnoodles give each player a lot to play, they also give players some creative choices. None come with a prescribed tempo, and most allow students to determine the appropriate articulations and dynamics for the piece based on their abilities, preferences, and interpretations - and hopefully - guidance from a teacher! Players are encouraged to consult teachers and more experienced musicians as they ponder the possibilities of each petit little piece.
$8.99
8.24 €
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Orchestre d'harmonie
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Brad Carman
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Schnoodles 32 Easy Flex Duets for Band
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Brad Carman
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SheetMusicPlus
Schnoodles 32 Easy Flex Duets for Band (Low C Treble Book for Var. Keyboards)
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.799955 Composed by Brad Carman. 2…
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Concert Band - Level 2 - Digital Download SKU: A0.799955 Composed by Brad Carman. 20th Century,Contemporary,Folk,Standards. Score and parts. 54 pages. Brad Carman #5988527. Published by Brad Carman (A0.799955). Schnoodles Flex Duet Repertoire for Band is a collection of 32 easy duets that can be played by any two wind or keyboard players or group of players; including full band! Following in the footsteps of Schnibbles for Two, these duets offer variety, fun, and encourage creative expression and musical experimentation. This duet book asks the student to consider multiple interpretations, and making connections to other art forms, such as visual art, creative writing, and dance. Used as a compliment to any band method, this collection helps to bridge the gap between unison playing and the more ambitious ensemble repertoire that requires both independence and sometimes extreme patience, especially for those that do not carry the melody. With Schnoodles, each part takes turns carrying and supporting the melody giving each player the opportunity to experience both roles simultaneously. While Schnoodles give each player a lot to play, they also give players some creative choices. None come with a prescribed tempo, and most allow students to determine the appropriate articulations and dynamics for the piece based on their abilities, preferences, and interpretations - and hopefully - guidance from a teacher! Players are encouraged to consult teachers and more experienced musicians as they ponder the possibilities of each petit little piece.
$8.99
8.24 €
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Orchestre d'harmonie
#
Brad Carman
#
Schnoodles 32 Easy Flex Duets for Band
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Brad Carman
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
43.93 €
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Orchestre d'harmonie
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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jmsgu3
#
SheetMusicPlus
Our Destiny in the Stars
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1240842 Composed by Jack Dennis. …
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Concert Band - Level 3 - Digital Download SKU: A0.1240842 Composed by Jack Dennis. 21st Century,Classical,Contemporary. Score and Parts. 50 pages. Jack Dennis #836232. Published by Jack Dennis (A0.1240842). Great for high school or other intermediate level concert bands!Approx 3.5 minutes in durationOur Destiny in the Stars is a symphonic concert band composition, with the first triumphant fanfares exemplify the joys of exploration, transitioning to the solemn reminder of leaving home behind. Cues- Several more challenging phrases in this piece, as well as the bass clarinet solo, may have cues written that may be played instead of the challenging phrases, or to be played by a different instrument, only if absolutely necessary. These cued phrases do not play back in audio playback.Instrumentation- Two flutes, one doubling as piccolo, two Bb Clarinets, one Bass Clarinet (soloist), one alto, tenor and baritone saxophone, two Bb Trumpets, two Horns in F, two trombones, one euphonium, one tuba, one glockenspiel, one vibraphone, one set of timpani, one snare drum, one bass drum, one crash cymbal and one suspended cymbal.
$19.99
18.31 €
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Orchestre d'harmonie
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Jack Dennis
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Our Destiny in the Stars
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Jack Dennis
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SheetMusicPlus
Offertoire (from 'In Memoriam')
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1460836 Composed by Hedwige Chré…
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Concert Band - Level 3 - Digital Download SKU: A0.1460836 Composed by Hedwige Chrétien. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,Praise & Worship,Religious,World. 39 pages. John Ivor Holland #1039739. Published by John Ivor Holland (A0.1460836). Hedwige Chrétien (15 July 1859 – 1944) was a French composer, appointed professor at the Paris Conservatoire in 1889 where she had previously been a student from 1874. She was a prolific composer, yet not much else is known about her life. Her compositions, about 150 in all, consist of pieces for piano, orchestral and chamber works, songs, two ballets and two one-act operas. One of the most extensive collections of her work in the United States is held in the University of Michigan's Women Composers Collection, which is available on microfilm from there and other libraries. 'Offertoire' dates from 1926 and is taken from a collection of works for organ or harmonium called 'In Memoriam' for use in funeral services but works well as a standalone piece, particularly suitable for memorial events or moments of calm in a programme. Arranged as part of an ongoing project to bring more music by women into the worldwide concert band repertoire.
$59.99
54.96 €
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Orchestre d'harmonie
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Hedwige Chrétien
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John Ivor Holland
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Offertoire
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John Ivor Holland
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SheetMusicPlus
A Tribute to Gershwin: 2nd B-flat Clarinet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0015728_C2 2nd B-flat Clarinet…
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Concert Band - Digital Download SKU: AX.00-PC-0015728_C2 2nd B-flat Clarinet. Composed by George Gershwin. Arranged by Jack Bullock. Classical. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015728_C2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015728_C2). UPC: 038081351087.There's not a composer recognized or performed in the classic pop genre more than Gershwin. In his Tribute, Jack Bullock acknowledges this musical genius with eleven charming, yet distinctive, melodies that are all Gershwin. The fast-paced medley opens with I Got Rhythm and, in quick succession, threads through ten more tunes closing with the immortal Rhapsody in Blue. I'll bet you find one or two that you didn't realize were Gershwin melodies! This one's a real champion. (6:51) This title is available in SmartMusic.
$3.00
2.75 €
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Orchestre d'harmonie
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George Gershwin
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Jack Bullock
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A Tribute to Gershwin: 2nd B-flat Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Tribute to Gershwin: Electric Bass
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0015728_EB Electric Bass. Comp…
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Concert Band - Digital Download SKU: AX.00-PC-0015728_EB Electric Bass. Composed by George Gershwin. Arranged by Jack Bullock. Classical. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015728_EB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015728_EB). UPC: 038081351087.There's not a composer recognized or performed in the classic pop genre more than Gershwin. In his Tribute, Jack Bullock acknowledges this musical genius with eleven charming, yet distinctive, melodies that are all Gershwin. The fast-paced medley opens with I Got Rhythm and, in quick succession, threads through ten more tunes closing with the immortal Rhapsody in Blue. I'll bet you find one or two that you didn't realize were Gershwin melodies! This one's a real champion. (6:51) This title is available in SmartMusic.
$3.00
2.75 €
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Orchestre d'harmonie
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George Gershwin
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Jack Bullock
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A Tribute to Gershwin: Electric Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Tribute to Gershwin: Bassoon
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0015728_B1 Bassoon. Composed b…
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Concert Band - Digital Download SKU: AX.00-PC-0015728_B1 Bassoon. Composed by George Gershwin. Arranged by Jack Bullock. Classical. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015728_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015728_B1). UPC: 038081351087.There's not a composer recognized or performed in the classic pop genre more than Gershwin. In his Tribute, Jack Bullock acknowledges this musical genius with eleven charming, yet distinctive, melodies that are all Gershwin. The fast-paced medley opens with I Got Rhythm and, in quick succession, threads through ten more tunes closing with the immortal Rhapsody in Blue. I'll bet you find one or two that you didn't realize were Gershwin melodies! This one's a real champion. (6:51) This title is available in SmartMusic.
$3.00
2.75 €
#
Orchestre d'harmonie
#
George Gershwin
#
Jack Bullock
#
A Tribute to Gershwin: Bassoon
#
Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Tribute to Gershwin: E-flat Alto Saxophone
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0015728_AX1 E-flat Alto Saxophone
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Concert Band - Digital Download SKU: AX.00-PC-0015728_AX1 E-flat Alto Saxophone. Composed by George Gershwin. Arranged by Jack Bullock. Classical. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0015728_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015728_AX1). UPC: 038081351087.There's not a composer recognized or performed in the classic pop genre more than Gershwin. In his Tribute, Jack Bullock acknowledges this musical genius with eleven charming, yet distinctive, melodies that are all Gershwin. The fast-paced medley opens with I Got Rhythm and, in quick succession, threads through ten more tunes closing with the immortal Rhapsody in Blue. I'll bet you find one or two that you didn't realize were Gershwin melodies! This one's a real champion. (6:51) This title is available in SmartMusic.
$3.00
2.75 €
#
Orchestre d'harmonie
#
George Gershwin
#
Jack Bullock
#
A Tribute to Gershwin: E-flat Alto Saxophone
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
A Tribute to Gershwin: 1st F Horn
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0015728_H1 1st F Horn. Compose…
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Concert Band - Digital Download SKU: AX.00-PC-0015728_H1 1st F Horn. Composed by George Gershwin. Arranged by Jack Bullock. Classical. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015728_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015728_H1). UPC: 038081351087.There's not a composer recognized or performed in the classic pop genre more than Gershwin. In his Tribute, Jack Bullock acknowledges this musical genius with eleven charming, yet distinctive, melodies that are all Gershwin. The fast-paced medley opens with I Got Rhythm and, in quick succession, threads through ten more tunes closing with the immortal Rhapsody in Blue. I'll bet you find one or two that you didn't realize were Gershwin melodies! This one's a real champion. (6:51) This title is available in SmartMusic.
$3.00
2.75 €
#
Orchestre d'harmonie
#
George Gershwin
#
Jack Bullock
#
A Tribute to Gershwin: 1st F Horn
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
A Tribute to Gershwin: Flute
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0015728_F1 Flute. Composed by …
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Concert Band - Digital Download SKU: AX.00-PC-0015728_F1 Flute. Composed by George Gershwin. Arranged by Jack Bullock. Classical. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015728_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015728_F1). UPC: 038081351087.There's not a composer recognized or performed in the classic pop genre more than Gershwin. In his Tribute, Jack Bullock acknowledges this musical genius with eleven charming, yet distinctive, melodies that are all Gershwin. The fast-paced medley opens with I Got Rhythm and, in quick succession, threads through ten more tunes closing with the immortal Rhapsody in Blue. I'll bet you find one or two that you didn't realize were Gershwin melodies! This one's a real champion. (6:51) This title is available in SmartMusic.
$3.00
2.75 €
#
Orchestre d'harmonie
#
George Gershwin
#
Jack Bullock
#
A Tribute to Gershwin: Flute
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
A Tribute to Gershwin: 2nd Trombone
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0015728_TN2 2nd Trombone. Comp…
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Concert Band - Digital Download SKU: AX.00-PC-0015728_TN2 2nd Trombone. Composed by George Gershwin. Arranged by Jack Bullock. Classical. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015728_TN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015728_TN2). UPC: 038081351087.There's not a composer recognized or performed in the classic pop genre more than Gershwin. In his Tribute, Jack Bullock acknowledges this musical genius with eleven charming, yet distinctive, melodies that are all Gershwin. The fast-paced medley opens with I Got Rhythm and, in quick succession, threads through ten more tunes closing with the immortal Rhapsody in Blue. I'll bet you find one or two that you didn't realize were Gershwin melodies! This one's a real champion. (6:51) This title is available in SmartMusic.
$3.00
2.75 €
#
Orchestre d'harmonie
#
George Gershwin
#
Jack Bullock
#
A Tribute to Gershwin: 2nd Trombone
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
A Tribute to Gershwin: 3rd B-flat Trumpet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0015728_T3 3rd B-flat Trumpet.…
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Concert Band - Digital Download SKU: AX.00-PC-0015728_T3 3rd B-flat Trumpet. Composed by George Gershwin. Arranged by Jack Bullock. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015728_T3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015728_T3). UPC: 038081351087.There's not a composer recognized or performed in the classic pop genre more than Gershwin. In his Tribute, Jack Bullock acknowledges this musical genius with eleven charming, yet distinctive, melodies that are all Gershwin. The fast-paced medley opens with I Got Rhythm and, in quick succession, threads through ten more tunes closing with the immortal Rhapsody in Blue. I'll bet you find one or two that you didn't realize were Gershwin melodies! This one's a real champion. (6:51) This title is available in SmartMusic.
$3.00
2.75 €
#
Orchestre d'harmonie
#
George Gershwin
#
Jack Bullock
#
A Tribute to Gershwin: 3rd B-flat Trumpet
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
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