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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It Latin
Non classifié
125
Piano & claviers
Piano seul
104
Piano, Voix
59
Instruments en Do
42
Piano, Voix et Guitare
36
1 Piano, 4 mains
5
2 Pianos, 4 mains
3
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Guitare
22
Guitare notes et tablatures
7
Ligne De Mélodie, (Paroles) et Accords
5
Basse electrique
3
2 Guitares (duo)
2
4 Guitares (Quatuor)
1
Mandoline
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
62
Chorale TTBB
9
Voix haute
3
Chorale Unison
3
Chorale 3 parties
3
Voix Soprano, Piano
3
Voix Baryton, Piano
2
Voix moyenne, Piano
2
Chorale 2 parties
1
Voix basse, Piano
1
Chorale SSAA
1
Voix duo, Piano
1
Voix seule
1
Voix Tenor, Piano
1
Voix Alto, Piano
1
+ 10 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
14
Flûte, Hautbois, Clarinette, Basson
11
Quatuor de Clarinettes: 4 clarinettes
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Flûte et Guitare
8
Flûte traversière
6
Hautbois, Piano (duo)
5
Clarinette et Piano
5
Quintette de Saxophone: 5 saxophones
5
Ensemble de Clarinettes
5
Quatuor de Flûtes : 4 flûtes
4
Ensemble de saxophones
4
2 Flûtes traversières (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte traversière et Piano
3
Clarinette, Guitare (duo)
3
Saxophone Alto et Piano
2
Saxophone Tenor et Piano
2
2 Clarinettes (duo)
2
3 Saxophones (trio)
1
Clarinette, Trompette (duo)
1
Trio de Flûtes: 3 flûtes
1
Clarinette
1
Flûte, Clarinette et Basson
1
Saxophone, Clarinette (duo)
1
2 Saxophones (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Ensemble de Flûtes
1
Hautbois (partie séparée)
1
+ 24 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Quatuor de cuivres: 4 trombones
7
Trombone et Piano
7
Trio de Cuivres
4
Trompette, Piano
4
Ensemble de Trombones
4
Cor et Piano
3
Cor
3
Trompette
3
Quatuor de cuivres: 4 trompettes
2
2 Euphoniums et 2 Tubas
2
Trompette (partie séparée)
1
Quatuor de cuivres: 4 cors
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Tuba et Piano
1
+ 11 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
43
Violon, Violoncelle (duo)
8
Trio à Cordes: violon, alto, violoncelle
5
Violon et Piano
5
Violoncelle
4
Violoncelle, Piano
3
Violon
3
Trio à Cordes: 2 violons, violoncelle
3
2 Violoncelles (duo)
3
Alto, Piano
2
Violon, Alto (duo)
1
4 Contrebasses
1
Harpe
1
2 Harpes (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
2 Violons (duo)
1
+ 11 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
54
Orchestre
24
Orchestre d'harmonie
21
Jazz combo
17
Ensemble de Percussions
6
Orchestre de chambre
6
Orchestre à Cordes
4
Ensemble de cuivres
4
Marimba
3
Cloches
3
Batterie
2
Fanfare
2
+ 7 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
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AUTRES INST…
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Vous avez sélectionné:
It Latin
avancé
Orchestre
Partitions à imprimer
24 partitions trouvées
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1
I Like It
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Workout Music
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Daryl McKenzie
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I Like It
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1146035 By Workout Music. By Manny Rodriguez and Tony Pabon. Arranged by Daryl McKenzie. Latin,Pop. Score and parts. ...
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Full Orchestra - Level 4 - SKU: A0.1146035 By Workout Music. By Manny Rodriguez and Tony Pabon. Arranged by Daryl McKenzie. Latin,Pop. Score and parts. 103 pages. Daryl McKenzie #746276. Published by Daryl McKenzie (A0.1146035). I Like It Like That is a song written by Tony Pabon and Manny Rodriguez. It was initially a hit for boogaloo musician Pete Rodriguez in 1967, and was one of the most influential boogaloo songs of the era. This arrangement based on a version by Girl group V5 on TV show X-factor, for Vocals with Pops Orchestra - Voice, Picc, 2Fl, 2Ob, 2Cl, BCl, Bsn, CBsn, 5Sax, 4Hn, 4Trpt, 4Trb, 3 Perc, Pno, Kbd(opt.), Gtr, Bass, Drums, Vln1, Vln2, Vla, Vcl, CB. Key of Fm More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
Palm Beach
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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William Pagan-Perez
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Palm Beach
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William Pagan-Perez
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1242325 Composed by William Pagan-Perez. 21st Century,Latin. Score and Parts. 106 pages. William Pagan-Perez #837636....
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Full Orchestra - Level 4 - SKU: A0.1242325 Composed by William Pagan-Perez. 21st Century,Latin. Score and Parts. 106 pages. William Pagan-Perez #837636. Published by William Pagan-Perez (A0.1242325). Palm Beach is a single-movement piece for an advanced youth orchestra (symphony orchestra) by composer William Pagán-Pérez. It was inspired by music by Yanni. Using the tradition of brass fanfares, the piece presents melodies and rhythms in an Afro-Latino style with montunos, mambos, and the 2-3 clave. Also, it has open repeats to improvise solos and percussion descargas..
$52.95
Aires Nacionales Mexicanos, Op. 558 (Potpourri) - 8-1/2"x11" ORCHESTRAL PARTS ONLY
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Mexican law and custom
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Miguel Rios Toledano
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Joel Jacklich (ASCAP)
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Aires Nacionales Mexicanos, Op
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Joel Jacklich
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score a...
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Full Orchestra - Level 4 - SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069). ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper.
$65.00
Aires Nacionales Mexicanos, Op. 558 (Potpourri) 11"x17" SCORE ONLY
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Mexican law and custom
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Miguel Rios Toledano
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Joel Jacklich (ASCAP)
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Aires Nacionales Mexicanos, Op
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Joel Jacklich
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score a...
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Full Orchestra - Level 4 - SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 48 pages. Joel Jacklich #2075453. Published by Joel Jacklich (A0.723122). NOTE: Full Score is formatted for 11x17. Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The score is formatted for 11x17 paper. The parts (found separately) are in standard letter page format (8-1/2x11).
$25.00
Flauta Carioca (2000) for flute and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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2222-2221-timp-2perc-strings
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Flauta Carioca
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869354 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 88 pa...
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Full Orchestra - Level 4 - SKU: A0.869354 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 88 pages. Thomas Oboe Lee #15873. Published by Thomas Oboe Lee (A0.869354). Instrumentation: solo flute & 2222-2221-timp-2perc-strings. Program note: I lived in São Paulo, Brazil, during my teenage years, from 1959 to 1966. Consequently, the samba and the bossa nova are forever engraved into my heart. So, when Larry Tamburri, Executive Director of the New Jersey Symphony Orchestra, proposed that I write a flute concerto for Bart Feller, principal flutist of the NJSO, he (Larry) thought it would be most appropriate if I wrote something inspired by my musical experiences in Brazil. The result is Flauta Carioca, literally meaning, flute in the manner of the people of Rio de Janeiro. The work is in three movements. The first is a chôro, an instrumental ensemble music that features a soloist that is often virtuosic when it is fast, and lyrical when it is slow. The second movement is a bossa nova. It features Bart on the alto flute and the music is very luscious and sexy. The listener can fantasize about Rio and the beach at Ipanema. The last movement begins with a slow introduction, a pastorale. Without a break, a forró enters in the strings, followed immediately by the percussion. Forró is party music, and this last movement is all about dancing. As a matter of fact, Bart wants to party all night ... The evening finally ends when someone turns the light out!!!Audio link: https://thomasoboelee.bandcamp.com/album/flauta-carioca-2000.
$9.99
Rejoice, the Lord Is King
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Charles Wesley
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Laird Halling
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Rejoice, the Lord Is King
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Laird Halling
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1396274 Composed by Charles Wesley. Arranged by Laird Halling. Christian,Easter,Funk,Latin,Praise and Worship. 69 pag...
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Full Orchestra - Level 4 - SKU: A0.1396274 Composed by Charles Wesley. Arranged by Laird Halling. Christian,Easter,Funk,Latin,Praise and Worship. 69 pages. Laird Halling #979663. Published by Laird Halling (A0.1396274). This is a cheerful syncopated rendition of the popular hymn Rejoice, the Lord Is King arranged for full orchestra. This makes a great prelude, offertory or special feature. It is nonseasonal but could be a great choice for Palm Sunday or Easter.Funky Latin brass and rhythm parts are contrasted by sweeping string and woodwind lines. The middle breakdown section showcases the rhythm and percussion, with an expanding pyramid of instruments. Your players will love playing this fun chart!
$74.99
Out Of This World
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Harold Arlen and Johnny Mercer
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Rich DeRosa
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Out Of This World
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Richard DeRosa
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1259382 Composed by Harold Arlen and Johnny Mercer. Arranged by Rich DeRosa. Contemporary,Jazz,Latin,Singer/Songwrite...
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Full Orchestra - Level 4 - SKU: A0.1259382 Composed by Harold Arlen and Johnny Mercer. Arranged by Rich DeRosa. Contemporary,Jazz,Latin,Singer/Songwriter,Standards. Score and Parts. 129 pages. Richard DeRosa #852657. Published by Richard DeRosa (A0.1259382). This dynamic arrangement is set in a driving Latin style (quasi-Samba with an Afro-Cuban feel during the bridge). It features a jazz soprano vocalist (range C4-F5) which can also be performed an 8ve lower to accommodate a tenor voice. Piano, electric guitar, electric bass, and drumset are the driving force for the orchestra.The demo recording features a short improvisation section with a piano solo but this expanded arrangement for full orchestra is designed to feature an electric guitarist. The solo section can linger until orchestral backgrounds are cued. With the extended improvisation, the performance time is approximately 5:00. Suited for intermediate to advanced performers.
$100.00
RAGING FURIES - Goettinnen der Rache
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der
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Fajora Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,...
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Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
Mass for the Holy Year 2000, pt. 1 (2000) for SATB soloists, chorus and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Mass for the Holy Year 2000, p
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869362 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 109...
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Full Orchestra - Level 4 - SKU: A0.869362 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 109 pages. Thomas Oboe Lee #25513. Published by Thomas Oboe Lee (A0.869362). Instrumentation: SATB chorus and soloists plus orchestra 2222-2221-timp-perc-hp-org-strings. Mass for the Holy Year 2000 is in nine movements and scored for SATB chorus, chamber orchestra and organ. I set the entire Latin text from the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In between these sections, I added four settings of contemporary poems written in English. Initially, I wanted to use poems that would bring to the listener's attention the serious humanitarian issues we face every day on earth as we enter a new millennium: religious and ethnic wars, poverty, genocide, AIDS, intolerance, social inequality and racial injustice. But as I began to slowly understand the text of the Mass, I decided that the contemporary poems I would use should reflect and amplify what is already in the Latin text. It is all about faith and redemption. Elizabeth Kirschner (b. 1955) is a poet who lives in Chestnut Hill, Massachusetts. Her poem is about the search for God. Claude McKay (1890-1948), a member of the Harlem Renaissance Poets, was originally from Jamaica. His poem asks for God's presence. Edith Stein (1891-1942) was a Carmelite nun who was killed by the Nazis during World War II because she was a Jew. Her poem celebrates God's presence. The final poem is by the Trappist monk, Thomas Merton (1915-1968). His poem, which was published posthumously, is about the assassination of the civil rights leader, Dr. Martin Luther King.
$9.99
Mass for the Holy Year 2000, pt. 2 (2000) for SATB soloists, chorus and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Mass for the Holy Year 2000, p
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869364 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 104...
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Full Orchestra - Level 4 - SKU: A0.869364 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 104 pages. Thomas Oboe Lee #25515. Published by Thomas Oboe Lee (A0.869364). Instrumentation: SATB chorus and soloists plus orchestra 2222-2221-timp-perc-hp-org-strings. Mass for the Holy Year 2000 is in nine movements and scored for SATB chorus, chamber orchestra and organ. I set the entire Latin text from the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In between these sections, I added four settings of contemporary poems written in English. Initially, I wanted to use poems that would bring to the listener's attention the serious humanitarian issues we face every day on earth as we enter a new millennium: religious and ethnic wars, poverty, genocide, AIDS, intolerance, social inequality and racial injustice. But as I began to slowly understand the text of the Mass, I decided that the contemporary poems I would use should reflect and amplify what is already in the Latin text. It is all about faith and redemption. Elizabeth Kirschner (b. 1955) is a poet who lives in Chestnut Hill, Massachusetts. Her poem is about the search for God. Claude McKay (1890-1948), a member of the Harlem Renaissance Poets, was originally from Jamaica. His poem asks for God's presence. Edith Stein (1891-1942) was a Carmelite nun who was killed by the Nazis during World War II because she was a Jew. Her poem celebrates God's presence. The final poem is by the Trappist monk, Thomas Merton (1915-1968). His poem, which was published posthumously, is about the assassination of the civil rights leader, Dr. Martin Luther King.
$9.99
Main Titles
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Alan Menken
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Harry Walker
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Main Titles
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SCORE EDITIONS
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1384208 Composed by Alan Menken. Arranged by Harry Walker. 20th Century,Broadway,Children,Film/TV,Musical/Show,Singer...
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Full Orchestra - Level 4 - SKU: A0.1384208 Composed by Alan Menken. Arranged by Harry Walker. 20th Century,Broadway,Children,Film/TV,Musical/Show,Singer/Songwriter. 41 pages. SCORE EDITIONS #968554. Published by SCORE EDITIONS (A0.1384208). Alan Menken teamed up with Howard Ashman to work on the score for the 1989 Disney film, The Little Mermaid. It remains one of the most decorated albums in Menkenâ??s wheelhouse, with it receiving multi-platinum sales and two Grammys, two Academy Awards and a Golden Globe. The Main Titles to The Little Mermaid accompanies the audienceâ??s first glimpse at underwater life. Menkenâ??s sensitive score is full of wonder and allows the imagination to run wild. As per many opening credits or an overture, parts of melody used in famous songs in the film feature â?? namely â??Part of Your Worldâ?. In this version, the composition was arranged for Symphonic Orchestra and Choir by Harry Walker.
$49.99
Autumn tableau
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Dario Duarte
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Autumn tableau
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Dario Duarte
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1080608 By Dario Duarte. By Dario Duarte. Classical,Contemporary,Folk,Multicultural,World. Score and parts. 45 pages....
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Full Orchestra - Level 4 - SKU: A0.1080608 By Dario Duarte. By Dario Duarte. Classical,Contemporary,Folk,Multicultural,World. Score and parts. 45 pages. Dario Duarte #684825. Published by Dario Duarte (A0.1080608). The piece consists of a description of a small tableau with an autumn theme in an idyllic town. In the region of the Latin American Andes, more precisely the tableau called ayacuchano is an art form very representative of the folklore of the region. Taking this idea of micro-stories, the work narrates four scenes of a day that begins at dawn and ends with the town's festival. Each story corresponds to the four sections of the music, which are performed successively. First tableau: Autumn morning lights. The change of season is perceived in the ashen morning lights of the autumn season, the sun rises lightly with a slight warmth, giving the ochre color that dominates the landscape a sense of tranquility and reflectiveness. The mood of this piece is one of contemplation. Second tableau: Noon in the town The tableau opens. It is midday. The whole town is busy with preparations for the harvest festival celebration. The music goes by with the sounds of the town and the joy of the inhabitants for the important festivity they are about to share as a community. The whole town is a great hustle and bustle. You hear barrel organs, feel the excitement of hanging banners and decorating the houses for the main parade. Third tableau. Little song for siesta time. A nostalgic voice sings an old folk song to lull the children to sleep. The voices of other adults of the town intertwine to sing a song to the sleeping children. It is a tender song that recovers the stillness and tranquility of the town at the hour when everyone returns to their homes to rest. Fourth tableau: Night of celebration. Harvest Festival The first chords of the town band can be heard in the distance, a melody invites to enter with enthusiasm to the place where the festival will take place. The dance begins, the band plays energetically and everyone participates in a dance of joy. In the most important moment of the party, the town's hymn is played, everyone joins in one voice to sing the song that distinguishes them. And now: the announcement of the winners of the harvest contest. Someone is honored and everyone applauds vigorously. Then the dancing continues again. Everyone occupies the center of the dance floor and enjoys being part of a colorful celebration of unity for the town. Instragram (to be contacted by the instrumental parts): @darioduartenunez.
$15.99
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds o
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 p...
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Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
Wachet auf, ruft uns die Stimme (from 3 Corali - DAI CHORALVORSPIELE, PER ORGANO)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and Otto
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Flavio Regis Cunha
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Wachet auf, ruft uns die Stimm
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Flavio Regis Cunha
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1280391 By Johann Sebastian Bach and Ottorino Respighi. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Cla...
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Full Orchestra - Level 4 - SKU: A0.1280391 By Johann Sebastian Bach and Ottorino Respighi. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Classical,Contemporary,Contest,Festival,Sacred,Wedding. Score and Parts. 32 pages. Flavio Regis Cunha #871838. Published by Flavio Regis Cunha (A0.1280391). Wachet auf, ruft uns die Stimme (from 3 Corali - DAI CHORALVORSPIELE, PER ORGANO) from Bach - 3 chorales, P. 167, N.3.Let your church, school and professional orchestra stand out with this unique and beautiful arrangement of 'Wachet auf, ruft uns die Stimme' composed in the traditional style of Johann Sebastian Bach and embellished by Ottorino Respighi. Resonating with complexity and elegance, it's perfect for special services, concerts or educational purposes. Let your performance envelope the auditorium in a peaceful warmth created by its grand choral accompaniment. Sumptuous and profound, it's an excellent way to touch the hearts of all your audiences. Make this timeless masterpiece the centerpiece of your repertoire with our exclusive sheet music and own a part of history!Advanced IntermediateFormat: 9 x 12 inchesFull Score and Orchestral PartsSize: 32 pagesDuration: 4min.InstrumentationCLARINET 1 IN Bb CLARINET 2 IN Bb BASSOON 1 BASSOON 2 CONTRABASSOON HORN 1 IN F HORN 2 IN F HORN 3 IN F HORN 4 IN F TRUMPET 1 IN Bb TRUMPET 1 IN Bb TRUMPET 1 IN Bb TROMBONE 1 TROMBONE 2 BASS TROMBONE VIOLIN 1 VIOLIN 2 VIOLA 1 VIOLA 2 VIOLONCELLO DOUBLE BASSNotesBach's beloved Wachet auf, ruft uns die Stimme, is known for its solemn beauty and is often referred to as the first choral prelude. Written for organ, it has been composed by Johann Sebastian Bach and lovingly arranged by Otorino Respighy for a modern music audience. This timeless piece is a beautifully layered statement of faith, representing the Church of the Great Awakening that swept through northern Europe in the 17th century. From the opening of the Passion Choral to its closing codetta, Bach's devotion runs deep as his majestic and undulating organ structures propel the work towards its soaring climax. Whether you have heard this classic before or not, we invite to join us to experience the power of this musical devotion. You are bound to be moved and surprised by its radiant beauty.
$49.99
Journey to Grace (Elegy on "Amazing Grace")
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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John Newton
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L
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Journey to Grace
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LCH Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1494054 Composed by John Newton. Arranged by L.C. Harnsberger. Classical,Contemporary,Contest,Festival,Holiday,Spirit...
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Full Orchestra - Level 4 - SKU: A0.1494054 Composed by John Newton. Arranged by L.C. Harnsberger. Classical,Contemporary,Contest,Festival,Holiday,Spiritual. 40 pages. LCH Music #1070663. Published by LCH Music (A0.1494054). Few hymn tunes are as popular and moving as “Amazing Grace.” This timeless melody known as “New Britain” was adapted in 1835 to include the inspiring words written by John Newton in 1772. This arrangement holds personal significance, as it was written when my father was very ill—it was his favorite song, especially near the end of his life. The piece starts quietly with an introduction that gradually builds with brass fanfares and woodwind flourishes, emulating both the calm and struggles of youth. The somber mood continues as sustained drones support the iconic melody, echoing in the distance and symbolizing the complex journey of finding one’s path in life. A flowing, calm chromatic section represents a joyous period, which then abruptly shifts to a tumultuous descent. This resolves into a quiet and peaceful conclusion, reflecting ultimate resolution and acceptance. This touching piece will engage audiences and will be a welcome addition to any performance. (duration 4:15)
$69.99
Brazil
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Film Walt Disney
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The Ritchie Family
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Matthew Naughtin
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Brazil
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Matthew Naughtin
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1270201 By The Ritchie Family. By Ary Barroso and S.K. Russell. Arranged by Matthew Naughtin. 20th Century,Latin,Mult...
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Full Orchestra - Level 4 - SKU: A0.1270201 By The Ritchie Family. By Ary Barroso and S.K. Russell. Arranged by Matthew Naughtin. 20th Century,Latin,Multicultural,Pop,World. Score and Parts. 117 pages. Matthew Naughtin #862632. Published by Matthew Naughtin (A0.1270201). On a stormy night in early 1939 Ary Barroso looked at a watercolor painting of a rainy landscape in his Rio de Janiero home and decided to stay home an write a song--in fact, he wrote two songs. The first, inspired by the painting, was Aquarela do Brasil ('Watercolor of Brazil'). He also wrote Três lágrimas ('Three Teardrops') that same night, before the rain ended. Aquarela do Brasil gained international fame after it was included in Walt Disney's 1942 cartoon Saludos Amigos, and became the first Brazilian song to be played over a million times on American radio in an English version by songwriter Bob Russell. The song's celebration of Brazil's great qualities marked the creation of a new patriotic genre within samba, known as samba-exaltação (exaltation samba). This rhythmically vibrant arrangement presents the song in all its joyous exhilaration. Score and all parts are included. The instrumentation: 2 Flutes (Fl. 2 d. Piccolo), 2 Oboes, 2 Clarinets in Bb (Cl. 2 d. Bass Clarinet), 2 Bassoons, 4 Horns, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, 3 Percussion, Harp, Strings.
$150.00
El Tango De Roxanne
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Tango
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Baz Luhrmann, Craig Pearce, Go
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John Langley
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El Tango De Roxanne
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1250907 Composed by Baz Luhrmann, Craig Pearce, Gordon Sumner, and Mariano Mores. Arranged by John Langley. 21st Cent...
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Full Orchestra - Level 4 - SKU: A0.1250907 Composed by Baz Luhrmann, Craig Pearce, Gordon Sumner, and Mariano Mores. Arranged by John Langley. 21st Century,Broadway,Film/TV,Latin,Musical/Show,Pop. Score and Parts. 169 pages. Www.studio-orchestrations.com #845188. Published by www.studio-orchestrations.com (A0.1250907). This arrangement is a full symphonic 'filmic' transcription of this iconic modern classic song sung by Ewan MacGregor and the cast of the movie soundtrack uncut. There are some optional instruments (2nd guitar, 2nd keyboard, even SATB choir) but there is a feature guitar and violin solo part. In it’s fullest form this orchestration is very colourful and dramatic, but conductors and concert organisers would be able to omit some additional instruments to taste to fit their specific orchestral line-up needs without degrading the high impact of the song and this orchestrated version.With clear, concise typeset parts [with page turns all properly formatted for practical use by the individual players] this chart would make a stunning dramatic feature item in any concert with orchestra and soloist(s).  Suitable for professional or advanced inetrmediate orchestrasThe instrumentation comprises:2 FlutesPiccoloOboe Cor Anglais2 ClarinetsBass Clarinet2 Bassoons4 French Horns3 Trumpets3 TrombonesTubaTimpani2 Percussion [Cymbals/Bass Drum]HarpPiano (keyboard 1)Keyboard 2 [Optional]2 Acoustic guitars [2nd Optional]Bass GuitarDrum Kit2 SoloistsSATB Chorus  [Optional]StringsYou might also be interested in my orchestration of Come What May:https://www.sheetmusicplus.com/title/come-what-may-digital-sheet-music/22530128.
$120.00
Divinum Mysterium
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score ...
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Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
Jurame
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Andrea Bocelli
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Javier MartÃnez Maya
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Jurame
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.742593 By Andrea Bocelli. By Maria Grever. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 44 pag...
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Full Orchestra - Level 4 - SKU: A0.742593 By Andrea Bocelli. By Maria Grever. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 44 pages. Arte Nova Music Lab #6432101. Published by Arte Nova Music Lab (A0.742593). MarÃa Grever (14 September 1885 – 15 December 1951) was the first female Mexican composer to achieve international acclaim. She is best known for the song What A Difference A Day Makes (originally Cuando vuelva a tu lado), which was popularized by Dinah Washington and has been covered by numerous artists. Grever wrote more than 1000 songs - the majority of them boleros - and her popularity reached audiences in Latin America, Europe, and the United States. She was said to have possessed perfect pitchand wrote most of her songs in one key. Her first piece of music, a Christmas carol, was composed when she was four years old. She wrote her first song when she was 18 years old, A Una Ola (To a Wave), and it sold three million copies.Taken from https://en.wikipedia.org/wiki/Mar%C3%ADa_Grever
$60.00
Adeste Fideles (O Come, All Ye Faithful) - for choir and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Musique Sacrée
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John Francis Wade
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Dana Graybeal
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Adeste Fideles
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Dana Graybeal
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1115832 Composed by John Francis Wade. Arranged by Dana Graybeal. Christian,Christmas,Holiday,Religious,Traditional. ...
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Full Orchestra - Level 4 - SKU: A0.1115832 Composed by John Francis Wade. Arranged by Dana Graybeal. Christian,Christmas,Holiday,Religious,Traditional. Score and Parts. 40 pages. Dana Graybeal #717545. Published by Dana Graybeal (A0.1115832). A soaring arrangement of the familiar Christmas hymn. It begins with a plain chant melody sung by the men in Latin. Then, an angelic SSA fanfare of the second verse. Followed by a glorious tutti. Guaranteed chills! Can be performed without choir.
$59.99
'Ave Maria' (For Orchestra, Soprano, Baritone and Choir)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Raymond Fenech
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'Ave Maria'
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Raymond Fenech
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.759812 Composed by Raymond Fenech. 20th Century,Easter,Praise & Worship,Sacred,Spiritual. Score and parts. 50 pages. ...
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Full Orchestra - Level 4 - SKU: A0.759812 Composed by Raymond Fenech. 20th Century,Easter,Praise & Worship,Sacred,Spiritual. Score and parts. 50 pages. Raymond Fenech #3071063. Published by Raymond Fenech (A0.759812). This is an original Ave Maria with Traditional Latin Lyrics, composed for full Orchestra and Soprano, Baritone and Choir (two voices). The level is Intermediate/ advance Intermediate. You will also get an Optional piano score which could be used for rehearsing the Choir and voices. The duration of this Ave Maria is 7.05 minutes and it could be reduced to 4.35 minutes if you omit the repeat.
$35.00
Canticum Graduum Opus 11
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Fabio Henrique Teles Martins
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Canticum Graduum Opus 11
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Fabio Dentello
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.488623 Composed by Fabio Henrique Teles Martins (Dentello). Praise & Worship,Romantic Period,Sacred. Score and parts....
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Full Orchestra - Level 4 - SKU: A0.488623 Composed by Fabio Henrique Teles Martins (Dentello). Praise & Worship,Romantic Period,Sacred. Score and parts. 35 pages. Fabio Dentello #105454. Published by Fabio Dentello (A0.488623). This piece was written in the second half of 2020, and is based on Liber Psalmorum CXXI ​​from the Latin Vulgate. It is a simple and very deep song that takes us back to the reflection on the transcendental.
$25.00
Carson Cooman: Orbital for orchestra, score only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Orbital for orc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.533656 Composed by Carson Cooman. Contemporary. Score and parts. 10 pages. Musik Fabrik Music Publishing #3035629. Pu...
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Full Orchestra - Level 4 - SKU: A0.533656 Composed by Carson Cooman. Contemporary. Score and parts. 10 pages. Musik Fabrik Music Publishing #3035629. Published by Musik Fabrik Music Publishing (A0.533656). Orbital (2003) for orchestra was commissioned by New Music Tomorrow and is dedicated tocomposer Georges Lentz.The work is a brief meditation, played throughout at a slow tempo and a generally quietdynamic level. After an atmospheric introductory section which hints at the principalmaterial, the work slowly traverses a grid of pitches and intervallic structures -- eachinstrumental group orbiting at its own pace. The musical material is derived from a coloredwhole-tone scale (in its prime form: C, D, E, F#, G#, A#, B).The poetic image was one of a distant planet, slowly orbiting -- amid the vast expansive voidof outer space. It is a mystical and prayerful piece -- as if we are watching this orbit amidstthe great expanse while contemplating existential questions.Instrumentation3 Flutes2 Oboes2 Clarinets in Bb2 Bassoons3 Horns in F3 Trumpets in CPercussion (1 player: tubular bells)3 Obbligato Violins(NOTE: The three violins may be discreetly amplified. They should be seated in a semi-circledirectly in front of the conductor -- not in a concerto position.)StringsParts on rental from the publisher
$11.95
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