Partitions Numériques de Something pour Orchestre

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I Will Sing Of My Redeemer
Orchestre

Full Orchestra - Level 4 - Digital Download SKU: A0.1395261 Composed by David Schmi…(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.1395261 Composed by David Schmidt, Francis H. Rowley, Peter B. Bilhorn, and Philip P. Bliss. Arranged by David Schmidt. Christian,Contemporary,Easter,Praise & Worship,Sacred. 28 pages. David Schmidt #978730. Published by David Schmidt (A0.1395261). The best combination of something old and something new provides a powerful treatment for a well-known hymn. Filled with energetic rhythmic statements that set the spirit soaring, this piece propels forward supported by an exhilirating accompaniment. Jubliant orchestration adds a distinctive, modern sound that will delight the audience and lift the presentation to new heights. These are the orchestral parts and score to the choral octavo I Will Sing of My Redeemer published by Shawnee Press. Score and parts for: Trumpets 1-3, Trombones 1-3, Master Rhythm, Violin 1&2, Viola, Cello, Double Bass, Synth Brass Reduction, and Synth String Reduction.
$60.00 55.1 € #Orchestre #David Schmidt, Francis H #David Schmidt #I Will Sing Of My Redeemer #David Schmidt #SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichÃ©s of todayâ€™s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichÃ©s are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i â€“ VI â€“ III â€“ VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichÃ©s were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasnâ€™t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichÃ©s become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesnâ€™t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are clichÃ©, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the musicâ€™s core. Itâ€™s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldnâ€™t resist some on-the-nose tongue-in-cheek. The little cameo of Haydnâ€™s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016

Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartokâ€™s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo â€¦ Misterioso! II. Allegro con moto â€¦ Evidence!!! III. Adagio â€¦ Epistrophy! IV. Andante â€¦ In Walked Bud! V. Presto â€¦ Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause â€“ thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carterâ€™s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monkâ€™s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monkâ€™s Evidence is a tune with jabs and punches, irregularly placed within the measure â€“ not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monkâ€™s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monkâ€™s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monkâ€™s Rhythm-a-ning, I began the last movement with a solo for the percussion section â€“ timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005

Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussyâ??s PrÃ©ludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puckâ??s DanceIV: The Sunken CathedralDebussyâ??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puckâ??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussyâ??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes â?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a â??symphonicâ?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly â??scherzoâ?? (Puckâ??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in Bâ? Bass Clarinet in Bâ? 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bâ? 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi Ã 4) Violin 2 (divisi Ã 4) Viola (divisi Ã 4) Violoncello (divisi Ã 4) Contrabass (B extension where possible) (divisi Ã 4)

Pastoral Fantasy (066) Revised in 2004
Orchestre

Full Orchestra - Level 4 - Digital Download SKU: A0.922789 Composed by Hiro Fujikak…(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.922789 Composed by Hiro Fujikake (Hiroyuki Fujikake). Contemporary. Score and parts. 83 pages. Mari Suzuki #6425063. Published by Mari Suzuki (A0.922789). Pastoral Fantasy (066) Revised in 2004Set: Score + Parts1st Mandolin, 2nd Mandolin, Mandola, Guitar, Mand Cello,Double Bass,Level: â˜…â˜…â˜…â˜…Duration: 14min.(83 pages incl. front page and instruction)The most well performed piece.It was the second work for Hiro to compose a mandolin orchestra, the work was composing during June to July, 1975 and was first performed by Tokai Student Mandolin Association in August. The inspiration of this music came from fresh greenery in early summer. The title of Pastoral Fantasy is based on the image of pastoral scenery and it consists the theme of the music. The following is the construction of the music.1. Initial pastoral andante2. Introduction of fugue, develop freely3. Recreation of touching pastoral theme4. Powerful codaPlease do not stick with interpretation of the music, just feel the sounds, as you like. It would be great pleasure for the composer if this music means something to those who play or listen to it.
$100.00 91.83 € #Orchestre #Hiro Fujikake #Pastoral Fantasy #Mari Suzuki #SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1208333 Composed by Juan Guerra GonzÃ¡lez. Classical,Contemporary. 30 pages. Juan Carlos Guerra Gonzalez #806440. Published by Juan Carlos Guerra Gonzalez (A0.1208333). â€œMunamiktiaâ€ (To marry) is based on the six sones from â€œLos Chapetonesâ€ (a folkloric dance from Panchimalco, El Salvador). â€œLos Chapetonesâ€ is a satiric dance portraying the social constructs of the Colonial time. It represents a wedding between DoÃ±a Lucrecia de Castilla and Don TomÃ¡s Rainer with the intention of making an alliance between Turkey and Spain. The investigation of this dance and its original music was made possible thanks to Aracely SÃ¡nchezÂ (cultural researcher),Â Marcial Gudiel (folkloric dance researcher), and ConcepciÃ³n ClarÃ¡ de Guevara (anthropologist) for the creation of the work â€œPanchimalcoâ€ in 1982 work that was commissioned by the National Dance School of El Salvador â€œMorena CelariÃ©â€. The editors of the â€œDiccionario de la MÃºsica EspaÃ±ola e Hispanoamericanaâ€ (Dictionary of Spanish and Hispanic Music) found this dance was unique in its genre in America and the Caribbean making â€œLos Chapetonesâ€ something exclusive from El Salvador.Â For this work, a part of each one of the sones is transformed in its rhythm or intervals to put them in melodies or in lines for the bass that have been harmonized in a different way while interacting with themes created especially for this work. The title, which in Nahuat means to marry, also serves as a reference to the union between the traditional themes used and the composerâ€™s own musical language. Munamiktia (To marry) was written for the Salvadoran Composers Competition organized by the Pan American Symphony Orchestra (PASO) in Washington, DC. Given its originality, the Jury decided, after a long deliberation, to award it second place. The World Premiere will take place during their 21/22 season after PASO resumes activities due to COVID.* The actual World Premiere took place on March 25th, 2023 in Washington D.C. With the Pan American Symphony Orchestra (PASO) conducted by the composer.For parts please visit www.juancarlosguerra.com/munamiktia

What's This?
Orchestre

Full Orchestra - Level 4 - Digital Download SKU: A0.1284108 Composed by Danny Elfma…(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.1284108 Composed by Danny Elfman. Arranged by Kevin Riley. 20th Century,Christmas,Film/TV. Score and Parts. 48 pages. Kevin Riley #875341. Published by Kevin Riley (A0.1284108). What's This? is a song from the film, The Nightmare Before Christmas sung by Jack as he is exploring Christmas Town as he discovers something the citizens of Christmas Town do differently than the citizens of Halloween Town do differently. A reprisal of the song was sung when Santa made it snow in Halloween Town.
$70.00 64.28 € #Orchestre #Danny Elfman #Kevin Riley #What's This? #Kevin Riley #SheetMusicPlus

Interlude for Orchestra
Orchestre

Full Orchestra - Level 4 - Digital Download SKU: A0.814805 Composed by Richard E Br…(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.814805 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 133 pages. Dacker Music #5733885. Published by Dacker Music (A0.814805). This composition represents a major revision of one of my earliest attempts to write for orchestra, way back in 1966. Revisiting it after over a half-century of languishing in the drawer, I was shocked to find some surprisingly worthwhile material. While it little resembles something I would write today, I managed to rework it into a legitimate and enjoyable piece of music, 54 years in the making. Grade 4 - Duration 7:20 Price includes license to make as many copies of parts as needed
$60.00 55.1 € #Orchestre #Richard E Brown #Interlude for Orchestra #Dacker Music #SheetMusicPlus

A Trip to the Moon
Orchestre

Full Orchestra - Level 4 - Digital Download SKU: A0.962400 Composed by Salvador Roj…(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.962400 Composed by Salvador Rojo GamÃ³n. Contemporary,Film/TV,Instructional. Score and parts. 307 pages. Salvador Rojo-Gamon #4897793. Published by Salvador Rojo-Gamon (A0.962400). It is a mock-up of my work as a composer of music for screen as well as for games . It is a sample of my work with symphonic orchestra. The music describes many situations like intrigue, hope, optimism, tension, disagreement, struggle, triumph, uncertainty, courage, farewell, courage, challenge, dream, remoteness, fear , persecution, decision, decoration, etc.You can perform the piece with the film doing something different.
$60.00 55.1 € #Orchestre #Salvador Rojo GamÃ³n #A Trip to the Moon #Salvador Rojo-Gamon #SheetMusicPlus

St. George's Cross - The Folk Songs of England for Orchestra
Orchestre

Full Orchestra - Level 4 - Digital Download SKU: A0.1089983 Composed by Traditional…(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.1089983 Composed by Traditional. Arranged by James Haynor. Traditional. Score and parts. 187 pages. James Haynor #694197. Published by James Haynor (A0.1089983). St. Georgeâ€™s Cross - The Folk Songs of England brings together the traditional folk music of Jolly Olde England . Represented are : English Country Gardens, Scarborough Fair, The Coasts of High Barbary, The Foggy Dew, Sailors Hornpipe, Drunken Sailor, Greensleeves and Yankee Doodle (originally identified as English). Alternating from lively to lovely, this arrangement has something for everybody, audiences and players alike. Arranged here for full orchestra. ( Duration 7:07 )Â .
$40.00 36.73 € #Orchestre #Traditional #James Haynor #St. George's Cross - The Folk Songs of England for Orchestra #James Haynor #SheetMusicPlus

The Rite of Spring: Scene 2 'The Agurs of Spring'
Orchestre

Full Orchestra - Level 4 - Digital Download SKU: A0.994961 Composed by Igor Stravin…(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.994961 Composed by Igor Stravinsky. Arranged by Chris Knapp. 20th Century,Classical. Score and parts. 50 pages. Chris Knapp #600452. Published by Chris Knapp (A0.994961). This arrangement of the Agurs of Spring from Stravinsky's 'Rite of Spring', stays faithful to the original, with some tweaks to allow it to be more accessible for amateur players but still retaining the essence and fun of the piece. This is a great one to challenge your amateur orchestra and a brilliant concert item that it something a little different.
$37.99 34.89 € #Orchestre #Igor Stravinsky #Chris Knapp #The Rite of Spring: Scene 2 'The Agurs of Spring' #Chris Knapp #SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1121448 By Franco Esteve. By Franco Esteve. Arranged by Franco Esteve. Classical,Contemporary,Film/TV. Score and parts. 68 pages. Franco Esteve #722619. Published by Franco Esteve (A0.1121448). About Contagion, the music From quarantine life, something painful this way comes, a new, pandemic inspired, life soundtrackâ€¦ Contagion is a moment, an interruption, signifying an expression of feelings and music that the Covid-19 coronavirus pandemic and quarantine brought to light. Itâ€™s a contemporary classical life-track, serving as a soundtrack to the contagion, to its spread, to its mystery, its attack on the body, to our losses during the Covid-19 pandemic and to our future beyond them. As the virus flooded every news outlet, Contagion became an interruption, a mysterious invader, taking over everything, needing to be expressed. Itâ€™s a â€œlifetrackâ€ or â€œlife soundtrackâ€ with its contemporary classical orchestral sounds expressing the feelings and experiences of those first few months of dread and quarantine, through which many of us felt the fear of it all and the actual loss of loved ones. Original Album Release date: May 14th, 2020 Genre: Contemporary Classical / Life Soundtrack â€¢ The album length is 9 minutes and 33 seconds About the Score This version of the score includes ALL 5 songs in the album and the instrument selection varies in accordance with the specific composition of each of the songs. The instruments used are: Horn Section, Soprano Trumpet, Bass Drum, Piano, Harp, Tuba, Wine Glasses, Cabasa, Triangle, Violins I, Violins II, Horn, Trumpet, Trombone, Timpani, Crash Cymbals, Cello Section, Trumpet Section, Gong, Cello Solo. I can imagine the songs can work adapted in a number of ways by different groups or a very advanced group of students. It'll be fun to hear how others interpret them. Music included In the package, I've included the full album's music score with each of the individual songs and their instrument parts and the original published songs as a single HQ MP3 (320 kbps), so players can get a feel for my intentions when composing each one. (You can listen to them free at https://francoesteve.com or on your favorite streaming service - links on my websiteâ€™s album page linked below). The MP3 also includes a cello solo version of Death Is Not the End. Track list 1. Contagion (2:15) 2. The Spread (2:24) 3. Patient Zero (1:26) 4. Infected (1:26) 5. Death Is Not the End (2:02) Composer: Franco Esteve Genres: Contemporary Classical, Modern Classical, 21st Century Level: Advanced The Package includes 1. PDF with the Score The full score for each of the 5 songs in the album. All the individual parts for each song as written. 2. All 5 songs in a single MP3 HQ (320 kbps) format file including the Bonus Cello Only Version of Death is Not the End. Find out more about this album on Contagion's page on the Franco Esteve website here: https://www.francoesteve.com/music/contagion-music-album/ Thank you for your interest in my music. I hope yâ€™all enjoy playing it as much as I did composing it. Donâ€™t forget to keep up to date with everything Franco Esteve: Website: http://www.francoesteve.com/ Patreon: https://patreon.com/FrancoEsteve Facebook: https://www.facebook.com/seefrancoesteve Twitter: https://www.twitter.com/FrancoEsteve Instagram: https://www.instagram.com/seefrancoesteve My music is also available on all major, online music stores and streaming services. I'm a BMI affiliated artist and you can contact me using the contact form at: http://www.francoesteve.com or through Facebook and Twitter. Thank you again and enjoy! :).

From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
Orchestre

Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathan…(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathaniel Holland #3142471. Published by James Nathaniel Holland (A0.730401). Tenor Aria From the Hillside from the 21st Century Opera ON THE WINGS OF THE SCARLET MESSENGER (Based on the Henry James novel, On the Wings of a Dove) here with full orchestral accompaniment. (Full score in concert pitch, voice, and individual parts included) This accompaniment can also be used with the solo and male ensemble that is contained in the full vocal score.Instrumentation: pic, fl12,ob12,eh,cl12,bcl,tenor sax, bsn12,hrn1234, trpt 12, trmb, btrm, timp, hand cym/egg shaker, hrp, voice, stringsDuration: 4:00 minutes (Sample here begins with extra measure) Video presentation at: https://www.youtube.com/watch?v=u47yb4kiE0Y Curious? Listen to the complete opera playlist en demo at: http://www.youtube.com/watch?v=Rr5x_aXnUMM&list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMa Adaptation, Libretto, and Music by James Nathaniel Holland Performance: James Nathaniel Holland, Tenor Orchestra: CH Symphony Group (Complete Duration: 2 hours) BRIEF SYNOPSIS: In the urban capital of Soon Rafa, lovers Mariana (Soprano) and Kai (Bass) cannot be together because of Mariana's disapproving wealthy Aunt (Mezzo-Soprano). Torn between love and financial security, an unlikely opportunity arises when a dying rich Occidental, Justin (Tenor) reveals his romantic interest in Kai. The couple plot a pretense to inherit Justin's money and be free to marry and live together. This aria occurs in Act I, Scene 2. Justin (tenor) has just hired a group of porters, including Kai (bass), to guide him through the jungles of the island to photograph the mythical bird, the Scarlet Messenger. Although the men insist it is a legend, Justin inspires them to persevere with him. Aria Libretto, Justin (tenor singing): From the hillside, something breaks free. Is it real? Or just illusion? Oh how I have to see you, feel that beauty. Upon your wings our souls must one day fly to heaven. Never doubt that you can find him, hiding among your dreams. For when you feel all hope is gone, that's when you spot his red wings, fiery bright. (to the group of porters) So come with me, all's not in vain. It is real, just not illusion. The day is fading fast, oh, so quickly. We'll be the first to see that blazing path of fire. The Scarlet Messenger! Oh how that would be the greatest gift of my life. Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html Music, Lyrics, Performance Copyright 2017 James Nathaniel Holland.
$15.95 14.65 € #Orchestre #James Nathaniel Holland #From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes #James Nathaniel Holland #SheetMusicPlus

Symphony No. 9 ... My Imaginary London (2014)
Orchestre

Full Orchestra - Level 4 - Digital Download SKU: A0.869302 Composed by Thomas Oboe …(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.869302 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 75 pages. Thomas Oboe Lee #431491. Published by Thomas Oboe Lee (A0.869302). Instrumentation: 2222-2221-timp-perc-hp-strings Program note. When I told Gil Rose that I had written symphonies for the cities of Paris and Rome, he said Why donâ€™t you do London as your next symphony? I told him, But Iâ€™ve never been to London. He said, Well, now you have an excuse to go there. That never happened; going to London, that is. But I was very intrigued about writing a London symphony. So, I decided to go ahead, and instead of London as a travelogue symphony, something I did for Paris and Rome, I came up with an alternative idea. Why not compose a London Symphony in homage to three of my favorite English composers: Benjamin Britten, Ralph Vaughan Williams and Edward Elgar? Symphony No. 9 â€¦ My Imaginary London is in three movements with multiple sections within each. 1. Prelude: Benjamin Britten (1913-1976) Moderato Scherzo I Trio I Reprise I Allegretto 2. Interlude: Ralph Vaughan Williams (1872-1958) Lento Scherzo II Trio II: Adagio Reprise II Allegro con fuoco 3. Postlude: Edward Elgar (1857-1934) Largo This work is dedicated to my wife and muse, Kristin Beckwith.Enjoy!!!Vido link: https://youtu.be/q0qmqVz9IhwAudio link: https://thomasoboelee.bandcamp.com/album/symphony-no-9-my-imaginary-london-2014
$9.99 9.17 € #Orchestre #Thomas Oboe Lee #going to London, that is #Symphony No. 9 ... My Imaginary London #Thomas Oboe Lee #SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde â€“ slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice â€¦ singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it â€¦.

Flauta Carioca (2000) for flute and orchestra
Orchestre

Full Orchestra - Level 4 - Digital Download SKU: A0.869354 Composed by Thomas Oboe …(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.869354 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 88 pages. Thomas Oboe Lee #15873. Published by Thomas Oboe Lee (A0.869354). Instrumentation: solo flute & 2222-2221-timp-2perc-strings. Program note: I lived in SÃ£o Paulo, Brazil, during my teenage years, from 1959 to 1966. Consequently, the samba and the bossa nova are forever engraved into my heart. So, when Larry Tamburri, Executive Director of the New Jersey Symphony Orchestra, proposed that I write a flute concerto for Bart Feller, principal flutist of the NJSO, he (Larry) thought it would be most appropriate if I wrote something inspired by my musical experiences in Brazil. The result is Flauta Carioca, literally meaning, flute in the manner of the people of Rio de Janeiro. The work is in three movements. The first is a chÃ´ro, an instrumental ensemble music that features a soloist that is often virtuosic when it is fast, and lyrical when it is slow. The second movement is a bossa nova. It features Bart on the alto flute and the music is very luscious and sexy. The listener can fantasize about Rio and the beach at Ipanema. The last movement begins with a slow introduction, a pastorale. Without a break, a forrÃ³ enters in the strings, followed immediately by the percussion. ForrÃ³ is party music, and this last movement is all about dancing. As a matter of fact, Bart wants to party all night ... The evening finally ends when someone turns the light out!!!Audio link: https://thomasoboelee.bandcamp.com/album/flauta-carioca-2000.
$9.99 9.17 € #Orchestre #Thomas Oboe Lee #2222-2221-timp-2perc-strings #Flauta Carioca #Thomas Oboe Lee #SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.809057 Composed by Kim Diehnelt. Contemporary. Score and parts. 28 pages. Kim Diehnelt #4367718. Published by Kim Diehnelt (A0.809057). Striadica: A Symphonic PassageThe every-day, reshaped by contingencies. The time-bound path twists through certainty, bewilderment, and fragile reconstruction. Upon release, recognition arrives.Duration: 8 - 9 mins.I was specifically asked to write a work where everyone had something to play. As is my usual style, I tend to allow the second players and less-prominent instruments a chance to shine, and in general shake up the usual orchestral hierarchy. (The second violins, for example, even get their own solo passage!)The wind parts are much more individualized, where the first part may have a completely different line than the second.A colleague who is a trombone player challenged me to write parts that sing for his instrument; hence the word dolce occurs in the low brass parts. Although the low brass parts are rather simple, they do require finesse and nuance.In general, none of the parts are overly challenging; rather, I hope each player finds the music allows them the opportunity to express themselves both individually and as an ensemble.Instrumentation1 Piccolo2 Flutes2 Oboes2 Clarinets in A2 Bassoons4 Horns in F2 Trumpets in C3 Trombones (2 Tenor, 1 Bass Trombone)1 TubaTimpani (B / D)Percussion: Wood Blocks, Snare Drum1 HarpStrings------Commissioned by the Lake Forest Civic Orchestra, IL. Premiere performance May, 2018This item contains ONLY THE SCORE. The PDF, when printed double sided will make for an 8 Â½ by 11 score with a left margin suitable for comb binding. (Please consider a larger sized comb than usual so pages may be turned quietly!) A full set of hard-copy parts are available directly from Kim Diehnelt. (Kim@KimDiehnelt.com)Â© 2017 Kim Diehnelt (ASCAP)