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--INSTRUMENTS--
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Vous avez sélectionné:
What We Used To Know
Orchestre d'harmonie
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What We Used To Know
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Javien Keenan
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What We Used To Know
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Javien Keenan
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1153086 Composed by Javien Keenan. Classical. Score and parts. 28 pages. Javien Keenan #753331. Published by Javien Kee...
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Concert Band - Level 4 - SKU: A0.1153086 Composed by Javien Keenan. Classical. Score and parts. 28 pages. Javien Keenan #753331. Published by Javien Keenan (A0.1153086). I've Always had a soft spot for slow pieces. A brighter version of one of my other pieces The Corruption, This shows a brighter side of life and the fondness of life or the things we used to know. I'm tired of hearing people say slow pieces are easy because there slow or there boring because they don't have fast notes. With this piece I hope to change people opinion on slower pieces. What We Used To Know was inspired for my reason I love slow pieces and I hope everyone finds a reason to adore them like I have.
$25.99
Johnny Bach Time Traveler
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Edward Sims
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Edward Sims
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Johnny Bach Time Traveler
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Ed Sims
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1154732 By Edward Sims. By Edward Sims. Arranged by Edward Sims. 19th Century,20th Century,Baroque,Jazz,March. Score an...
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Concert Band - Level 3 - SKU: A0.1154732 By Edward Sims. By Edward Sims. Arranged by Edward Sims. 19th Century,20th Century,Baroque,Jazz,March. Score and Parts. 84 pages. Ed Sims #755006. Published by Ed Sims (A0.1154732). Johann Sebastian Bach. His music is the foundation on which so much of our musical heritage is based. But what if he had reappeared and composed in the style of future generations? That question is musically and whimsically pondered in this composition. It opens with a setting of his hymn “Christus, de runs selig machtâ€. We then hear the subsequent variations as he may have used his melody. The first is in the classical style similar to Mozart, which is followed by a Romantic era Viennese waltz style, a la Strauss. He next appears in the late 19th century as a march composer. In his most recent appearance (that we know of), he writes in the swing style of the 1940’s. This piece, which is sure to be an audience favorite, provides the director with limitless opportunities to teach about the Phrygian mode and to discuss many eras of music history and the styles and composers associated with each, while giving the students the challenge of playing and learning to quickly transition to the various styles with music that is both challenging and fun.
$2.00
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What We Used To Know
