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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Two-For-Two
Sheetmusicplus
Non classifié
8 729
Piano & claviers
Piano seul
3 790
Piano Facile
965
Piano, Voix
590
Orgue
479
Piano, Voix et Guitare
455
1 Piano, 4 mains
329
2 Pianos, 4 mains
303
Accompagnement Piano
260
Instruments en Do
241
Piano Trio: piano, violon, violoncelle
91
Orgue, Trompette (duo)
76
Accordéon
44
Piano grosses notes
37
2 Accordéons
31
Piano (partie séparée)
29
Piano Quatuor: piano, violon, alto, violoncelle
28
Orgue, Piano (duo)
27
Piano Quatuor: piano, 2 violons, violoncelle
27
Clavecin
13
Piano Quintette: piano, 2 violons, alto, violoncelle
12
Clavier
7
2 Pianos, 8 mains
7
1 Piano, 6 mains
4
2 Orgues (duo)
2
Fake Book
1
+ 20 instrumentations
Retracter
Guitares
Guitare notes et tablatures
608
Guitare
324
2 Guitares (duo)
291
Piano, Guitare (duo)
152
Ukulele
91
Dulcimer
75
Ligne De Mélodie, (Paroles) et Accords
72
Guitare (partie séparée)
59
Basse electrique
42
4 Guitares (Quatuor)
32
Mandoline
30
3 Guitares (trio)
19
2 Dulcimers (duo)
14
Paroles et Accords
14
Banjo
13
2 Ukuleles
8
Ensemble de guitares
7
2 Mandolines (duo)
4
Mandoline, Guitare (duo)
3
Ukulele Baryton
2
Guitare, Violon, Violoncelle (trio)
2
Guitare Pedal Steel
2
Guitare, Orchestre
1
Luth
1
+ 19 instrumentations
Retracter
Voix
Chorale 2 parties
1 754
Chorale SATB
1 587
Chorale 3 parties
617
Chorale Unison
615
Chorale TTBB
206
Voix duo, Piano
178
Voix duo
132
Chorale SSAA
105
Voix Soprano, Piano
59
Voix haute
28
Voix Tenor, Piano
24
Voix moyenne, Piano
22
Chorale
21
Voix Baryton, Piano
18
Voix seule
16
Voix Alto, Piano
14
Pack Instrumental pour Chorale
9
Voix Tenor
8
Voix Soprano
5
Voix basse, Piano
5
Chorale SSAATTBB
4
Voix basse
4
Voix, Guitare
4
Soli, choeur mixte et accompagnement
4
Chorale SSAB a cappella
2
Chorale SSATTB
2
Voix Soprano, Orchestre
1
Male Voice
1
Voix Mezzo-Soprano, Piano
1
+ 24 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
1 619
2 Saxophones (duo)
1 245
2 Clarinettes (duo)
1 112
Flûte traversière et Piano
803
Clarinette et Piano
531
Hautbois, Piano (duo)
468
Saxophone Alto et Piano
378
Saxophone Tenor et Piano
377
Flûte traversière
329
Quatuor de Saxophones: 4 saxophones
312
Saxophone (partie séparée)
296
2 Hautbois (duo)
285
3 Clarinettes (trio)
275
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
251
Flûte, Hautbois, Clarinette, Basson
218
Saxophone Soprano et Piano
209
2 Flûte à bec (duo)
205
Flûte, Clarinette (duo)
203
Quatuor de Clarinettes: 4 clarinettes
202
Quatuor de Flûtes : 4 flûtes
163
Saxophone, Clarinette (duo)
158
Clarinette
155
Clarinette, Violon (duo)
145
Clarinette (partie séparée)
138
Flûte, Violon
134
2 Flûtes traversières, Piano
128
3 Saxophones (trio)
121
Hautbois (partie séparée)
111
Hautbois, Basson (duo)
108
Quintette de Saxophone: 5 saxophones
105
Trio de Flûtes: 3 flûtes
104
Ensemble de Clarinettes
90
Hautbois, Clarinette (duo)
88
Clarinette, Trompette (duo)
84
Ensemble de saxophones
84
Saxophone Alto
83
Flûte, Violon, Piano
72
Ensemble de Flûtes
68
Saxophone Tenor
68
Hautbois, Flûte
66
Clarinette et Alto
66
Flute (partie séparée)
65
2 Clarinettes, Piano
57
Flûte et Guitare
52
Flûte, Clarinette, Piano (trio)
52
Flûte, Saxophone (duo)
51
Flûte, Alto (duo)
47
Saxophone Baryton, Piano
45
Cor anglais, Piano
45
Flûte, Trompette (duo)
45
Flûte, Violoncelle
40
Clarinette, Basson (duo)
38
Flûte, Violon et Violoncelle
37
Clarinette, Violoncelle (duo)
35
Quintette de Clarinettes: 5 clarinettes
34
Flûte, Clarinette et Basson
33
Quatuor de Flûtes à bec
32
Flûte, trombone et piano
32
2 Clarinettes, Basson
31
Clarinette, Violoncelle, Piano (trio)
30
Quintette de Flûte : 5 flûtes
27
Hautbois, Violoncelle
26
Flûte, Violoncelle, Piano (trio)
26
Flûte, Hautbois, Piano (trio)
25
Flûte, Hautbois, Clarinette (trio)
25
Clarinette Basse, Piano
23
Ensemble De Flûte à bec
23
Flûte, Alto et Piano
21
Flûte à bec Soprano
20
3 Flûtes à bec (trio)
19
Flûte, Hautbois (duo)
17
Hautbois, Clarinette, Basson (trio d'anches)
15
Flûte, Hautbois, Basson
14
Clarinette, Guitare (duo)
14
Flûte à Bec
12
Clarinette, trompette et piano
12
Flûte à bec Soprano, Piano
12
Saxophone Soprano
12
Flûte, Basson et Piano
12
5 Flûtes à bec
10
Hautbois, violon (duo)
9
Cor Anglais
9
2 Cors Anglais Et Pianoforte
9
Flûte, Violon, Violoncelle et Piano
9
Clarinette, Harpe (duo)
9
2 Saxophones, Piano
9
Hautbois et alto (duo)
9
Flûte à bec Tenor
8
Flûte à bec Alto, Piano
7
Saxophone
7
Saxophone et Harpe
6
Hautbois
6
Hautbois, Harpe
6
Clarinette, Trombone (duo)
6
2 Hautbois, Piano
5
Piccolo
5
Flûte à bec Alto
5
Flute, harpe et violon
5
Flûte, Violoncelle, Guitare
5
Flûte à Bec, Piano
5
Piccolo, Piano
5
Flûte et Trio à cordes
5
Clarinette Basse
4
Flûte irlandaise
4
Harmonica
3
Flûte, Hautbois, Violon
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
2 Hautbois et Cor anglais
3
3 Hautbois
3
Clarinette, Alto et Piano (trio)
3
Flûte, Violon, Guitare
3
Clarinette, Contrebasse (duo)
3
Clarinette, Tuba
3
Ensemble à vent
3
Flûte, Trombone (duo)
3
Hautbois, trombone (duo)
3
Flûte à bec Alto, Basse continue
3
Saxophone et Guitare
3
Saxophone et Orgue
3
Cornemuse
2
Flûte, Harpe et Violoncelle
2
Flûte, Clarinette, Violon (trio)
2
Saxophone, Basson (duo)
2
Flûte traversière, Orgue (duo)
2
Hautbois, Clarinette et Piano (Trio)
2
2 Flûtes traversières, Harpe
2
2 Flûtes à bec, Piano
2
Saxophone et violoncelle
2
Flute, Cor (duo)
2
4 Hautbois
2
Cor anglais, Guitare (duo)
2
Hautbois, Guitare (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Hautbois, Basson et Piano
2
Clarinette, Basson, Piano (trio)
1
Flûte à bec Soprano, Basse continue
1
Flûte traversière, Orchestre
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Saxophone, Piano
1
2 Hautbois et Basson
1
Saxophone et Piano
1
Ensemble de Hautbois
1
Flûte, Tuba (duo)
1
Flûte et Quatuor à Cordes
1
Hautbois, Trompette (duo)
1
Melodica
1
Clarinette, Orgue
1
Ocarina
1
2 Flûtes, Basse continue
1
Cor anglais et Harpe (duo)
1
+ 145 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
843
2 Trompettes (duo)
514
2 Trombones (duo)
485
Trombone et Piano
472
Trompette, Piano
309
Trombone (partie séparée)
250
Quatuor de Cuivres : 2 trompettes, trombone, tuba
242
Trompette
215
Trompette (partie séparée)
196
Quatuor de Cuivres: 2 trompettes, Cor, trombone
156
Trompette, Trombone (duo)
140
2 Cors (duo)
117
Trompette, Saxophone (duo)
114
Cor et Piano
111
Trombone
73
Euphonium, Piano (duo)
69
Quatuor de Cuivres
69
Cor (partie séparée)
67
Ensemble de Trombones
61
Tuba (partie séparée)
59
Quatuor de cuivres: 4 trombones
58
Tuba et Piano
53
2 Trompettes, Clavier (piano ou orgue)
51
Cor
50
Cor anglais, Piano
45
Trompette, Cor (duo)
43
2 Tubas (duo)
38
Ensemble de Trompettes
31
Quatuor de cuivres: 4 cors
31
Quatuor de cuivres: 2 trompettes, 2 trombones
30
Quatuor de cuivres: 4 trompettes
26
Tuba
25
Trompette, Violoncelle et Piano
24
2 Euphoniums (duo)
23
Trombone, Tuba (duo)
22
3 Trombones (trio)
19
2 Euphoniums et 2 Tubas
17
Trio de Cuivres
15
Cor, Violoncelle (duo)
13
Trompette, Basson (duo)
12
Trompette, Violoncelle (duo)
11
3 Trompettes (trio)
11
2 Trombones, Piano
10
4 Tubas
9
Cor Anglais
9
2 Cors Anglais Et Pianoforte
9
Euphonium, Tuba (duo)
9
Euphonium
9
Ensemble de Cors
9
Trombone basse
8
Cor et Harpe
8
3 Euphoniums
7
Trompette, Harpe
6
3 Cors (trio)
6
Trompette, Tuba (duo)
5
2 Cors, Piano
5
Trompette et Guitare
5
Cor et Basson (duo)
5
Trombone, Orgue
4
Tuba et Orgue
4
Trombone basse et Piano
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cornet A Pistons
3
Clarinette, Cor (duo)
3
Trompette, violon (duo)
3
Trompette, Trombone, Piano
3
3 Tubas (trio)
3
Trombone, Cor (duo)
2
Cor anglais, Guitare (duo)
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Bass Clef Instruments
1
Cor, Violoncelle et Piano
1
Cor et Orgue
1
Trombone, Violon (duo)
1
Cor anglais et Harpe (duo)
1
+ 70 instrumentations
Retracter
Cordes
2 Violons (duo)
1 173
Harpe
1 167
Quatuor à cordes: 2 violons, alto, violoncelle
1 068
Violon et Piano
801
2 Violoncelles (duo)
646
Violon, Violoncelle (duo)
566
2 Altos (duo)
544
Violon
508
Alto, Piano
503
Trio à Cordes: violon, alto, violoncelle
478
Violoncelle, Piano
475
Trio à Cordes: 2 violons, violoncelle
374
Violon, Alto (duo)
230
2 Harpes (duo)
178
Violoncelle
173
Quintette à cordes: 2 violons, alto, violoncelle, basse
142
Trio à Cordes: 2 violons, alto
121
Violon (partie séparée)
111
Alto seul
103
Alto, Violoncelle (duo)
74
Contrebasse (partie séparée)
74
Harpe, Violon (duo)
62
2 Violons, Piano
53
Harpe, Flûte (duo)
50
Violon, Guitare (duo)
50
Trio à cordes: 3 violins
49
4 Violoncelles
48
Alto (partie séparée)
47
2 Contrebasses (duo)
42
Piano Trio: Violon, Alto, Piano
40
Contrebasse, Piano (duo)
37
Quatuor à cordes: 4 violons
36
Contre Basse
29
Violoncelle (partie séparée)
27
Violon, Basson (duo)
21
Trio à Cordes: 3 violoncelles
19
Trio à cordes
19
Violoncelle, Contrebasse (duo)
17
2 Violoncelles, Piano
15
Harpe, Violoncelle (duo)
14
Violon, Clarinette, Piano (trio)
14
Alto et Harpe
13
Violoncelle , Guitare (duo)
13
Alto et Basson
13
Ensemble de Violons
12
Quintette à cordes: 2 violons, 2 altos, violoncelle
11
Alto, Guitare (duo)
10
Harpe, Voix
8
Ensemble d'Altos
7
Quatuor à cordes : 4 altos
7
Ensemble de Violoncelles
5
Trio à cordes: 3 altos
4
3 Harpes
3
Violoncelle, Basse continue
3
Flûte, Contrebasse (duo)
3
Violoncelle, Orgue
3
2 Altos, Piano
2
5 Harpes
2
Harpe, Trombone (duo)
2
Violon, Basse continue
2
Violoncelle, Orchestre
2
Harpe et Piano
2
Harpe, Violon, Violoncelle
1
4 Contrebasses
1
Autoharp
1
Alto et orchestre
1
Violon, Trompette et Piano
1
3 Contrebasses
1
Violon, Tuba (duo)
1
+ 64 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 395
Orchestre à Cordes
569
Cloches
461
Ensemble de cuivres
384
Orchestre
367
Ensemble Jazz
308
Orchestre de chambre
219
Ensemble de Percussions
86
Jazz combo
80
Percussion (partie séparée)
66
Marimba
39
Batterie
36
Batterie (partie séparée)
32
Timbales (partie séparée)
22
Fanfare
20
Percussion
17
Vibraphone
12
2 Xylophones
7
Xylophone, Piano
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Xylophone
4
2 Marimbas
4
Quintette de Cuivres: autres combinaisons
3
2 Caisses Claires (duo)
3
Caisse Claire
2
Piano et Orchestre
1
2 Percussions
1
Vibraphone et Marimba
1
3 Percussions
1
Ensemble d'École
1
Conga
1
Quintette à Vent
1
Orchestre, Violon
1
+ 28 instrumentations
Retracter
Autres
Formation musicale - Solfège
3
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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METHODE : TECHNIQUES
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1376
Elegy Sentimentale for Concert Band
#
Orchestre d'harmonie
#
Keith Terrett
#
Elegy Sentimentale for Concert
#
Keith Terrett
#
SheetMusicPlus
Concert Band - SKU: A0.746749 Composed by Keith Terrett. Contemporary,World. 39 pages. Keith Terrett #3129275. Published by Keith Terrett (A0.746749).
(+)
Concert Band - SKU: A0.746749 Composed by Keith Terrett. Contemporary,World. 39 pages. Keith Terrett #3129275. Published by Keith Terrett (A0.746749). Here at last is my ’’Elegy sentimentale’’ for Concert Band, and an original composition.I hope it makes an excellent piece for amateur and professional bands alike; with some challenging and interesting woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Symbology for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Symbology for Concert Band
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Sy Brandon
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.755270 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 182 pages. Sy Brandon #4353935. Publ...
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Concert Band - Level 4 - SKU: A0.755270 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 182 pages. Sy Brandon #4353935. Published by Sy Brandon (A0.755270). This composition is inspired by the symbology present in the suits of a deck of cards. It is in one continuous movement that is divided into four sections. Spades (death) is a funeral march that uses frequent dotted rhythms, outbursts of anger, and a lyrical, somber descending melody. A change of mood that is accomplished by brightening the harmony leads into Hearts (romance). This section follows a loose AABA form. The A sections contain lyrical lines and lush harmony. The B section is freer in rhythm and represents a dialogue between two lovers. The last measure of this section introduces a dotted rhythm motive that is used throughout the next section, Diamonds (riches). This section is subtitled riches instead of wealth because riches implies money for money’s sake rather than the benefits it can buy. It is in the style of a frenzied waltz as if those with the riches are at an elaborate ball totally unaware of the restlessness going on around them. Towards the end of this section, a chromatic line begins to insert itself, suggesting the uprising and war (Clubs) that follows. A dissonant chord transitions the listener into Clubs (war) section. This section begins powerfully with repeated chords resembling people shooting at each other. The shooting motif appears frequently throughout. Different melodic ideas represent the battle between forces. The tide of the battle keeps going back and forth, but nobody actually wins. The piece ends with the sound of death and destruction, therefore starting the cycle of the suits over again. The score prints on legal size paper and the parts on letter.
$39.99
The Forest Overture
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Andrew Strawn
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The Forest Overture
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Andrew Strawn
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.995854 Composed by Andrew Strawn. Contemporary,Romantic Period. Score and parts. 108 pages. Andrew Strawn #4790949. Pub...
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Concert Band - Level 4 - SKU: A0.995854 Composed by Andrew Strawn. Contemporary,Romantic Period. Score and parts. 108 pages. Andrew Strawn #4790949. Published by Andrew Strawn (A0.995854). In 2017, I had the opportunity to test out a piece with my middle school band. A very generous offer from my director, if only it had been playable. In honor of that director and the original piece, I have composed a remastered version based on the classic themes. This time, perhaps more realistic. After two years of composition training, I am proud to demonstrate how far I have progressed. Composed for Wind Ensemble, Grand Piano, and Percussion, The Forest Overture is a dramatic and exciting piece designed to inspire. With immense fortissimos and beautiful suspensions, this piece is sure to excite. I hope you enjoy, The Forest Overture.Includes a legal-sized score and a letter-sized set of parts.Andrew StrawnFrank the Cat Music Publications
$55.00
Papua New Guinea National Anthem for Military/Wind/Concert Band (Score & Parts) - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Patriotique
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Thomas Shacklady
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Keith Terrett
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Kobe in 1999
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Papua New Guinea National Anth
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1309638 Composed by Thomas Shacklady. Arranged by Keith Terrett. Multicultural,Patriotic,Praise & Worship,Traditional,W...
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Concert Band - Level 3 - SKU: A0.1309638 Composed by Thomas Shacklady. Arranged by Keith Terrett. Multicultural,Patriotic,Praise & Worship,Traditional,World. 42 pages. Keith Terrett #898806. Published by Keith Terrett (A0.1309638). An arrangement made especially for the Band of the Royal Papua New Guinea Constabulary of ''O Arise, All You Sons''., one og PNG's two professional military bands, the other belongs to the PNG Defence Force both based in Port Morsebly the nations captital.O Arise, All You Sons is the national anthem of Papua New Guinea. Adopted in 1975, it was written and composed by Thomas Shacklady, a former Royal Marine who took over the band from Inspector David Crawley. I took over the band from 1994-99, after taking the band on two overseas tours to Adelaide in 1996 & Kobe in 1999.The National Identity Act of Papua New Guinea was formulated in 1971, motivating the country to create a national flag, a national emblem, a national pledge and a national anthem. A national flag and emblem were adopted in 1971. However, the national anthem remained undecided until independence from Australia in 1975, four years later. Although many songs were submitted to be the anthem, the National Executive Council decided a week before the country's Independence Day (10 September 1975), to adopt as the national anthem a composition that was composed by Chief Inspector Thomas Shacklady (1917–2006), a bandmaster of the Royal Papua New Guinea Constabulary Band.During the 2015 Pacific Games opening ceremony, the anthem was sung with the first line altered from O arise all you sons of this land to O arise sons and daughters of this land. An official later stated that this was illegal and a violation of the National Identity Act.
$39.99
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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Orchestre d'harmonie
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FACILE
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #345...
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Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Chopin - Scherzo in E major (Op. 54) for Concert Band
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Orchestre d'harmonie
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Classique
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Frederic Chopin
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ForteTwo
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Chopin - Scherzo in E major
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ForteTwo Music
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SheetMusicPlus
Concert Band - SKU: A0.942801 Composed by Frederic Chopin. Arranged by ForteTwo. Romantic Period. Score and parts. 363 pages. ForteTwo Music #3419987. P...
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Concert Band - SKU: A0.942801 Composed by Frederic Chopin. Arranged by ForteTwo. Romantic Period. Score and parts. 363 pages. ForteTwo Music #3419987. Published by ForteTwo Music (A0.942801). Chopin's last Scherzo, composed in 1842. Adapted for Concert Band by ForteTwo. Piccolo, 2 Flutes, Oboe, 3 Clarinets, Bass Clarinet, Bassoon, 2 Alto Saxes, Tenor Sax, Bari Sax, 3 Trumpets, 4 Horns, 3 Trombones, Bass Trombone, Euphonium (B.C.), Tubas, Bass, Timpani, Glockenspiel. Performance time: 10-12 minutes. .
$15.00
Schnoodles 32 Easy Flex Duets for Band (Low C Treble Book for Var. Keyboards)
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Orchestre d'harmonie
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FACILE
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Brad Carman
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Schnoodles 32 Easy Flex Duets
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Brad Carman
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.799955 Composed by Brad Carman. 20th Century,Contemporary,Folk,Standards. Score and parts. 54 pages. Brad Carman #59885...
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Concert Band - Level 2 - SKU: A0.799955 Composed by Brad Carman. 20th Century,Contemporary,Folk,Standards. Score and parts. 54 pages. Brad Carman #5988527. Published by Brad Carman (A0.799955). Schnoodles Flex Duet Repertoire for Band is a collection of 32 easy duets that can be played by any two wind or keyboard players or group of players; including full band! Following in the footsteps of Schnibbles for Two, these duets offer variety, fun, and encourage creative expression and musical experimentation. This duet book asks the student to consider multiple interpretations, and making connections to other art forms, such as visual art, creative writing, and dance. Used as a compliment to any band method, this collection helps to bridge the gap between unison playing and the more ambitious ensemble repertoire that requires both independence and sometimes extreme patience, especially for those that do not carry the melody. With Schnoodles, each part takes turns carrying and supporting the melody giving each player the opportunity to experience both roles simultaneously. While Schnoodles give each player a lot to play, they also give players some creative choices. None come with a prescribed tempo, and most allow students to determine the appropriate articulations and dynamics for the piece based on their abilities, preferences, and interpretations - and hopefully - guidance from a teacher! Players are encouraged to consult teachers and more experienced musicians as they ponder the possibilities of each petit little piece.
$8.99
Schnoodles 32 Easy Flex Duets for Band (Bb Tpt, Cl, Bar)
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Orchestre d'harmonie
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FACILE
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Brad Carman
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Schnoodles 32 Easy Flex Duets
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Brad Carman
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.799952 Composed by Brad Carman. Contemporary,Folk,Standards. Score and parts. 54 pages. Brad Carman #5988509. Published...
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Concert Band - Level 2 - SKU: A0.799952 Composed by Brad Carman. Contemporary,Folk,Standards. Score and parts. 54 pages. Brad Carman #5988509. Published by Brad Carman (A0.799952). Schnoodles Flex Duet Repertoire for Band is a collection of 32 easy duets that can be played by any two wind or keyboard players or group of players; including full band! Following in the footsteps of Schnibbles for Two, these duets offer variety, fun, and encourage creative expression and musical experimentation. This duet book asks the student to consider multiple interpretations, and making connections to other art forms, such as visual art, creative writing, and dance. Used as a compliment to any band method, this collection helps to bridge the gap between unison playing and the more ambitious ensemble repertoire that requires both independence and sometimes extreme patience, especially for those that do not carry the melody. With Schnoodles, each part takes turns carrying and supporting the melody giving each player the opportunity to experience both roles simultaneously. While Schnoodles give each player a lot to play, they also give players some creative choices. None come with a prescribed tempo, and most allow students to determine the appropriate articulations and dynamics for the piece based on their abilities, preferences, and interpretations - and hopefully - guidance from a teacher! Players are encouraged to consult teachers and more experienced musicians as they ponder the possibilities of each petit little piece.
$8.99
O LA, O CHE BON ECCHO (Orlando di Lasso) for Brass Quartet and Wind Band
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Orchestre d'harmonie
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FACILE
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Orlande De Lassus
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Ivan Marini
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O LA, O CHE BON ECCHO
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www.dalsegno.eu
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.770366 Composed by Orlande De Lassus. Arranged by Ivan Marini. Instructional,Multicultural,Renaissance,Sacred,World. Sc...
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Concert Band - Level 2 - SKU: A0.770366 Composed by Orlande De Lassus. Arranged by Ivan Marini. Instructional,Multicultural,Renaissance,Sacred,World. Score and parts. 39 pages. Www.dalsegno.eu #3867431. Published by www.dalsegno.eu (A0.770366). The most famous Renaissance choral piece for two antiphonal ensembles finally arranged for Winds and Percussions, featuring a Brass Quartet (two trumpets and two trombones).This enjoyable concert piece is also useful to develope tone quality, intonation, phrasing and expression of every ensemble.Even smaller groups and young bands can perform this piece, because the four original parts are mostly doubled. The difficulty grade is very reasonable.Every conductor will take advantage of the performance stage/location, staging the better arrangement for the four solists (plus opt. Tenor Drums) and the ensemble.The soloist should stay, generally speaking, far away from the audience to emphasize the echo effect.A piano part (reduction of the ensemble) is also included, for both performance and rehearsal.Complete set with score and parts: Solos (Trumpet 1+2, Trombone 1+2),Piccolo, Flute 1+2, Oboe (or Soprano sax), Bassoon,Clarinets 1+2+3+bass, Saxes AATB,Trumpets/Cornets 1+2+3, F/Eb Horn, Trombones 1+2+3,Euphonium/Baritone BC+TC, Tuba, String Bass,Piano, Timpani, Side Drum(s), Tenor Drum(s).Other transpositions (e.g. Bb Trombones TC) available for free at simply requestDuration ca. 3 mins., 39 pages.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$9.99
Titan's Forge (Concert Band)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Joseph Hasper
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Titan's Forge
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Joseph Hasper
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.734884 Composed by Joseph Hasper. 20th Century,Contemporary. Score and parts. 123 pages. Joseph Hasper #4569581. Publis...
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Concert Band - Level 3 - SKU: A0.734884 Composed by Joseph Hasper. 20th Century,Contemporary. Score and parts. 123 pages. Joseph Hasper #4569581. Published by Joseph Hasper (A0.734884). A bold, modern piece for full concert band composed in 2018. 7'00 duration. Includes a full score and set of parts.In Greek mythology the Titans were a powerful race that ruled the world before the Olympians. They were immortal giants of incredible strength and knowledge. According to mythology, a generation of younger Titans (Zeus, Hades, Poseidon, Hora, Hestia and Demeter) rebelled against their elders (Cronus and his followers) in a 10-year war. In the piece we hear the clashing of giant hammers forging weapons for that war. We also hear echoes of the ancient gods, Uranus and Gaea, and finally the martial beat of the rebellious Titans marching into cataclysmic battle. Musically, this piece is based on three ideas. A dynamic theme of chaos and instability reflects the conflict between the two generations of Titans. A more serene and melodic tune, the second idea, reflects the ordered and serene rule of the older Titans. The third idea is that even small actions often have far-reaching implications. This is musically represented by solo instruments that create ripples and echoes throughout the band.
$39.00
A Mighty Fortress (Concert Band)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Jubal's Lyre Music
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Martin Dicke
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A Mighty Fortress
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Jubal's Lyre Music Publishers
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.918905 By Jubal's Lyre Music. By Johann Pachelbel and Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Christia...
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Concert Band - Level 3 - SKU: A0.918905 By Jubal's Lyre Music. By Johann Pachelbel and Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Christian,Classical,Contest,Festival,Sacred. Score and Parts. 65 pages. Jubal's Lyre Music Publishers #6567815. Published by Jubal's Lyre Music Publishers (A0.918905). Here is a compelling setting of Martin Luther’s hymn A Mighty Fortress Is Our God (EIN FESTE BURG) by Johann Pachelbel (1653-1750). Originally composed for organ, it has been arranged for Concert Band with optional keyboard. Two harmonizations of the isometric version of the hymn are also provided. The first is a standard harmonization found in many hymnals. The second is based on the concluding Chorale of Cantata 80 by Johann Sebastian Bach (1685-1750). Including the music of both Bach and Pachelbel, this arrangement serves as an excellent introduction to the music of the Baroque era and the contributions of great Lutheran composers. It also provides opportunities to discuss the time of the Reformation. For worship the arrangement can be played alone or it can be used to accompany congregational singing. The Full Score is formatted for legal-size paper (8.5x14) while the parts are formatted for letter-size paper (8.5x11). Additional arrangements are available for Brass, Woodwind Quintet, and Strings. For more music and information, visit www.jubalslyre.com/music.
$40.00
H.M.S. Pinafore, Overture
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Orchestre d'harmonie
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AVANCÉ
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Sir Arthur Seymour Sullivan
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Albert Schwarzmann
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H.M.S. Pinafore, Overture
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Edition Schwalbe
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1489661 Composed by Sir Arthur Seymour Sullivan. Arranged by Albert Schwarzmann. 19th Century,Opera,Romantic Period. 99...
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Concert Band - Level 5 - SKU: A0.1489661 Composed by Sir Arthur Seymour Sullivan. Arranged by Albert Schwarzmann. 19th Century,Opera,Romantic Period. 99 pages. Edition Schwalbe #1066533. Published by Edition Schwalbe (A0.1489661). H.M.S. Pinafore is an operetta in two acts with music by Arthur Sullivan. It was premiered on 25 May 1878 in London theatre Opera comique and had one of the highest performance rates of that time. The story is about love between people of different society classes on board of the British warship H.M.S. Pinafore and mocks so about the British class system. The arrangement of the overture is kept in the original key of the composition for symphony orchestra. Is was first time performed by Salzburg Wind Philharmonic conducted by Hansjoerg Angerer at their Three Kings' Concert on 6 January 2023 in the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria and broadcasted live by Austrian television. A live recording of this concert is available at https://www.salzburg-windphilharmonic.at/de/freunde-das-leben-ist-lebenswert/ or https://www.jpc.de/jpcng/classic/detail/-/art/freunde-das-leben-ist-lebenswert/hnum/11521748 .
$88.00
Concerto for Two Trumpets or Cornets and Wind Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Vivaldi
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Gordon Cherry
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Concerto for Two Trumpets or C
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Gordon Cherry
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.707837 Composed by Antonio Vivaldi. Arranged by Gordon Cherry. Baroque,Classical,Renaissance. Score and parts. 27 pages...
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Concert Band - Level 4 - SKU: A0.707837 Composed by Antonio Vivaldi. Arranged by Gordon Cherry. Baroque,Classical,Renaissance. Score and parts. 27 pages. Gordon Cherry #4726521. Published by Gordon Cherry (A0.707837). Newly transcribed for traditional brass band & 2 solo Eb soprano cornets in the key of Bb by Gordon Cherry, principal trombone of the Vancouver Symphony. The entire three movement Concerto features 2 dazzling Eb soprano cornet parts as soloists. Feature your two star cornetists as soloists in this exciting work. Parts are as follows: two solo Eb cornets, two Bb cornets, Eb alto horn or Bb flugelhorn, Bb treble clef trombone and/or baritone and/or Euphoniums, Bass clef trombone, Bb treble Eb bass tuba, BBb treble bass tuba & full score. This transcription is very tastefully done with detailed editing of phrasing and dynamics. This work is 10 minutes in length and requires advanced players on the solo parts and players between high intermediate and advanced on the accompaniment parts. Vivaldi's composition is magnificent and will be a favorite on your program.
$25.00
Rant and Rave - for Two Percussionists and Symphonic Band
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Orchestre d'harmonie
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AVANCÉ
#
Contemporain
#
Jason McChristian
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Rant and Rave - for Two Percus
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.886151 Composed by Jason McChristian. Contemporary. Score and parts. 144 pages. Jason Gary McChristian #4316991. Publis...
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Concert Band - Level 5 - SKU: A0.886151 Composed by Jason McChristian. Contemporary. Score and parts. 144 pages. Jason Gary McChristian #4316991. Published by Jason Gary McChristian (A0.886151). A raucous ride for two percussionists and symphonic band. This piece features a set of six roto-toms, a marimba, and a few other percussion instruments. This boisterous piece is sure to please audiences and players alike.
$60.00
Vivaldi Concerto for Two Trumpets
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio Vivaldi
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Arranged Steven Stanke
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Vivaldi Concerto for Two Trump
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Steven Stanke
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.985608 Composed by Antonio Vivaldi. Arranged by Arranged Steven Stanke. Baroque. Score and parts. 122 pages. Steven Sta...
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Concert Band - Level 4 - SKU: A0.985608 Composed by Antonio Vivaldi. Arranged by Arranged Steven Stanke. Baroque. Score and parts. 122 pages. Steven Stanke #6323503. Published by Steven Stanke (A0.985608). This sparkling concerto by Vivaldi is one of the few solo works of the early 1700s to feature brass instruments. Their rarity stems from the difficulties inherent in the Baroque trumpet which were, at that time, natural, or valveless. This arrangement requires two advanced soloists able to play in the upper register, to a high C.
$45.00
Rhapsody for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
July 16th, Clara noted in her
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock ...
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Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00
Harry Dacre - Daisy Bell (Bicycle Built for Two)
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Orchestre d'harmonie
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FACILE
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Contemporain
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Harry Dacre
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Dominic Weber
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Harry Dacre - Daisy Bell
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Dominic Weber
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.963034 Composed by Harry Dacre (1892). Arranged by Dominic Weber. 20th Century. Score and parts. 76 pages. Dominic Webe...
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Concert Band - Level 2 - SKU: A0.963034 Composed by Harry Dacre (1892). Arranged by Dominic Weber. 20th Century. Score and parts. 76 pages. Dominic Weber #6039577. Published by Dominic Weber (A0.963034). Originally composed by Harry Dacre in 1892 for Piano and Voice.Arranged for Concert Band by Dominic Weber.The PDF contains the Full Score and all Parts (including European Parts):Flutes 1 & 2OboeBassoonClarinets in Bb 1 & 2Bass ClarinetSoprano Saxophone (doubles Oboe)Alto Saxophones 1 & 2Tenor SaxophoneBaritone SaxophoneTrumpets in Bb 1, 2, 3Horns in F 1, 2, 3Trombones (B.C.) 1, 2, 3Euphonium in C (B.C.) and Bb (T.C.)Tuba in C (B.C.), Eb (T.C.) and Bb (T.C.)Double/String BassMallet Percussion (Glockenspiel)TimpaniDrum SetPercussion
$20.00
Arrival of the Queen of Sheba for Two Solo Instruments and Concert Band
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Orchestre d'harmonie
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Classique
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George Frideric Handel
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Keith Michael Davis
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Arrival of the Queen of Sheba
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Komodo Music
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SheetMusicPlus
Concert Band - SKU: A0.932830 Composed by George Frideric Handel. Arranged by Keith Michael Davis. Baroque. Score and parts. 78 pages. Komodo Music #659...
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Concert Band - SKU: A0.932830 Composed by George Frideric Handel. Arranged by Keith Michael Davis. Baroque. Score and parts. 78 pages. Komodo Music #6593353. Published by Komodo Music (A0.932830). A lively sinfonia from one of Handel's last oratorios, this excerpt from Solomon has established itself as standard fare for chamber orchestras and ensembles around the globe. With this arrangement, this Baroque classic is now available for your concert band, with an opportunity to feature your finest instrumentalists (in C or B-flat) in a prominent duet.
$60.00
Celebration Overture for Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Celebration Overture for Band
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Sy Brandon
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.755106 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 133 pages. Sy Brandon #3387903. Published by...
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Concert Band - Level 4 - SKU: A0.755106 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 133 pages. Sy Brandon #3387903. Published by Sy Brandon (A0.755106). This band transcription of Celebration Overture was composed for orchestra during August and September of 1995 in honor of WITF-FM’s 25th Anniversary. It was selected as the winning composition in WITF-FM’s Composition Competition from a field of over forty international entries and received its premiere by the Harrisburg Symphony Orchestra with Maestro Richard Westerfield conducting on April 23, 1996. Subsequent performances have been given by the York Symphony Orchestra, the Reading Symphony Orchestra, and several university orchestras. During March 1997, the overture was recorded by the Czech National Symphony Orchestra under the direction of Maestro Paul Freeman for release as part of CD series entitled Paul Freeman Introduces on the Albany Label in 1998. This six minute overture alternates sections of fanfare-like figures with sections of playful rhythms and counterpoint. The overall form consists of two main sections that contrast each other and a middle section that serves as a development of previously stated material. The composition is an economical one as its material is derived primarily from the opening brass fanfare and the woodwind counter melody. The modal melodic and harmonic material is interwoven with polyrhythm, imitation, counterpoint, and timbral changes to create a composition reflective of the excitement of this celebration. The score prints on legal size paper and the parts on letter.
$39.99
Money For Nothing
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Rock
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Dire Straits
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Mark Knopfler, Sting
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Lorenzo Bocci
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Money For Nothing
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1398158 By Dire Straits. By Mark Knopfler and Sting. Arranged by Lorenzo Bocci. Pop,Rock. 119 pages. Lorenzo Bocci #981...
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Concert Band - Level 3 - SKU: A0.1398158 By Dire Straits. By Mark Knopfler and Sting. Arranged by Lorenzo Bocci. Pop,Rock. 119 pages. Lorenzo Bocci #981451. Published by Lorenzo Bocci (A0.1398158). MONEY FOR NOTHING Performed by Dire Straitsfor Concert Band (with Fanfare Band parts) - Grade 3 -  Composed by Mark Knopfler, Sting. Arranged by Lorenzo Bocci. Pop/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. With Fanfare Band parts. Duration 6'00''. Published by Lorenzo Bocci.Create The Best of Dire Straits with:- Money For Nothing - Sultans Of Swing - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Walk Of Life - YouTube ScorePlay - Sheet Music Direct - Sheet Music PlusInstrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Cowbell, Tambourine), Electric Guitar, Keyboard.Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.Money for Nothing is a song by British rock band Dire Straits, being the second track on their fifth studio album, Brothers in Arms (1985). It was released as the album's second single on 28 June 1985 through Vertigo Records. The song features a guest appearance by Sting who sings the signature falsetto introduction, background vocals and a backing chorus of I want my MTV. The groundbreaking video was the first to be aired on MTV Europe when the network launched on 1 August 1987. It was Dire Straits' most commercially successful single, peaking at number 1 for three weeks on both the US Billboard Hot 100 and Top Rock Tracks chart and number 4 in the band's native UK. In July 1985, the month following its release, Dire Straits and Sting performed the song at Live Aid. At the 28th Annual Grammy Awards in 1986, Money for Nothing won Best Rock Performance by a Duo or Group with Vocal and was nominated for Record of the Year and Song of the Year as well. At the 1986 MTV Video Music Awards, the music video received 11 nominations, winning Video of the Year and Best Group Video. Subscribe to my YouTube Channel to stay updated on new releases.
$89.00
Coventry Carol for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Noël
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Anon
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Robert Luke Thompson
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Coventry Carol for Concert Ban
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Monkspath Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.979775 Composed by Anon. Arranged by Robert Luke Thompson. Christmas,Contemporary,Holiday,Renaissance,Traditional. Scor...
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Concert Band - Level 3 - SKU: A0.979775 Composed by Anon. Arranged by Robert Luke Thompson. Christmas,Contemporary,Holiday,Renaissance,Traditional. Score and Parts. 38 pages. Monkspath Music #6098173. Published by Monkspath Music (A0.979775). The Coventry Carol originates from a medieval mystery play entitled The Pageant of the Shearmen and Tailors. The play depicts the Christmas story, from the Annunciation (where the Angel Gabriel appears to Mary), to the Massacre of the Innocents (where King Herod of Judea orders the death of all male infants near Bethlehem under the age of two). It is this tale that the Coventry Carol depicts, taking the form of a lullaby sung by the mothers of the murdered children. As is appropriate, the music is in a minor key – this arrangement uses G minor and D minor as a homage to well-known harmonisations by Thomas Sharp and Henry Walford Davies. It is unknown when the words were first set to music, but a proposed date is 1591, or earlier! Other interesting musical features include the use of a ‘Picardy third’, and ‘false relations’, contributing to the haunting quality of this enduring piece, both in the heart of the English Midlands, and further afield. This arrangement is suitable for all bands of beginner-intermediate ability or higher. There is plenty of interest for both experienced players, and for newcomers. The instrumentation is designed to facilitate both a full sound, but also for flexibility, which is often desired by school, youth, and amateur wind bands / concert bands / wind orchestras.
$39.99
Sousa Times Twosa: (wp) 1st B-flat Trombone B.C.
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Orchestre d'harmonie
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Methodes
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Michael Story and Robert W
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Sousa Times Twosa:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0000858_WPTN1BC (wp) 1st B-flat Trombone B.C.. Arranged by Michael Story and Robert W. Smith. Instructional. World P...
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Concert Band - SKU: AX.00-PC-0000858_WPTN1BC (wp) 1st B-flat Trombone B.C.. Arranged by Michael Story and Robert W. Smith. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000858_wpTN1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000858_WPTN1BC). UPC: 038081282619.Sousa's contribution to the band literature is unparalleled. The main themes from The High School Cadets and The Thunderer have been carefully prepared by Robert W. Smith and Michael Story for your beginners at the end of their first year. Although scored to compliment the end of Band Expressionsa,,C/ Book One, this march-duo would work well with any beginning class on their concluding program. A worthy teaching and performance choice. This title is available in SmartMusic.Concert/Contest.
$3.00
Sousa Times Twosa: (wp) 1st Horn in E-flat
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Orchestre d'harmonie
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Methodes
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Michael Story and Robert W
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Sousa Times Twosa:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0000858_WPEH1 (wp) 1st Horn in E-flat. Arranged by Michael Story and Robert W. Smith. Instructional. World Part. 1 p...
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Concert Band - SKU: AX.00-PC-0000858_WPEH1 (wp) 1st Horn in E-flat. Arranged by Michael Story and Robert W. Smith. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000858_wpEH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000858_WPEH1). UPC: 038081282619.Sousa's contribution to the band literature is unparalleled. The main themes from The High School Cadets and The Thunderer have been carefully prepared by Robert W. Smith and Michael Story for your beginners at the end of their first year. Although scored to compliment the end of Band Expressionsa,,C/ Book One, this march-duo would work well with any beginning class on their concluding program. A worthy teaching and performance choice. This title is available in SmartMusic.Concert/Contest.
$3.00
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Two-For-Two