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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
When Can I See You
Non classifié
120
Piano & claviers
Piano seul
85
Piano, Voix et Guitare
74
Instruments en Do
53
Piano, Voix
31
Piano Facile
18
1 Piano, 4 mains
2
Accompagnement Piano
1
Orgue
1
+ 3 instrumentations
Retracter
Guitares
Guitare
22
Guitare notes et tablatures
15
Ligne De Mélodie, (Paroles) et Accords
14
Basse electrique
3
Banjo
1
Piano, Guitare (duo)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
36
Chorale 3 parties
11
Chorale 2 parties
9
Voix duo, Piano
4
Voix Alto, Piano
4
Voix duo
2
Chorale Unison
2
Chorale TTBB
2
Voix seule
1
Voix Soprano, Piano
1
Voix haute
1
Chorale
1
+ 7 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
15
Quatuor de Saxophones: 4 saxophones
12
Hautbois (partie séparée)
12
Clarinette
10
Flûte traversière et Piano
5
Quatuor de Clarinettes: 4 clarinettes
4
Clarinette et Piano
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Hautbois, Piano (duo)
3
Saxophone Alto
3
Ensemble de Flûtes
2
Saxophone Baryton, Piano
2
Saxophone Soprano et Piano
2
Saxophone Tenor et Piano
2
Saxophone (partie séparée)
2
Cor anglais, Piano
1
Saxophone et Orgue
1
Ensemble de saxophones
1
Cor Anglais
1
Quatuor de Flûtes : 4 flûtes
1
Flûte traversière
1
Flute (partie séparée)
1
Saxophone Alto et Piano
1
Saxophone Tenor
1
Flûte et Guitare
1
2 Saxophones (duo)
1
Clarinette Basse, Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Saxophone
1
Flûte à bec Soprano
1
3 Saxophones (trio)
1
2 Clarinettes, Piano
1
+ 27 instrumentations
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Cuivres
Trompette
6
Cor
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trombone et Piano
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Quatuor de Cuivres
2
Trompette, Piano
2
Trombone basse et Piano
1
Cor anglais, Piano
1
Trompette, Trombone (duo)
1
Euphonium, Piano (duo)
1
Cor Anglais
1
2 Trompettes (duo)
1
Trombone
1
2 Tubas (duo)
1
2 Trombones (duo)
1
Tuba
1
+ 12 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
13
2 Violons (duo)
8
Violon
6
Violon et Piano
6
Harpe
6
Violon, Violoncelle (duo)
4
Alto, Piano
4
Violoncelle, Piano
3
Violoncelle
3
2 Violoncelles (duo)
2
2 Harpes (duo)
2
Violon, Tuba (duo)
1
Alto seul
1
Harpe, Voix
1
Trio à Cordes: violon, alto, violoncelle
1
+ 10 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
19
Orchestre d'harmonie
11
Orchestre
10
Orchestre à Cordes
4
Orchestre de chambre
4
Ensemble de cuivres
3
Jazz combo
2
Cloches
2
Marimba
1
Ensemble de Percussions
1
+ 5 instrumentations
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Autres
Instruments
ACCORDEON
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AUTRES INST…
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CITHARE
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CONTREBASSE
COR
COR ANGLAIS
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CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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PIANO
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SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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FOLKLORE - TRADITION…
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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RAGTIME
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Vous avez sélectionné:
When Can I See You
Orchestre d'harmonie
Partitions à imprimer
11 partitions trouvées
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1
When I Look In The Mirror...
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Aaron Fonzi
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a loser and a failure
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When I Look In The Mirror...
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi #3884831. Publis...
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Concert Band - Level 4 - SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi #3884831. Published by Aaron Fonzi (A0.998358). A breathtaking new addition to wind band literature, Aaron Fonzi has composed a piece that will take your audience on an incredible, emotional journey. Inspired by his grandmother, Jacquie, Mr. Fonzi recalls:I remember vividly the conversations I had with Grandma Jacquie as a boy. She had a kind, gentle way of showing her steadfast resilience and passion for that which is good and just in the world. She didn't think it good and just that I always felt the need to make myself my worst enemy. One day, she asked me who I see in the mirror. I told her I saw an ugly boy who couldn't do anything right; a loser and a failure. She told me that she saw a handsome young man who can do anything and become whatever he puts his mind to, and that everyday I ought to look in the mirror and find that person.It took me almost 20 years to fully understand what she meant. But it's true: we can only bring the light out of others once we've truly brought it out within ourselves. So, this is for all of us who look in the mirror and see a monster or a failure. You are not a failure and your are not a monster. Let this piece remind you that you can do anything you put your mind to if you put faith in the person looking back at you.Give your ensemble and your audience an experience they will remember with this powerful work, When I Look In The Mirror....
$30.00
Concerto for Concert Band (2011) full score
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Concert Band
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Thomas Oboe Lee
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pa...
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Concert Band - Level 4 - SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pages. Thomas Oboe Lee #1934325. Published by Thomas Oboe Lee (A0.869220). Program note. Concerto for Concert Band is in four movements, played without pause. The first movement begins with a percussion fanfare that leads into woodwind melodies coupled with the euphonium. Then the percussion takes over again, with a timpani solo feature. The second movement is a dialogue between the clarinet and brass choirs. As the choir masses become more dense, a plaintive solo oboe emerges from the din … molto cantabile!!! The third movement is a scherzo featuring the trumpets and the woodwinds. The percussion section joins in with outbursts and commentaries … The brass choir returns in the last movement with more melodies emanating from the woodwinds. The work ends in quiet tranquility … molto cantabile again!!! The work is dedicated to the effervescent Bill Drury who conducts the wind ensembles at the New England Conservatory of Music. I was very grateful to Bill when he asked me to write something for him and the Jordan Winds at NEC. It is a huge challenge to compose music for large wind groups. I find most concert band pieces too thick and mucky in texture. The trick is to create concert band music that is light and transparent; to orchestrate in such a way that you can see/hear light seeping through. I hope I was able to do that. Enjoy!! Instrumentation: 3 Flutes (Fl. 3 also doubles on piccolo) 2 Oboes 2 Bassoons Clarinet in Eb 3 Clarinets in Bb 2 Bass Clarinets in Bb 4 French Horns 3 Trumpets in Bb (also doubling on Flugelhorns in Bb) 3 Trombones Euphonium Tuba Timpani Marimba Percussion 1: snare drum, 3 tom-toms Percussion 2: triangle, 2 bass drums This is a transposed score.
$9.99
The Journey of Squanto
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Orchestre d'harmonie
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AVANCÉ
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Wesley Besancon
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Wesley Besancon
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The Journey of Squanto
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Wesley Besancon
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1183999 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contemporary,Contest,Festival,Multicultura...
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Concert Band - Level 5 - SKU: A0.1183999 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contemporary,Contest,Festival,Multicultural,Patriotic,World. Score and parts. 111 pages. Wesley Besancon #783697. Published by Wesley Besancon (A0.1183999). Have you ever wondered who was credited for setting up the first Thanksgiving? Or who braught peace to the tension between Natives and English? Squanto is credited for doing both of these things. One of the first recoreded Native Americans, Squanto lived from 1585 to 1622. He was part of the Patuxet tribe, and taught settlers how to satisfy basic needs. And as far as the eye can see, there is no band music dedicated for him. So I have made a piece showing what may have happened when the settlers came. While not completly accurate, It is a great representation (and honor to Squanto) for your next concert!. The piece begins on a nice warm day, in a playful, dancelike movement, this quickly turns to anger as they see a bird that is not able to be hunted. This confusion leads to the mysteriousness that was most likely happening upon the natives. They start to pray to their gods. All of a sudden, the ship lands and a war breaks out! But Squanto wants to embrace this new culture they have brought, which slowly calms the fighting down. Eventually, the English Culture (represented by Hot Cross Buns) is embraced in the polytonal ways (disagreement). The final part is a chorale representing peace.Errata:Â 107: Singing is stopped.
$40.99
Rocky Mountain Vista
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Orchestre d'harmonie
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FACILE
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Folklorique/Traditionel
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Stephen R Dalrymple
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Stephen R Dalrymple
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hear the wind blow
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Rocky Mountain Vista
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.818279 By Stephen R Dalrymple. By American Folk Song. Arranged by Stephen R Dalrymple. Folk. Score and parts. 52 pages....
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Concert Band - Level 2 - SKU: A0.818279 By Stephen R Dalrymple. By American Folk Song. Arranged by Stephen R Dalrymple. Folk. Score and parts. 52 pages. Stephen R Dalrymple #4854631. Published by Stephen R Dalrymple (A0.818279). Rocky Mountain Vista ♫ American Folk Song ♫ “Rocky Mountain High†with “Down in the Valley†and “Home on the Range†♫ arranged for concert band by Stephen R Dalrymple ♫ What would you see if you climbed to the rim of the Rocky Mountains (or the Appalachians)? I arranged 2 American folk songs of unknown authorship, Rocky Mountain and Down in the Valley, plus Home on the Range (by Brewster Higley (lyrics 1874) and Daniel Kelly (melody pre 1905) to portray our western mountains and range land. ♫ [2021 Update: Actually, modern theory says Rocky Mountain came from the Appalachian Mountains and describes the rocky mountains of the Appalachians, not the Rockies. But for many the song evokes memories of the Rocky Mountains. So if you look to the west or the east for high mountains, you're covered.] ♫ Rocky mountain, rocky mountain, rocky mountain high, When you’re on that rocky mountain, hang your head and cry. Loo, loo, loo, loo, Do remember me. Loo, loo, loo, loo, Do remember me. ♫ Down in the valley the valley so low, Hang your head over; hear the wind blow. Hear the wind blow dear; hear the wind blow. Hang your head over; hear the wind blow. ♫ Oh, give me a home where the buffalo roam, Where the deer and the antelope play, Where seldom is heard a discouraging word, And the skies are not cloudy all day. ♫ Home, home on the range, Where the deer and the antelope play, Where seldom is heard a discouraging word, And the skies are not cloudy all day. ♫ How often at night, when the heavens were bright, With the light of the twinkling stars, Have I stood here amazed, and asked as I gazed, If their glory exceeds that of ours! ♫ sequenced by the arranger ♫ arrangement © 2001, 2019 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute/Oboe, Clarinet 1, Clarinet 2, Clarinet 3, Bass Clarinet, Alto Clarinet/Alto Alto Sax, Tenor Sax, Baritone Sax, Trumpet 1, Trumpet 2, French Horn, Trombone/Bass Clef Baritone/Bassoon, Treble Clef Baritone, Tuba, Electric Bass, Snare Drum/Bass Drum, Triangle/Cymbal, and Bells. ♫ The YouTube video contains the full recording.
$19.00
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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A
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Stephen Davies
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"Clarinet Concert Concert
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Stephen Davies
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen...
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Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ri...
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Concert Band - Level 3 - SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ride (A0.784346). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$45.00
Fairy Tale Mystery
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Joseph Hasper
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Fairy Tale Mystery
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Joseph Hasper
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1153133 Composed by Joseph Hasper. Contemporary,Contest,Festival,Instructional. Score and parts. 54 pages. Joseph Haspe...
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Concert Band - Level 3 - SKU: A0.1153133 Composed by Joseph Hasper. Contemporary,Contest,Festival,Instructional. Score and parts. 54 pages. Joseph Hasper #753374. Published by Joseph Hasper (A0.1153133). What happens when you put a beautiful princess, a handsome prince, and an evil troll together? Fairy Tale Mystery is the magical story of these characters set in a long ago and faraway place. See if you can follow the story as the band plays! This piece was jointly commissioned and premiered by the following bands: Armstrong Junior High School, under the direction of Rob Reams; Titusville Middle School, under the direction of Patrick Vetter; Mifflin County Middle School, under the direction of Samantha Gates. The title Fairy Tale Mystery is a combination of ideas submitted by students from each of the schools. The cover art was designed by Armstrong Jr. HS student Eliza Major. IF YOU PERFORM THIS PIECE IN PUBLIC Please let me know! I would love to hear from you (and would be super happy to display a copy of your concert program or poster in my office!). I would also be happy to answer any questions you have about the piece, whether it’s about interpretation, notation, or anything else.
$40.00
Time Out
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Orchestre d'harmonie
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DÉBUTANT
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James Smith
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Time Out
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James Smith
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1402009 Composed by James Smith. Contest,Festival,Instructional. 26 pages. James Smith #985205. Published by James Smit...
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Concert Band - Level 1 - SKU: A0.1402009 Composed by James Smith. Contest,Festival,Instructional. 26 pages. James Smith #985205. Published by James Smith (A0.1402009). Chill out with this selection intended for first-year players, Time Out. Written with the first 4 notes of the A minor blues scale in mind, and using only 6 different notes, younger players will find instant success when learning its catchy bass line and repeated rhythms.Time Out can be performed by a minimal concert ensemble of flutes, clarinets, alto saxophones, trumpets, trombones, and percussion, and uses the A minor blues scale (A, C, D, Eâ™). I am incredibly excited to offer this selection to you in a effort to diversify concert band music repertoire for younger player that avoids using typical key signatures, but does not veer too far away from standard practices. It is suggested that players practice playing the first few notes of the concert Bâ™ scale (Bâ™, C, D, Eâ™), then swapping out concert Bâ™ for concert A. Make sure measures 1-3 are accurately learned by the wind players before learning the rest of the piece. In measure 39, there is a glissando, or “fall†that might be seen in jazz music. (The playback does not support accurate sounds for this effect.) Have players find a random high note, then all descend to the low register of their instruments within 4 beats through fingerings, slides, etc.View more of my catalog here at linktr.ee/jamessmithmusic.
$49.99
The Best Hymns of All Time (for Wind Instruments) Book 3
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Orchestre d'harmonie
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FACILE
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Musique Sacrée
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Various
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Colin Kirkpatrick
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin K...
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Concert Band - Level 2 - SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin Kirkpatrick Publications #5726785. Published by Colin Kirkpatrick Publications (A0.522172). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 138-page PDF file for instant download. Book 3 contains the following twenty popular hymns: All Hail the Power of Jesus’ Name (Miles Lane); All things Bright and Beautiful (Bright and Beautiful); Alleluia, Sing to Jesus (Hyfrydol); Blessed Assurance (Assurance); Come, Ye Thankful People, Come (St George’s Windsor); Father, Hear the Prayer we Offer (Sussex & Gott Will's Machen); For the Beauty of the Earth (Dix); Glorious Things of Thee are Spoken (Austrian hymn); How Firm a Foundation (Foundation); Jesu, Lover of my Soul (Hollingside); Jesus Loves Me, This I Know (Jesus Loves Me); Joyful, Joyful, We Adore Thee (Hymn to Joy); Kum Ba Yah (Afro-American folksong); Mine Eyes have Seen the Glory (Battle Hymn of the Republic); O God, Our Help In Ages Past (St. Anne); Morning has Broken (Bunessan); Praise to the Lord the Almighty (Lob den Herren); Shall We Gather at the River? (Hanson Place); The God of Abraham Praise (Leoni); When Peace Like a River (Ville du Havre). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
A Promise to Stand By:
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Orchestre d'harmonie
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Contemporain
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Benjamin Ayotte
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A Promise to Stand By:
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published...
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Concert Band - SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published by Ayotte Custom Musical Engravings (A0.733009). A promise to stand by... this phrase indicate loyalty, steadfastness, being a man of one's word, knowing that integrity and honor are the enduring qualities by which we will be judged; not fame, fortune, influence, or other worldly measures. It is no surprise, therefore, that this phrase was incorporated by Lou Fortunate and Msgr Herman Kucyk, of blessed memory, into the alma mater of Divine Child High School. When I was approached by Mr. Bush and the Divine Child Band Boosters about the possibility of writing a piece to celebrate the fiftieth anniversary of the band program I was excited, flattered, and--most of all--humbled that I should be chosen out of many worthier candidates, in my estimation. Divine Child has had, for the longest time--since the beginning, it seems--a vibrant and thriving fine arts program involving music (both vocal and instrumental), theatre, and the visual arts as well as literature and poetry. I began to conceive of a work that would pay homage to each of these arts musically and be a celebration of all that Divine Child has to offer. One of my favourite composers, Gustav Mahler, famously said, a symphony must be like the world; it must contain everything. In the 1988 vice-presidential debate, Lloyd Bentsen famously said to Dan Quayle, Senator, you're no Jack Kennedy. A voice in my head said, Benjamin, you're no Gus Mahler. As the discarded drafts in the recycle bin took on a life of their own, I eventually dismissed the idea as impractical, and even vainglorious. I settled upon a more general idea to make the music about the band program. Most every student in the band program goes through the rigors of marching band and performs at the Falcon football games where they become intimate with the Three School Songs: the Falcon Fanfare, the Fight Song, and the Alma Mater. Taking the latter piece as my inspiration, I meditated upon the mission of the school: a promise to educate us in body, mind, and spirit. Divine Child High School stands by her promise, recruiting some of the best teachers in the area to guide us through the tumultuous adolescent years. We students, too, have a promise: to strive to be worthy of this gift, and to accept it and use it for the betterment of society. In band class, under Leo Tallieu, I learned to listen; to contribute to the group; to consider my part in relation to the whole ensemble; to show leadership when needed; and to be a role player when needed. And so, my conception of the piece changed. I wanted to use melodic, harmonic, and rhythmic devices that would be familiar to all DCHS band students, but to use them in a new and different way; to recontextualize them. As time went on, Bob Bush asked me if I would be able to work in a tribute to two band students who had tragically died in the last few years: Blaise H.
$19.99
Endless Routes
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Joseph Hasper
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Endless Routes
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Joseph Hasper
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1153134 Composed by Joseph Hasper. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. Score and parts....
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Concert Band - Level 3 - SKU: A0.1153134 Composed by Joseph Hasper. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. Score and parts. 93 pages. Joseph Hasper #753375. Published by Joseph Hasper (A0.1153134). There are five main sections in this piece, each lasting exactly 21 measures. Why this unlikely number? I chose this number because the percussion parts, which are the driving force behind the piece, are based repeating patterns of 6, 7, and 8 eighth notes. It works out that these patterns only line up every 168 half-beats—which happens only at the end of 21 measures! The title for this piece was provided by Armstrong High School student Aaron Baker and was used as inspiration for the work. The phrase “endless routes†guided my decision to have several main themes instead of just one or two. The themes are widely different in character but share the feature that they each go to the same place—the very last half of the last beat of every twenty-first measure. The Minimalist style of music often features short musical fragments that are repeated many times in different combinations, and I used that technique to create a seemingly “endless†effect in the percussion parts. The percussion parts also use a colotomic structure, a technique often used in gamelan music of the far East. Unlike Western music, which generally has a strong accent on the first beat of a phrase, colotomic music accents the last beat of a phrase. You can hear this in Endless Routes when the percussion parts all become aligned and hit a simultaneous accent at the end of each section. This piece was commissioned and premiered by the Armstrong High School, under the direction of Jason Venesky. Mr. Venesky is a veteran teacher with over twenty years of experience in the Armstrong School District. He is a graduate of Carnegie Mellon University with a Bachelor of Fine Arts in Music Performance (Tuba) and Music Education Certification and an active performer as Principal Tuba for the Butler County Symphony Orchestra; tubaist for the Armstrong Brass Quintet and Windsor Brass Quintet; and Bass Trombonist for the Gibbons Big Band. Mr. Venesky is currently Instructor of Tuba at Grove City College and Music Director for the Kittanning Community Band. Includes a full score and complete set of parts.
$40.00
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