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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
BANJO
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CLARINETTE
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665
Piano & claviers
Piano seul
1 398
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50
Orgue
39
Piano, Voix et Guitare
26
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12
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7
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6
Piano Facile
6
Accompagnement Piano
5
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 4 mains
1
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accordéon
1
+ 9 instrumentations
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122
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7
4 Guitares (Quatuor)
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1
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1
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1
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1
Ensemble de guitares
1
+ 8 instrumentations
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99
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28
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20
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14
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14
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13
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12
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8
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7
Voix duo
7
Voix basse, Piano
6
Chorale Unison
5
Voix Tenor, Piano
4
Voix moyenne, Piano
4
Voix Tenor
3
Voix duo, Piano
2
Voix Soprano
2
Voix basse
1
Chorale
1
Voix Mezzo-Soprano, Piano
1
Chorale 2 parties
1
+ 16 instrumentations
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Flûte traversière
218
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103
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56
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53
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48
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45
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41
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39
Saxophone Tenor
37
Saxophone Tenor et Piano
29
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26
2 Flûtes traversières, Piano
25
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23
Ensemble de Clarinettes
23
Saxophone Soprano et Piano
22
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19
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15
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14
Hautbois (partie séparée)
12
2 Clarinettes (duo)
11
2 Flûtes traversières (duo)
11
Clarinette Basse, Piano
9
3 Saxophones (trio)
9
Saxophone Baryton, Piano
9
2 Saxophones (duo)
9
Flûte, Hautbois, Clarinette, Basson
8
Ensemble de Flûtes
7
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6
Quintette de Flûte : 5 flûtes
6
Clarinette, Guitare (duo)
6
3 Clarinettes (trio)
6
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5
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2
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2
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Hautbois, Guitare (duo)
1
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1
Piccolo
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1
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1
Saxophone et Orgue
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1
Flûte à bec Tenor
1
2 Flûte à bec (duo)
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5 Flûtes à bec
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Saxophone (partie séparée)
1
Flûte à Bec
1
Saxophone
1
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1
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1
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1
Flûte, Clarinette et Basson
1
Ensemble De Flûte à bec
1
Saxophone et Guitare
1
Flûte, Violoncelle
1
Piccolo, Piano
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Clarinette, Violon (duo)
1
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1
Flûte, Clarinette, Cor, Basson (Quartet)
1
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42
Trombone
38
Trompette
37
Trompette, Piano
29
Cor et Piano
25
Trombone et Piano
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Cor
14
Quatuor de Cuivres
13
Ensemble de Trombones
11
Tuba et Piano
10
Tuba
10
Trompette (partie séparée)
9
Euphonium, Tuba (duo)
7
Quatuor de cuivres: 4 cors
6
Ensemble de Trompettes
6
Quatuor de cuivres: 4 trombones
6
Euphonium
5
2 Euphoniums et 2 Tubas
5
Euphonium, Piano (duo)
5
Ensemble de Cors
4
2 Cors (duo)
4
2 Trombones (duo)
4
Trompette, Trombone (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
2 Trompettes (duo)
3
Cor anglais, Piano
2
Trombone basse et Piano
1
4 Tubas
1
Cor anglais, Guitare (duo)
1
+ 25 instrumentations
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Harpe
83
Violon et Piano
81
Violon
69
Quatuor à cordes: 2 violons, alto, violoncelle
66
Violoncelle
52
Violoncelle, Piano
41
Alto, Piano
37
Violon, Violoncelle (duo)
36
Alto seul
24
Contre Basse
22
Trio à Cordes: violon, alto, violoncelle
19
Trio à Cordes: 2 violons, violoncelle
12
2 Violoncelles (duo)
11
Alto (partie séparée)
7
Harpe, Violon (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Trio à cordes: 3 violins
5
Alto et Harpe
4
Contrebasse, Piano (duo)
4
Harpe, Violoncelle (duo)
4
Trio à Cordes: 3 violoncelles
4
Violoncelle , Guitare (duo)
4
Trio à cordes: 3 altos
3
Harpe, Flûte (duo)
3
Violon, Alto (duo)
3
2 Violons (duo)
3
Violon, Guitare (duo)
2
Ensemble de Violons
2
2 Altos (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Ensemble d'Altos
2
Harpe, Quatuor à cordes
1
Violon, Orgue
1
Violoncelle (partie séparée)
1
Ensemble de Violoncelles
1
Violoncelle, Orchestre
1
Quatuor à cordes: 4 violons
1
Violon, Basse continue
1
Alto, Violoncelle (duo)
1
Violoncelle, Orgue
1
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111
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87
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73
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50
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31
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Jazz combo
8
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Cloches
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Fanfare
3
Ensemble de Percussions
3
Batterie
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Orchestre, Violon
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Xylophone, Piano
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Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
Concerto in Bb Major for Double Bass and Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Robert E
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Concerto in Bb Major for Doubl
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102...
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Full Orchestra - Level 4 - SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102129. Published by R. E. Proctor (A0.809714). A concerto for Double Bass and orchestra in the traditional fast - slow – fast concerto format. While not overly challenging for the bass soloist, it does explore, to a degree, the upper reaches of the instrument as well as sounding the beautiful low range. The first movement is that might be called Neo – Classical, opening with an 8-measure solo in a Largo or slow tempo. The tempo then changes to Allegro (fast) for the balance of the movement. The movement ends as it began with the double bass playing alone. The second movement is a jazz waltz. In 9/8, it opens with the soloist playing pizzicato against a rhythmic cord progression. The bass and cello sections pick this up to provide a ground upon which the balance of the movement is played over. The second movement is in the relative minor of Bb which is G minor. A haunting melody is introduced by the bass and doubled by the strings. This melody is replayed by various instruments as the Bass Soloist plays variations on this theme. The harp and the bass solo end the movement. The third movement leans toward French Impressionism. This movement is Andantino; however, it is a spirited. Written in cut time, where the half note equals 92 beats per minute. The melody is introduced by the woodwinds with the harp accompanying. The strings and brass join in as the woodwinds repeat the melody. Finally, the bass solo takes charge of the melody using it as a theme and variation. The harp is used extensively in this concerto providing harmonic, melodic, and rhythmic support for the bass. Written in 2015, the concerto is a new work, however, it is not experimental music. It uses the standard orchestral instruments playing in the standard fashion. It is replete with modern harmonic sounds and chord progressions. As concerto's go, this one is not overly difficult providing the bassist with a starting point as a soloist. It does require the soloist to have some mastery over the instrument as the music traverses most of the instrument’s range. Performance time is approximately 13 minutes and 10 seconds.
$19.95
Bernhard Heinrich Romberg, Concerto for Flute & Orchestra opus 17
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Bernhard Heinrich Romberg
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Bernhard Heinrich Romberg, Con
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Elaine Baker D'Angelo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1502417 By Bernhard Heinrich Romberg. By Bernhard Heinrich Romberg. Arranged by Transcriptions by John Wion / Elaine ...
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Full Orchestra - Level 4 - SKU: A0.1502417 By Bernhard Heinrich Romberg. By Bernhard Heinrich Romberg. Arranged by Transcriptions by John Wion / Elaine Baker D'Angelo. 19th Century. 16 pages. Elaine Baker D'Angelo #1078222. Published by Elaine Baker D'Angelo (A0.1502417). ROMBERG FLUTE CONCERTOElaine Baker D’Angelo, Representative5 West Ridge Trail, Plymouth, MA 02360To Whom This May Concern:You have purchased an orchestral score and a set of parts for the BernardRomberg Flute concerto, op 17. The product is marked: “for rental only”because the previous distributor had a policy prohibiting purchase of thesematerials. Only the Flute part and the Piano Accompaniment were available forpurchase. John Wion, discoverer of the work has authorized me to now sell thescore and orchestral parts. This enclosure is to provide you with a record ofyour legal purchase in case keeping the parts in your possession was everquestioned.Also, please find below some comments from Dr. Jon Ceander Mitchell of theUniversity of Massachusetts at Boston who conducted me performing theconcerto in April, 2012. His suggestions and errata information will hopefullylend assistance to you as you prepare for your concert.Quoting five Major points:1) There must be at least one very strong 2nd violin player as some melodies areintroduced from there.2) Trumpets can double the horns at the octave, though only in spots and verydiscreetly, and not playing at all in the second movement. It is most unusual tohave timpani but no trumpets.3) 2nd movement halfway through, the descending viola line that needs to becompleted by a cellist. [p.38, 5 before E, one cellist to play f-B-Csharp 8ths]4) An A sharp in the solo line in 1st movement that is critical; otherwise it soundsbluesy [p. 30,5 after H].5) Missed accidentals in 1st violin in the 3rd movement [p. 43, 2nd and 3rd mmand p. 51, 3rd and 4th mm. C naturals].
$19.98
Bernhard Heinrich Romberg, Concerto for Flute & Orchestra opus 17 Complete
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Bernhard Heinrich Romberg
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Bernhard Heinrich Romberg, Con
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Elaine Baker D'Angelo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1510342 By Bernhard Heinrich Romberg. By Bernhard Heinrich Romberg. Arranged by Original Manuscript Transcriptions, J...
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Full Orchestra - Level 4 - SKU: A0.1510342 By Bernhard Heinrich Romberg. By Bernhard Heinrich Romberg. Arranged by Original Manuscript Transcriptions, John Wion / Piano Red, Elaine Baker D'Angelo. Classical. 131 pages. Elaine Baker D'Angelo #1085534. Published by Elaine Baker D'Angelo (A0.1510342). To Whom This May Concern:You have purchased an orchestral score and a set of parts for the BernardRomberg Flute concerto, op 17. The product is marked: “for rental only”because the previous distributor had a policy prohibiting purchase of thesematerials. Only the Flute part and the Piano Accompaniment were available forpurchase. John Wion, discoverer of the work has authorized me to now sell thescore and orchestral parts. This enclosure is to provide you with a record ofyour legal purchase in case keeping the parts in your possession was everquestioned.Also, please find below some comments from Dr. Jon Ceander Mitchell of theUniversity of Massachusetts at Boston who conducted me performing theconcerto in April, 2012. His suggestions and errata information will hopefullylend assistance to you as you prepare for your concert.Quoting five Major points:1) There must be at least one very strong 2nd violin player as some melodies areintroduced from there.2) Trumpets can double the horns at the octave, though only in spots and verydiscreetly, and not playing at all in the second movement. It is most unusual tohave timpani but no trumpets.3) 2nd movement halfway through, the descending viola line that needs to becompleted by a cellist. [p.38, 5 before E, one cellist to play f-B-Csharp 8ths]4) An A sharp in the solo line in 1st movement that is critical; otherwise it soundsbluesy [p. 30,5 after H].5) Missed accidentals in 1st violin in the 3rd movement [p. 43, 2nd and 3rd mmand p. 51, 3rd and 4th mm. C naturals].
$29.95
Synth Concerto #2, 1st Mov't - Andante con moto
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Joe Wiedemann
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Synth Concerto #2, 1st Mov't -
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Joe Wiedemann
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1011590 Composed by Joe Wiedemann. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 148 pages. J...
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Full Orchestra - Level 4 - SKU: A0.1011590 Composed by Joe Wiedemann. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 148 pages. Joe Wiedemann #3420651. Published by Joe Wiedemann (A0.1011590). A concerto for a neglected audience of young people, to showcase the keyboard talents and sound-designing imagination of those in an Electronic Music university program. First premiered by CalPoly Pomona's MIDI Ensemble, a full orchestra can welcome new soloists and undiscovered artists. Second and third movements are available from the composer at orchestronics.com.
$24.99
One-Note Concerto for piano and orchestra
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INTERMÉDIAIRE/AVANCÉ
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David Rubinstein
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One-Note Concerto for piano an
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David Rubinstein
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1249638 Composed by David Rubinstein. 20th Century,21st Century,Comedy. Score and Parts. 170 pages. David Rubinstein ...
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Full Orchestra - Level 4 - SKU: A0.1249638 Composed by David Rubinstein. 20th Century,21st Century,Comedy. Score and Parts. 170 pages. David Rubinstein #844042. Published by David Rubinstein (A0.1249638). ...one of the very few piano concertos ever written that I could handle technically. -Peter Schickele (P.D.Q. Bach) Transposed orchestral score and parts - one PDF.One-Note Concerto: a neo-classical romp on the key of B7 for piano and orchestra in three short movements. Premiered by the Hartford Symphony in 2006.One-Note Concerto combines a wide range of melodies that are surprisingly woven together through the reiteration - by the 'soloist' - of a single pitch (a very high “Bâ€). From carnival-like tunes in the first movement, to introspective waltzes in the second, to a violent (yet lighthearted!) presto in the finale, this concerto aggressively pursues a sense of musical drama with its tongue firmly placed in its cheek.† -  Jamie Allen, director of the Santa Fe New Music YouthFest.
$75.00
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds o
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 p...
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Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
Contagion (Full Album Score)
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Orchestre
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Film/TV
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Franco Esteve
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Franco Esteve
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Contagion
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Franco Esteve
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1121448 By Franco Esteve. By Franco Esteve. Arranged by Franco Esteve. Classical,Contemporary,Film/TV. Score and part...
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Full Orchestra - Level 4 - SKU: A0.1121448 By Franco Esteve. By Franco Esteve. Arranged by Franco Esteve. Classical,Contemporary,Film/TV. Score and parts. 68 pages. Franco Esteve #722619. Published by Franco Esteve (A0.1121448). About Contagion, the music From quarantine life, something painful this way comes, a new, pandemic inspired, life soundtrack… Contagion is a moment, an interruption, signifying an expression of feelings and music that the Covid-19 coronavirus pandemic and quarantine brought to light. It’s a contemporary classical life-track, serving as a soundtrack to the contagion, to its spread, to its mystery, its attack on the body, to our losses during the Covid-19 pandemic and to our future beyond them. As the virus flooded every news outlet, Contagion became an interruption, a mysterious invader, taking over everything, needing to be expressed. It’s a “lifetrack†or “life soundtrack†with its contemporary classical orchestral sounds expressing the feelings and experiences of those first few months of dread and quarantine, through which many of us felt the fear of it all and the actual loss of loved ones. Original Album Release date: May 14th, 2020 Genre: Contemporary Classical / Life Soundtrack • The album length is 9 minutes and 33 seconds About the Score This version of the score includes ALL 5 songs in the album and the instrument selection varies in accordance with the specific composition of each of the songs. The instruments used are: Horn Section, Soprano Trumpet, Bass Drum, Piano, Harp, Tuba, Wine Glasses, Cabasa, Triangle, Violins I, Violins II, Horn, Trumpet, Trombone, Timpani, Crash Cymbals, Cello Section, Trumpet Section, Gong, Cello Solo. I can imagine the songs can work adapted in a number of ways by different groups or a very advanced group of students. It'll be fun to hear how others interpret them. Music included In the package, I've included the full album's music score with each of the individual songs and their instrument parts and the original published songs as a single HQ MP3 (320 kbps), so players can get a feel for my intentions when composing each one. (You can listen to them free at https://francoesteve.com or on your favorite streaming service - links on my website’s album page linked below). The MP3 also includes a cello solo version of Death Is Not the End. Track list 1. Contagion (2:15) 2. The Spread (2:24) 3. Patient Zero (1:26) 4. Infected (1:26) 5. Death Is Not the End (2:02) Composer: Franco Esteve Genres: Contemporary Classical, Modern Classical, 21st Century Level: Advanced The Package includes 1. PDF with the Score The full score for each of the 5 songs in the album. All the individual parts for each song as written. 2. All 5 songs in a single MP3 HQ (320 kbps) format file including the Bonus Cello Only Version of Death is Not the End. Find out more about this album on Contagion's page on the Franco Esteve website here: https://www.francoesteve.com/music/contagion-music-album/ Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it. Don’t forget to keep up to date with everything Franco Esteve: Website: http://www.francoesteve.com/ Patreon: https://patreon.com/FrancoEsteve Facebook: https://www.facebook.com/seefrancoesteve Twitter: https://www.twitter.com/FrancoEsteve Instagram: https://www.instagram.com/seefrancoesteve My music is also available on all major, online music stores and streaming services. I'm a BMI affiliated artist and you can contact me using the contact form at: http://www.francoesteve.com or through Facebook and Twitter. Thank you again and enjoy! :).
$25.00
Overture of life - Petro Melnyk
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Petro Melnyk
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Overture of life - Petro Melny
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PetroMelnyk
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1014675 Composed by Petro Melnyk. 20th Century,Contemporary,Film/TV. Score and parts. 39 pages. PetroMelnyk #5990627....
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Full Orchestra - Level 4 - SKU: A0.1014675 Composed by Petro Melnyk. 20th Century,Contemporary,Film/TV. Score and parts. 39 pages. PetroMelnyk #5990627. Published by PetroMelnyk (A0.1014675). My first original composition was written for a symphony orchestra. Music shows how diverse life can be. Lyrical, melodic, harmonious, but also disturbing, tense. In the first part, the music constantly keeps us in suspense. Marked trombones keep the rhythm, and the different timbres of the instruments do not allow to calm down until the culmination of tension reaches its highest point and the lyrical part begins with a solo oboe which shows not everything as scary as it seems, later other timbres are connected until the string enters. a band that gives melodies fullness of sound. Permanent glissando horns also add fullness to the sound. Only at the end of the first and second parts are combined in major key. And the code, thanks to the unusual rhythm, shows that everything is much more complicated than it seems, but the work ends in major and it gives us hope for a better future. I hope you enjoy it!There are separate sheets for each instrument. To order write: 25botrus06@gmail.comPleasent listening and playing!
$2.99
Chi il bel sogno di Doretta - Concert version with reduced wind section
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Giacomo Puccini
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Patricio Cueto
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Chi il bel sogno di Doretta -
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Patricio Cueto
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1505231 Composed by Giacomo Puccini. Arranged by Patricio Cueto. Classical,Opera,Romantic Period. 30 pages. Patricio ...
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Full Orchestra - Level 4 - SKU: A0.1505231 Composed by Giacomo Puccini. Arranged by Patricio Cueto. Classical,Opera,Romantic Period. 30 pages. Patricio Cueto #1080619. Published by Patricio Cueto (A0.1505231). The aria Chi il bel sogno di Doretta from Puccini's La Rondine in a concert version with the piano solo introduction and a finale. the wind section has being reduced to 2 flutes, 2 oboes, 2 clarinets, 2 bassoons and 2 horns. The parts contains separate parts for Piano, Harp and Celesta as in the original, and includes a combined part of this 3 instruments that can be played with piano or harp.
$50.00
Concerto for Trumpet and Orchestra (2014)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Trumpet and Orche
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869350 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 82 ...
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Full Orchestra - Level 4 - SKU: A0.869350 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 82 pages. Thomas Oboe Lee #14827. Published by Thomas Oboe Lee (A0.869350). Instrumentation: trumpet solo and 2222-4231-timp-2perc-strings. Over the years I have written at least ten orchestral works for Max Hobart including three symphonies and four concertos for saxophone, violin, oboe and cello, respectively. So I was thrilled when Max asked me to write a concerto for trumpet virtuoso Stephen Burns and the Boston Civic Symphony Orchestra. I am familiar with Stephen Burns’ work as a piccolo trumpet player doing concertos from the baroque period. The color of his sound was already in my head. Stephen and I got together in the spring of 2104 and we discussed the project in some detail. We immediately agreed that the work would be in three movements. Each movement would feature a different trumpet: the trumpet in C for the first, the flugelhorn for the second and the piccolo for the last. I began work on the concerto at the end of August and finished it three months later. The work as mentioned earlier is in three movements: 1. Heraldic Beast … Allegro. 2. Bossa Nova in 7/4 … Adagio. 3. Perpetuo Moto … Presto! Enjoy!!!
$9.99
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pag...
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Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Diamonds Are Forever
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Don Black and John Barry
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Diamonds Are Forever
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1276342 Composed by Don Black and John Barry. Arranged by John Langley (at Studio Orchestrations). 20th Century,Broad...
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Full Orchestra - Level 4 - SKU: A0.1276342 Composed by Don Black and John Barry. Arranged by John Langley (at Studio Orchestrations). 20th Century,Broadway,Film/TV,Musical/Show,Standards,Thriller. Score and Parts. 113 pages. Www.studio-orchestrations.com #868077. Published by www.studio-orchestrations.com (A0.1276342). One of the greatest Bond songs, actually movie title songs, ever written, composed by British music legends John Barry and Don Black. This arrangement follows the version made famous by Shirley Bassey for the soundtrack of the movie, and employs a full symphony orchestra plus rhythm section. Even if your performance has a smaller line-up than scored this orchestration will still work well and be a spectacle in any concert of film music and/or great vocal anthems.Instrumentation:Vocal Soloist2 Flutes2 Oboes2 Clarinets2 Bassoons4 French Horns3 Trumpets3 Trombones1 Tuba1 Timpani2 Percussionists[Wind Chimes / Xylophone /Glockenspiel / (Optional) Vibraphone]HarpPianoGuitarBass GuitarDrum KitStrings.
$120.00
Taras Bulba - Overture
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Mykola Lysenko
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Steven Nunes
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Taras Bulba - Overture
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Nagamon Publications
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1088189 By Mykola Lysenko. By Mykola Lysenko. Arranged by Steven Nunes. Classical,Romantic Period. Score and Parts. 1...
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Full Orchestra - Level 4 - SKU: A0.1088189 By Mykola Lysenko. By Mykola Lysenko. Arranged by Steven Nunes. Classical,Romantic Period. Score and Parts. 125 pages. Nagamon Publications #692441. Published by Nagamon Publications (A0.1088189). Mykola Lysenko was a Ukrainian composer, pianist, conductor and ethnomusicologist of the late Romantic period. In his time he was the central figure of Ukrainian music, with an oeuvre that includes operas, art songs, choral works, orchestral and chamber pieces, and a wide variety of solo piano music. He is often credited with founding a national music tradition during the Ukrainian national revival. Taras Bulba is an opera in four acts with a libretto by Mykhailo Starytsky (the composer's cousin) after the novel Taras Bulba by Nikolai Gogol. The story was about a Cossack who kills his son after he betrayed those fighting for their freedom. This enjoyable and tuneful overture uses several themes from the opera, and is in the vein of other late Romantic Eastern European music. This PDF includes the full score and parts ready for printing.
$40.00
Auld Lang Syne - Solo Voice, Choir, Opt. Bagpipes, Pops Orchestra or Big Band Key of Bb
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Daryl McKenzie
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Auld Lang Syne - Solo Voice, C
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.718418 Composed by Traditional. Arranged by Daryl McKenzie. Celtic,Christmas,Holiday,Irish,Multicultural,Patriotic,Wo...
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Full Orchestra - Level 4 - SKU: A0.718418 Composed by Traditional. Arranged by Daryl McKenzie. Celtic,Christmas,Holiday,Irish,Multicultural,Patriotic,World. Score and parts. 44 pages. Daryl McKenzie #6094933. Published by Daryl McKenzie (A0.718418). A rousing rock version (with a Nola/Bo-Diddley type groove) suitable for a Concert finale. Duration 2:30Starts with a chorus of Bagpipes (with an option for Tenor Sax), second chorus solo voice, 3rd chorus with Choir and an additional tag section.Arranged for Pops Orchestra or can be played with a Big Band.Instrumentation: Solo Voice, Choir, Bagpipes (opt.) (concert pitch part), 4 Saxes, 2 F Horns, 3 Trumpets, 3 Trombones, Piano, Keyboard (Strings), Guitar, Bass Guitar, Drum Kit, Drumline (opt. Orchestra Percussion section), Timpani, Glock, Violin 1, Violin 2, Viola, Cello, Contrabass.More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$69.99
Now And Forever
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Carole King
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Brad Ritchie
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Now And Forever
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Main Office Productions & Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1485187 Composed by Carole King. Arranged by Brad Ritchie. Film/TV,Pop,Rock,Singer/Songwriter. 88 pages. Main Office ...
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Full Orchestra - Level 4 - SKU: A0.1485187 Composed by Carole King. Arranged by Brad Ritchie. Film/TV,Pop,Rock,Singer/Songwriter. 88 pages. Main Office Productions & Publishing #1062264. Published by Main Office Productions & Publishing (A0.1485187). As featured in the motion picture A League of Their Own this arrangement brings Carole King's classic song written for the movie to your ensemble. A light orchestration feating a solo vocalist this arrangement will definitely bring a bit of movie nostalgia to your performance and remind you that there is no crying in baseball!Orchestration: 223(3=bcl)3 - 0000 - 3 Perc. - Hp - E. Gtr. - Pno - E,. Bass - Drum Set - Solo Vocal - StringsDuration: ca. 3:15A score video of Sibelius playback is below to give a sense of the arrangement. Thank you so much for considering this chart. If there are any questions or further information needed please feel free to contact me at brad@bradritchie.com. Also let me know if you end up purchasing. I'd love to know of any upcoming performances!
$100.00
Recuerdos de la Alhambra - Orchestra version (Conductor score)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Francisco Tarrega
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Reimund Merkens
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Recuerdos de la Alhambra - Orc
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Reimund Merkens
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.910930 Composed by Francisco Tarrega. Arranged by Reimund Merkens. 20th Century. Score and parts. 17 pages. Reimund M...
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Full Orchestra - Level 4 - SKU: A0.910930 Composed by Francisco Tarrega. Arranged by Reimund Merkens. 20th Century. Score and parts. 17 pages. Reimund Merkens #5953703. Published by Reimund Merkens (A0.910930). This is my arrangement for orchestra of Francisco Tárrega's masterpiece for guitar. Francisco Tárrega wrote his guitar piece in 1896 while staying in Granada. He named it after the 13th century Moorish palace in that city. The title means Memories of the Alhambra. The original masterpiece for guitar of Tarréga is also famous beacuse of technical skills. The orchestral version focus not so much on technical skills but more on expression of the beautiful melodie of this song.See also my advanced piano solo version of 'Recuerdos de la Alhambra'
$10.99
Promises and Warnings About Wisdom - for alto solo and orchestra - Part 1 of 2 (piano version and in
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Christopher Schwinger
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Promises and Warnings About Wi
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Christopher Schwinger
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.938532 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 18 pages. Christopher Schwinger #27613. ...
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Full Orchestra - Level 4 - SKU: A0.938532 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 18 pages. Christopher Schwinger #27613. Published by Christopher Schwinger (A0.938532). The 10th Christian vocal solo I've written, about the ultimate benefit to wisdom/virtue, acknowledging the hard realities of life such as others' hurtfulness and anxiety. Part 1 of 2 of the orchestral version contains the score in concert pitch and transposed formats. The alto part goes from G below middle C (the top of the bass clef staff, below the treble clef staff) to E at the top of the treble clef staff. Instrumentation required: 1 flute, 1 Bb clarinet, 1 Bb trumpet, violin, viola (at least 2 players because of divisi measures), cello (again at least 2 players), and string bass. (The total cost for the orchestral version is $46.).
$23.00
Virtue, Not Vengeance; Hope, Not Despair - for alto solo and orchestra - Part 1 of 2 (piano version
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Christopher Schwinger
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Virtue, Not Vengeance; Hope, N
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Christopher Schwinger
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.938529 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 22 pages. Christopher Schwinger #27591. ...
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Full Orchestra - Level 4 - SKU: A0.938529 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 22 pages. Christopher Schwinger #27591. Published by Christopher Schwinger (A0.938529). The 9th Christian vocal solo I've written, about about the promise of eternal life and support from God in this life if we choose virtue instead of vengeance. Part 1 of 2 of the orchestral version contains the score in concert pitch and transposed formats. The alto part goes from alto part goes from G# below middle C (the top of the bass clef staff, below the treble clef staff) to D# near the top of the treble clef staff. Instrumentation required: 1 flute, 1 Bb clarinet, 1 Bb trumpet, 1 trombone, 2 tubas, violin section (sometimes divisi), and cello section. (The total cost for the orchestral version is $46.).
$23.00
Firm in the Faith - for tenor solo and orchestra - Part 2 of 2
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Christopher Schwinger
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Firm in the Faith - for tenor
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Christopher Schwinger
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.938519 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 48 pages. Christopher Schwinger #13385. ...
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Full Orchestra - Level 4 - SKU: A0.938519 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 48 pages. Christopher Schwinger #13385. Published by Christopher Schwinger (A0.938519). The 8th Christian vocal solo I've written, about how to respond to persecution. Part 2 of 2 of the orchestral version contains the individual parts, including the tenor voice, in their appropriate formats (transposed if the instrument is Bb clarinet, Bb trumpet, or French horn). The tenor part goes from C below middle C to G above middle C. Instrumentation required: 1 flute, 1 oboe, 2 Bb clarinets, Bb bass clarinet played by 2nd clarinetist, 2 French horns, 1 Bb trumpet, 1 tuba, timpani, 1st and 2nd violin, viola, cello, and bass. (String players can be any number, but wind player numbers are specific.) Included at the end are the piano part and composer's notes explaining the creation process and musical things to pay attention to. (The total cost for the orchestral version is $46.).
$23.00
Saved from Sin - for soprano solo and orchestra - Part 2 of 2
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Christopher Schwinger
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Saved from Sin - for soprano s
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Christopher Schwinger
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.938527 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 60 pages. Christopher Schwinger #25919. ...
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Full Orchestra - Level 4 - SKU: A0.938527 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 60 pages. Christopher Schwinger #25919. Published by Christopher Schwinger (A0.938527). The 6th Christian vocal solo I have written, about original sin, the Virgin Birth, and what the Gospel means. Part 2 of 2 of the orchestral version contains the individual parts, including the soprano voice, in their appropriate formats (transposed for the Bb clarinet and French horns). The soprano part goes from D a whole-step above middle C to B above the treble clef staff. Instrumentation required: 1 flute, 1 oboe, 1 Bb clarinet, 2 French horns, 1 tuba, 1st and 2nd violin parts, a viola part, and a cello part. (String players can be any number, but wind player numbers are specific.) Included at the end are the piano part and composer's notes explaining the creation process and musical things to pay attention to. (The total cost for the orchestral version is $46.).
$23.00
The Teachings of Jesus - for tenor solo and orchestra - Part 2 of 2
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Christopher Schwinger
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The Teachings of Jesus - for t
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Christopher Schwinger
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.938524 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 41 pages. Christopher Schwinger #17619. ...
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Full Orchestra - Level 4 - SKU: A0.938524 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 41 pages. Christopher Schwinger #17619. Published by Christopher Schwinger (A0.938524). The 7th Christian vocal solo I've written, about the essence of Jesus. Part 2 of 2 of the orchestral version contains the individual parts, including the tenor voice, in their appropriate formats (transposed for the Bb clarinet). The tenor part goes from C below middle C to F above middle C. Instrumentation required: 2 flutes, 1 Bb clarinet, 1 bassoon, 1 euphonium, 1 trombone, 1 tuba, violin (1 part, any number of players), and cello (1 part, any number of players). Included at the end are the piano part and composer's notes explaining the creation process and musical things to pay attention to. (The total cost for the orchestral version is $46.).
$23.00
Ange Flégier: Le Cor for horn and orchestra, horn solo part
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Ange Flégier
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Ange Flégier: Le Cor fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.534252 Composed by Ange Flégier. Romantic Period,Standards. Score and parts. 3 pages. Musik Fabrik Music Publishin...
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Full Orchestra - Level 4 - SKU: A0.534252 Composed by Ange Flégier. Romantic Period,Standards. Score and parts. 3 pages. Musik Fabrik Music Publishing #3238151. Published by Musik Fabrik Music Publishing (A0.534252). This is the horn solo part for this work by Ange Flégier, in the original key of D major. A version of this work is also available for horn and piano and for horn and concert band.
$5.96
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
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Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
Who Wants To Live Forever
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Queen
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Who Wants To Live Forever
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1427918 By Queen. By Brian May. Arranged by John Langley / Studio Orchestrations. Broadway,Film/TV,Musical/Show,Opera...
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Full Orchestra - Level 4 - SKU: A0.1427918 By Queen. By Brian May. Arranged by John Langley / Studio Orchestrations. Broadway,Film/TV,Musical/Show,Opera,Pop,Rock. 118 pages. Www.studio-orchestrations.com #1008658. Published by www.studio-orchestrations.com (A0.1427918). This arrangement / score is set in D Minor, a tone / 2 steps below the original recorded song. Versions of this same score will be available on this website in both E Minor [original key] and also C sharp Minor [Down a minor 3rd / 3 steps] to give your vocal soloist and choir key options.Amid a truly extraordinary and long back catalogue of amazing songs written and performed by QUEEN, Who wants to live forever stands out as one of their greatest and most popular musical achievements. Written originally for the 1986 Sean Connery/Christopher Lambert film HIGHLANDER it highlighted the incredible range of musical output the band were capable of, being best known for their rock music output. It became a poignant and wistful anthem for the great Freddie Mercury who died only a matter of 5 years later.It is the most incredible song and in this arrangement combines symphony orchestra, with rock singer, rhythm section and for added value optional SATB chorus, bringing an additional texture to what is already an epic piece. The Youtube link below (in the lower key of C# Minor) illustrates the power of this version in an incarnation recorded during lockdown in 2020 with the combined forces of the Welsh National Opera orchestra and chorus and Welsh, TV stage and Hollywood actor star Luke Evans. All individual tracks and performances were recorded in their singers and musicians own homes, then mixed, spliced and compiled into what many have now come to regard as a classic.Both this and the WNO version were arranged by John Langley and pay a respectful tribute to the original version and its composer Brian May. We commend this for any concert of film or popular music with your professional, semi-professional or intermediate orchestra, choir and soloist. [The choir is optional but the piece is much more epic with one!]INSTRUMENTATION:2 Flutes1 Oboe1 Clarinet1 Bassoon4 Horns2 Trumpets3 TrombonesTimpani2 Percussion [Cymbals / Bass Drum / Snare Drum / Cabasa or small shaker]PianoElectric GuitarBass GuitarDrum KitRock - Tenor SoloistSATB [Optional but desirable!]Strings.
$140.00
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