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Carson Cooman: Orbital for orchestra, score only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Orbital for orc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.533656 Composed by Carson Cooman. Contemporary. Score and parts. 10 pages. Musik Fabrik Music Publishing #3035629. Pu...
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Full Orchestra - Level 4 - SKU: A0.533656 Composed by Carson Cooman. Contemporary. Score and parts. 10 pages. Musik Fabrik Music Publishing #3035629. Published by Musik Fabrik Music Publishing (A0.533656). Orbital (2003) for orchestra was commissioned by New Music Tomorrow and is dedicated tocomposer Georges Lentz.The work is a brief meditation, played throughout at a slow tempo and a generally quietdynamic level. After an atmospheric introductory section which hints at the principalmaterial, the work slowly traverses a grid of pitches and intervallic structures -- eachinstrumental group orbiting at its own pace. The musical material is derived from a coloredwhole-tone scale (in its prime form: C, D, E, F#, G#, A#, B).The poetic image was one of a distant planet, slowly orbiting -- amid the vast expansive voidof outer space. It is a mystical and prayerful piece -- as if we are watching this orbit amidstthe great expanse while contemplating existential questions.Instrumentation3 Flutes2 Oboes2 Clarinets in Bb2 Bassoons3 Horns in F3 Trumpets in CPercussion (1 player: tubular bells)3 Obbligato Violins(NOTE: The three violins may be discreetly amplified. They should be seated in a semi-circledirectly in front of the conductor -- not in a concerto position.)StringsParts on rental from the publisher
$11.95
Innocente ma Curioso
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Sarah Mauro
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Innocente ma Curioso
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Sarah Mauro
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1015154 Composed by Sarah Mauro. 20th Century,Contemporary,Romantic Period. Score and parts. 43 pages. Sarah Mauro #4...
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Full Orchestra - Level 4 - SKU: A0.1015154 Composed by Sarah Mauro. 20th Century,Contemporary,Romantic Period. Score and parts. 43 pages. Sarah Mauro #4718065. Published by Sarah Mauro (A0.1015154). The melodies of Innocente ma Curioso (Italian for innocent but curious) slowly awaken and unfold, overlapping and weaving as they get to know each other, finally coming together in shared exuberance. Lydian inflections, playful pizzicato, and triangle give a sense of timidity that evolves into wonder. The narrative of the piece, which, while evoked in the title, is not prescribed by the composer, and can be played with by the conductor as they experiment with the fermatas, piu mossos, and ritards. With strong programmatic influence, this piece would work well on a concert on the themes of curiosity, beauty, and joy, or even accompanying an art show or theatrical performances.This full orchestra piece runs at just under five minutes, and is perfect for advanced high school, college, and community orchestras, especially those with strong upper wind sections. Creative musicians will enjoy the challenge of phrasing and shaping the melodies to bring out their personalities.To hear a recording of the piece, please visit https://soundcloud.com/sarahlmauro/13-innocente-ma-curioso-2011The composer is a member of BMI. Her SoundCould page is https://soundcloud.com/sarahlmauro
$65.00
Innocente ma Curioso
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Sarah Mauro
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Innocente ma Curioso
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Sarah Mauro
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1015156 Composed by Sarah Mauro. 20th Century,Contemporary,Romantic Period. Score and parts. 29 pages. Sarah Mauro #4...
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Full Orchestra - Level 4 - SKU: A0.1015156 Composed by Sarah Mauro. 20th Century,Contemporary,Romantic Period. Score and parts. 29 pages. Sarah Mauro #4718077. Published by Sarah Mauro (A0.1015156). The melodies of Innocente ma Curioso (Italian for innocent but curious) slowly awaken and unfold, overlapping and weaving as they get to know each other, finally coming together in shared exuberance. Lydian inflections, playful pizzicato, and triangle give a sense of timidity that evolves into wonder. The narrative of the piece, which, while evoked in the title, is not prescribed by the composer, and can be played with by the conductor as they experiment with the fermatas, piu mossos, and ritards. With strong programmatic influence, this piece would work well on a concert on the themes of curiosity, beauty, and joy, or even accompanying an art show or theatrical performances.This full orchestra piece runs at just under five minutes, and is perfect for advanced high school, college, and community orchestras, especially those with strong upper wind sections. Creative musicians will enjoy the challenge of phrasing and shaping the melodies to bring out their personalities.To hear a recording of the piece, please visit https://soundcloud.com/sarahlmauro/13-innocente-ma-curioso-2011The composer is a member of BMI. Her SoundCould page is https://soundcloud.com/sarahlmauro
$50.00
Innocente ma Curioso
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Sarah Mauro
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Innocente ma Curioso
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Sarah Mauro
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1015155 Composed by Sarah Mauro. 20th Century,Contemporary,Romantic Period. Score and parts. 14 pages. Sarah Mauro #4...
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Full Orchestra - Level 4 - SKU: A0.1015155 Composed by Sarah Mauro. 20th Century,Contemporary,Romantic Period. Score and parts. 14 pages. Sarah Mauro #4718075. Published by Sarah Mauro (A0.1015155). The melodies of Innocente ma Curioso (Italian for innocent but curious) slowly awaken and unfold, overlapping and weaving as they get to know each other, finally coming together in shared exuberance. Lydian inflections, playful pizzicato, and triangle give a sense of timidity that evolves into wonder. The narrative of the piece, which, while evoked in the title, is not prescribed by the composer, and can be played with by the conductor as they experiment with the fermatas, piu mossos, and ritards. With strong programmatic influence, this piece would work well on a concert on the themes of curiosity, beauty, and joy, or even accompanying an art show or theatrical performances.This full orchestra piece runs at just under five minutes, and is perfect for advanced high school, college, and community orchestras, especially those with strong upper wind sections. Creative musicians will enjoy the challenge of phrasing and shaping the melodies to bring out their personalities.To hear a recording of the piece, please visit https://soundcloud.com/sarahlmauro/13-innocente-ma-curioso-2011The composer is a member of BMI. Her SoundCould page is https://soundcloud.com/sarahlmauro
$15.00
Mass for the Holy Year 2000, pt. 1 (2000) for SATB soloists, chorus and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Mass for the Holy Year 2000, p
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869362 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 109...
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Full Orchestra - Level 4 - SKU: A0.869362 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 109 pages. Thomas Oboe Lee #25513. Published by Thomas Oboe Lee (A0.869362). Instrumentation: SATB chorus and soloists plus orchestra 2222-2221-timp-perc-hp-org-strings. Mass for the Holy Year 2000 is in nine movements and scored for SATB chorus, chamber orchestra and organ. I set the entire Latin text from the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In between these sections, I added four settings of contemporary poems written in English. Initially, I wanted to use poems that would bring to the listener's attention the serious humanitarian issues we face every day on earth as we enter a new millennium: religious and ethnic wars, poverty, genocide, AIDS, intolerance, social inequality and racial injustice. But as I began to slowly understand the text of the Mass, I decided that the contemporary poems I would use should reflect and amplify what is already in the Latin text. It is all about faith and redemption. Elizabeth Kirschner (b. 1955) is a poet who lives in Chestnut Hill, Massachusetts. Her poem is about the search for God. Claude McKay (1890-1948), a member of the Harlem Renaissance Poets, was originally from Jamaica. His poem asks for God's presence. Edith Stein (1891-1942) was a Carmelite nun who was killed by the Nazis during World War II because she was a Jew. Her poem celebrates God's presence. The final poem is by the Trappist monk, Thomas Merton (1915-1968). His poem, which was published posthumously, is about the assassination of the civil rights leader, Dr. Martin Luther King.
$9.99
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds o
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 p...
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Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
Mass for the Holy Year 2000, pt. 2 (2000) for SATB soloists, chorus and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Mass for the Holy Year 2000, p
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869364 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 104...
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Full Orchestra - Level 4 - SKU: A0.869364 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 104 pages. Thomas Oboe Lee #25515. Published by Thomas Oboe Lee (A0.869364). Instrumentation: SATB chorus and soloists plus orchestra 2222-2221-timp-perc-hp-org-strings. Mass for the Holy Year 2000 is in nine movements and scored for SATB chorus, chamber orchestra and organ. I set the entire Latin text from the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In between these sections, I added four settings of contemporary poems written in English. Initially, I wanted to use poems that would bring to the listener's attention the serious humanitarian issues we face every day on earth as we enter a new millennium: religious and ethnic wars, poverty, genocide, AIDS, intolerance, social inequality and racial injustice. But as I began to slowly understand the text of the Mass, I decided that the contemporary poems I would use should reflect and amplify what is already in the Latin text. It is all about faith and redemption. Elizabeth Kirschner (b. 1955) is a poet who lives in Chestnut Hill, Massachusetts. Her poem is about the search for God. Claude McKay (1890-1948), a member of the Harlem Renaissance Poets, was originally from Jamaica. His poem asks for God's presence. Edith Stein (1891-1942) was a Carmelite nun who was killed by the Nazis during World War II because she was a Jew. Her poem celebrates God's presence. The final poem is by the Trappist monk, Thomas Merton (1915-1968). His poem, which was published posthumously, is about the assassination of the civil rights leader, Dr. Martin Luther King.
$9.99
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