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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Blue Ice
Non classifié
102
Piano & claviers
Piano seul
110
Piano, Voix et Guitare
76
Piano, Voix
61
Instruments en Do
4
Clavecin
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue
2
2 Pianos, 4 mains
1
Orgue, Piano (duo)
1
Accompagnement Piano
1
1 Piano, 4 mains
1
+ 6 instrumentations
Retracter
Guitares
Guitare
16
Guitare notes et tablatures
6
Basse electrique
3
2 Guitares (duo)
2
Paroles et Accords
1
Voix
Chorale SATB
22
Voix duo, Piano
6
Voix seule
6
Chorale 3 parties
5
Chorale TTBB
5
Voix Tenor, Piano
4
Chorale Unison
3
Chorale SSAA
3
Voix Soprano, Piano
3
Voix Alto, Piano
3
Voix duo
2
Voix haute
2
Voix Baryton, Piano
1
Voix moyenne, Piano
1
Voix Tenor
1
Voix basse, Piano
1
+ 11 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
8
Quatuor de Clarinettes: 4 clarinettes
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Clarinette et Piano
5
Saxophone Tenor et Piano
4
Saxophone Alto et Piano
4
Saxophone Baryton, Piano
4
Flûte traversière et Piano
4
Hautbois, Piano (duo)
3
Saxophone Alto
3
Flûte, Hautbois, Clarinette, Basson
3
3 Saxophones (trio)
2
Saxophone Soprano et Piano
2
Quintette de Saxophone: 5 saxophones
2
3 Clarinettes (trio)
1
2 Clarinettes (duo)
1
Flûte à bec Soprano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte et Guitare
1
Ensemble de Flûtes
1
Flûte, Violon
1
Clarinette Basse, Piano
1
Flûte à bec Tenor
1
Flûte traversière
1
2 Saxophones (duo)
1
+ 20 instrumentations
Retracter
Cuivres
Trompette
6
Trompette, Piano
5
Cor et Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Tuba et Piano
2
Trompette, Trombone (duo)
2
Tuba
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Trombones (duo)
1
+ 5 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
18
Alto, Piano
5
Harpe
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violon et Piano
4
Violoncelle, Piano
4
Violoncelle
2
Violon, Violoncelle (duo)
2
Trio à Cordes: violon, alto, violoncelle
1
Contrebasse, Piano (duo)
1
Violon
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle, Contrebasse (duo)
1
Alto seul
1
+ 9 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
30
Jazz combo
16
Orchestre d'harmonie
13
Vibraphone
6
Orchestre
6
Cloches
4
Batterie
3
Marimba
2
Orchestre de chambre
1
Orchestre à Cordes
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
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BATTERIE
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CHANT - CHO…
CHARANGO
CITHARE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
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CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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PIANO
SAXOPHONE
SYNTHE
TROMBONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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COMEDIES MUSICALES -…
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Blue Ice
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Orchestre
Partitions à imprimer
6 partitions trouvées
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Mr. Blue Sky
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Electric Light Orchestra
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Jennifer Lindberg
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Mr. Blue Sky
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Yayabe Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1493828 By Electric Light Orchestra. By Jeff Lynne. Arranged by Jennifer Lindberg. Classical,Pop,Rock. 247 pages. Yay...
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Full Orchestra - Level 4 - SKU: A0.1493828 By Electric Light Orchestra. By Jeff Lynne. Arranged by Jennifer Lindberg. Classical,Pop,Rock. 247 pages. Yayabe Music #1070485. Published by Yayabe Music (A0.1493828). Arranged for rock orchestra - full symphony orchestra, plus vocals, bass, keyboard, and drums.Includes versions in both the original key of F and in B-flat for higher voices.Vocal range:F major (tenor): D3 to C5 (or optional F5)B-flat major (alto): G3 to F5 (or optional Bb5)Instrumentation:2 flute + piccolo2 oboe + english horn2 clarinet + bass clarinet1 tenor sax2 bassoon4 horn3 trumpet2 trombonetubaelectric bassdrum settimpanicowbellkeyboardharp (electric lever harp, but can use pedal harp)voices (1 lead, 3 backup)violins 1 and 2violacellocontrabass.
$49.99
Thank You (falletin Me Be Mice Elf Again)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Sly and the Family Stone
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Jennifer Lindberg
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Thank You
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Jennifer Lindberg
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1088905 By Sly and the Family Stone. By Sylvester Stewart. Arranged by Jennifer Lindberg. Blues,Classical,Rock. Score...
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Full Orchestra - Level 4 - SKU: A0.1088905 By Sly and the Family Stone. By Sylvester Stewart. Arranged by Jennifer Lindberg. Blues,Classical,Rock. Score and parts. 57 pages. Jennifer Lindberg #693113. Published by Jennifer Lindberg (A0.1088905). Arranged for full orchestra, plus vocals, bass, drums.
$49.99
Chega De Saudade (No More Blues)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Antonio Carlos Jobim, Jessie C
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Brian Lawrence
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Chega De Saudade
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Brian Lawrence
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1470000 Composed by Antonio Carlos Jobim, Jessie Cavanaugh, Jon Hendricks, and Vinicius De Moraes. Arranged by Brian ...
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Full Orchestra - Level 4 - SKU: A0.1470000 Composed by Antonio Carlos Jobim, Jessie Cavanaugh, Jon Hendricks, and Vinicius De Moraes. Arranged by Brian Lawrence. 20th Century,Contemporary,Film/TV,Jazz,Latin. 144 pages. Brian Lawrence #1047738. Published by Brian Lawrence (A0.1470000). Here is Antonio Carlos Jobim's Chega de Saudade (No More Blues) arranged for studio orchestraInstrumentation: Voice Tenor Saxophone (solo) Fl, fl, ob, cl, cl, bs cl, bsn Hn, hn, tpt, tpt, tpt, tbn, tbn, bs tbn Gtr, pno, bs, drums Harp Solos: Voice Tenor Saxophone (although anyone could solo in this section) Performance by the University of North Texas Brian Lawrence Studio Orchestra: https://www.youtube.com/watch?v=2ba-sdzwqBwTo view a full score preview, and see other music for sale, please visit my website www.brianlawrencemusic.com/chega-de-saudade
$74.99
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
Symphony No. 2 ... A Phantasmagorey Ballet (1998)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 2 ... A Phantasma
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126...
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Full Orchestra - Level 4 - SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998
$9.99
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds o
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 p...
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Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
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Blue Ice
