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ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Non classifié
1107
PIANO & CLAVIERS
Piano, Voix et Guitare
347
Piano seul
121
Piano, Voix
77
Orgue
23
Instruments en Do
8
1 Piano, 4 mains
6
Piano Facile
5
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano (partie séparée)
1
Accompagnement Piano
1
Orgue, Trompette (duo)
1
Instrumentations suivantes
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GUITARES
Guitare
59
Guitare notes et tablatures
16
Banjo
5
4 Guitares (Quatuor)
4
Mandoline
4
Ukulele
4
3 Guitares (trio)
1
Basse electrique
1
Dulcimer
1
Instrumentations suivantes
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VOIX
Chorale SATB
135
Chorale 3 parties
34
Chorale 2 parties
15
Chorale SSAA
13
Chorale TTBB
12
Voix Soprano, Piano
7
Voix moyenne, Piano
6
Voix haute
5
Chorale Unison
5
Voix duo
3
Voix seule
1
Voix Alto, Piano
1
Voix basse
1
Instrumentations suivantes
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VENTS
Quintette de Saxophone: 5 saxophones
87
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
73
Ensemble de saxophones
41
Quatuor de Clarinettes: 4 clarinettes
39
Flûte traversière et Piano
31
Ensemble de Clarinettes
27
2 Saxophones (duo)
24
Quatuor de Saxophones: 4 saxophones
22
Hautbois, Piano (duo)
21
Clarinette
17
2 Flûtes traversières (duo)
17
Flûte, Hautbois, Clarinette, Basson
15
Clarinette et Piano
15
Saxophone (partie séparée)
14
Saxophone Soprano et Piano
13
Saxophone Tenor et Piano
12
Quintette de Flûte : 5 flûtes
12
Flûte traversière
12
Ensemble de Flûtes
11
Saxophone Baryton, Piano
10
Saxophone Alto et Piano
9
2 Clarinettes (duo)
8
Cor anglais, Piano
8
Hautbois (partie séparée)
8
Clarinette Basse, Piano
8
Saxophone, Clarinette (duo)
7
Clarinette, Violon (duo)
5
Saxophone Alto
5
Clarinette, Trompette (duo)
5
Quatuor de Flûtes : 4 flûtes
4
Flûte et Guitare
4
3 Saxophones (trio)
4
Flûte, Clarinette (duo)
4
Flûte, Alto (duo)
3
Saxophone
3
Hautbois, Basson (duo)
3
Flûte, Saxophone (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
2 Hautbois (duo)
3
Flûte, Trompette (duo)
2
Flûte, Violon
2
Clarinette et Alto
2
Hautbois, Clarinette (duo)
2
Cor Anglais
2
2 Flûte à bec (duo)
2
Flute, harpe et violon
1
Cor anglais, Guitare (duo)
1
Clarinette Basse
1
Flûte, Clarinette et Basson
1
Hautbois
1
Clarinette, Guitare (duo)
1
3 Clarinettes (trio)
1
Piccolo
1
Hautbois, Flûte
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois (duo)
1
Instrumentations suivantes
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
74
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
44
Ensemble de Trompettes
25
Quatuor de Cuivres: 2 trompettes, Cor, trombone
24
Ensemble de Trombones
16
Trombone et Piano
15
Euphonium, Piano (duo)
13
Cor et Piano
11
Trompette
11
Trompette, Piano
9
Trompette, Trombone (duo)
8
Cor anglais, Piano
8
Trombone
6
Quatuor de cuivres: 4 trombones
5
2 Trompettes (duo)
5
2 Trombones (duo)
5
Trompette, Saxophone (duo)
5
Tuba
3
Cor
3
2 Cors (duo)
2
2 Tubas (duo)
2
Trio de Cuivres
2
Cor Anglais
2
Quatuor de cuivres: 4 cors
2
Euphonium
2
Ensemble de Tubas
1
Cor anglais, Guitare (duo)
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette (partie séparée)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
164
Violon, Violoncelle (duo)
123
Violon
117
Trio à Cordes: violon, alto, violoncelle
105
Quintette à cordes: 2 violons, alto, violoncelle, basse
23
Violon et Piano
19
Violoncelle, Piano
16
Ensemble de Violons
15
Violon, Alto (duo)
14
Ensemble d'Altos
12
Harpe
12
Alto seul
10
Alto, Piano
10
2 Violoncelles (duo)
9
Violoncelle (partie séparée)
8
Trio à Cordes: 2 violons, violoncelle
8
2 Violons (duo)
6
4 Violoncelles
6
2 Altos (duo)
5
Alto (partie séparée)
5
Quatuor à cordes: 4 violons
3
Contre Basse
3
Harpe et Piano
2
Violon, Orgue
2
Violoncelle
2
Trio à Cordes: 2 violons, alto
2
Quatuor à cordes : 4 altos
2
Violoncelle, Contrebasse (duo)
2
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
3 Harpes
1
2 Contrebasses (duo)
1
Trio à Cordes: 3 violoncelles
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Cloches
220
Orchestre à Cordes
108
Orchestre d'harmonie
35
Ensemble de cuivres
22
Ensemble Jazz
18
Orchestre
14
Orchestre de chambre
11
Ensemble de Percussions
6
Jazz combo
5
Fanfare
3
Batterie
2
Marimba
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
May It Be
intermédiaire
Orchestre
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Let It Be - Beatles for Orchestra
Orchestre
Full Orchestra - Intermediate - Digital Download By Kris Allen, The Beatles. Arranged…
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Full Orchestra - Intermediate - Digital Download By Kris Allen, The Beatles. Arranged by Javier Martínez Maya. Score, Set of Parts. 42 pages. Published by Arte Nova Music Lab
"Let It Be" is a song by the English rock band the Beatles, released on 6 March 1970 as a single, and (in an alternative mix) as the title track of their album Let It Be. It was written and sung by Paul McCartney, and credited to the Lennon–McCartney partnership. The single version of the song, produced by George Martin, features a softer guitar solo and the orchestral section mixed low, compared to the album version, produced by Phil Spector, featuring a more-aggressive guitar solo and the orchestral sections mixed higher.<br> <br> At the time, it had the highest debut on the Billboard Hot 100, beginning its chart run at number 6 and eventually reaching the top. It was the Beatles' final single before McCartney announced his departure from the band. Both the Let It Be album and the US single "The Long and Winding Road" were released after McCartney's announced departure from and the subsequent break-up of the group.<br> <br> Taken from https://en.wikipedia.org/wiki/Let_It_Be_(Beatles_song)
$60.00
54.96 €
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Orchestre
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Kris Allen, The Beatles
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Javier Martínez Maya
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Let It Be - Beatles for Orchestra
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Arte Nova Music Lab
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SheetMusicPlus
The Penitence of Time
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1019535 Composed by Peter Petra…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1019535 Composed by Peter Petrack. Contemporary. Score and parts. 167 pages. Distributed by The Wayfarer Partnership, LLC. #3516473. Published by Distributed by The Wayfarer Partnership, LLC. (A0.1019535). The Penitence of Time is an Orchestral tone poem based on the many ghost stories told about historic Bethlehem, Pennsylvania, especially those about Moravian College’s own music building, the 1748 Brethren’s House. It was used as a Revolutionary War hospital and meeting place for George Washington and his generals. Bethlehem may or may not be a haven for phantoms and specters, but it is certainly defined by the centuries of history that happened there. Listeners will hear orchestral bells striking midnight, as well as references to church chorales and Revolutionary War-era fife and drum. If you'd like to hear the full recording, feel free to visit Peter Petrack's Youtube channel.
$99.99
91.59 €
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Orchestre
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Peter Petrack
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The Penitence of Time
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Distributed by The Wayfarer Partnership, LLC.
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SheetMusicPlus
Dove
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.742596 Composed by Sebastian Yr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.742596 Composed by Sebastian Yradier and Shan Zhang. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 59 pages. Arte Nova Music Lab #6432131. Published by Arte Nova Music Lab (A0.742596). La Paloma, The Dove in English, is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) in the 1850s. In 1879, it was registered at the copyright office in Madrid as a Canción Americana con acompañamiento de Piano. Iradier was to die in obscurity within few years, never to learn how popular his song would become.Very quickly, La Paloma became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Cuba, Colombia, Hawaii, the Philippines, Germany, Romania, Venezuela, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years, the popularity of La Paloma has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds. There are more than one thousand versions of this song, and together with Yesterday by The Beatles, is one of the most-recorded songs in the history of music; it is certainly the most-recorded Spanish song.Taken from https://en.wikipedia.org/wiki/La_Paloma
$60.00
54.96 €
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Orchestre
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Sebastian Yradier and Shan Zhang
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Javier MartÃnez Maya
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Dove
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Arte Nova Music Lab
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SheetMusicPlus
Concerto for Electric Guitar and Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.809889 Composed by Robert E. Pr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.809889 Composed by Robert E. Proctor. Blues,Contemporary. Score and parts. 270 pages. R. E. Proctor #4800403. Published by R. E. Proctor (A0.809889). This concerto is in the traditional three movement format with the first and third movements being fast and the middle movement slow. The second and third movements are most like a blues work. The first movement is a rondo format, is not particularly bluesy. A Les Paul™ guitar would play particularly well in this movement. The second movement switches between the soloist as the distorted guitar sound to the vocalist as the clean guitar sound. The final movement is happy, upbeat, and lively good time blues. In the second and third movements in particular, the basses (cello, double bass) should be easily heard. At the end of the third movement, the precisionist on the drum set should improvise a loud, untimed measure, solo utilizing all the drums and cymbals in the set ending with four moderately paced and slowing beats on the snare drum. A momentary pause, then the final chord. The guitarist will need at least one foot pedal for distortion enabling him/her to switch between a clean sound and a distorted sound. The guitar should be the equivalent of a Fender™ Stratocaster or Telecaster guitar; a Gibson™ Les Paul would do nicely also. The music is partially fingered leaving the player the opportunity to interpret the part. The work is after the fashion of Chicago style blues of the 1960’s. The conductor and guitarist may wish to listen to recordings by the Paul Butterfield Blues Band, John Lee Hooker, John Mayall and the Blues Breakers, B.B. King, etc. to get a feel for the music of the 1960’s blues bands. It would be highly desirable to use an organ, for the 3rd movement, that can produce a Hammond B3™ with Leslie sound, as that instrument was widely used in blues of that period. Although some of the notes notated as harmonics (h) in the score can be played as fretted notes, playing them as natural and artificial harmonics provides an interesting change of tonality. The orchestral part is not particularly challenging. The concerto is approx. 17 minutes in length.
$19.95
18.27 €
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Orchestre
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Robert E
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Concerto for Electric Guitar and Orchestra
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R. E. Proctor
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SheetMusicPlus
Concerto n° 1 for cembalo [fortepiano] and orchestra in C major - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1317490 Composed by Johann Simo…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1317490 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio & Michele Galvagno. 19th Century,Instructional,Opera,Romantic Period. 110 pages. Artistic Score Engraving di Galvagno Michele #906154. Published by Artistic Score Engraving di Galvagno Michele (A0.1317490). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible.A reduction for two pianos is available under Catalogue N° ASE 0051, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$45.00
41.22 €
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Orchestre
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Johann Simon Mayr
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Concerto n° 1 for cembalo [fortepiano] and orchestra in C major - Score Only
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Prenatal Waltz
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.488144 Composed by John Mackill…
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Full Orchestra - Level 3 - Digital Download SKU: A0.488144 Composed by John Mackill. Arranged by John Mackill. Children. Score and parts. 37 pages. Mackill Music #105297. Published by Mackill Music (A0.488144). Here is a lively comic waltz written for children. But more specifically, it is written for children who are still snuggled in the warm, cozy shelter of the womb. Hopefully, it will amuse them when they hear it, but it may be hard to tell. And those very special people, the precious mothers who carry them within, may wish to dance along.
$45.00
41.22 €
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Orchestre
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John Mackill
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John Mackill
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Prenatal Waltz
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Mackill Music
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SheetMusicPlus
Humdinger (Orchestral Arrangement)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1297405 Composed by Geraldine (…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1297405 Composed by Geraldine (Denny) Green. 21st Century,Children,Classical,Comedy. Score and Parts. 85 pages. Geraldine (Denny) Green at Oakmountmusic #887482. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297405). ALL PURCHASES COME WITH SCORE AND PARTSHumdinger was written in March 2010. Â Duration: Â 4 minutes 42 seconds.This piece was specially written for and dedicated to Gary Woolf and the Banda di Musica in Emsdetten, Germany. It is fast, lively, tuneful and comical, with a very mischievous character. It could be enjoyed by both students and professionals alike. It was inspired by a nail biting dash through Frankfurt airport in order to just about catch a plane!There are three arrangements available:No.1 Â School arrangement: for Violin 1, Violin 2, Violin 3, Cello 1 and CelloNo.2 Â Standard: for Violin 1, violin 2, viola, cello and double bassNo.3 Â Youth Orchestra Arrangement:In May 2019 I completed an orchestration for Youth orchestra for this piece. The instrumentation is as follows:Flutes 1&2, 1 Oboe, Clarinets 1&2 in Bflat, 1 Bflat Bass Clarinet, 1 Bassoon, 1 Alto Saxophone.Trumpets 1&2 in Bflat, 1 Tenor Trombone.Maracas, Snare Drum (with brushes), Tambourine, Triangle, Xylophone.Violins 1,2&3, Viola (same as violin 3 part), Cellos 1&2, Double Bass (same as Cello 2 part).
$40.00
36.64 €
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Orchestre
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Geraldine
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Humdinger
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Geraldine
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SheetMusicPlus
TAPS A Rembrance
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1226101 Composed by Traditional…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 28 pages. Artist of Note, Inc. #822125. Published by Artist of Note, Inc. (A0.1226101). TAPS  A Remembrance   Bb Solo Trumpet, Narrator, Piano/Organ/Orchestra, optional SATB Choir  > 2:00TAPS - A Remembrance is ideal for the kinds of brief but important Memorial Day and/or Independence Day observances so often called for in our time.The poignant narration recalls the story of United States Army Sergeant Keith Clark playing the bugle call know today as Taps for the interment of President John F. Kennedy (November of 1963). As author William Manchester later wrote, “The 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†that the whole world heard, and that remains part of our national heritage.The background arrangement (optionally with chorus) heightens the emotion of the story until both give way to a regulation trumpet solo version that includes the grace note error and fades at the end. The orchestration is done in a 4 Part + format that lends itself to optional performance by any section of the orchestra (originally for brass alone).The choral octavo carries the complete narration (also see below) with accompaniment (playable by/adaptable to organ) and the solo trumpet part (all that’s really needed to perform the piece) along with permission to reproduce the octavo for optional choir/ensemble.The choral writing involves divisi only at two easily sung cadence points.And, it can be performed by just the brass and the narrator.For those who may not know the story:CBS News video of A Bugle Call Remembered Gathering 11/16/2013  [01:15]  https://www.youtube.com/watch?v=E3u2qKWQ8io----NARRATOR:  Since the mid 1800s the bugle call known today as Taps has heralded rest for the weary, as well as comfort and encouragement in times of deep personal and collective grief.** music beginsAt about 3:00 p.m. on November 24th 1963, as the nation mourned the assassination of President John F. Kennedy, United States Army Sergeant Keith Clark raised his bugle at Arlington National Cemetery [†with thoughts of I Corinthians 15:51 in mind, “The trumpet shall soundâ€].Clearly broadcast throughout the country and around the world, the 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†as author William Manchester put it. But, as another observer** noted: “Like the crack in the Liberty Bell, it remains part of our national heritage.â€(Taps solo Trumpet with intentional error at m.14 continues)________† Optional text** Ed Hunter for www.TapsForever.com.
$29.99
27.47 €
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Orchestre
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Traditional
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Ken Litton
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TAPS A Rembrance
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Artist of Note, Inc.
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SheetMusicPlus
Elegy for Solo Clarinet and Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.723172 Composed by Joel Jacklic…
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Full Orchestra - Level 3 - Digital Download SKU: A0.723172 Composed by Joel Jacklich. Concert,Contemporary. Score and parts. 63 pages. Joel Jacklich #6228003. Published by Joel Jacklich (A0.723172). This is the orchestral version of Elegy. Commissioned by Mitch Sturman in memory of our mutual friend, composer John B. Edmondson (1933-2016). Mr. Sturman had commissioned new works for the Wilson Jr. H. S. Warrior Band in El Centro, CA for nine years for annual Concerts of Premieres. John B. Edmondson, one of America's leading composers of educational music, with over 800 compositions and arrangements in his catalog, had been commissioned by Mitch seven times for new works, including his last ever composition, Imperial County Impressions performed in May, 2016, prior to Mr. Sturman's retirement in June, 2016. The first commission John had made for Mitch was his Serenade for Solo Clarinet and Band. Mitch felt it would be a fitting tribute for me to compose a work also for solo clarinet and band. This was composed for a memorial tribute concert for John B. Edmondson at Wilson Junior High School on April 6, 2017, where the seven pieces commissioned for the Wilson Band would be performed. The solo clarinet, first clarinet, and first trumpet require moderately experienced players to play the parts musically. All the rest of the parts are easily handled by a typical junior high school band or orchesra.
$40.00
36.64 €
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Orchestre
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Joel Jacklich
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Elegy for Solo Clarinet and Orchestra
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Joel Jacklich
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SheetMusicPlus
Australia Our Land - Orchestra with SATB Choir and Piano
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1033685 By Brendan James Ellige…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1033685 By Brendan James Elliget NotePerformer 3. By Brendan James Elliget MAGA 537. Arranged by Brendan James Elliget MAGA 537. Classical,Contemporary,Patriotic. Score and parts. 41 pages. BJE Music #638998. Published by BJE Music (A0.1033685). The words for this song were written as a poem by my late mother-in-law Olivia Morgan (94) about the love of her adopted country Australia. She originally came from her ancestral home in England when she was 14. She spent her early years in Australia on a cattle station. Many years later she wrote a poem. Olivia asked me to set her poem to music, which I did in 1990 in the style of an anthem. It has since been performed by the local symphony orchestra and full choir. This setting is for SATB Choir and Orchestra with or without piano accompaniment. The MP3 was recorded with NotePerformer… Grade = 3 Duration = 2:35 mins Full lyrics: Australia Our Land Australia great and fair Contained in azure sea Her beauty lies 'neath southern skies Enchanted wide and free From oceans pounded shore Through outback's silent space O'er desert sands and city strands She shows her varied face. Where high the eagle flies And mighty rivers run There rolling plains of golden grain Reflect the west'ring sun In bushland's shaded scene By mountain's dreaming haze There bird-land calls cascading falls Combine their songs of praise. Our country's bounteous gifts Extend from shore to shore In history's place, Her pride and grace Will live forever more This land that keeps our heart Afar though we may roam On land or sea Yet still to be Australia our dear home. (Repeat last two lines) Sung by Christine Neaves (Daughter of Brendan and Glenys Elliget) Words by Olivia Morgan (Mother of Glenys Elliget) Music by Brendan Elliget Copyright © 1996 BJE Music You can listen to the Vocal version at: https://www.bjemusic.com/store/p149/Australia%2C_Our_Land_-_SATB_Choir_or_Solo_Voice_with_Piano_PDF.html.
$28.00
25.65 €
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Orchestre
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Brendan James Elliget NotePerformer 3
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Australia Our Land - Orchestra with SATB Choir and Piano
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BJE Music
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SheetMusicPlus
Petiter Suite for Larger Ensemble (Full Orchestra)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1331981 Composed by Steve Eads.…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1331981 Composed by Steve Eads. Classical,Comedy. 65 pages. Steve Eads #918755. Published by Steve Eads (A0.1331981). An entertaining short six movement suite for full orchestra with a twist. I suggest this piece be programmed towards the end of your (perhaps too lengthy) concert with the following announcement:We are about to embark on a suite with the following six movements:  Fanfare, Danse, Sarabande, Scherzo, Capriccioso and Finale Grandioso. Please hold your applause between movements... or it will just add to the length of the piece.After hearing the hopefully muted groans of your audience you may amuse yourself knowing that the whole performance will take less than 2 ½ minutes..Includes TC parts for low brass.
$25.00
22.9 €
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Orchestre
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Steve Eads
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Petiter Suite for Larger Ensemble
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Steve Eads
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SheetMusicPlus
Hay un sueño inefable
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1021678 Composed by Traditional…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1021678 Composed by Traditional Hymn. Arranged by Otoniel Rojas. Film/TV,Romantic Period,Sacred,Spiritual. Score and parts. 68 pages. Otoniel Rojas #6402843. Published by Otoniel Rojas (A0.1021678). This orchestration of the traditional hymn can bring special meaning to the tune for special gatherings as well may be used in any presentation as inspirational music. The orchestral arrangement is rich harmonically and the addition of 4 part mixed chorus makes it ideal for church choir special occasions. Includes score and individual parts.
$5.99
5.49 €
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Orchestre
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Traditional Hymn
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Otoniel Rojas
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Hay un sueño inefable
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Otoniel Rojas
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SheetMusicPlus
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
35.72 €
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Orchestre
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Manuel de Espinosa de los Monteros (1730-1810)
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Keith Terrett
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
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