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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
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Cor
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2 Cors (duo)
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Quatuor de cuivres: 4 trompettes
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Euphonium
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3 Cors (trio)
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Trompette et Guitare
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Quatuor de cuivres: 4 cors
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
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2 Violons (duo)
32
Violon et Piano
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Violon, Violoncelle (duo)
29
Violon, Alto (duo)
28
2 Altos (duo)
27
2 Violoncelles (duo)
25
Trio à Cordes: violon, alto, violoncelle
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
19
Alto, Piano
19
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17
Violon
12
Violon, Basson (duo)
12
Violoncelle (partie séparée)
9
Alto seul
6
2 Harpes (duo)
6
Violon, Tuba (duo)
6
Trio à Cordes: 2 violons, violoncelle
5
Alto, Violoncelle (duo)
4
Violoncelle, Contrebasse (duo)
3
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3
Alto et Basson
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Harpe
3
Quatuor à cordes: 4 violons
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2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Contre Basse
2
Trio à cordes: 3 violins
2
Alto (partie séparée)
1
Piano Trio: Violon, Alto, Piano
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1
Harpe, Violon (duo)
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Quatuor à cordes : 4 altos
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1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
28
Orchestre d'harmonie
7
Ensemble de cuivres
4
Orchestre
3
Cloches
3
Orchestre de chambre
2
Ensemble Jazz
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Vibraphone
1
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Celtiberian Landscape For Harp And Orquestra
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos T…
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
23.06 €
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Orchestre
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp And Orquestra
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Luis Anjos Teixeira
#
SheetMusicPlus
Hark! The Herald Angels Sing
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1121828 Composed by Traditional…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1121828 Composed by Traditional. Arranged by Luis Cardoso. Christmas,Classical. Score and parts. 51 pages. Luis Cardoso #723021. Published by Luis Cardoso (A0.1121828). Arrangement of the well-known Christmas piece, Hark! The Herald Angels Sing, for voice - Alto, Bass or Baritone - and orchestra - 2222 2200 1Perc Strings (without divisi). Easy to perform, comfortable piece, ideal for sharing a beautiful Christmas moment with the public. 4m40s.
$49.99
46.14 €
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Orchestre
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Traditional
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Luis Cardoso
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Hark! The Herald Angels Sing
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Luis Cardoso
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SheetMusicPlus
Gnossienne No. 1
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1199137 By Erik Satie. By Erik …
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Full Orchestra - Level 2 - Digital Download SKU: A0.1199137 By Erik Satie. By Erik Satie. Arranged by Hans Rudolf. 19th Century,Classical,Romantic Period. Score and Parts. 37 pages. Hans Rudolf #798204. Published by Hans Rudolf (A0.1199137). Gnossienne No. 1 is a solo piano piece by French composer Erik Satie. It was written in 1890 and published in 1893. The piece is part of a series of six Gnossiennes and is perhaps Satie's best known and most frequently performed work.The piece is written in a slow tempo and is marked Lent (slow) and douloureux (painful). It has a simple and repetitive melody played over a slow, dreamy accompaniment. The harmonies are also very sparse, often consisting of only two or three chords.The title Gnossienne is thought to have been invented by Satie himself, and its meaning is not entirely clear. Some suggest that it is a reference to the ancient Greek city of Gnossos on the island of Crete, while others believe that it is an allusion to gnosis, a mystical knowledge in which Satie was interested. For me, I translate Gnossienne simply as knowledge.Overall, Gnossienne No. 1 is a beautiful and haunting piece of music that has captured the imagination of audiences and performers alike for over a century.My orchestration attempts to counter the painful character, at least in part, with a rebellion and triumph over pain. The most unusual detail is the rhythmization by the timpani, which can be perceived as a driving, an eternity of the same or also as a will to continue.
$19.99
18.45 €
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Orchestre
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Erik Satie
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Hans Rudolf
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Gnossienne No. 1
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Hans Rudolf
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SheetMusicPlus
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