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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
(2) Ete
Non classifié
450
Piano & claviers
Piano seul
222
Piano, Voix
74
Instruments en Do
27
Piano, Voix et Guitare
23
Accompagnement Piano
12
Orgue
12
2 Pianos, 4 mains
10
Clavecin
10
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Piano (duo)
1
Orgue et Orchestre
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 10 instrumentations
Retracter
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Guitare
38
Basse electrique
13
2 Guitares (duo)
13
Guitare notes et tablatures
10
3 Guitares (trio)
2
Mandoline, Guitare (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
Paroles et Accords
1
Banjo
1
Ukulele
1
Dulcimer
1
+ 6 instrumentations
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Voix
Chorale SATB
67
Chorale TTBB
21
Chorale Unison
19
Chorale 3 parties
16
Chorale 2 parties
8
Voix Soprano, Piano
5
Chorale SSAA
4
Voix Baryton, Piano
3
Voix duo, Piano
2
Voix seule
1
Voix, Guitare
1
Voix moyenne, Piano
1
Voix basse, Piano
1
+ 8 instrumentations
Retracter
Vents
2 Saxophones (duo)
45
2 Flûtes traversières (duo)
39
Quintette de Saxophone: 5 saxophones
37
2 Clarinettes (duo)
29
Quatuor de Saxophones: 4 saxophones
28
Flûte traversière et Piano
22
Quatuor de Clarinettes: 4 clarinettes
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Ensemble de saxophones
15
Hautbois, Piano (duo)
14
Quatuor de Flûtes : 4 flûtes
12
2 Hautbois (duo)
12
Ensemble de Clarinettes
8
Clarinette
8
Flûte, Hautbois, Clarinette, Basson
7
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6
Clarinette et Piano
6
Saxophone Alto et Piano
6
Ensemble de Flûtes
5
2 Flûtes traversières, Piano
5
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5
2 Clarinettes, Piano
5
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4
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4
Saxophone Alto
4
Flûte traversière
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3
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3
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3 Clarinettes (trio)
2
Saxophone (partie séparée)
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2
Hautbois (partie séparée)
1
3 Saxophones (trio)
1
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1
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1
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1
Piccolo, Piano
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1
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1
+ 48 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
202
Quatuor de Cuivres : 2 trompettes, trombone, tuba
104
Quatuor de cuivres: 4 trombones
31
Quatuor de Cuivres: 2 trompettes, Cor, trombone
29
2 Trompettes (duo)
20
Quatuor de Cuivres
15
Trompette
13
Trompette, Piano
11
2 Trombones (duo)
9
Trombone et Piano
9
2 Euphoniums et 2 Tubas
8
Cor et Piano
6
2 Cors (duo)
6
Tuba et Piano
4
Euphonium, Piano (duo)
4
Trompette (partie séparée)
3
2 Tubas (duo)
3
Cor anglais, Piano
3
Trombone (partie séparée)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trio de Cuivres
2
Trombone
2
3 Trombones (trio)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Cor
2
Ensemble de Trompettes
2
2 Euphoniums (duo)
2
Quatuor de cuivres: 4 cors
1
Euphonium, Tuba (duo)
1
4 Tubas
1
Ensemble de Trombones
1
Tuba
1
Trompette, Trombone (duo)
1
Cornet et orchestre
1
+ 29 instrumentations
Retracter
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Quatuor à cordes: 2 violons, alto, violoncelle
305
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34
Violon, Violoncelle (duo)
30
Violon et Piano
29
2 Violoncelles (duo)
20
Alto, Piano
19
Violoncelle, Piano
16
Trio à Cordes: violon, alto, violoncelle
14
2 Violons, Piano
12
2 Altos (duo)
12
Violoncelle
9
Violon
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Harpe
6
Trio à Cordes: 2 violons, violoncelle
6
2 Harpes (duo)
5
2 Contrebasses (duo)
4
Violon, Alto (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violon (partie séparée)
3
Alto, Violoncelle (duo)
2
Trio à Cordes: 2 violons, alto
2
Contre Basse
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Trio à cordes: 3 violins
1
Trio à Cordes: 3 violoncelles
1
Alto seul
1
Violoncelle , Guitare (duo)
1
Alto (partie séparée)
1
+ 24 instrumentations
Retracter
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Orchestre d'harmonie
68
Orchestre de chambre
67
Orchestre
57
Ensemble de cuivres
54
Orchestre à Cordes
52
Ensemble Jazz
18
Jazz combo
18
Ensemble de Percussions
5
Cloches
5
Fanfare
5
Marimba
2
Batterie
1
Vibraphone
1
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57 partitions trouvées
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51
Symphony No. 2 ... A Phantasmagorey Ballet (1998)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 2 ... A Phantasma
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126...
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Full Orchestra - Level 4 - SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998
$9.99
Bernhard Heinrich Romberg, Concerto for Flute & Orchestra opus 17 Complete
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Bernhard Heinrich Romberg
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Bernhard Heinrich Romberg, Con
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Elaine Baker D'Angelo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1510342 By Bernhard Heinrich Romberg. By Bernhard Heinrich Romberg. Arranged by Original Manuscript Transcriptions, J...
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Full Orchestra - Level 4 - SKU: A0.1510342 By Bernhard Heinrich Romberg. By Bernhard Heinrich Romberg. Arranged by Original Manuscript Transcriptions, John Wion / Piano Red, Elaine Baker D'Angelo. Classical. 131 pages. Elaine Baker D'Angelo #1085534. Published by Elaine Baker D'Angelo (A0.1510342). To Whom This May Concern:You have purchased an orchestral score and a set of parts for the BernardRomberg Flute concerto, op 17. The product is marked: “for rental only”because the previous distributor had a policy prohibiting purchase of thesematerials. Only the Flute part and the Piano Accompaniment were available forpurchase. John Wion, discoverer of the work has authorized me to now sell thescore and orchestral parts. This enclosure is to provide you with a record ofyour legal purchase in case keeping the parts in your possession was everquestioned.Also, please find below some comments from Dr. Jon Ceander Mitchell of theUniversity of Massachusetts at Boston who conducted me performing theconcerto in April, 2012. His suggestions and errata information will hopefullylend assistance to you as you prepare for your concert.Quoting five Major points:1) There must be at least one very strong 2nd violin player as some melodies areintroduced from there.2) Trumpets can double the horns at the octave, though only in spots and verydiscreetly, and not playing at all in the second movement. It is most unusual tohave timpani but no trumpets.3) 2nd movement halfway through, the descending viola line that needs to becompleted by a cellist. [p.38, 5 before E, one cellist to play f-B-Csharp 8ths]4) An A sharp in the solo line in 1st movement that is critical; otherwise it soundsbluesy [p. 30,5 after H].5) Missed accidentals in 1st violin in the 3rd movement [p. 43, 2nd and 3rd mmand p. 51, 3rd and 4th mm. C naturals].
$29.95
Into Eternity
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Stefano Fabrizio Sacchi
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Choir
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Into Eternity
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Stefano Sacchi
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.962273 Composed by Stefano Fabrizio Sacchi. 20th Century,Broadway,Film/TV,Musical/Show,Video Game. Score and parts. 5...
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Full Orchestra - Level 4 - SKU: A0.962273 Composed by Stefano Fabrizio Sacchi. 20th Century,Broadway,Film/TV,Musical/Show,Video Game. Score and parts. 53 pages. Stefano Sacchi #6097489. Published by Stefano Sacchi (A0.962273). For Soprano solo, Orchestra & Choir.Full score and Parts included.Composed and Orchestrated by Stefano Fabrizio SacchiDuration c.a. 3'Difficulty level: intermediateInstrumentation: 2 Flutes, Alto Flute, Oboe, English Horn, 2 Clarinets, 2 Bassoons ,4 Horns in F, Percussion (Glockenspiel, Vibraphone), Harp, Celesta, Soprano Solo, Choir (S.A.T.B), Strings
$80.00
The Eternal Vow
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Tan Dun
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Matt Amy
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The Eternal Vow
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Matt Amy Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1410120 Composed by Tan Dun. Arranged by Matt Amy. Classical,Contemporary,Film/TV,Pop. 49 pages. Matt Amy Music #9925...
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Full Orchestra - Level 4 - SKU: A0.1410120 Composed by Tan Dun. Arranged by Matt Amy. Classical,Contemporary,Film/TV,Pop. 49 pages. Matt Amy Music #992577. Published by Matt Amy Music (A0.1410120). Key: D minorBPM: 110Style: Rubato / Cello FeatureDuration: 3:03“ Ensemble type: Pops OrchestraFull Recording (MIDI): The Eternal Vow (MIDI)Instrumentation- Piccolo- Flute 1, 2- Oboe 1, 2- Clarinet 1, 2- Bass Clarinet- Bassoon 1, 2- Alto Sax 1, 2- Tenor Sax 1, 2- Baritone Sax- Horn 1, 2- Horn 3, 4- Trumpet 1, 2, 3, 4- Trombone 1, 2, 3- Baritone Horn- Tuba- Keyboard- Guitar- Electric Bass (Rhythm Section)- Drums- Percussion 1 - Percussion 2 - Timpani- Harp- Solo Cello- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$75.00
Virtue, Not Vengeance; Hope, Not Despair - for alto solo and orchestra - Part 1 of 2 (piano version
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Christopher Schwinger
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Virtue, Not Vengeance; Hope, N
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Christopher Schwinger
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.938529 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 22 pages. Christopher Schwinger #27591. ...
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Full Orchestra - Level 4 - SKU: A0.938529 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 22 pages. Christopher Schwinger #27591. Published by Christopher Schwinger (A0.938529). The 9th Christian vocal solo I've written, about about the promise of eternal life and support from God in this life if we choose virtue instead of vengeance. Part 1 of 2 of the orchestral version contains the score in concert pitch and transposed formats. The alto part goes from alto part goes from G# below middle C (the top of the bass clef staff, below the treble clef staff) to D# near the top of the treble clef staff. Instrumentation required: 1 flute, 1 Bb clarinet, 1 Bb trumpet, 1 trombone, 2 tubas, violin section (sometimes divisi), and cello section. (The total cost for the orchestral version is $46.).
$23.00
Wieniawski Polonaise No. 2 Op 21 for Violin and Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Henri Wieniawski
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Paul Wood
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Wieniawski Polonaise No. 2 Op
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MyMusicScores.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1382116 Composed by Henri Wieniawski. Arranged by Paul Wood. Romantic Period. 118 pages. MyMusicScores.com #966642. P...
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Full Orchestra - Level 4 - SKU: A0.1382116 Composed by Henri Wieniawski. Arranged by Paul Wood. Romantic Period. 118 pages. MyMusicScores.com #966642. Published by MyMusicScores.com (A0.1382116). Henri Wieniawski composed two Polonaises The Polonaise No. 1, Op.4 in D-major, emerges as a youthful endeavor, while the Op.21 in A-major stands as one of his final compositions.Completed in 1870, the Polonaise in A-major debuted with orchestral accompaniment in St. Petersburg, followed by a piano-accompanied performance in Warsaw, showcasing Wieniawski's adaptability. The piece received critical acclaim from its inception, lauded as a magnificent piece, a sentiment echoed in subsequent reviews across Russian and Western European publications.Published by Schott Publishers in Mainz around 1875, the Polonaise in A-major reveals a well-developed concert piece. The solo violin assumes a dominant role, with the orchestra primarily providing harmonic support. The middle fragment introduces contrast through a change in key and tempo, featuring a balanced dialogue between the instruments.The PDF document includes both the score and individual instrument parts. To make navigation easy within the file, all instrument parts have been bookmarked for quick access.
$39.99
Aires Nacionales Mexicanos, Op. 558 (Potpourri) - 8-1/2"x11" ORCHESTRAL PARTS ONLY
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Mexican law and custom
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Miguel Rios Toledano
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Joel Jacklich (ASCAP)
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Aires Nacionales Mexicanos, Op
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Joel Jacklich
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score a...
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Full Orchestra - Level 4 - SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069). ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper.
$65.00
We Are The Victors -- Complete Set of Parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Cody Weinmann
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We Are The Victors -- Complete
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Cody Weinmann
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.835072 Composed by Cody Weinmann. 20th Century,Contemporary,Film/TV. Score and parts. 2 pages. Cody Weinmann #2101671...
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Full Orchestra - Level 4 - SKU: A0.835072 Composed by Cody Weinmann. 20th Century,Contemporary,Film/TV. Score and parts. 2 pages. Cody Weinmann #2101671. Published by Cody Weinmann (A0.835072). Get this set of parts to accompany your full score of my piece We Are The Victors. It features a complete set of parts for a concert orchestra in the modern sense. It features every part from Piccolo all the way to the contrabass or double bass string part. Parts print on 8 1/2 by 11 sized paper!
$18.00
Symphony No. 1 (Complete) - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Drake Mabry
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Symphony No. 1
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Drake Mabry
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.799454 Composed by Drake Mabry. 20th Century,Contemporary. Score and parts. 179 pages. Drake Mabry #1911267. Publishe...
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Full Orchestra - Level 4 - SKU: A0.799454 Composed by Drake Mabry. 20th Century,Contemporary. Score and parts. 179 pages. Drake Mabry #1911267. Published by Drake Mabry (A0.799454). The work, written in 1983 is in 5 movements with a prelude and postlude framing the work, a central slow movement featuring the soprano saxophone and percussion and then 2 scherzos, one on each side of the central, 3rd movement. Thus an arch form of ABCBA. The 2 scherzos share the same material but in the 1st scherzo, this is done in a horizontal manner and in the 2nd scherzo the material is treated vertically. The 3rd and central movement is a Lament featuring a solo soprano saxophone and solo percussionist who dialogue between themselves and with the orchestra. The duration is 24 minutes.
$12.99
Satie - “Bilingual Satie”, Orchestra suite complete and orchestrated by Arkady Leytush
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Contemporain
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Erik Satie
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A
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Satie - “Bilingual Satie
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1050215 Composed by Erik Satie. Arranged by A. Leytush. Contemporary. Score and parts. 138 pages. Arkady Leytush #654...
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Full Orchestra - Level 4 - SKU: A0.1050215 Composed by Erik Satie. Arranged by A. Leytush. Contemporary. Score and parts. 138 pages. Arkady Leytush #654592. Published by Arkady Leytush (A0.1050215). This combination of Satie's compositions consists of opuses destined exclusively for piano, which moved me to compose and orchestrate a kind of suite that demonstrates 2 different writing styles of their author, traditional and modern.
$100.00
Ange Flégier: Le Cor for horn and orchestra, score and complete parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Ange Flégier
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Ange Flégier: Le Cor fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.534251 Composed by Ange Flégier. Romantic Period,Standards. Score and parts. 60 pages. Musik Fabrik Music Publishi...
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Full Orchestra - Level 4 - SKU: A0.534251 Composed by Ange Flégier. Romantic Period,Standards. Score and parts. 60 pages. Musik Fabrik Music Publishing #3238149. Published by Musik Fabrik Music Publishing (A0.534251). Ange Flégier's most famous work for Horn and orchestra, in Flégier's original key (D major) and orchestration. The orchestration is for horn solo plus 2(pic)222/4231/timp/perc/harp/strings. Parts for A and Bb clarinets and Bb and C trumpets are included in the set. Individual parts are also available for sale. A version for horn and piano (in Flégier's key of D major) as well as a version for concert band are also for sale.
$77.95
Ange Flégier: Le Cor for bass voice and orchestra, score and complete parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Ange Flégier
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Ange Flégier: Le Cor fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.534189 Composed by Ange Flégier. Romantic Period,Standards. Score and parts. 68 pages. Musik Fabrik Music Publishi...
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Full Orchestra - Level 4 - SKU: A0.534189 Composed by Ange Flégier. Romantic Period,Standards. Score and parts. 68 pages. Musik Fabrik Music Publishing #3228237. Published by Musik Fabrik Music Publishing (A0.534189). This is Flégier's original orchestration for this famous song, which gives the famous piece a much more profound atmosphere. The orchestration is for 2(Pic)222/4231/timp/perc/hp/strings. The set includes parts for both A and Bb clarinets and for Bb and C trumpets. The set also includes a reduction for voice and piano.
$77.95
Livin' On a Prayer
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Bon Jovi
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Arr
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Livin' On a Prayer
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John Violinista
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1486661 By Bon Jovi. By Bon Jovi. Arranged by Arr.: John Santos. Classical,Film/TV,Funk,Pop,Rock. 68 pages. John Viol...
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Full Orchestra - Level 4 - SKU: A0.1486661 By Bon Jovi. By Bon Jovi. Arranged by Arr.: John Santos. Classical,Film/TV,Funk,Pop,Rock. 68 pages. John Violinista #1063726. Published by John Violinista (A0.1486661). Livin' On a Prayer - Voz + Banda + Orquestra - Grade + PartesPiccoloFlauta 1,2Oboé 1,2Clarinete Bb 1,2FagoteTrompa F 1,2Trompete Bb 1,2Trombone 1,2TubaTímpanoGlockenspielGuitarra ElétricaContrabaixo ElétricoBateriaHarpaVozViolino 1Violino 2ViolaViolonceloContrabaixo
$539.00
Smells Like Teen Spirit
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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John Santos
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Smells Like Teen Spirit
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John Violinista
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1475673 By By Dave Grohl, Kurt Cobain, Krist Novoselic. By Nirvana. Arranged by John Santos. Classical,Film/TV,Holida...
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Full Orchestra - Level 4 - SKU: A0.1475673 By By Dave Grohl, Kurt Cobain, Krist Novoselic. By Nirvana. Arranged by John Santos. Classical,Film/TV,Holiday,Pop,Rock. 68 pages. John Violinista #1053232. Published by John Violinista (A0.1475673). Smells Like Teen Spirit - Nirvana (Conductor and Parts)Full OrchestraSmells Like Teen Spirit - Nirvana (Grade e Partes)PiccoloFlauta 1, 2Oboé 1, 2Clarinete em Bb 1, 2FagoteTrompa em F 1, 2Trompete em Bb 1, 2Trombone 1, 2TubaTímpanoPercussão (Triângulo e Glockenspiel)HarpaGuitarra ElétricaBaixo ElétricoSolistaSopranoContraltoTenorBarítonoViolinos 1Violinos 2ViolasCellosContrabaixo
$479.00
Carry On
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Andre Matos
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John Santos @smpartituras
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Carry On
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John Santos - @smpartituras
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1248931 Composed by Andre Matos. Arranged by John Santos @smpartituras. Classical,Rock. Score and Parts. 133 pages. J...
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Full Orchestra - Level 4 - SKU: A0.1248931 Composed by Andre Matos. Arranged by John Santos @smpartituras. Classical,Rock. Score and Parts. 133 pages. John Santos - @smpartituras #843400. Published by John Santos - @smpartituras (A0.1248931). Carry On - Angra - OrquestraGrade + PartesConductorFlauta 1, 2Oboé 1, 2Clarinete 1, 2FagoteTrompa 1, 2Trompete 1, 2, 3Trombone 1, 2, 3TubaDrum SetGuitarra IGuitarra IIBaixo ElétricoViolino IViolino IIViolaViolonceloContrabaixoVoz
$599.00
Voi lo sapete, o mamma... Concert version with a reduced orchestration
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Pietro Mascagni
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Patricio Cueto
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Voi lo sapete, o mamma... Conc
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Patricio Cueto
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1426381 Composed by Pietro Mascagni. Arranged by Patricio Cueto. Classical,Opera,Romantic Period. 25 pages. Patricio ...
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Full Orchestra - Level 4 - SKU: A0.1426381 Composed by Pietro Mascagni. Arranged by Patricio Cueto. Classical,Opera,Romantic Period. 25 pages. Patricio Cueto #1007097. Published by Patricio Cueto (A0.1426381). The aria Voi lo sapete, o mamma... from Mascagni's Cavalleria rusticana in a concert version with reduced orchestration, only 2 horns and no need of trumpets, trombones or harp. 2.2.2.2. 2.0.0.0. tim. Strings.
$45.00
Don't Stop Believin'
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Journey
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Arthur C
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Don't Stop Believin'
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Arthur Cristovão Maurer
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1144973 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Arthur C. Maurer. Disco,Film/TV,Pop,Ro...
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Full Orchestra - Level 4 - SKU: A0.1144973 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Arthur C. Maurer. Disco,Film/TV,Pop,Rock. Score and parts. 28 pages. Arthur Cristovão Maurer #745289. Published by Arthur Cristovão Maurer (A0.1144973). A sua Orquestra está com falta de músicas Pop? Você sente saudades da grande década de 1980 e precisa de uma música que represente a era Disco? Está aà o Don't Stop believing, do Journey. Esta arranjo conta com 27 instrumentos, que são: Piccolo, Flauta Transversal, 2 Clarinetes em Bb, 2 Saxofones Alto, 2 Saxofones Tenor, Saxofone BarÃtono, Trompa em F, 3 Trompetes em Bb, Corneta em Bb, 2 Trombones em C, Tuba em C, Xilofone, Bateria, Caixa Clara, Pratos, Piano, Guitarra Elétrica, Baixo elétrico, Percussão Auxiliar (Cowbell e Tambourine) e Sino de mão. Por que não pensa em ter este grande e magnÃfico arranjo?
$79.99
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
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Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
Divinum Mysterium
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score ...
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Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
IT IS WELL WITH MY SOUL - Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Philip P
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Glen Poehlmann
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IT IS WELL WITH MY SOUL - Orch
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arrangements by GPoehlmann
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1089620 Composed by Philip P. Bliss. Arranged by Glen Poehlmann. Sacred. Score and parts. 45 pages. Arrangements by G...
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Full Orchestra - Level 4 - SKU: A0.1089620 Composed by Philip P. Bliss. Arranged by Glen Poehlmann. Sacred. Score and parts. 45 pages. Arrangements by GPoehlmann #693829. Published by arrangements by GPoehlmann (A0.1089620). IT IS WELL WITH MY SOUL - Orchestra Arranged for a Church Orchestra - complete instrumentation is not required. Hymn Tune: VILLE DU HAVRE Medium Difficult (grade 3+) 88 measures. Performance time approx 3:35 Key: Eb - A - Bb. Meter: 4/4 - 3/4 (2/4) Parts provided (PDF) Full Score Flute 1, Flute 2, Oboe Bassoon Clarinet 1, Clarinet 2, Clarinet 3, Bass Clarinet Alto Sax, Tenor Sax (Trombone) Horn in F, Trumpet 1, trumpet 2, Trombone Percussion 1 (Glockenspiel) Percussion 2 (Chimes) Percussion 3 *Timpani & Triangle) Piano Violin 1, Violin 2, Viola, Cello, Double Bass.
$12.00
AND CAN IT BE for CHURCH ORCHESTRA
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Thomas Campbell
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Glen Poehlmann
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AND CAN IT BE for CHURCH ORCHE
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arrangements by GPoehlmann
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.807049 Composed by Thomas Campbell. Arranged by Glen Poehlmann. Christian,Sacred. Score and parts. 62 pages. Arrangem...
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Full Orchestra - Level 4 - SKU: A0.807049 Composed by Thomas Campbell. Arranged by Glen Poehlmann. Christian,Sacred. Score and parts. 62 pages. Arrangements by GPoehlmann #6233271. Published by arrangements by GPoehlmann (A0.807049). AND CAN IT BE? - CHURCH ORCHESTRAChurch Orchestra may not have complete or balanced instrumentation. Alternate parts are provided.131 measures. Performance Time approx. 5:15. Medium Difficult (Grade 3+)Key: F - G. Meter: 4/4.Instrumentation:Flute 1,2 Oboe 1,2Clarinet 1,2,3Bass ClarinetAlto SaxHorn in FTrumpet 1,2TromboneTimpaniViolin 1,2ViolaCelloDouble BassPianoBari Sax (Double Bass)Baritone TC (Trombone)Tenor Sax (Trombone)
$6.00
From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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From the Hillside, Aria for Te
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathani...
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Full Orchestra - Level 4 - SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathaniel Holland #3142471. Published by James Nathaniel Holland (A0.730401). Tenor Aria From the Hillside from the 21st Century Opera ON THE WINGS OF THE SCARLET MESSENGER (Based on the Henry James novel, On the Wings of a Dove) here with full orchestral accompaniment. (Full score in concert pitch, voice, and individual parts included) This accompaniment can also be used with the solo and male ensemble that is contained in the full vocal score.Instrumentation: pic, fl12,ob12,eh,cl12,bcl,tenor sax, bsn12,hrn1234, trpt 12, trmb, btrm, timp, hand cym/egg shaker, hrp, voice, stringsDuration: 4:00 minutes (Sample here begins with extra measure) Video presentation at: https://www.youtube.com/watch?v=u47yb4kiE0Y Curious? Listen to the complete opera playlist en demo at: http://www.youtube.com/watch?v=Rr5x_aXnUMM&list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMa Adaptation, Libretto, and Music by James Nathaniel Holland Performance: James Nathaniel Holland, Tenor Orchestra: CH Symphony Group (Complete Duration: 2 hours) BRIEF SYNOPSIS: In the urban capital of Soon Rafa, lovers Mariana (Soprano) and Kai (Bass) cannot be together because of Mariana's disapproving wealthy Aunt (Mezzo-Soprano). Torn between love and financial security, an unlikely opportunity arises when a dying rich Occidental, Justin (Tenor) reveals his romantic interest in Kai. The couple plot a pretense to inherit Justin's money and be free to marry and live together. This aria occurs in Act I, Scene 2. Justin (tenor) has just hired a group of porters, including Kai (bass), to guide him through the jungles of the island to photograph the mythical bird, the Scarlet Messenger. Although the men insist it is a legend, Justin inspires them to persevere with him. Aria Libretto, Justin (tenor singing): From the hillside, something breaks free. Is it real? Or just illusion? Oh how I have to see you, feel that beauty. Upon your wings our souls must one day fly to heaven. Never doubt that you can find him, hiding among your dreams. For when you feel all hope is gone, that's when you spot his red wings, fiery bright. (to the group of porters) So come with me, all's not in vain. It is real, just not illusion. The day is fading fast, oh, so quickly. We'll be the first to see that blazing path of fire. The Scarlet Messenger! Oh how that would be the greatest gift of my life. Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html Music, Lyrics, Performance Copyright 2017 James Nathaniel Holland.
$15.95
Festival on VICTORY
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Dudley Buck
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Paul Ferington
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Festival on VICTORY
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Paul K Ferington
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1337205 Composed by Dudley Buck. Arranged by Paul Ferington. Classical,Easter,Religious. 50 pages. Paul K Ferington #...
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Full Orchestra - Level 4 - SKU: A0.1337205 Composed by Dudley Buck. Arranged by Paul Ferington. Classical,Easter,Religious. 50 pages. Paul K Ferington #912243. Published by Paul K Ferington (A0.1337205). A joyous orchestra transcription of an 1896 organ work by Dudley Buck, using the hymn tune VICTORY (The Strife is O'er) celebrating the Easter Season; arranged with the competent Church orchestra in mind (3:45) (2/1/2+bc/1Â 2/2/2/1Â Timp) and perfect as a Prelude, Voluntary, or Postlude especially on or near Easter Sunday.
$24.95
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