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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Was Renaissance
Non classifié
346
Piano & claviers
Piano, Voix
108
Piano seul
33
Piano Facile
14
Piano, Voix et Guitare
11
Orgue
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Instruments en Do
1
Accompagnement Piano
1
2 Pianos, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Mandoline
102
Guitare
32
Ukulele
21
Guitare notes et tablatures
9
4 Guitares (Quatuor)
3
2 Guitares (duo)
3
3 Guitares (trio)
2
Mandoline, Guitare (duo)
1
Banjo
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
62
Chorale 3 parties
17
Chorale 2 parties
16
Voix duo, Piano
5
Chorale Unison
5
Chorale TTBB
4
Chorale SSAATTBB
2
Voix duo
2
Voix Alto, Piano
1
Chorale SSAA
1
Chorale
1
Voix Baryton, Piano
1
Voix haute
1
Chorale SSATBB
1
Voix Soprano, Piano
1
Voix basse
1
+ 11 instrumentations
Retracter
Vents
Flûte à bec Soprano
89
Flûte à bec Alto
45
Ocarina
38
Quatuor de Clarinettes: 4 clarinettes
32
Ensemble De Flûte à bec
24
Quatuor de Saxophones: 4 saxophones
22
Flûte, Hautbois, Clarinette, Basson
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Ensemble de Clarinettes
21
2 Saxophones (duo)
18
Quatuor de Flûtes à bec
18
Ensemble de Flûtes
16
Quatuor de Flûtes : 4 flûtes
15
Clarinette et Piano
13
3 Saxophones (trio)
11
Flûte traversière et Piano
11
Flûte et Guitare
10
2 Flûtes traversières (duo)
9
Quintette de Saxophone: 5 saxophones
9
Clarinette, Guitare (duo)
8
Saxophone Alto et Piano
8
Hautbois, Piano (duo)
8
Saxophone Tenor et Piano
6
3 Clarinettes (trio)
6
Trio de Flûtes: 3 flûtes
5
Quintette de Flûte : 5 flûtes
5
Ensemble de saxophones
5
Cor anglais, Piano
5
2 Clarinettes (duo)
4
2 Flûte à bec (duo)
4
Cor anglais, Guitare (duo)
4
Quintette de Clarinettes: 5 clarinettes
3
Saxophone et Guitare
3
Saxophone Baryton, Piano
3
Clarinette
2
3 Flûtes à bec (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Basson (duo)
2
Saxophone Soprano et Piano
2
Flute, harpe et violon
1
Flûte à Bec
1
2 Hautbois (duo)
1
Flûte, Clarinette (duo)
1
Ensemble de Hautbois
1
Flûte à bec Alto, Piano
1
Hautbois, Guitare (duo)
1
Hautbois, Flûte
1
Flute (partie séparée)
1
Hautbois, Violoncelle
1
Hautbois, Basson (duo)
1
Flûte, Hautbois (duo)
1
Saxophone Alto
1
Hautbois (partie séparée)
1
Clarinette, Violoncelle (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Tenor
1
Flûte traversière
1
+ 52 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
66
Quatuor de Cuivres : 2 trompettes, trombone, tuba
24
Ensemble de Trombones
13
Trombone et Piano
11
Quatuor de Cuivres
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Quatuor de cuivres: 4 trombones
7
Ensemble de Trompettes
7
Trompette, Trombone (duo)
6
Tuba et Piano
5
Trompette
5
Cor anglais, Piano
5
Trompette, Piano
4
Quatuor de cuivres: 4 cors
4
Cor anglais, Guitare (duo)
4
2 Trompettes (duo)
3
2 Trombones (duo)
3
3 Trombones (trio)
3
Ensemble de Cors
2
Trombone
2
Quatuor de cuivres: 4 trompettes
2
Trio de Cuivres
2
Cor et Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Cor
1
2 Euphoniums et 2 Tubas
1
2 Tubas (duo)
1
2 Cors (duo)
1
Euphonium
1
Tuba et Orgue
1
4 Tubas
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
67
Violon et Piano
13
Alto, Piano
11
Violoncelle, Piano
10
Trio à Cordes: violon, alto, violoncelle
10
2 Violons (duo)
7
Violoncelle
6
2 Violoncelles (duo)
6
2 Harpes (duo)
6
Violon, Violoncelle (duo)
6
Alto, Violoncelle (duo)
5
4 Violoncelles
4
Violoncelle , Guitare (duo)
4
Violon
4
Violon, Alto (duo)
4
Trio à cordes: 3 altos
3
Trio à Cordes: 3 violoncelles
3
Alto, Guitare (duo)
3
2 Altos (duo)
3
Harpe
3
Quatuor à cordes : 4 altos
3
Quatuor à cordes: 4 violons
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à cordes: 3 violins
2
Violon, Guitare (duo)
2
Ensemble d'Altos
1
Contrebasse, Piano (duo)
1
Ensemble de Violons
1
Alto seul
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
53
Orchestre d'harmonie
51
Ensemble de cuivres
47
Orchestre
4
Orchestre de chambre
3
Ensemble Jazz
3
Marimba
2
Fanfare
2
Xylophone
1
+ 4 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
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Was Renaissance
Orchestre d'harmonie
Partitions à imprimer
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As Vesta Was From Latmos Hill Descending
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.980052 Composed by Thomas Weelkes…
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Concert Band - Level 3 - Digital Download SKU: A0.980052 Composed by Thomas Weelkes. Arranged by Kyle Skrivanek. Classical,Contest,Festival,Instructional,Renaissance. Score and parts. 73 pages. Kyle Skrivanek #2890997. Published by Kyle Skrivanek (A0.980052). As Vesta Was From Latmos Hill Descending tells the story of the Roman Goddess Vesta descending from a mythical hill and encountering the maiden queen, Oriana, ascending. The English composer and organist Thomas Weelkes composed this madrigal as part of a series of madrigals honoring Queen Elizabeth I known as The Triumphes of Oriana (Queen Elizabeth I was often called Oriana). Weelkes employed the technique of word painting in his composition and I maintained as much as possible in this arrangement for concert band. This arrangement is playable by advanced middle school and high school ensembles.
$40.00
36.71 €
#
Orchestre d'harmonie
#
Thomas Weelkes
#
Kyle Skrivanek
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As Vesta Was From Latmos Hill Descending
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Kyle Skrivanek
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabri…
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44 €
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Orchestre d'harmonie
#
Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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jmsgu3
#
SheetMusicPlus
Jan Pieterszoon Sweelinck/Paul Wehage - Variations on "Mein Juges Leben hat ein ende- arranged for
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.532704 Composed by Jan Pieterszoo…
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Concert Band - Level 4 - Digital Download SKU: A0.532704 Composed by Jan Pieterszoon Sweelinck. Arranged by Paul Wehage. Instructional,Renaissance,Standards. Score and parts. 20 pages. Musik Fabrik Music Publishing #1769. Published by Musik Fabrik Music Publishing (A0.532704). Jan Pieterszoon Sweelinck Deventer, April or May, 1562 – Amsterdam, 16 October 1621) was a Dutch composer, organist, and pedagogue whose work straddled the end of the Renaissance and beginning of the Baroque eras. He was among the first major keyboard composers of Europe, and his work as a teacher helped establish the north German organ tradition. This arrangement for concert band has long been in the repertoire of the Orchestre d'Harmonie de Clichy. It is scored for Pic2fl2ob ClarI/II/II Bs Cl 2bsn 2sxA 1SxT 1SxB/2hrn2tpt/tbn/euph/tuba/timp/3perc This file is the score only. There is another with the score plus the performance parts and also the individual parts are for sale.
$22.05
20.23 €
#
Orchestre d'harmonie
#
Jan Pieterszoon Sweelinck
#
Paul Wehage
#
Jan Pieterszoon Sweelinck/Paul Wehage - Variations on "Mein Juges Leben hat ein ende- arranged for
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Jan Pieterszoon Sweelinck/Paul Wehage - Variations on "Mein Juges Leben hat ein ende- arranged for
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.532705 Composed by Jan Pieterszoo…
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Concert Band - Level 4 - Digital Download SKU: A0.532705 Composed by Jan Pieterszoon Sweelinck. Arranged by Paul Wehage. Instructional,Renaissance,Standards. Score and parts. 91 pages. Musik Fabrik Music Publishing #1771. Published by Musik Fabrik Music Publishing (A0.532705). Jan Pieterszoon Sweelinck (/ˈjÉ‘Ën ˈpiËtÉ™rsoÊŠn ˈsweɪlɪŋk/;[1] Deventer, April or May, 1562 – Amsterdam, 16 October 1621) was a Dutch composer, organist, and pedagogue whose work straddled the end of the Renaissance and beginning of the Baroque eras. He was among the first major keyboard composers of Europe, and his work as a teacher helped establish the north German organ tradition. This arrangement for concert band has long been in the repertoire of the Orchestre d'Harmonie de Clichy. It is scored for Pic2fl2ob ClarI/II/II Bs Cl 2bsn 2sxA 1SxT 1SxB/2hrn2tpt/tbn/euph/tuba/timp/3perc This file is the score plus all of the parts. There is another with the score only and the individual parts are for sale.
$65.00
59.65 €
#
Orchestre d'harmonie
#
Jan Pieterszoon Sweelinck
#
Paul Wehage
#
Jan Pieterszoon Sweelinck/Paul Wehage - Variations on "Mein Juges Leben hat ein ende- arranged for
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Jig
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1225768 Composed by William Byrd …
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Concert Band - Level 4 - Digital Download SKU: A0.1225768 Composed by William Byrd (1543-1623). Arranged by David Watson. Renaissance. Score and Parts. 41 pages. David E. Watson #821821. Published by David E. Watson (A0.1225768). William Byrd's Jig While composed in the time of William Shakespeare was first published in1899 in a collection of Renaissance music.Typically Renaissance there is a lot of counter motion in the various parts.
$15.00
13.77 €
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Orchestre d'harmonie
#
William Byrd
#
David Watson
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Jig
#
David E. Watson
#
SheetMusicPlus
Lo, How a Rose E'er Blooming (Grade 2.5 Edition)
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1307008 Composed by 15th Century …
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Concert Band - Level 2 - Digital Download SKU: A0.1307008 Composed by 15th Century German Carol. Arranged by Christopher Durigg. Christmas,Classical,Contemporary,Renaissance,Romantic Period. Score and Parts. 64 pages. Christopher Durigg #896321. Published by Christopher Durigg (A0.1307008). PRODUCT INFORMATIONNOTE: This edition has narrower instrument ranges and fewer technical requirements more suitable for Grade 2.5 players. A grade 3 edition with wider instrument ranges and more technical requirements is also available. Both editions also include some flexiblilty with instrumentation.PUBLISHER: C. DURIGG MUSICPUBLISHER WEBSITE: www.cdurigg.com VISIT FOR AN AUDIO SAMPLE RECORDING AND VIRTUAL SCORE: www.cdurigg.com/cdb006C. DURIGG MUSIC ID FOR THIS PIECE: CDB-006GRADE LEVEL: SOARING BAND SERIES (Grade 2.5)OTHER ASSOCIATED SERIES: LIMITED OR FULL BAND SERIESWHAT IS THE LIMITED OR FULL BAND SERIES FROM C.DURIGG MUSIC?Do you have intermediate or advanced performers in a very small band program? Are your performers ready for more intermediate or advanced band repertoire, yet the band’s limited instrumentation holds them back?My Limited or Full series is geared toward the success of small bands with limited instrumentation. These pieces aim at giving small bands more advanced music within the framework of a young band arrangement. If you like the music, these pieces also sound great with a larger full instrumentation.PRODUCT DESCRIPTION:Lo, How A Rose E’er Blooming (originally known as Es ist din Ros entsprungen) is a German Christmas Carol and Marian hymn in mixed meter. First sung in the 15th Century and first published int he 16th Century, this hymn is still popular in the 21st Century. In multiple different contexts, the hymn compares the beauty of Christmas to that of a lovely rose. The most common harmonization to this melody was composted by Michael Praetorius in 1609, and the original part-writing contains elements of the Renaissance madrigal. Although this band arrangement is rescored with different part-writing, it pays some homage to the musical traditions employed in the original carol. This theme and variations is a mixture of four different scoring methods: modern Christmas Carol; gently-applied lyrical contemporary; Renaissance imitation; and a bombastic, Romantic orchestral finish. This piece features multiple subtle musical sensibilities and a gentle introduction into the world of mixed meter. I sincerely hope you enjoy this arrangement!
$35.00
32.12 €
#
Orchestre d'harmonie
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15th Century German Carol
#
Christopher Durigg
#
Lo, How a Rose E'er Blooming
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Christopher Durigg
#
SheetMusicPlus
Lo, How a Rose E'er Blooming (Grade 3 Edition)
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1307004 Composed by 15th Century …
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Concert Band - Level 3 - Digital Download SKU: A0.1307004 Composed by 15th Century German Carol. Arranged by Christopher Durigg. Christmas,Classical,Contemporary,Renaissance,Romantic Period. Score and Parts. 64 pages. Christopher Durigg #896315. Published by Christopher Durigg (A0.1307004). PRODUCT INFORMATIONNOTE: This edition has wider instrument ranges and technical requirements more suitable for Grade 3 players. A grade 2.5 edition with narrower instrument ranges and less technical requirements is also available. This edition also includes some flexible range choices to support players at different levels. Both arrangements are somewhat flexible with instrumentation.PUBLISHER: C. DURIGG MUSICPUBLISHER WEBSITE: www.cdurigg.com VISIT FOR AN AUDIO SAMPLE RECORDING AND VIRTUAL SCORE: www.cdurigg.com/cdb006g3 C. DURIGG MUSIC ID FOR THIS PIECE: CDB-006G3GRADE LEVEL: CENTRAL BAND SERIES (Grade 3)OTHER ASSOCIATED SERIES: LIMITED OR FULL BAND SERIESWHAT IS THE LIMITED OR FULL BAND SERIES FROM C.DURIGG MUSIC?Do you have intermediate or advanced performers in a very small band program? Are your performers ready for more intermediate or advanced band repertoire, yet the band’s limited instrumentation holds them back?My Limited or Full series is geared toward the success of small bands with limited instrumentation. These pieces aim at giving small bands more advanced music within the framework of a young band arrangement. If you like the music, these pieces also sound great with a larger full instrumentation.PRODUCT DESCRIPTION:Lo, How A Rose E’er Blooming (originally known as Es ist din Ros entsprungen) is a German Christmas Carol and Marian hymn in mixed meter. First sung in the 15th Century and first published int he 16th Century, this hymn is still popular in the 21st Century. In multiple different contexts, the hymn compares the beauty of Christmas to that of a lovely rose. The most common harmonization to this melody was composted by Michael Praetorius in 1609, and the original part-writing contains elements of the Renaissance madrigal. Although this band arrangement is rescored with different part-writing, it pays some homage to the musical traditions employed in the original carol. This theme and variations is a mixture of four different scoring methods: modern Christmas Carol; gently-applied lyrical contemporary; Renaissance imitation; and a bombastic, Romantic orchestral finish. This piece features multiple subtle musical sensibilities and a gentle introduction into the world of mixed meter. I sincerely hope you enjoy this arrangement!
$40.00
36.71 €
#
Orchestre d'harmonie
#
15th Century German Carol
#
Christopher Durigg
#
Lo, How a Rose E'er Blooming
#
Christopher Durigg
#
SheetMusicPlus
Pavane d'Arbeau - for Flexband or Ensemble
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.779834 Composed by Thoinot Arbeau…
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Concert Band - Level 2 - Digital Download SKU: A0.779834 Composed by Thoinot Arbeau. Arranged by Alexandre CARLIN. Renaissance. Score and parts. 29 pages. Alexandre CARLIN #5359925. Published by Alexandre CARLIN (A0.779834). The Pavane is a slow processional dance common in Europe during the 16th century (Renaissance). Thoinot Arbeau was a french composer from the 16th century.This arrangement for flexband can be a good opportunity for students to learn how to play in common cut time.8 pages Score, 17 pages Parts . Duration 1:40.All parts provided.Check my other works for band :Original works S0.113817 - Petite RhapsodieArrangements of major orchestral worksS0.729699 - Allegretto from symphony No.7 (Beethoven)S0.654713 - Hungarian Dance No.3 (Brahms)S0.654699 - Hungarian Dance No.11 (Brahms)S0.659581 - Funeral March of a Marionette (Gounod)S0.631535 - Angelus (Massenet)Parade MarchesS0.595771 - Pile ou Face (Heads of Tails)S0.595719 - Funny March'S0.594563 - Easy ParadeAnd more to come ...My publisher's pagehttps://www.sheetmusicplus.com/publishers/alexandre-carlin/3119My YouTube Channelhttps://www.youtube.com/channel/UC3BrFxLrQ4usgnIGGx6xXEQPlease like, share and subscribe for more works for Concert Band.www.alexandrecarlin.com
$9.95
9.13 €
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Orchestre d'harmonie
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Thoinot Arbeau
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Alexandre CARLIN
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Pavane d'Arbeau - for Flexband or Ensemble
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Alexandre CARLIN
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SheetMusicPlus
Moro Lasso
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.980056 Composed by Carlo Gesualdo…
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Concert Band - Level 4 - Digital Download SKU: A0.980056 Composed by Carlo Gesualdo da Venosa. Arranged by Kyle Skrivanek. Classical,Contest,Festival,Instructional,Renaissance. Score and parts. 38 pages. Kyle Skrivanek #2891019. Published by Kyle Skrivanek (A0.980056). Moro Lasso is a prime example of the advanced chromaticism employed by the late Italian Renaissance composer, Carlo Gesualdo. Gesualdo, a prince of Venosa, is infamously remembered for murdering his first wife and her lover. However, his legacy to the world of music is undeniable. His six books of madrigals employ harmonies which the world would not witness again until Wagner, some 200 years later. During the later part of his life it was rumored Gesualdo suffered from a deep depression, perhaps from guilt. This is reflected in the first line of this madrigal which translates to, I am dying, wretched, in my grief. This arrangement maintains all of the original material with some repetition for length and musical effect. It is playable by high school level bands.
$40.00
36.71 €
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Orchestre d'harmonie
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Carlo Gesualdo da Venosa
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Kyle Skrivanek
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Moro Lasso
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Kyle Skrivanek
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44 €
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Orchestre d'harmonie
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
44 €
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Orchestre d'harmonie
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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jmsgu3
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SheetMusicPlus
The Oak
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1407735 Composed by Florence Beat…
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Concert Band - Level 4 - Digital Download SKU: A0.1407735 Composed by Florence Beatrice Price. Arranged by Steven Nunes. 21st Century,Romantic Period. 183 pages. Nagamon Publications #990351. Published by Nagamon Publications (A0.1407735). Florence Price(b Little Rock, AR, 9 April 1887; d Chicago, IL, 3 June 1953) was the first African American woman to win widespread recognition as a symphonic composer, rising to prominence (with William Grant Still and William Dawson) in the 1930s. After early training with her mother she studied composition at the New England Conservatory in Boston with Wallace Goodrich and Frederick Shepherd Converse (1903–6) and privately with George Whitefield Chadwick. She gained an Artist’s Diploma (organ) and a piano teacher’s diploma.  In her large-scale works Price’s musical language is often conservative, in keeping with the Romantic nationalist style of the 1920s–40s, but it also reflects the influence of her cultural heritage and the ideals of the “Harlem renaissance†of the 1920s–30s. To her art songs and piano music she brought a thorough knowledge of instrumental and vocal writing, colorful harmonies and exotic modulations.The Oak from 1943 was originally written for orchestra and has been transcribed for concert band. The PDF contains the full score and full set of parts.
$70.00
64.24 €
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Orchestre d'harmonie
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Florence Beatrice Price
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Steven Nunes
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The Oak
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Nagamon Publications
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SheetMusicPlus
Golden Helmet Of Cortez
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.870372 Composed by Randy A. Stein…
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Concert Band - Level 3 - Digital Download SKU: A0.870372 Composed by Randy A. Steinberg. Contemporary,Latin. Score and parts. 156 pages. Randy A. Steinberg #1885815. Published by Randy A. Steinberg (A0.870372). Born in 1485, Hernando Cortez was a Spanish adventurer rewarded for his courage and skills in battle. In the spring of 1519 with 11 ships and 700 men, he landed on the newly discovered gulf coast of Mexico looking for gold that was rumored to be found there. To ensure that none of his men deserted him, he burned all except one of his fleet of ships. He quickly conquered the Aztec empire and its emperor Montezuma. There, he eventually killed Montezuma and seized the gold and treasure that had belonged to the Aztecs for centuries. By the end of 1520, he had won Mexico for Spain and put it under Spanish rule. As a reward, King Charles V of Spain made him governor and captain general of Mexico. He died in Seville, Spain in 1536. Although Cortez’ aims were for conquest and gold – many which resulted in suffering and misery for the Aztecs, there were interesting cultural side effects as Spain ruled Mexico. Ancient Indian folk tunes and ceremonial music were suddenly intermixed with the higher culture of the baroque and renaissance music from Spain. Much of what we now know of today in the way of Latin styles of music owes its roots to the invasion of Cortez and culture changes he inadvertently brought with him. The Golden Helmet Of Cortez musically commemorates the story of Cortez as he landed in Mexico on that spring day in 1519. The piece is a compilation of many Latin and Mexican musical styles. Some of these are light in style, others evoke the battles that took place. These are all brought together in an exciting programmatic style to be enjoyed by all. 2016 Arrangement New Release.
$24.99
22.93 €
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Orchestre d'harmonie
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the end of 1520, he had won Mexico for Spain and put it under Spanish rule
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Randy A
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Golden Helmet Of Cortez
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Randy A. Steinberg
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SheetMusicPlus
Ah, Dolente Partita
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.980053 Composed by Antonio Artusi…
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Concert Band - Level 3 - Digital Download SKU: A0.980053 Composed by Antonio Artusini. Arranged by Kyle Skrivanek. Classical,Contest,Festival,Instructional,Renaissance. Score and parts. 35 pages. Kyle Skrivanek #2890995. Published by Kyle Skrivanek (A0.980053). Ah, Dolente Partita was a setting of the text by the same name by Giovanni Battista Guarini. The composer, Antonio Artusini was also a lawyer, poet, and orator. He is known to have written only one set of madrigals in 1598, which this work comes from. This version for modern concert band maintains all of the original material with some parts repeated for length and musical effect. It is playable by middle school and high school bands.
$35.00
32.12 €
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Orchestre d'harmonie
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Antonio Artusini
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Kyle Skrivanek
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Ah, Dolente Partita
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Kyle Skrivanek
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SheetMusicPlus
Aria Della Battaglia: (wp) 14 in Eb
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001517_WP14EB (wp) 14 in Eb. …
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Concert Band - Digital Download SKU: AX.00-PC-0001517_WP14EB (wp) 14 in Eb. Arranged by Mark Davis Scatterday. Instructional. World Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0001517_wp14Eb. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001517_WP14EB). UPC: 038081330044.The current edition of Gabrieli's Aria Della Battaglia was transcribed for the modern orchestra wind section from the Canto Dialoghi Musicali de Diversi Eccelentissimi Autori: Venice 1590. The work is subtitled per sonare d'instrumenti da fiato (to be played by wind instruments) and is one in a long line of such descriptive works dating from the sixteenth century with no instrumental designation whatsoever. The popularity of this genre, however, did not fade with the close of the Renaissance. Rather, a rich development continued into the nineteenth century with Beethoven's Wellington's Victory, the so-called Battle Symphony, being a latter-day example.
$3.00
2.75 €
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Orchestre d'harmonie
#
Mark Davis Scatterday
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Aria Della Battaglia:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Iberian Escapades: (wp) E-flat Contrabass Clarinet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001814_WPECBC (wp) E-flat Contrab…
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Concert Band - Digital Download SKU: AX.00-PC-0001814_WPECBC (wp) E-flat Contrabass Clarinet. Composed by Robert Sheldon. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001814_wpECBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001814_WPECBC). UPC: 038081336008.Written for the Boca Raton Middle School Band in Florida, Iberian Escapades was inspired by the resort architecture of Addison Mizner, whose Mediterranean-style estates launched a Florida Renaissance and inspired architects across North America. Mizner identified each of his Boca Raton villas with Spanish names, three of which are captured in this musical collage: El Mirasol (it watches the sun) is a fanciful Flamenco-style opening; El Solano (the east wind) presents exotic colors and romantic themes; and La Guerida (the bounty of war) ends the piece with an aggressive and energetic statement.Concert/Contest.
$3.00
2.75 €
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Orchestre d'harmonie
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Robert Sheldon
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Iberian Escapades:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Aria Della Battaglia: (wp) 16 in Bb Bass Clef
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001517_WP16BBBC (wp) 16 in Bb Bas…
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Concert Band - Digital Download SKU: AX.00-PC-0001517_WP16BBBC (wp) 16 in Bb Bass Clef. Arranged by Mark Davis Scatterday. Instructional. World Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0001517_wp16BbBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001517_WP16BBBC). UPC: 038081330044.The current edition of Gabrieli's Aria Della Battaglia was transcribed for the modern orchestra wind section from the Canto Dialoghi Musicali de Diversi Eccelentissimi Autori: Venice 1590. The work is subtitled per sonare d'instrumenti da fiato (to be played by wind instruments) and is one in a long line of such descriptive works dating from the sixteenth century with no instrumental designation whatsoever. The popularity of this genre, however, did not fade with the close of the Renaissance. Rather, a rich development continued into the nineteenth century with Beethoven's Wellington's Victory, the so-called Battle Symphony, being a latter-day example.
$3.00
2.75 €
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Orchestre d'harmonie
#
Mark Davis Scatterday
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Aria Della Battaglia:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Aria Della Battaglia: (wp) 8 in Bb Bass Clef
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001517_WP8BBBC (wp) 8 in Bb Bass …
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Concert Band - Digital Download SKU: AX.00-PC-0001517_WP8BBBC (wp) 8 in Bb Bass Clef. Arranged by Mark Davis Scatterday. Instructional. World Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0001517_wp8BbBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001517_WP8BBBC). UPC: 038081330044.The current edition of Gabrieli's Aria Della Battaglia was transcribed for the modern orchestra wind section from the Canto Dialoghi Musicali de Diversi Eccelentissimi Autori: Venice 1590. The work is subtitled per sonare d'instrumenti da fiato (to be played by wind instruments) and is one in a long line of such descriptive works dating from the sixteenth century with no instrumental designation whatsoever. The popularity of this genre, however, did not fade with the close of the Renaissance. Rather, a rich development continued into the nineteenth century with Beethoven's Wellington's Victory, the so-called Battle Symphony, being a latter-day example.
$3.00
2.75 €
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Orchestre d'harmonie
#
Mark Davis Scatterday
#
Aria Della Battaglia:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Iberian Escapades: (wp) 3rd B-flat Trombone B.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001814_WPTN3BC (wp) 3rd B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0001814_WPTN3BC (wp) 3rd B-flat Trombone B.C.. Composed by Robert Sheldon. Instructional. World Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0001814_wpTN3BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001814_WPTN3BC). UPC: 038081336008.Written for the Boca Raton Middle School Band in Florida, Iberian Escapades was inspired by the resort architecture of Addison Mizner, whose Mediterranean-style estates launched a Florida Renaissance and inspired architects across North America. Mizner identified each of his Boca Raton villas with Spanish names, three of which are captured in this musical collage: El Mirasol (it watches the sun) is a fanciful Flamenco-style opening; El Solano (the east wind) presents exotic colors and romantic themes; and La Guerida (the bounty of war) ends the piece with an aggressive and energetic statement.Concert/Contest.
$3.00
2.75 €
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Orchestre d'harmonie
#
Robert Sheldon
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Iberian Escapades:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Iberian Escapades: (wp) Baritone T.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001814_WPBTC1 (wp) Baritone T.C.
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Concert Band - Digital Download SKU: AX.00-PC-0001814_WPBTC1 (wp) Baritone T.C.. Composed by Robert Sheldon. Instructional. World Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0001814_wpBTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001814_WPBTC1). UPC: 038081336008.Written for the Boca Raton Middle School Band in Florida, Iberian Escapades was inspired by the resort architecture of Addison Mizner, whose Mediterranean-style estates launched a Florida Renaissance and inspired architects across North America. Mizner identified each of his Boca Raton villas with Spanish names, three of which are captured in this musical collage: El Mirasol (it watches the sun) is a fanciful Flamenco-style opening; El Solano (the east wind) presents exotic colors and romantic themes; and La Guerida (the bounty of war) ends the piece with an aggressive and energetic statement.Concert/Contest.
$3.00
2.75 €
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Orchestre d'harmonie
#
Robert Sheldon
#
Iberian Escapades:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Iberian Escapades: (wp) B-flat Baritone B.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001814_WPBBBC (wp) B-flat Bariton…
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Concert Band - Digital Download SKU: AX.00-PC-0001814_WPBBBC (wp) B-flat Baritone B.C.. Composed by Robert Sheldon. Instructional. World Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0001814_wpBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001814_WPBBBC). UPC: 038081336008.Written for the Boca Raton Middle School Band in Florida, Iberian Escapades was inspired by the resort architecture of Addison Mizner, whose Mediterranean-style estates launched a Florida Renaissance and inspired architects across North America. Mizner identified each of his Boca Raton villas with Spanish names, three of which are captured in this musical collage: El Mirasol (it watches the sun) is a fanciful Flamenco-style opening; El Solano (the east wind) presents exotic colors and romantic themes; and La Guerida (the bounty of war) ends the piece with an aggressive and energetic statement.Concert/Contest.
$3.00
2.75 €
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Orchestre d'harmonie
#
Robert Sheldon
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Iberian Escapades:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Aria Della Battaglia: (wp) 7 in Bb Bass Clef
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001517_WP7BBBC (wp) 7 in Bb Bass …
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Concert Band - Digital Download SKU: AX.00-PC-0001517_WP7BBBC (wp) 7 in Bb Bass Clef. Arranged by Mark Davis Scatterday. Instructional. World Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0001517_wp7BbBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001517_WP7BBBC). UPC: 038081330044.The current edition of Gabrieli's Aria Della Battaglia was transcribed for the modern orchestra wind section from the Canto Dialoghi Musicali de Diversi Eccelentissimi Autori: Venice 1590. The work is subtitled per sonare d'instrumenti da fiato (to be played by wind instruments) and is one in a long line of such descriptive works dating from the sixteenth century with no instrumental designation whatsoever. The popularity of this genre, however, did not fade with the close of the Renaissance. Rather, a rich development continued into the nineteenth century with Beethoven's Wellington's Victory, the so-called Battle Symphony, being a latter-day example.
$3.00
2.75 €
#
Orchestre d'harmonie
#
Mark Davis Scatterday
#
Aria Della Battaglia:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Aria Della Battaglia: (wp) 12 in Bb Bass Clef
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001517_WP12BBBC (wp) 12 in Bb Bas…
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Concert Band - Digital Download SKU: AX.00-PC-0001517_WP12BBBC (wp) 12 in Bb Bass Clef. Arranged by Mark Davis Scatterday. Instructional. World Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0001517_wp12BbBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001517_WP12BBBC). UPC: 038081330044.The current edition of Gabrieli's Aria Della Battaglia was transcribed for the modern orchestra wind section from the Canto Dialoghi Musicali de Diversi Eccelentissimi Autori: Venice 1590. The work is subtitled per sonare d'instrumenti da fiato (to be played by wind instruments) and is one in a long line of such descriptive works dating from the sixteenth century with no instrumental designation whatsoever. The popularity of this genre, however, did not fade with the close of the Renaissance. Rather, a rich development continued into the nineteenth century with Beethoven's Wellington's Victory, the so-called Battle Symphony, being a latter-day example.
$3.00
2.75 €
#
Orchestre d'harmonie
#
Mark Davis Scatterday
#
Aria Della Battaglia:
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Aria Della Battaglia: (wp) 5 in Eb
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001517_WP5EB (wp) 5 in Eb. Ar…
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Concert Band - Digital Download SKU: AX.00-PC-0001517_WP5EB (wp) 5 in Eb. Arranged by Mark Davis Scatterday. Instructional. World Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0001517_wp5Eb. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001517_WP5EB). UPC: 038081330044.The current edition of Gabrieli's Aria Della Battaglia was transcribed for the modern orchestra wind section from the Canto Dialoghi Musicali de Diversi Eccelentissimi Autori: Venice 1590. The work is subtitled per sonare d'instrumenti da fiato (to be played by wind instruments) and is one in a long line of such descriptive works dating from the sixteenth century with no instrumental designation whatsoever. The popularity of this genre, however, did not fade with the close of the Renaissance. Rather, a rich development continued into the nineteenth century with Beethoven's Wellington's Victory, the so-called Battle Symphony, being a latter-day example.
$3.00
2.75 €
#
Orchestre d'harmonie
#
Mark Davis Scatterday
#
Aria Della Battaglia:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Iberian Escapades: (wp) B-flat Tuba B.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001814_WPTBBBC (wp) B-flat Tuba B…
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Concert Band - Digital Download SKU: AX.00-PC-0001814_WPTBBBC (wp) B-flat Tuba B.C.. Composed by Robert Sheldon. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001814_wpTBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001814_WPTBBBC). UPC: 038081336008.Written for the Boca Raton Middle School Band in Florida, Iberian Escapades was inspired by the resort architecture of Addison Mizner, whose Mediterranean-style estates launched a Florida Renaissance and inspired architects across North America. Mizner identified each of his Boca Raton villas with Spanish names, three of which are captured in this musical collage: El Mirasol (it watches the sun) is a fanciful Flamenco-style opening; El Solano (the east wind) presents exotic colors and romantic themes; and La Guerida (the bounty of war) ends the piece with an aggressive and energetic statement.Concert/Contest.
$3.00
2.75 €
#
Orchestre d'harmonie
#
Robert Sheldon
#
Iberian Escapades:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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