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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
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OCARINA
ORCHESTRE
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XYLOPHONE
from the first beat
Sheetmusicplus
Non classifié
81
Piano & claviers
Piano seul
85
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23
Piano Facile
11
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8
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7
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Orgue
2
Accordéon
1
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Accompagnement Piano
1
+ 7 instrumentations
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Guitare notes et tablatures
10
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9
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4
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2
Piano, Guitare (duo)
1
Voix
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23
Chorale SSAA
9
Voix Soprano, Piano
6
Chorale 3 parties
6
Chorale Unison
5
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4
Chorale 2 parties
2
Voix Tenor, Piano
2
Voix Alto, Piano
1
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Quatuor de Saxophones: 4 saxophones
30
Flûte, Hautbois, Clarinette, Basson
25
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11
2 Saxophones (duo)
11
Saxophone (partie séparée)
8
Flûte traversière
6
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Tenor
5
Saxophone Alto
5
Saxophone, Clarinette (duo)
5
Clarinette, Violon (duo)
4
Ensemble de Flûtes
4
2 Clarinettes (duo)
4
Ensemble de Clarinettes
3
Clarinette
3
Saxophone Alto et Piano
3
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3
Flûte traversière et Piano
3
Hautbois, Basson (duo)
3
2 Flûtes traversières (duo)
3
Quintette de Saxophone: 5 saxophones
2
Clarinette et Alto
2
Hautbois, Clarinette (duo)
2
2 Hautbois (duo)
2
Saxophone Soprano
2
Clarinette et Piano
2
Clarinette, Trompette (duo)
2
3 Saxophones (trio)
2
Flûte et Guitare
1
Flûte à bec Alto
1
Clarinette, Violoncelle (duo)
1
Saxophone Tenor et Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Flute (partie séparée)
1
Flûte, Trompette (duo)
1
Hautbois, Violoncelle
1
Flûte, Clarinette (duo)
1
Flûte, Violon
1
Flûte, Saxophone (duo)
1
Ensemble de saxophones
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois, Piano (duo)
1
Hautbois, Flûte
1
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trompette
6
Trombone (partie séparée)
5
Trompette (partie séparée)
5
Quatuor de Cuivres
5
Trombone
4
Cor
4
Trombone et Piano
2
Tuba
2
Trompette, Piano
2
Trompette, Saxophone (duo)
2
2 Trombones (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Trompettes (duo)
1
+ 10 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
52
Violon
12
Violon et Piano
10
Violon, Violoncelle (duo)
9
Violoncelle, Piano
5
Violoncelle
5
Trio à Cordes: violon, alto, violoncelle
4
Violon, Alto (duo)
3
Alto, Piano
3
Alto (partie séparée)
2
2 Violons (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
2 Violoncelles (duo)
2
Alto seul
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
Contrebasse (partie séparée)
1
2 Violons, Piano
1
Harpe
1
Contrebasse, Piano (duo)
1
2 Altos (duo)
1
Piano Trio: Violon, Alto, Piano
1
Contre Basse
1
+ 18 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
49
Orchestre
17
Orchestre à Cordes
11
Ensemble Jazz
9
Ensemble de cuivres
5
Orchestre de chambre
4
Cloches
3
Marimba
1
Batterie
1
Ensemble de Percussions
1
Batterie (partie séparée)
1
Vibraphone et Marimba
1
Jazz combo
1
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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
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CLARINETTE
CLAVECIN
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CORNET
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Partitions à imprimer
49 partitions trouvées
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26
The Four Seasons in the Basque Country
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Orchestre d'harmonie
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Gregory Fritze
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The Four Seasons in the Basque
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Musica Nova USA
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SheetMusicPlus
Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Publishe...
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Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
Triumphal March and Ballet Music is from "Aïda" (A4)
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Orchestre d'harmonie
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AVANCÉ
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Giuseppe Verdi
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Shinji Kasama
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Triumphal March and Ballet Mus
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Kasama Music Corporation
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1272421 Composed by Giuseppe Verdi (1813–1901). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and...
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Concert Band - Level 5 - SKU: A0.1272421 Composed by Giuseppe Verdi (1813–1901). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and Parts. 350 pages. Kasama Music Corporation #797279. Published by Kasama Music Corporation (A0.1272421). [This Publication is in A4 size. Letter size (8/5 x 11) is also available.]The Triumphal March and Ballet Music is from Verdi’s opera Aïda in Act II, Scene 2. This transcription is for concert band with full score (pp. 1–57), piccolo–percussion (pp. 59–259), and transposed parts (pp. 260–350).If desired, the Ballet Music can be omitted by playing only the first beat in measure 134 and replacing the rest of the measure with rests, then proceeding to measure 301. The duration will be reduced to 8 minutes.A printed score and the parts on CD-ROM are available for purchase at www.kasamamusic.com.
$25.00
Triumphal March and Ballet Music is from "Aïda" (8/5 x 11)
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Orchestre d'harmonie
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AVANCÉ
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Giuseppe Verdi
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Shinji Kasama
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Triumphal March and Ballet Mus
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Kasama Music Corporation
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1272420 Composed by Giuseppe Verdi (1813–1901). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and...
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Concert Band - Level 5 - SKU: A0.1272420 Composed by Giuseppe Verdi (1813–1901). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and Parts. 350 pages. Kasama Music Corporation #797278. Published by Kasama Music Corporation (A0.1272420). [This Publication is in letter size (8/5 x 11). A4 size is also available.]The Triumphal March and Ballet Music is from Verdi’s opera Aïda in Act II, Scene 2. This transcription is for concert band with full score (pp. 1–57), piccolo–percussion (pp. 59–259), and transposed parts (pp. 260–350). If desired, the Ballet Music can be omitted by playing only the first beat in measure 134 and replacing the rest of the measure with rests, then proceeding to measure 301. The duration will be reduced to 8 minutes.A printed score and the parts on CD-ROM are available for purchase at www.kasamamusic.com.
$25.00
The Battle Eve Duet - Trombone and Euphonium with Concert Band Accompaniment Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Patriotique
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Music composed by Theo Bonheur
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Brendan Elliget MAGA 537
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The Battle Eve Duet - Trombone
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750900 Composed by Music composed by Theo Bonheur with lyrics written by GW Southey.(~1890). Arranged by Brendan Ellige...
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Concert Band - Level 3 - SKU: A0.750900 Composed by Music composed by Theo Bonheur with lyrics written by GW Southey.(~1890). Arranged by Brendan Elliget MAGA 537. Patriotic. Score and parts. 76 pages. BJE Music #4579953. Published by BJE Music (A0.750900). Originally a vocal duet entitled 'The Battle Eve' was composed by Theo Bonheur with lyrics written by GW Southey. The song had been written for performances by bass and tenor vocal duet.The song begins: Dark the shades of night are growing, keen and chill the wind is blowing, bright the watchfire lights are glowing, 'Tis the battle eve…The piece appears to have been composed in the early 1890s with the first recorded performance at the Athenaeum in Melbourne (Australia) in May 1893. ‘The Battle Eve’ was very popular during the First World War period with many performances at many concerts related to the war effort in Australia. This included patriotic concerts held across Australia during 1914. The first of these was a patriotic concert held at the School of Arts, South Grafton, New South Wales, on Tuesday 1 September 1914. Miss Eva Beatson performed the song with proceeds from the evening totaling 52 pounds. [https://www.awm.gov.au/collection/C230950]The arrangement here is for Trombone (Tenor) and Euphonium (Bass) Duet with Concert Band accompaniment. The MP3 was recorded with NotePerformer 3.Grade = 4 Duration = 5:30 mins.
$30.00
In Spite Of All The Danger
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Beatles
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Peyber Augusto Medina Hidalgo
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George Harrison
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In Spite Of All The Danger
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Peyber Medina
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SheetMusicPlus
Acoustic Guitar,Drum Set,Electric Bass Guitar,Piano,Violin - Level 4 - SKU: A0.1221991 By The Beatles. By George Harrison and Paul McCartney. Arranged b...
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Acoustic Guitar,Drum Set,Electric Bass Guitar,Piano,Violin - Level 4 - SKU: A0.1221991 By The Beatles. By George Harrison and Paul McCartney. Arranged by Peyber Augusto Medina Hidalgo. Classical,Funk,Historic,Multicultural,Rock,World. 12 pages. Peyber Medina #818266. Published by Peyber Medina (A0.1221991). Peyber A. Medina H. has created an exceptional and awe-inspiring arrangement for violin and classic 50's Rock'n Roll Band of In Spite Of All The Danger by The Beatles, originally written for The Quarrymen by Paul McCartney & George Harrison. This multi-talented musician has breathed new life into this classic track, infusing it with a modern energy that is sure to captivate audiences of all ages. Also, this is probably the first arrangement of this classical 50's rock tune made for a violin cover.With intricate instrumentation and dynamic violin performance, this rendition of In Spite Of All The Danger is a true masterpiece. Medina's attention to detail is evident in every note, creating a rich and immersive listening experience that will leave you wanting more.From the soaring violin solos (accompanied by the band) to the infectious rhythm section, every aspect of this arrangement is carefully crafted to perfection. Whether you're a die-hard Beatles fan or simply appreciate great music, you won't want to miss this extraordinary performance.So if you're looking for a truly unforgettable musical experience, look no further than Peyber A. Medina H.'s rendition of In Spite Of All The Danger for Violin & 50's Rock'n Roll Band. With its captivating sound and impeccable execution, this arrangement is sure to take the music world by storm and earn a well-deserved place in music history..
$21.99
The Palatka Port March - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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David M
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The Palatka Port March - Score
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DMStewart Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.123968...
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Concert Band - Level 4 - SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.1239681). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Floridaon the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferrybarges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fishto provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to beso in the future. The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, thisrepresents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is alinear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you canpicture the ships coming from Europe across the ocean and the excitement they felt when they reached it. Thesecond strain is more playful and represents the life that the river has provided for people for centuries. The Triorepresents the calmness and civility when Palatka was discovered, and the happiness the settlers must have feltknowing they had found their perfect place to call home. The break strain represents the hard work and efforts thatwere put forth to secure the land and build a community. There would have been many triumphs and manysuccesses, but the journey would have not been easy. The final strain is the culmination of the piece. This is thecelebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building acity. I hope you enjoy, The Palatka Port March!
$10.00
The Palatka Port March
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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David M
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The Palatka Port March
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DMStewart Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Published by DMStewart...
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Concert Band - Level 4 - SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Published by DMStewart Music (A0.1239680). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Florida on the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferry barges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fish to provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to be so in the future.   The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, this represents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is a linear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you can picture the ships coming from Europe across the ocean and the excitement they felt when they reached it. The second strain is more playful and represents the life that the river has provided for people for centuries. The Trio represents the calmness and civility when Palatka was discovered, and the happiness the settlers must have felt knowing they had found their perfect place to call home. The break strain represents the hard work and efforts that were put forth to secure the land and build a community. There would have been many triumphs and many successes, but the journey would have not been easy. The final strain is the culmination of the piece. This is the celebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building a city. I hope you enjoy, The Palatka Port March!
$50.00
Themes from the Beach 3rd Horn in F
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Peter Westin
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Themes from the Beach 3rd Horn
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Peter's Publishing House
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1011735 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449491. Published ...
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Concert Band - Level 4 - SKU: A0.1011735 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449491. Published by Peter's Publishing House (A0.1011735). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.This is a separate part scored for 3rd Horn in F from Themes from the Beach (Score Sold Separately). The Horn Part is 5 pages long with no offbeats throughout and is Scored in 4 movements, 1 - Atmospheres , 2 - Strolling in Paradise, 3 - Chillin Ballad, 4 - Exposed to the sunlight. Each different part will need separate purchases.
$3.99
Themes from the Beach 1st Horn in F
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Peter Westin
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Themes from the Beach 1st Horn
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Peter's Publishing House
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1011732 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449487. Published ...
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Concert Band - Level 4 - SKU: A0.1011732 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449487. Published by Peter's Publishing House (A0.1011732). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.This is a separate part scored for 1st Horn in F with no offbeats through the piece. (Score Sold Separately). 5 pages long and is Scored in 4 movements, 1 - Atmospheres , 2 - Strolling in Paradise, 3 - Chillin Ballad, 4 - Exposed to the sunlight. Each different part will need separate purchases.
$3.99
Themes from the Beach 2nd Horn in F
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Peter Westin
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Themes from the Beach 2nd Horn
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Peter's Publishing House
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1011733 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449489. Published ...
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Concert Band - Level 4 - SKU: A0.1011733 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449489. Published by Peter's Publishing House (A0.1011733). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.This is a separate part scored for 2nd Horn in F with no offbeats throughout.(Score Sold Separately). 5 pages long and is Scored in 4 movements, 1 - Atmospheres , 2 - Strolling in Paradise, 3 - Chillin Ballad, 4 - Exposed to the sunlight. Each different part will need separate purchases.
$3.99
Deutschlandlied - Inno Nazionale Tedesco
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Orchestre d'harmonie
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DÉBUTANT
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A
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Lorenzo Bocci
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Deutschlandlied - Inno Naziona
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1517401 Composed by A. H. Hoffmann von Fallersleben and Franz Joseph Haydn. Arranged by Lorenzo Bocci. March,Patriotic,...
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Concert Band - Level 1 - SKU: A0.1517401 Composed by A. H. Hoffmann von Fallersleben and Franz Joseph Haydn. Arranged by Lorenzo Bocci. March,Patriotic,Traditional. 31 pages. Lorenzo Bocci #1091562. Published by Lorenzo Bocci (A0.1517401). DEUTSCHLANDLIED - Inno Nazionale Tedescofor Concert Band - Grade 2,5 - Composed by Franz Joseph Haydn, A. H. Hoffmann von Fallersleben. Arranged by Lorenzo Bocci. March/Patriotic/Traditonal/Hymn. Concert Band - Blasorchester - Harmonie. Score A4 (21 x 29,7 cm) and card size parts A5 (19,5 x 14,2 cm). Duration 1'08''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Bb Soprano Saxophone, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, F Horn 1, 2, Trombone 1, 2, Euphonium, Bass, Snare Drum, Cymbals, Bass Drum.Additional Parts:Eb Cornet, Bb Flugelhorn 1, 2, Eb Horn 1, 2, Bb Trombone 1, 2 T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.This arrangement of the Deutschlandlied presents a small variation from Haydn's original. As you can see, I started the melody from the first beat of the bar instead of the third. In this way all the phrases became thetic instead of anacrusic, gaining a greater simplification of reading.The melody of the Deutschlandlied (German national anthem) was originally composed by Joseph Haydn as the Austrian imperial anthem Gott erhalte Franz den Kaiser and was first performed in 1797. (The lyrics of the Deutschlandlied were written by August Heinrich Hoffmann von Fallersleben in 1841 on Heligoland.) In 1922 it became the national anthem of Germany. In March 1952, President Theodor Heuss declared the third stanza of the Deutschlandlied the national anthem of the Federal Republic of Germany.Subscribe to my YouTube Channel to stay updated on new releases.
$33.00
The Oak
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Orchestre d'harmonie
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AVANCÉ
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Florence Beatrice Price
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John Ivor Holland
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The Oak
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1389302 Composed by Florence Beatrice Price. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,World....
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Concert Band - Level 5 - SKU: A0.1389302 Composed by Florence Beatrice Price. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,World. 188 pages. John Ivor Holland #972867. Published by John Ivor Holland (A0.1389302). Born in Little Rock, Arkansas in 1887, Florence Price received early musical training from her mother, going on to study at the prestigious New England Conservatory of Music, graduating in 1906 with a Soloist’s Diploma in Organ Performance, and a Teacher’s Diploma in Piano Performance. After completing her degree, Price returned back to the south to teach music and after about 20 years, moved her family moved to Chicago to ultimately escape the racial tension in the south. It was here that she was able to properly establish herself as a concert pianist, organist and composer. She composed over 300 works, including 20 full orchestral pieces and over 110 art songs, many performed by leading American orchestras and esteemed vocalists. Price was the first African-American woman composer to earn national recognition. Seen as a pioneer among women, she was celebrated constantly for her achievements. Composed in 1943, about 10 years before her death, 'The Oak' is an unpublished tone poem, perhaps more appropriately described as an 'orchestral essay', quite serious in tone and character. The foreboding opening slowly grows as more instruments enter the mix. The piece explores a number of different moods and atmospheres, from mysterious to more aggressive and irritated. Arranged for symphonic wind ensemble, 'The Oak' is a major contribution to the repertoire and deserves detailed attention - there are two different endings, the second, one that resolves quietly, is written in the score as 'the composer's preference'.
$99.99
Now And Then
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Orchestre d'harmonie
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FACILE
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Rock
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The Beatles
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Richard Starkey, John Lennon,
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Lorenzo Bocci
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Now And Then
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1367279 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Lorenzo Bocci...
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Concert Band - Level 2 - SKU: A0.1367279 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Lorenzo Bocci. Pop,Rock. 73 pages. Lorenzo Bocci #951636. Published by Lorenzo Bocci (A0.1367279). NOW AND THEN The Beatlesfor Concert Band - Grade 3 -  Composed by Richard Starkey, John Lennon, Paul McCartney, George Harrison. Arranged by Lorenzo Bocci. Pop/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 4'05''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Tambourine), Acoustic Guitar, Piano.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Now and Then is a ballad that John Lennon wrote and recorded around 1977 as a solo home demo but left unfinished. After Lennon's death in 1980, the song was considered as a potential third Beatles reunion single for their 1995–1996 retrospective project The Beatles Anthology. Instead, it was shelved for nearly three decades, until it was completed by his surviving bandmates Paul McCartney and Ringo Starr, using overdubs and guitar tracks by George Harrison (who died in 2001) from the abandoned 1995 sessions. The final version features additional lyrics by McCartney. Lennon's voice was extracted from the demo using the machine-learning-assisted audio restoration technology commissioned by Peter Jackson for his 2021 documentary The Beatles: Get Back. The song has been released on 2 November 2023 on a double A-side single, paired with a new stereo remix of the band's first single, Love Me Do (1962). Both songs were included on the expanded re-issues of the 1973 compilations 1962–1966 and 1967–1970, released on 10 November 2023. It topped the charts in the United Kingdom, Germany, and Austria, and reached the top ten in Australia, Belgium, Canada, Ireland, the Netherlands, Sweden, Switzerland, and the United States.Subscribe to my YouTube Channel to stay updated on new releases.
$109.00
The Oak
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Florence Beatrice Price
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Steven Nunes
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The Oak
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Nagamon Publications
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1407735 Composed by Florence Beatrice Price. Arranged by Steven Nunes. 21st Century,Romantic Period. 183 pages. Nagamon...
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Concert Band - Level 4 - SKU: A0.1407735 Composed by Florence Beatrice Price. Arranged by Steven Nunes. 21st Century,Romantic Period. 183 pages. Nagamon Publications #990351. Published by Nagamon Publications (A0.1407735). Florence Price(b Little Rock, AR, 9 April 1887; d Chicago, IL, 3 June 1953) was the first African American woman to win widespread recognition as a symphonic composer, rising to prominence (with William Grant Still and William Dawson) in the 1930s. After early training with her mother she studied composition at the New England Conservatory in Boston with Wallace Goodrich and Frederick Shepherd Converse (1903–6) and privately with George Whitefield Chadwick. She gained an Artist’s Diploma (organ) and a piano teacher’s diploma.  In her large-scale works Price’s musical language is often conservative, in keeping with the Romantic nationalist style of the 1920s–40s, but it also reflects the influence of her cultural heritage and the ideals of the “Harlem renaissance†of the 1920s–30s. To her art songs and piano music she brought a thorough knowledge of instrumental and vocal writing, colorful harmonies and exotic modulations.The Oak from 1943 was originally written for orchestra and has been transcribed for concert band. The PDF contains the full score and full set of parts.
$70.00
Arctic Fanfare
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Orchestre d'harmonie
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James Michael bicigo
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Arctic Fanfare
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Polar Publications
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SheetMusicPlus
Concert Band - SKU: A0.757442 Composed by James Michael bicigo. Contemporary,World. Score and parts. 52 pages. Polar Publications #3012023. Published by...
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Concert Band - SKU: A0.757442 Composed by James Michael bicigo. Contemporary,World. Score and parts. 52 pages. Polar Publications #3012023. Published by Polar Publications (A0.757442). This work was commissioned by Ron Inyoue for the Arctic Winer Games in Fairbanks, Alaska 2014. When Ron Inouye first discussed a fanfare for the Arctic Winter Games to be held in Fairbanks in 2014, he asked me to somehow represent the peoples of the north and to include something of native drumming, particularly, Inuit drumming. Since the fanfare is for the games, it needs to be able to be used in its entirity or in parts depending on how much time or the purpose of the fanfare in a given situation. This fanfare is therefore composed with three distinct sections that can be used separately or together depending on the circumstance. The Opening four measures of the brass is reminiscent of much of my music representing the Aurora Borealis. The Drumming is inspired by Inuit and Yupik drumming. I use the two different types of drum and blend the drumming style of the Yupik and Inuit cultures in a bit of a western context. The Yupik tradition of hard beat and soft beat is represented in the dynamics of the drums. The Inuit tradition of establishing the steady beat and then passing rhythmic patterns between the parts is represented throughout the work in all of the drum parts. There is a nod to Athabascan old time fiddle music in the choice of an Irish/Scotish traditional melody entitled The Far North. This is also a traditional Canadian Northern Tier American camping and scouting song. Finally, there is a traditional Fanfare that can be used independently to call people to an event or back from an intermission. It is my sincere hope that this fanfare represents all of us in some way and leaves enough to the listener, that they will relate their own experience of the North in the music they hear. James Bicigo August 18, 2013
$50.00
Red - From Primary Colors Suite
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Orchestre d'harmonie
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AVANCÉ
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Drew Morris
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Red - From Primary Colors Suit
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Yellow Envelope Publications
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1272833 Composed by Drew Morris. 21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 73 pages. Yello...
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Concert Band - Level 5 - SKU: A0.1272833 Composed by Drew Morris. 21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 73 pages. Yellow Envelope Publications #865031. Published by Yellow Envelope Publications (A0.1272833). Red is the third movement of my first suite for concert band, “Primary Colorsâ€. But it also stands as a piece on its own.This piece uses angular rhythms, disjunct melody lines, and big chords to convey what the color red means to me. There are moments of intricate and independent percussion lines that swell into the full band acting as percussion with short, crisp notes on their instruments as well as moments of dark wind chords. And it wouldn’t be a piece about the color red without a little homage to a  heartbeat.If you like this piece, check out the full suite, “Primary Colorsâ€.InstrumentationPiccolo, 2 Flute, Oboe, Bassoon, 3 Clarinet, Bass Clarinet,2 Alto Saxophone, Tenor Saxophone, Baritone Saxophone, 4 Trumpet, 4 French Horn, 2 Trombone, Bass Trombone,Euphonium, Treble Clef Euphonium, Tuba8 Percussionists - Timpani, Snare Drum, Concert Toms (4), Bass Drum, Tam-tam,Suspended Cymbal, Splash Cymbal, China Cymbal, Hi-hat, Crash Cymbals,Glockenspiel, Chimes, Xylophone, Vibraphone, Marimba
$85.00
Our Flirtations
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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John Philip Sousa
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Wesley Besancon
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Our Flirtations
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Wesley Besancon
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts. 62 pages. Wesl...
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Concert Band - Level 4 - SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts. 62 pages. Wesley Besancon #752386. Published by Wesley Besancon (A0.1152172). Throughout Sousa’s career as a conductor, he often altered the performance of his marches without marking or changing the printed music. These alterations were designed for concert performances and included varying dynamics and omitting certain instruments on repeated strains to expand the range of the musical textures, as well as adding unscripted percussion accents for dramatic emphasis at key points in the music. Although Sousa never documented his performance techniques himself, several players who worked extensively with Sousa provided directions for his frequently performed marches, most notably cornetist Frank Simon. Sousa continued to conduct many of his earlier marches later in his career with these unique alterations, but he rarely returned to several of the marches composed between 1873 and 1880. Although no written confirmation exists for how Sousa might have performed these earliest compositions, select elements of his typical performance practices can also be applied to these marches. “Our Flirtation†is the earliest march for which Simon documented Sousa’s common adjustments in performance. The Complete Marches of John Philip Sousa appears in chronological order and is based on some of the earliest known sources for each composition. These newly edited full scores correct many mistakes and inconsistencies found in the parts of early publications; however, all remaining markings and the original scoring are preserved. Additionally, the alterations traditionally employed by the United States Marine Band in performance are incorporated throughout; either those specifically documented by Sousa’s musicians or changes modeled on the customary practices of “The March King.†Performance practices that deviate from the original printed indications are described below and appear in [brackets] in the score. In many instances these indications appear side-by-side with the original markings. An open diamond marked with an accent in the cymbal part indicates that the cymbal player should let that accent ring for an additional beat before rejoining the bass drum part. Second strain (m. 21-38): The dynamic should drop to piano first time through with piccolo, E-flat clarinet, cornets/trumpets, and trombones tacet first time. Additionally, all clarinets should play down one octave as indicated by the cued notes. All instruments rejoin fortissimo and at the original octave in the first ending. A percussion accent may be added in m. 29 the second time. The printed percussion figure in the first ending continues the previous pattern, yet muddies the pick-ups to the second strain and may be omitted for just that one bar as indicated after the downbeat. Trio (m. 39-54): Piccolo and cornets/trumpets are tacet once more as well as cymbals, but trombones have an interesting part in the texture and may continue to play softly here. All instruments rejoin for the fortissimo pick up notes in m. 54. Interlude/Break-up strain (m. 55-70): A percussion accent may be added on beat two in m. 62 and 70, both times, to match the accented chords in the rest of the band. Final strain (m. 71-end): The first time through this strain is piano once more and piccolo, cornets/trumpets, trombones, and cymbals are tacet again. First and second B-flat clarinets should also play one octave lower as indicated by the cued notes. All instruments rejoin in the first ending for the repeat of the break-up strain and play fortissimo to the end.
$14.99
Divertimento
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Orchestre d'harmonie
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AVANCÉ
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Nejc BeÄan
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Divertimento
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UpBeat Editions
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1357096 By Nejc BeÄan. By Nejc BeÄan. 21st Century,Classical,Contemporary,Contest,Festival. 340 pages. UpBeat Edi...
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Concert Band - Level 5 - SKU: A0.1357096 By Nejc BeÄan. By Nejc BeÄan. 21st Century,Classical,Contemporary,Contest,Festival. 340 pages. UpBeat Editions #941723. Published by UpBeat Editions (A0.1357096). Divertimento actually got its title after I finished composing it during the first months of 2019. While trying to search for appropriate titular words which would somehow describe the content of the piece, I kept thinking how light-hearted the musical flow of the whole composition really is. Searching through similar light minded musical content, I did not have to search for long, before I came across the divertimenti of the late 18th century (works by both Wolfgang A. & Leopold Mozart, Haydn, Stamitz, etc.). The informality and casual manner of my piece, as well as the fact that it draws its thematic material from the concept of “absolute†music - without any presupposed program - reminds me of those times, style and the presented musical form established then. Composed in three movements of which the first two are connected, the piece focuses on brightly illuminated colours of the broad spectre provided to us by a full setting of a symphonic wind orchestra.Youtube link - Divertimento starts at 14:20Further info:www.upbeateditions.comupbeat.editions@gmail.comhttps://www.facebook.com/UpBeatEditions.
$249.00
Texas Symphony, Movement V. "Metro"
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Kathryn Ellis
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Texas Symphony, Movement V. &q
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Ellis
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.885230 Composed by Kathryn Ellis. 20th Century,Contemporary,Folk. Score and parts. 73 pages. Ellis #3620143. Published ...
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Concert Band - Level 3 - SKU: A0.885230 Composed by Kathryn Ellis. 20th Century,Contemporary,Folk. Score and parts. 73 pages. Ellis #3620143. Published by Ellis (A0.885230). Metro is the fifth and final movement of A Texas Symphony- This piece takes the listener on a current day musical road trip, from Houston to Dallas to Austin. The journey begins with a travel theme, a variation of which is also then played between each city. The beginning of the travel theme is identified by a snare and timpani rhythm. Houston is the first city of the road trip an the music represents oil wells pumping – a constant timpani beat and triangle is played throughout the Houston music to represent the rhythm of the active oil wells pumping. The travel theme comes back with a key change as the music takes the listener to Dallas, where three ideas are represented; art and glamour, driving on freeway loops around Dallas, and exhilarating night life. The music is upbeat and changes keys several times. The travel theme returns in a different key while traveling to Austin, which is represented by a lyrical Texas waltz, a familiar Texas folk song, and a fiddle theme played in a more classical style. The finale is a blending of themes from the three cities and the travel theme.
$50.00
Viaje al Atardeser
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Orchestre d'harmonie
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Latin/Musique du monde
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Sir Lunch
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2 parts have it simulated
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Viaje al Atardeser
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Sir Lunch
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SheetMusicPlus
Concert Band - SKU: A0.1024253 Composed by Sir Lunch. Latin. Score and parts. 76 pages. Sir Lunch #2917889. Published by Sir Lunch (A0.1024253). ...
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Concert Band - SKU: A0.1024253 Composed by Sir Lunch. Latin. Score and parts. 76 pages. Sir Lunch #2917889. Published by Sir Lunch (A0.1024253). Some years ago, I saw a video of an orangutang sort of running about with some latin music and it was labled Salsa Time and I knew that someday I would write a piece with that title. Well, once it was finished, and I listened and meditated over what it said to me, what I heard was the westward migration of the early settlers of America, only in and through Mexico. Journey To The Setting Sun became my title, but to give it a bit more authenticity, the title is in Spanish, and has become Viaje al Atardeser.The piece opens with a train whistle. If you have none, the Flute 1 & 2 parts have it simulated. Rehearsal markers 1A through 1D serve as layers that lead to the main melody starting at A. At letter B, the Solo 1st trumpet takes on the melody with a slight variation of rhythm. There is a trombone trio from C to D. If you have 3 stong trombonists, I recommend the Eupf and Baritone TC opt out of playing through this section, in order to highlight your great trombone section. *Optional* You may, at your discretion put a fermata after the first beat of the bar before D and allow your solo trumpeter to play a free form cadenza. The mp3 has a sample of how this would sound. The cadenza would end with the pick-up to letter D and you may feel free to let that high note of the solo trumpet ring for a second or two before cuing the rest of the band in. Although from D to the a tempo 4 bars before E is a trumpet solo, the most crucial part of that section is the tambourine part going into double time, creating that extra pop and sense of urgency.This piece represents a watershed moment in my life, as it is my first composition for Concert Band.I encourage all feedback at sirlunch@gmail.comI hope you enjoy it!
$60.00
Departures
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Orchestre d'harmonie
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INTERMÉDIAIRE
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James DeCaro
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Departures
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The Beat Sellery
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.971671 Composed by James DeCaro. 20th Century,Standards. Score and parts. 49 pages. The Beat Sellery #2034345. Publishe...
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Concert Band - Level 3 - SKU: A0.971671 Composed by James DeCaro. 20th Century,Standards. Score and parts. 49 pages. The Beat Sellery #2034345. Published by The Beat Sellery (A0.971671). Sometimes we see patterns as events unfold in our lives. Departures was written following and during a time when I witnessed a number of people leaving-moving away, taking a different path in life, or leaving this life altogether. A single, sighing motive unites all three sections of this piece. It is heard right away in the flutes, takes a yearning tone in the middle section, and returns wistfully at the end of the piece. As with every departure in life, one is left wondering what the arrival will be like. The first and last sections of the piece are in a moderate to slow 6/8 while the middle is in 4/4. There are brief solos for horn, alto sax, and oboe (cued in clarinet). The recording available here is a real band with some real mistakes that hopefully don't get in the way too much. The download includes the full score and set of parts. See all works from The Beat Sellery at www.thebeatsellerycom.
$30.00
2/3 March
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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George Willson
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2/3 March
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George Willson
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.927168 Composed by George Willson. 20th Century,Contemporary. Score and parts. 73 pages. George Willson #3515727. Publi...
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Concert Band - Level 4 - SKU: A0.927168 Composed by George Willson. 20th Century,Contemporary. Score and parts. 73 pages. George Willson #3515727. Published by George Willson (A0.927168). The piece is at least a grade 3 due to competing time signatures, contrapuntal melodies, and persistent upper register work across several sections.Written during my time in the Army, this march emerged as a sort of musical joke. The melody and rhythm parts alternate between 6/8 and 2/4 (or 2 over 3) time throughout the piece with the quarter and dotted-quarter keeping the same beat. It incorporates nearly every march convention that my friend and I could think of from the low brass taking over the strain and piccolo obbligato to the baffling euphonium arpeggios in the final strain along with the equally bafflingly obnoxious trombone countermelody. At the same time, it breaks convention by granting the horn players the melodic line in the trio section instead of giving them the back beats they love so much. One of the stranger jokes whose meaning one might miss is the mix up of beats at the key change which was done deliberately to put the generals and first sergeants out of step. It also contains a symphony's worth of stingers at the end (because 19-year-old me was hilarious ... apparently).
$35.00
Piece For Jazz Bassoon And Orchestra
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Henry Mancini
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John Ivor Holland
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Piece For Jazz Bassoon And Orc
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1287477 Composed by Henry Mancini. Arranged by John Ivor Holland. 20th Century,Blues,Contemporary,Contest,Festival,Jazz...
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Concert Band - Level 4 - SKU: A0.1287477 Composed by Henry Mancini. Arranged by John Ivor Holland. 20th Century,Blues,Contemporary,Contest,Festival,Jazz. Score and Parts. 140 pages. John Ivor Holland #878499. Published by John Ivor Holland (A0.1287477). Henry Mancini wrote this unusual ‘jazz bassoon concerto’ in 1980 for Hollywood session musician Ray Pizzi (the so-called ‘godfather’ of modern jazz bassoon); he can be heard on the original ‘Star Wars’ (1977) soundtrack, also on ‘Predator 2’ (as the voice of the beast). This whirlwind piece takes us through the whole range of the instrument, starting with skittish jumping octaves, a free improvisation (book-ended by ‘shouts’ from the band), a very sultry slow section (featuring Mancini’s trademark chromatic harmony) a magnificent and dramatic final chorus, closing with an extended cadenza to further show off the instrument in this unusual disguise. This arrangement calls for a small beat quartet of keys, Fender bass and drums to accompany the solo bassoon; a suggested solo has been provided for the first section, but the final cadenza has been left blank for complete artistic creation. For further information about this, please contact the arranger, who can make suggestions, as necessary (johnivorholland@gmail.com). Created in memory of Ray Pizzi (1943-2021).
$69.99
Time Out
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Orchestre d'harmonie
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DÉBUTANT
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James Smith
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Time Out
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James Smith
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1402009 Composed by James Smith. Contest,Festival,Instructional. 26 pages. James Smith #985205. Published by James Smit...
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Concert Band - Level 1 - SKU: A0.1402009 Composed by James Smith. Contest,Festival,Instructional. 26 pages. James Smith #985205. Published by James Smith (A0.1402009). Chill out with this selection intended for first-year players, Time Out. Written with the first 4 notes of the A minor blues scale in mind, and using only 6 different notes, younger players will find instant success when learning its catchy bass line and repeated rhythms.Time Out can be performed by a minimal concert ensemble of flutes, clarinets, alto saxophones, trumpets, trombones, and percussion, and uses the A minor blues scale (A, C, D, Eâ™). I am incredibly excited to offer this selection to you in a effort to diversify concert band music repertoire for younger player that avoids using typical key signatures, but does not veer too far away from standard practices. It is suggested that players practice playing the first few notes of the concert Bâ™ scale (Bâ™, C, D, Eâ™), then swapping out concert Bâ™ for concert A. Make sure measures 1-3 are accurately learned by the wind players before learning the rest of the piece. In measure 39, there is a glissando, or “fall†that might be seen in jazz music. (The playback does not support accurate sounds for this effect.) Have players find a random high note, then all descend to the low register of their instruments within 4 beats through fingerings, slides, etc.View more of my catalog here at linktr.ee/jamessmithmusic.
$49.99
Arizona Centennial Overture - Band Version
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Sy Brandon
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Arizona Centennial Overture -
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Sy Brandon
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.755100 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 130 pages. Sy Brandon #3384569....
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Concert Band - Level 4 - SKU: A0.755100 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 130 pages. Sy Brandon #3384569. Published by Sy Brandon (A0.755100). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close.The score prints on legal size paper and the parts on letter.
$39.99
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