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--INSTRUMENTS--
ACCORDEON
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Retracter
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13 partitions trouvées
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1
So What
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Miles Davis
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Ross Wright
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So What
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Ross Wright Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1120068 By Miles Davis. By Miles Davis. Arranged by Ross Wright. 20th Century,Classical,Jazz. Score and parts. 40 pag...
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Full Orchestra - Level 4 - SKU: A0.1120068 By Miles Davis. By Miles Davis. Arranged by Ross Wright. 20th Century,Classical,Jazz. Score and parts. 40 pages. Ross Wright Music #721371. Published by Ross Wright Music (A0.1120068). This is an arrangement or full orchestra. Instrumentation: Flute 1 (Double Piccolo) Flute 2 Oboe 1 Oboe 2 Double English Horn Clarinet in Bb 1 Clarinet in Bb 2 Double Bass Clarinet Bassoon 1 Bassoon 2 Double Contra Bassoon French Horn 1, 2, 3, 4 Trumpet 1, 2, 3 Trombone 1, 2, 3 Tuba Piano Percussion 1: Timpani Percussion 2: Glockenspiel, Xylophone, Vibraphone Percussion 3: Suspended Cymbal, Crash Cymbal Percussion 4: Snare Drum, Bass Drum, Castanets Harp Violin 1, Violin 2, Viola, Cello, Bass This arrangement is one of the five songs from the Kind of Blue Orchestral suite. The piece utilizes some of the improvised material from the iconic Kind of Blue Album and treats it orchestrally. The piece uses a classical size orchestra, there are no improvisation sections, or rhythm section. Thereby creating a fully formed classical composition. Miles Davis's music, once improvised, is now a formal composition that can be performed in orchestral concert halls by any orchestra, anywhere in the world.
$97.00
EP!C!!!
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Au...
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Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
Chinatown - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Jerry Goldsmith
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Chris Siddall
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Chinatown - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1077397 Composed by Jerry Goldsmith. Arranged by Chris Siddall. Film/TV. Score and parts. 8 pages. Chris Siddall Musi...
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Full Orchestra - Level 4 - SKU: A0.1077397 Composed by Jerry Goldsmith. Arranged by Chris Siddall. Film/TV. Score and parts. 8 pages. Chris Siddall Music Publishing #681583. Published by Chris Siddall Music Publishing (A0.1077397). After Phillip Lambro’s original score for Chinatown was rejected at the last minute, composer Jerry Goldsmith was brought in to “save the dayâ€. It’s amazing to think that what is now considered a classic score, and a template for the film noir sound, was written in only ten days. In a meeting with producer Robert Evans, it was suggested that they wanted a contemporary 1930s feel to the music, but Jerry pushed back on this idea saying that this was already displayed on the screen, and that the underscore should enhance the emotion, and emotions are timeless. Jerry hadn’t yet considered what he was going to write, when asked what he envisiged in terms of orchestration, so he quickly replied “four pianos, four harps, strings, solo trumpet and two percussion†which Evans liked the idea of. Having spoken himself into this “trapâ€, Jerry then had to go home and write it, and it turned out to be an interesting combination of instruments to write for Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$4.99
Gulf Coast Symphony
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Kevin Price
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Gulf Coast Symphony
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Kevin Price
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.965587 Composed by Kevin Price. Contemporary. Score and parts. 139 pages. Kevin Price #5766297. Published by Kevin Pr...
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Full Orchestra - Level 4 - SKU: A0.965587 Composed by Kevin Price. Contemporary. Score and parts. 139 pages. Kevin Price #5766297. Published by Kevin Price (A0.965587). I am really excited to present my first symphony; Gulf Coast Symphony. As far as symphonies go this is slightly shorter than most with a runtime of approx. 20 mins. This composition consists of four movements: The Sonata, which is written at an Allegro includes a french horn and oboe solo. Andante, which is obviously written at an Andante displays a very beautiful harp part, a section with the violins playing a lovely pizzicato part, and includes a trumpet duet. The percussion is also showcased in the first 8 bars of the movement. Next is the Minuet, which highlights the flutes briefly in the intro, and also includes a violin as well as a trombone solo. The last movement is a Rondo, which consists of a bassoon solo and is the longest of the 4 movements. I am looking for feedback on my composition, so please leave comments in the review section on what you liked, and what you might like to see in future compositions. Enjoy!
$19.99
Divinum Mysterium
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score ...
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Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
"A Lucky Star" A 1920s Musical, Full Orchestral Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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James Nathaniel Holland
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"A Lucky Star" A 192
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.730517 Composed by James Nathaniel Holland. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 368 pages. Jame...
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Full Orchestra - Level 4 - SKU: A0.730517 Composed by James Nathaniel Holland. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 368 pages. James Nathaniel Holland #6058827. Published by James Nathaniel Holland (A0.730517). A celebration of the Roaring 20s for the new roaring 2020s. Jazzy choruses, solos, trios and duets, dances and spoken scenes from the Musical A Lucky Star, Full Orchestral Score (in concert pitch with dialogues and stage directions) with measure numbers that align to the piano vocal score and individual parts by American composer James Nathaniel Holland (book, music and lyrics). The story follows a young man as he dreams of moving from the Midwest to New York City in the year 1924. Songs included are: I Ain't Doin' Homework, This Town, Such is the County Fair (with mini-ballet), What the Heck Do I Care, An Inspiration (That Lucky Star), The Letter, New York The Town of Your Dreams, Music and Words, Bad Ain't So Bad (a 1920s flapper number), O Baby You Treat Me Too Rough (a Charleston type trio and women's chorus), So Alone Am I, and the touching song Indiana for chorus and separate arrangements for solo voice. Full orchestral score, and orchestral accompaniments sold separately. YouTube Demo playlist at: https://www.youtube.com/playlist?list=PLEcbVsA36MCva9aAwNei4XFxFQdI5Jiio.
$32.50
All Time High
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rita Coolidge
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All Time High
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1393788 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley for Studio Orchestrations. Contemporar...
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Full Orchestra - Level 4 - SKU: A0.1393788 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley for Studio Orchestrations. Contemporary,Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977260. Published by www.studio-orchestrations.com (A0.1393788). IMPORTANT: Please see note below about the key of this versionThis classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days.  Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. This score and parts are a semitone/half-step higher (starting in F major) which might suit some female performers slightly better for range.  The original Rita Coolidge performancxe key (starting in E major) is dusky and mellow (ie. quite low) but is also available on this website.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00
All Time High
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rita Coolidge
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All Time High
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1393785 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley (for Studio Orchestrations). Film/TV,P...
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Full Orchestra - Level 4 - SKU: A0.1393785 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley (for Studio Orchestrations). Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977256. Published by www.studio-orchestrations.com (A0.1393785). This classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days. Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. In this version we have the original Rita Coolidge performancxe key (starting in E major) which is dusky and mellow but is also available on this website a semitone/half-step higher (strarting in F major) which might suit some female performers ranges better.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00
Selections from Piano Concerto in A Minor, 1st Movement (Score & Parts)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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Justin Bartoo
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Selections from Piano Concerto
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NiceChart
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.931987 Composed by Edvard Grieg. Arranged by Justin Bartoo. Romantic Period. Score and parts. 77 pages. NiceChart #47...
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Full Orchestra - Level 4 - SKU: A0.931987 Composed by Edvard Grieg. Arranged by Justin Bartoo. Romantic Period. Score and parts. 77 pages. NiceChart #4764387. Published by NiceChart (A0.931987). This arrangement condenses the first movement of what is considered one of the most popular piano concertos of all time. Like most piano concertos it requires advanced level piano skills to perform as written, but we have included an alternate piano part so it that can be played by a late intermediate player in the event the original piano part is not playable by your pianist.
$70.00
Symphony No.1
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Han-Ki Kim
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Symphony No.1
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Han-Ki Kim
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.511812 Composed by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Score and parts. 186 pages. Han-...
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Full Orchestra - Level 4 - SKU: A0.511812 Composed by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Score and parts. 186 pages. Han-Ki Kim #6440929. Published by Han-Ki Kim (A0.511812). Symphony No.1 “KangKangSullae†Symphony No. 1 has the name “KangKangSullaeâ€, and the composer is like any other korean composer. “What does it mean to be Korean?†With the question, he is trying to compose such works. A Korean work means a work that contains Korean emotions and spirit, and the melody of “KangKangSullae†has been handed down through a long history to this day, so it can be said that it is a keepsake containing the soul of Korea. With this in mind, the theme of “KangKangSullae†was cited in the 4th movement, and it was named as a representative name for the Symphony as an element that forms the basic character of this movement.For reference, the origin of “KangKangSullae†is from women's circular dance. It was because they valued the relationship between each other. They held hands, sang and danced, and it was a representative event to commemorate the full moon and the harvest.The first movement is in 6/8 time, and two contrasting themes, masculine and feminine, appear in normal sonata form.The second movement crosses the natural harmonics of the violin and the normal playing method in 4/4 time, expressing oriental excellence and emotion.The third movement is composed in a short ABA form with a humorous lightness and weight in 3/8 time.The fourth movement quoted the theme of “Ganggangsullae†in 8/12 time, and was composed in the form of variations that change with various personalities, sometimes majestic, sometimes sobbing, calmly, etc.Attached Music file is only 1st. movement, it's just for a reference.
$45.00
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobsc
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149...
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Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
Bell Carol Fantasy for Orchestra (Score)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Mykola Leontovych
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Kim Diehnelt
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Bell Carol Fantasy for Orchest
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Kim Diehnelt
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.809060 Composed by Mykola Leontovych. Arranged by Kim Diehnelt. Christmas,Contemporary,Holiday. 14 pages. Kim Diehnel...
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Full Orchestra - Level 4 - SKU: A0.809060 Composed by Mykola Leontovych. Arranged by Kim Diehnelt. Christmas,Contemporary,Holiday. 14 pages. Kim Diehnelt #5294071. Published by Kim Diehnelt (A0.809060). Based on the choral piece Shchedryk (Carol of the Bells) by MykolaLeontovych, this full orchestra version brings to life the spirit of this favorite carol. Perfect holiday concert closer! When an orchestra player expressed interest in playing Carol of the Bells as part of a fun December rehearsal, I checked out what arrangements already existed. To me, they all seemed too simple and repetitive, so I set about writing my own. I discovered that the familiar carol has its roots in a traditional folk chant about a swallow bringing a New Year’s message of a plentiful new year, and the title comes from the Ukrainian word for bountiful.
$7.00
I Believe In Dog
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rob Birdwell
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I Believe In Dog
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Birdwell Music LLC
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1004946 Composed by Rob Birdwell. Contemporary,Film/TV,Pop,World. Score and parts. 57 pages. Birdwell Music LLC #4634...
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Full Orchestra - Level 4 - SKU: A0.1004946 Composed by Rob Birdwell. Contemporary,Film/TV,Pop,World. Score and parts. 57 pages. Birdwell Music LLC #4634031. Published by Birdwell Music LLC (A0.1004946). Full symphonic underscore for a poem dedicated to all Dogs in the world. It's a sentimental offering, but one intended to raise awareness of the need to support organizations that shelter and care for animals in order to find them homes where they can live long, happy and healthy lives.The musical underscore starts off dramatic but soon becomes more atmospheric to underscore the poem. The poem is timed somewhat to the music, however, each reader will offer their own interpretation and cadence to fit within the overall fabric of the music. The score is particularly suited for professional orchestras especially since it calls for two harpists and a full compliment of strings, winds, and brass, and a variety of interesting percussion. Everything about the score is intended to underscore the poem reader, so dynamics are generally soft and the score will work and sound great even with orchestras lacking some of the instrumentation.Portions of all proceeds from sales of this score will be donated to charities supporting the care of Dogs, Cats, and other animals and it is the composer's/poet's wish that live performances will make the most of the symphonic hall setting to encourage others to donate generously to organizations that promote animal well-being.
$75.00
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