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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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XYLOPHONE
Final Call
Non classifié
71
Piano & claviers
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33
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10
Orgue
6
Piano, Voix
3
Piano Trio: piano, violon, violoncelle
1
Guitares
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3
Guitare notes et tablatures
2
Voix
Chorale SATB
26
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14
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8
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5
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2
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2
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1
Chorale SSAATTBB
1
Voix duo
1
+ 4 instrumentations
Retracter
Vents
Saxophone Alto et Piano
8
Flûte traversière et Piano
7
Ensemble de Flûtes
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Ensemble de Clarinettes
4
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4
Quatuor de Clarinettes: 4 clarinettes
4
Quintette de Clarinettes: 5 clarinettes
3
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3
Quintette de Saxophone: 5 saxophones
3
Flûte, Hautbois, Clarinette, Basson
2
Hautbois, Piano (duo)
2
Saxophone Soprano et Piano
2
Quintette de Flûte : 5 flûtes
2
2 Saxophones (duo)
2
Saxophone Tenor et Piano
2
Cor anglais, Piano
2
Clarinette Basse, Piano
2
Saxophone Baryton, Piano
1
Clarinette, Violoncelle (duo)
1
Clarinette
1
2 Flûtes traversières (duo)
1
5 Flûtes à bec
1
3 Clarinettes (trio)
1
Flûte, Clarinette et Basson
1
Ensemble de saxophones
1
Saxophone Alto
1
Clarinette et Piano
1
3 Saxophones (trio)
1
Saxophone Tenor
1
+ 25 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trompette, Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor et Piano
2
Cor anglais, Piano
2
Euphonium, Piano (duo)
2
Trompette
2
Quatuor de cuivres: 4 trompettes
1
Tuba et Piano
1
Ensemble de Tubas
1
Trio de Cuivres
1
Quatuor de cuivres: 4 cors
1
2 Euphoniums (duo)
1
Trombone et Piano
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres
1
2 Cors (duo)
1
4 Tubas
1
+ 14 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violon et Piano
5
Alto, Piano
4
Harpe
3
Violoncelle
2
Trio à Cordes: violon, alto, violoncelle
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à Cordes: 3 violoncelles
1
2 Violoncelles (duo)
1
2 Violons (duo)
1
Violoncelle, Piano
1
+ 6 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
17
Ensemble Jazz
7
Orchestre
7
Jazz combo
7
Cloches
6
Ensemble de cuivres
5
Orchestre à Cordes
3
Orchestre de chambre
2
Marimba
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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Final Call
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Partitions à imprimer
7 partitions trouvées
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Main Titles of America - Orchestral Composition (Finalist in National Young Composers Challenge)
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Orchestre
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INTERMÉDIAIRE
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Caleb Liu
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Main Titles of America - Orche
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Caleb Liu
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.955621 Composed by Caleb Liu. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 82 pages. Caleb Liu...
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Full Orchestra - Level 3 - SKU: A0.955621 Composed by Caleb Liu. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 82 pages. Caleb Liu #6683167. Published by Caleb Liu (A0.955621). Main Titles of America was composed during shelter-in-place in July 2020. The piece was premiered in Winter of 2020 and was selected as a finalist in the 2021 National Young Composers Challenge. The composition was largely inspired by film music. In a film score, there is often a piece called Main Titles that plays during the opening scenes of the film. Typically, this piece encaptures all the major musical motifs present in the score of the movie. As the name suggests, Main Titles of America portrays the major themes of America in musical form. The three themes the piece highlights are opportunity, freedom, and love.The main musical motif appears early in the piece and is supported with eight notes and triplets from the harp and violas. The overall feel is adventurous and hopeful with energy building. The main motif is prominent throughout the piece, and almost every instrument plays the motif at some point. Each instrument represents a unique person who has the opportunity to flourish in America. The second motif represents freedom, and it is primarily played by the woodwinds. In particular, the flutes with their light, feathery sound help to express this idea. This motif is more playful and adds a touch of cheerfulness and lightness to the piece. It reflects the happiness of being free. The main motif and the second motif are intertwined just like opportunity and freedom. The third motif represents love and is prominent in the second half of the piece. The same eighth notes and triplets provide seamless energy and flow. While still maintaining a dream-like feel, this motif is meant to sound more grandiose and emotional. The sweeping themes and romantic harmonies are intended to portray the feeling of an ideal relationship. The piece ends with a triumphant brass chorale (the same motif from the beginning) followed by a tutti chord. It’s the musical representation of look how far we’ve come! The piece highlights the infamous American Dream - that anyone in America has the opportunity to pursue their dreams, find love, and create their own destiny.
$34.99
Flourish!
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Orchestre
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INTERMÉDIAIRE
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Elizabeth Skola Davis
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Flourish!
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Elizabeth Ann Davis
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.826950 Composed by Elizabeth Skola Davis. Contemporary,Folk,Patriotic. Score and parts. 82 pages. Elizabeth Ann Davis...
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Full Orchestra - Level 3 - SKU: A0.826950 Composed by Elizabeth Skola Davis. Contemporary,Folk,Patriotic. Score and parts. 82 pages. Elizabeth Ann Davis #2031967. Published by Elizabeth Ann Davis (A0.826950). Intended to be a festive concert opener, this lively work incorporates motifs derived from the Maryland State Song (Maryland, My Maryland) which itself is set to Lauriger Horatius, a melody better known as O Tannenbaum. The march is dedicated to the musicians of the Londontowne Symphony (an amateur community ensemble in Edgewater, Maryland) and was written for their Season 10 opening concert. Beginning with a lone snare drum setting a simple cadence, the march quickly builds in volume and intensity as different instruments and groups enter and play with the themes. Lesser known American bugle calls such as Church Call and To the Color vie with snippets of a frolic borrowed from a Max Reger piano piece as every player gets a moment in the spotlight, leading to a rousing finale.
$14.95
Nu Tal (Mi Tierra) - Set of Parts
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Juan Carlos Guerra González
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Nu Tal
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.933325 Composed by Juan Carlos Guerra González. 20th Century,Contemporary. Score and parts. 267 pages. Juan Carlos...
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Full Orchestra - Level 3 - SKU: A0.933325 Composed by Juan Carlos Guerra González. 20th Century,Contemporary. Score and parts. 267 pages. Juan Carlos Guerra Gonzalez #3093617. Published by Juan Carlos Guerra Gonzalez (A0.933325). Nu Tal (Mi Tierra) or My Land, is one of my first orchestral works, commissioned by Dr. Irving Ramirez, associate conductor of the El Salvador’s Symphony Orchestra.At the beginning, the idea was to set four small sketches of different images from my country. The 3rd movement was composed first, at that point I didn’t have a name for the work but after a talk with my mother in law, Aracely Sánchez; who is an expert in Salvadoran folklore, I decided to change the work’s name to Nu Tal (My Land in Nahuatl) and use some elements from our folklore. Then, I combined the idea I had from the images and the folk rhythms and tunes to create the whole work.The first movement of the work contains actually two movements. The first part is an image of a plane going to El Salvador. While the plane comes out of the clouds a beautiful land is seen through the window until the plane lands safely at its destination. Immediately, the folk part of the movement (movement II) begins with the invocation performed by the shell to the four cardinal points and then an autochthonous sound is presented welcoming our guests to this magical land, and the theme develops until the end of the movement.The third part was the first composed and it is an image including various ideas that represents a vision of El Salvador from different perspectives and the complexity of the different generations that are currently creating El Salvador’s demographic landscape.The fourth movement is an amalgamate of folkloric ideas and images. The beginning is the call from a church by the bells, then the brass presents the main theme of the movement, which is based on the Gregorian chant Salve Regina that I deconstructed using different rhythmic meters. Then a traditional rhythm is developed for the final section of the work.Link to the audio rendering: https://soundcloud.com/juancarlosguerragonzalez/nu-tal-complete-recording-sibelius-noteperformer-rem...
$125.00
The Cross Kirk and the lang walk
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Orchestre
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INTERMÉDIAIRE
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Graham Hamilton
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The Cross Kirk and the lang wa
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Hambone Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. H...
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Full Orchestra - Level 3 - SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. Hambone Music #1020661. Published by Hambone Music (A0.1440683). A dramatic film-type composition capturing the journey of a novice monk during 15th Century Scotland. For orchestras of an intermediate standard. Ahaunting french horn solo is followed by a dramatic trek utilising the whole orchestra to the end where the horn to round the piece off.Inspired by an old ruined church in my town called the 'Cross Kirk' the history of which can be found here: https://www.britainexpress.co.uk/attr... Part 1 (0 - 2:24) It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 (2:26 -3:37) It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 (3:37 - 6:02) The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train (4:30) where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights (4:55). The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. (5:02) No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 (6:03 - 8:12) The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters (6:30). As he closes his eyes, his mind returns to the knights and a smile crosses his face (8:01) as he gently drifts off to sleep, as the final bell of the day tolls.
$49.99
O Perfect Love - Orchestra/Concert Band Score and Parts PDF
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Richard Runciman Terry 1865-19
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Brendan Elliget MAGA 537
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O Perfect Love - Orchestra/Con
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.751056 Composed by Richard Runciman Terry 1865-1938. Arranged by Brendan Elliget MAGA 537. Christian,Sacred. Score an...
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Full Orchestra - Level 3 - SKU: A0.751056 Composed by Richard Runciman Terry 1865-1938. Arranged by Brendan Elliget MAGA 537. Christian,Sacred. Score and parts. 35 pages. BJE Music #6516483. Published by BJE Music (A0.751056). O Perfect Love – This hymn of probably the lesser-known tune, called Highwood, is often sung at weddings or funerals. The arrangement here is for both Orchestra and/or Concert Band with parts for Harp and Optional Piano (Both shown on the score). The only percussion part is for the Timpani. Various combinations of instrumentals from a small group with the keyboard to the full Orchestra are possible. There is a descant part for Oboe, Clarinet, or Trumpet in the final verse.Grade = 3 Duration = 2:25 mins. The MP3 was recorded with NotePerformer 3.Introduction – Verse 1: Oboe Solo, Strings, Piano, and Harp.Verse 2: +Woodwinds.Verse 3: +All Brass plus the Descant for Oboe, Clarinet, and Trumpet (Full Orchestra) plus Timpani.Tune: Highwood Meter: Irregular Style: Early 20th Century Composer: Richard Runciman Terry (1865 – 1938) Lyricist: Dorothy Blomfield Gurney (1867 – 1936)The lyrics:O perfect Love, all human thought transcending, lowly we kneel in prayer before thy throne, that theirs may be the love which knows no ending, whom thou forevermore dost join in one.O perfect Life, be thou their full assurance of tender charity and steadfast faith, of patient hope and quiet, brave endurance, with childlike trust that fears not pain nor death.Grant them the joy which brightens earthly sorrow; grant them the peace which calms all earthly strife, and to life’s day the glorious unknown morrow that dawns upon eternal love and life.
$15.00
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Jeremy Goh, Daniel Cheng
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Theme and Variations on a Chin
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Jeremy Goh
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published b...
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Full Orchestra - Level 3 - SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published by Jeremy Goh (A0.1027336). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
$4.99
Intermezzo Sinfonico from Cavalleria Rusticana ? original orchestration
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Orchestre
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INTERMÉDIAIRE
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Classique
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Pietro Mascagni
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Michele Galvagno
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Intermezzo Sinfonico from Cava
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1374671 Composed by Pietro Mascagni. Arranged by Michele Galvagno. 19th Century,20th Century,Opera,Religious,Romantic...
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Full Orchestra - Level 3 - SKU: A0.1374671 Composed by Pietro Mascagni. Arranged by Michele Galvagno. 19th Century,20th Century,Opera,Religious,Romantic Period. 33 pages. Artistic Score Engraving di Galvagno Michele #959220. Published by Artistic Score Engraving di Galvagno Michele (A0.1374671). Pietro Mascagniâ??s (1863â??1945) Intermezzo Sinfonico from his opera Cavalleria Rusticana needs no presentation. The idea of this edition comes from an update to an arrangement created for a friendâ??s wedding in 2010. While arranging, I stumbled upon the composerâ??s autograph of this Intermezzo, for piano solo, and decided to add a modern engraving of it to the mix. Finally, an orchestral score and a full set of parts have been included to close the circle.There are, therefore, three versions of this piece: ASE 0055: for piano solo, based on the composerâ??s autograph from 1888. ASE 0057: arrangement for cello ensemble (min. 8 cellos), based on the piano part and not on the orchestral version, which differs greatly in dynamics and agogic marking ASE 0058: original orchestration, score and parts This editionâ??s piano solo and original orchestration versions inaugurate a new series dedicated to Italian composers and/or to composers who thought about Italy while writing their music. It is called: Viva lâ??Italia!
$38.00
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