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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Yin
Non classifié
951
Piano & claviers
Piano seul
825
Piano, Voix
108
Piano, Voix et Guitare
64
Instruments en Do
47
Orgue
33
1 Piano, 4 mains
27
2 Pianos, 4 mains
16
Piano Trio: piano, violon, violoncelle
9
Accordéon
3
Piano Facile
3
Orgue, Piano (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Trompette (duo)
2
Accompagnement Piano
1
+ 9 instrumentations
Retracter
Guitares
Guitare
94
Guitare notes et tablatures
72
Piano, Guitare (duo)
38
Basse electrique
21
Dulcimer
12
Ligne De Mélodie, (Paroles) et Accords
9
2 Guitares (duo)
7
Ukulele
5
Mandoline
3
Banjo
3
Ensemble de guitares
1
3 Guitares (trio)
1
2 Dulcimers (duo)
1
Paroles et Accords
1
4 Guitares (Quatuor)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
134
Chorale TTBB
20
Chorale 3 parties
18
Chorale SSAA
17
Voix Soprano, Piano
10
Chorale Unison
7
Voix duo
5
Voix seule
4
Voix Soprano
3
Chorale 2 parties
3
Voix Baryton, Piano
3
Voix duo, Piano
2
Voix haute
2
Voix Tenor, Piano
2
Voix Tenor
2
Voix Alto, Piano
1
+ 11 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
147
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
144
Flûte, Hautbois, Clarinette, Basson
128
Quintette de Saxophone: 5 saxophones
127
Quatuor de Clarinettes: 4 clarinettes
113
Clarinette et Piano
95
Flûte traversière et Piano
88
2 Saxophones (duo)
78
Hautbois, Piano (duo)
75
Saxophone Alto et Piano
68
Ensemble de saxophones
55
Saxophone Tenor et Piano
50
Flûte traversière
37
Clarinette
31
Ensemble de Clarinettes
31
2 Clarinettes (duo)
28
2 Flûtes traversières (duo)
26
Quatuor de Flûtes : 4 flûtes
25
Saxophone Alto
23
Ensemble de Flûtes
21
Saxophone Tenor
21
Saxophone, Clarinette (duo)
17
Saxophone Soprano et Piano
13
Clarinette, Violon (duo)
13
Flûte, Clarinette (duo)
12
Quintette de Clarinettes: 5 clarinettes
10
Trio de Flûtes: 3 flûtes
8
Quintette de Flûte : 5 flûtes
8
Flûte, Violon
8
Hautbois, Basson (duo)
7
Hautbois (partie séparée)
7
Clarinette, Trompette (duo)
7
Flûte, Alto (duo)
7
Clarinette et Alto
6
Flûte, Saxophone (duo)
6
2 Hautbois (duo)
6
3 Saxophones (trio)
6
3 Clarinettes (trio)
6
Flûte, Trompette (duo)
5
Hautbois, Flûte
5
Flûte et Guitare
5
Flûte à Bec
4
Hautbois, Clarinette (duo)
4
Clarinette, Guitare (duo)
3
Flûte, Violoncelle
3
Flûte, Hautbois, Clarinette (trio)
3
Clarinette Basse, Piano
3
Flûte, Clarinette et Basson
3
Flute (partie séparée)
2
Saxophone (partie séparée)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Clarinette (partie séparée)
2
Flûte, Violon, Piano
2
Flûte, Hautbois, Basson
2
Saxophone Baryton, Piano
2
Flûte à bec Soprano
2
Flûte irlandaise
2
Clarinette, Basson (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à bec Alto
1
Hautbois, Violon, Piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
Saxophone Soprano
1
Clarinette, Violoncelle (duo)
1
Saxophone et Orgue
1
Clarinette Basse
1
Saxophone
1
Hautbois
1
Saxophone et Guitare
1
Cor anglais, Piano
1
4 Hautbois
1
3 Flûtes à bec (trio)
1
2 Flûte à bec (duo)
1
Flûte et Quatuor à Cordes
1
+ 71 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
111
Quatuor de Cuivres : 2 trompettes, trombone, tuba
75
Trombone et Piano
70
Trompette
60
Trompette, Piano
46
Trombone
29
Quatuor de Cuivres: 2 trompettes, Cor, trombone
23
Ensemble de Trompettes
18
Quatuor de Cuivres
16
Ensemble de Trombones
16
Trompette, Saxophone (duo)
13
Cor et Piano
13
Trompette (partie séparée)
13
Quatuor de cuivres: 4 cors
11
2 Trombones (duo)
9
2 Trompettes (duo)
8
Quatuor de cuivres: 4 trombones
7
Trompette, Trombone (duo)
7
Tuba et Piano
6
Tuba
6
2 Euphoniums et 2 Tubas
5
2 Cors (duo)
5
3 Cors (trio)
4
Ensemble de Cors
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
3 Trombones (trio)
3
Euphonium, Piano (duo)
2
Euphonium
2
Trombone (partie séparée)
2
Cor
2
Quatuor de cuivres: 4 trompettes
2
Euphonium, Tuba (duo)
1
Trombone, Tuba (duo)
1
Cor (partie séparée)
1
Tuba et Orgue
1
4 Tubas
1
Cor anglais, Piano
1
Trombone, Orgue
1
2 Euphoniums (duo)
1
2 Tubas (duo)
1
Trompette, Tuba (duo)
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
283
Violon et Piano
100
Violon, Violoncelle (duo)
100
Violoncelle, Piano
66
Alto, Piano
66
Violoncelle
61
Harpe
58
Violon
55
Trio à Cordes: violon, alto, violoncelle
51
2 Violoncelles (duo)
40
Trio à Cordes: 2 violons, violoncelle
28
2 Violons (duo)
24
Violon, Alto (duo)
21
2 Harpes (duo)
14
Alto seul
12
2 Altos (duo)
10
Ensemble de Violons
8
Ensemble d'Altos
7
4 Violoncelles
7
Alto (partie séparée)
7
Trio à Cordes: 3 violoncelles
6
Trio à cordes: 3 violins
6
Contrebasse, Piano (duo)
5
Violon, Guitare (duo)
5
Contre Basse
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Harpe, Voix
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violon (partie séparée)
3
Trio à cordes: 3 altos
3
Alto, Violoncelle (duo)
3
Harpe, Flûte (duo)
2
Quatuor à cordes: 4 violons
2
Alto, Guitare (duo)
2
Violoncelle, Contrebasse (duo)
2
Ensemble de Violoncelles
1
2 Altos, Piano
1
Violon, Tuba (duo)
1
Violoncelle , Guitare (duo)
1
Quatuor à cordes : 4 altos
1
2 Contrebasses (duo)
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
136
Orchestre à Cordes
119
Ensemble Jazz
87
Orchestre
72
Ensemble de cuivres
69
Orchestre de chambre
52
Fanfare
21
Jazz combo
16
Batterie
14
Ensemble de Percussions
14
Cloches
12
2 Xylophones
4
Vibraphone
4
Marimba
3
Xylophone, Piano
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Partitions à imprimer
72 partitions trouvées
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51
THREE ANIMAL SAYINGS 3--A FLEA CAN TROUBLE A LION--orchestra
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
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Alan Edgar
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THREE ANIMAL SAYINGS 3--A FLEA
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Alan Edgar Ted Moon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.903755 Composed by Alan Edgar. 20th Century,Children. Score and parts. 25 pages. Alan Edgar Ted Moon #3054461. Publis...
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Full Orchestra - Level 4 - SKU: A0.903755 Composed by Alan Edgar. 20th Century,Children. Score and parts. 25 pages. Alan Edgar Ted Moon #3054461. Published by Alan Edgar Ted Moon (A0.903755). Third of a set of musical tellings of sayings and proverbs from around the world. Good for a children's concert. This very short piece opens by depicting the open savanna and the roar of Lion. A fanfare welcomes him, then we hear his confident march and another roar. However, he is plagued by many fleas, who perform a jazz waltz between bites and jumps. At the end, helpless Lion staggers away, cheeky fleas still biting. First performance was by York Guildhall Orchestra under Simon Wright. The children in the audience could be invited to state the moral of this Kenyan saying: A flea can trouble a lion more than the lion can harm a flea. The movement uses flute doubling on referee's whistle, piccolo, 2 oboes (one doubling on swanee whistle), 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, untuned percussion, harp and strings. Duration: 2minutes.
$11.00
Defying Gravity - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Stephen Lawrence Schwartz
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Stephan Langenberg
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Defying Gravity - Score Only
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Stephan Langenberg
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1291712 Composed by Stephen Lawrence Schwartz. Arranged by Stephan Langenberg. Broadway,Film/TV,Musical/Show,Pop,Rock...
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Full Orchestra - Level 4 - SKU: A0.1291712 Composed by Stephen Lawrence Schwartz. Arranged by Stephan Langenberg. Broadway,Film/TV,Musical/Show,Pop,Rock. 34 pages. Stephan Langenberg #882319. Published by Stephan Langenberg (A0.1291712). The Hit Song „Defying Gravity“ from the masterpiece Musical Wicked by Stephen Schwartz, we all know and love. Arranged for a Full Orchestra (Double Woodwinds). Pretty Detailed, has high precision in color and is arranged in the full length of both, the Duett and a Solo-version in the style of the Musical-Theater-Version to give you the choice. A must-have for your audience and next concert.Note: This arrangement is transposed one half-step lower than the original. The notes allow for a performance as a duet or with a single solo singer. You can also play this arrangement as a 'song' without dialogue parts. In this case, start at the Segno (bar 29) and jump from Coda (85) to Coda (131). This way, the song is fully playable and fits smoothly in terms of key signatures.This Arrangement adds Rock-instruments to your Orchestra! (Drumset, 2 electric Guitars, Bass, Piano, Keyboards)For further information, you are invited to visit my website: Don't miss any more publications and check out my other arrangements for this lineup!
$4.99
Stayin' Alive
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
#
Pop musique
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Bee Gees
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Matt Smith
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Stayin' Alive
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Matt Smith
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1160183 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Matt Smith. Disco,Pop. Score and parts....
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Full Orchestra - Level 4 - SKU: A0.1160183 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Matt Smith. Disco,Pop. Score and parts. 80 pages. Matt Smith #760469. Published by Matt Smith (A0.1160183). Stayin' Alive by The Bee Gees, for Orchestra
$79.99
The Flying Hat, Scenes from a Fairy Tale for Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Panagiotis Theodossiou
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The Flying Hat, Scenes from a
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Panagiotis Theodossiou
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.886737 Composed by Panagiotis Theodossiou. 20th Century,Children,Concert,Standards. Score and parts. 220 pages. Panag...
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Full Orchestra - Level 4 - SKU: A0.886737 Composed by Panagiotis Theodossiou. 20th Century,Children,Concert,Standards. Score and parts. 220 pages. Panagiotis Theodossiou #6027245. Published by Panagiotis Theodossiou (A0.886737). The Flying Hat Scenes of a Fairy Tail, for orchestra op.34 (2006) a. A Little Fanfare b. The Hatland c. Dad, the Giant Hat d. Dance of the Little Hats e. The Wind f. The Flight g. Farewell A fairy tale full of inspiration written by a child was the stimulus for the creation of this polytonal work for orchestra. With humor and innocence, piquant orchestration and cinematic use of the sound, the work is dedicated to the child, Michalis Tillianakis and to Eleutherios Geitonas, director of Geitonas School who gave the idea for this project. The work has been transcribed for piano, 4 hands, for the Duo Pianismo recital in Benetatou Cultural Center of Psihiko in 2010 and for wind quintet for the Q innegal Wind Quintet Concerts in Athens in 2011 (Attikon OdeionConservatory, Art Gallery Café, Athens, Perigiali Theater, Korinthos). Excerpts of the work has been performed by Psychiko Youth Orchestra conducted by the composer at Arssakeion Educational Institute Theater in 2016.https://www.youtube.com/watch?v=mqaKLf2QUgE&t=478shttps://www.youtube.com/watch?v=-tsNKs5i2b0
$60.00
THREE ANIMAL SAYINGS 1--WHEN CAT'S AWAY, MICE WILL PLAY--orchestra
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Alan Edgar
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THREE ANIMAL SAYINGS 1--WHEN C
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Alan Edgar Ted Moon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.903753 Composed by Alan Edgar. 20th Century,Children. Score and parts. 37 pages. Alan Edgar Ted Moon #3053937. Publis...
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Full Orchestra - Level 4 - SKU: A0.903753 Composed by Alan Edgar. 20th Century,Children. Score and parts. 37 pages. Alan Edgar Ted Moon #3053937. Published by Alan Edgar Ted Moon (A0.903753). The first of three movements depicting animal sayings or proverbs. This movement requires Piccolo, Flute, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Percussion (1 or 2 players), Harp (optional), Strings. The first section depicts Cat, slinking along, mieowing and purring A few mice appear so Cat flips her tail, crouches and charges, whereupon the mice disappear. Cat nonchalantly licks herself (viola solo)and then walks away, diminuendo. In the second section, now that Cat is away, the mice come out to play…
$10.00
Defying Gravity
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Stephen Lawrence Schwartz
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Stephan Langenberg
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Defying Gravity
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Stephan Langenberg
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SheetMusicPlus
Full Orchestra - Level 4 - Composed by Stephen Lawrence Schwartz. Arranged by Stephan Langenberg. Broadway, Contest, Festival, Film/TV, Musical/Show...
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Full Orchestra - Level 4 - Composed by Stephen Lawrence Schwartz. Arranged by Stephan Langenberg. Broadway, Contest, Festival, Film/TV, Musical/Show, Pop, Rock. 131 pages. Stephan Langenberg #881692. Published by Stephan Langenberg
$49.99
Flying
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Stefano Fabrizio Sacchi
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Flying
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Stefano Sacchi
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.962239 Composed by Stefano Fabrizio Sacchi. 20th Century,Concert,Contemporary,Film/TV,Romantic Period. Score and part...
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Full Orchestra - Level 4 - SKU: A0.962239 Composed by Stefano Fabrizio Sacchi. 20th Century,Concert,Contemporary,Film/TV,Romantic Period. Score and parts. 80 pages. Stefano Sacchi #6082819. Published by Stefano Sacchi (A0.962239). Concert for Solo Cello and OrchestraScore and Parts included.Composed by Stefano Fabrizio Sacchi.For Solo Cello and OrchestraDuration: c.a. 5 MinutesDifficulty level: Intermediate-AdvancedAlternatively can be performed by Solo Bassoon, Solo Bass Clarinet, Solo Trombone
$80.00
Flying into the Storm
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Eric Bingham-Kumpf
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Flying into the Storm
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Eric Bingham-Kumpf
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1138148 Composed by Eric Bingham-Kumpf. 20th Century. Score and parts. 50 pages. Eric Bingham-Kumpf #738416. Publishe...
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Full Orchestra - Level 4 - SKU: A0.1138148 Composed by Eric Bingham-Kumpf. 20th Century. Score and parts. 50 pages. Eric Bingham-Kumpf #738416. Published by Eric Bingham-Kumpf (A0.1138148).
$40.00
THREE ANIMAL SAYINGS 2--THE TORTOISE AND THE HARE--orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Alan Edgar
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THREE ANIMAL SAYINGS 2--THE TO
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Alan Edgar Ted Moon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.903754 Composed by Alan Edgar. 20th Century,Children. Score and parts. 10 pages. Alan Edgar Ted Moon #3054071. Publis...
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Full Orchestra - Level 4 - SKU: A0.903754 Composed by Alan Edgar. 20th Century,Children. Score and parts. 10 pages. Alan Edgar Ted Moon #3054071. Published by Alan Edgar Ted Moon (A0.903754). Second in a set of 3 animal tales for orchestra. Play in the children's concert or any time. The plodding tortoise beats the silly hare in the race. I use one of my well-known octatonic scales and some 12-tone serial, but it's all for fun--don't be put off by that! First performance was by the York Guildhall Orchestra under Simon Wright at York St John University.
$10.00
Playing To Win
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Graham Goble and John Farnham
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Brad Esbensen
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Playing To Win
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Brad Esbensen Music Services
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.774436 Composed by Graham Goble and John Farnham. Arranged by Brad Esbensen. Contemporary,Pop,Rock. Score and Parts. ...
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Full Orchestra - Level 4 - SKU: A0.774436 Composed by Graham Goble and John Farnham. Arranged by Brad Esbensen. Contemporary,Pop,Rock. Score and Parts. 147 pages. Brad Esbensen Music Services #6204419. Published by Brad Esbensen Music Services (A0.774436). This arrangement, in the key of E minor, generally follows the form of John Farnham's recording he made while with the Little River Band. All rhythm section parts are fully notated thorughout to assist younger players. This Australian pop classic is sure to be a hit with audiences. I hope you enjoy performing this chart and if you would like it transposed into another key or would like alternate parts/instrumental combinations, please e-mail me at brad@bemus.com.au www.bemus.com.au.
$60.00
Calgary Little Suite (For Orchestra)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Han-Ki Kim
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Calgary Little Suite
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Han-Ki Kim
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1303163 Composed by Han-Ki Kim. Classical,Instructional,Romantic Period,Standards,Traditional. 129 pages. Han-Ki Kim ...
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Full Orchestra - Level 4 - SKU: A0.1303163 Composed by Han-Ki Kim. Classical,Instructional,Romantic Period,Standards,Traditional. 129 pages. Han-Ki Kim #892756. Published by Han-Ki Kim (A0.1303163). Living in Calgary from summer to fall of 2023, I thought I should compose a music describing the scenery of this place. From the lively city of Calgary, the historic Bow River flowing leisurely, the light rail (LRT) running through the city, the birch forest in Wentworth, where I am staying, and finally, Calgary's most famous event, the Stampede Festival. These are all five scenes that I am familiar with that I have encountered around me.In particular, the year 2023, when this music was composed, is even more meaningful as it marks the 60th anniversary of diplomatic relations between Korea and Canada.  The contents of each movement are as follows.   * Calgary Little Suite* For Orchestra  Op.317A       1st movement: Cheerful City Calgary.       2nd movement: Bow River.       3rd movement: Light Rail Train.       4th movement: Birch forest of Wentworth.       5th movement: Stampede Festival     Playing time is approximately 7 minutes and 40 seconds.
$39.90
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
Symphony No.1
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Han-Ki Kim
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Symphony No.1
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Han-Ki Kim
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.511812 Composed by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Score and parts. 186 pages. Han-...
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Full Orchestra - Level 4 - SKU: A0.511812 Composed by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Score and parts. 186 pages. Han-Ki Kim #6440929. Published by Han-Ki Kim (A0.511812). Symphony No.1 “KangKangSullae†Symphony No. 1 has the name “KangKangSullaeâ€, and the composer is like any other korean composer. “What does it mean to be Korean?†With the question, he is trying to compose such works. A Korean work means a work that contains Korean emotions and spirit, and the melody of “KangKangSullae†has been handed down through a long history to this day, so it can be said that it is a keepsake containing the soul of Korea. With this in mind, the theme of “KangKangSullae†was cited in the 4th movement, and it was named as a representative name for the Symphony as an element that forms the basic character of this movement.For reference, the origin of “KangKangSullae†is from women's circular dance. It was because they valued the relationship between each other. They held hands, sang and danced, and it was a representative event to commemorate the full moon and the harvest.The first movement is in 6/8 time, and two contrasting themes, masculine and feminine, appear in normal sonata form.The second movement crosses the natural harmonics of the violin and the normal playing method in 4/4 time, expressing oriental excellence and emotion.The third movement is composed in a short ABA form with a humorous lightness and weight in 3/8 time.The fourth movement quoted the theme of “Ganggangsullae†in 8/12 time, and was composed in the form of variations that change with various personalities, sometimes majestic, sometimes sobbing, calmly, etc.Attached Music file is only 1st. movement, it's just for a reference.
$45.00
Contagion (Full Album Score)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Franco Esteve
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Franco Esteve
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Contagion
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Franco Esteve
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1121448 By Franco Esteve. By Franco Esteve. Arranged by Franco Esteve. Classical,Contemporary,Film/TV. Score and part...
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Full Orchestra - Level 4 - SKU: A0.1121448 By Franco Esteve. By Franco Esteve. Arranged by Franco Esteve. Classical,Contemporary,Film/TV. Score and parts. 68 pages. Franco Esteve #722619. Published by Franco Esteve (A0.1121448). About Contagion, the music From quarantine life, something painful this way comes, a new, pandemic inspired, life soundtrack… Contagion is a moment, an interruption, signifying an expression of feelings and music that the Covid-19 coronavirus pandemic and quarantine brought to light. It’s a contemporary classical life-track, serving as a soundtrack to the contagion, to its spread, to its mystery, its attack on the body, to our losses during the Covid-19 pandemic and to our future beyond them. As the virus flooded every news outlet, Contagion became an interruption, a mysterious invader, taking over everything, needing to be expressed. It’s a “lifetrack†or “life soundtrack†with its contemporary classical orchestral sounds expressing the feelings and experiences of those first few months of dread and quarantine, through which many of us felt the fear of it all and the actual loss of loved ones. Original Album Release date: May 14th, 2020 Genre: Contemporary Classical / Life Soundtrack • The album length is 9 minutes and 33 seconds About the Score This version of the score includes ALL 5 songs in the album and the instrument selection varies in accordance with the specific composition of each of the songs. The instruments used are: Horn Section, Soprano Trumpet, Bass Drum, Piano, Harp, Tuba, Wine Glasses, Cabasa, Triangle, Violins I, Violins II, Horn, Trumpet, Trombone, Timpani, Crash Cymbals, Cello Section, Trumpet Section, Gong, Cello Solo. I can imagine the songs can work adapted in a number of ways by different groups or a very advanced group of students. It'll be fun to hear how others interpret them. Music included In the package, I've included the full album's music score with each of the individual songs and their instrument parts and the original published songs as a single HQ MP3 (320 kbps), so players can get a feel for my intentions when composing each one. (You can listen to them free at https://francoesteve.com or on your favorite streaming service - links on my website’s album page linked below). The MP3 also includes a cello solo version of Death Is Not the End. Track list 1. Contagion (2:15) 2. The Spread (2:24) 3. Patient Zero (1:26) 4. Infected (1:26) 5. Death Is Not the End (2:02) Composer: Franco Esteve Genres: Contemporary Classical, Modern Classical, 21st Century Level: Advanced The Package includes 1. PDF with the Score The full score for each of the 5 songs in the album. All the individual parts for each song as written. 2. All 5 songs in a single MP3 HQ (320 kbps) format file including the Bonus Cello Only Version of Death is Not the End. Find out more about this album on Contagion's page on the Franco Esteve website here: https://www.francoesteve.com/music/contagion-music-album/ Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it. Don’t forget to keep up to date with everything Franco Esteve: Website: http://www.francoesteve.com/ Patreon: https://patreon.com/FrancoEsteve Facebook: https://www.facebook.com/seefrancoesteve Twitter: https://www.twitter.com/FrancoEsteve Instagram: https://www.instagram.com/seefrancoesteve My music is also available on all major, online music stores and streaming services. I'm a BMI affiliated artist and you can contact me using the contact form at: http://www.francoesteve.com or through Facebook and Twitter. Thank you again and enjoy! :).
$25.00
Divinum Mysterium
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score ...
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Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
Horseshoe Curve
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Horseshoe Curve
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.755129 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 157 pages. Sy Brandon #3397035. Published ...
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Full Orchestra - Level 4 - SKU: A0.755129 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 157 pages. Sy Brandon #3397035. Published by Sy Brandon (A0.755129). Horseshoe Curve was composed for the Altoona Area High School Orchestra, Kelly Detwiller, director. This composition is in three movements. The first movement, Man Versus Nature, is moderate and intense, paying tribute to the designers and laborers for the Horseshoe Curve project. It uses parts of three railroad songs, Drill, Ye Tarriers by Thomas Casey, I’ve Been Working on the Railroad, and Dinah. The introduction uses phrases from I’ve Been Working on the Railroad that are disguised by ending on a different note than the traditional song. The main body of the movement uses phrases of Drill, Ye Tarriers that are interrupted by phrases of the other two songs as well as original material by the composer. It developes in intensity as the movement progresses, but ends softly, suggesting the ongoing labor of the project. The second movement, Doorway to the West is a celebration of the completion of the project. It uses She’ll Be Coming ’Round the Mountain in fragments, in canon, and as a basis for a hoe down and a waltz variation. The celebration becomes wild at the end as all ideas come together at once. The third movement, Growth and Opportunity is slow and expansive in the beginning with a quicker section at the end. It depicts the growth of Altoona as a result of Horseshoe Curve. The initial idea that appears in the celli is expanded and developed, therefore evolving into a constant stream of new, but related, ideas.The score prints on legal size paper and the parts on letter.
$39.99
River's Tale
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Jacob Arispe
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River's Tale
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Jacob Arispe
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1432431 Composed by Jacob Arispe. Broadway,Musical/Show,Spiritual. 34 pages. Jacob Arispe #1012924. Published by Jaco...
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Full Orchestra - Level 4 - SKU: A0.1432431 Composed by Jacob Arispe. Broadway,Musical/Show,Spiritual. 34 pages. Jacob Arispe #1012924. Published by Jacob Arispe (A0.1432431). River's Tale begins with a triumphant and adventurous overture, evoking the spirited journey along the river's currents. As the melody flows, the mood shifts, delving into darker waters, where the currents of uncertainty and challenge surge. Yet, amidst the shadows, a poignant ballad emerges, carrying the listener through an emotional narrative of longing and introspection. Through ebbs and flows, River's Tale navigates the complexities of the human experience, ultimately emerging as a testament to resilience and the transformative power of the soul's journey.
$35.00
Rosary Sonatas: The Annunciation
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Annunciati
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1081578 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
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Full Orchestra - Level 4 - SKU: A0.1081578 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 57 pages. JMJ Arrangements #685700. Published by JMJ Arrangements (A0.1081578). In the sixth month the angel Gabriel was sent from God to a city of Galilee named Nazareth, to a virgin betrothed to a man whose name was Joseph, of the house of David; and the virgin’s name was Mary. And he came to her and said, 'Hail, full of grace, the Lord is with you!' But she was greatly troubled at the saying, and considered in her mind what sort of greeting this might be. And the angel said to her, 'Do not be afraid, Mary, for you have found favor with God. And behold, you will conceive in your womb and bear a son, and you shall call his name Jesus. He will be great, and will be called the Son of the Most High; and the Lord God will give to him the throne of his father David, and he will reign over the house of Jacob for ever; and of his kingdom there will be no end.' And Mary said to the angel, 'How can this be, since I have no husband?' And the angel said to her, 'The Holy Spirit will come upon you, and the power of the Most High will overshadow you; therefore the child to be born will be called holy, the Son of God. And behold, your kinswoman Elizabeth in her old age has also conceived a son; and this is the sixth month with her who was called barren. For with God nothing will be impossible.' And Mary said, 'Behold, I am the handmaid of the Lord; let it be to me according to your word.' And the angel departed from her. (Luke 1:26-38 RSV-CE).
$19.99
Rosary Sonatas: The Finding of the Child Jesus in the Temple
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Finding of
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1081597 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
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Full Orchestra - Level 4 - SKU: A0.1081597 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 48 pages. JMJ Arrangements #685713. Published by JMJ Arrangements (A0.1081597). Now his parents went to Jerusalem every year at the feast of the Passover. And when he was twelve years old, they went up according to custom; and when the feast was ended, as they were returning, the boy Jesus stayed behind in Jerusalem. His parents did not know it, but supposing him to be in the company they went a day’s journey, and they sought him among their kinsfolk and acquaintances; and when they did not find him, they returned to Jerusalem, seeking him. After three days they found him in the temple, sitting among the teachers, listening to them and asking them questions; and all who heard him were amazed at his understanding and his answers. And when they saw him they were astonished; and his mother said to him, 'Son, why have you treated us so? Behold, your father and I have been looking for you anxiously.' And he said to them, 'How is it that you sought me? Did you not know that I must be in my Father’s house?' And they did not understand the saying which he spoke to them. And he went down with them and came to Nazareth, and was obedient to them; and his mother kept all these things in her heart. And Jesus increased in wisdom and in stature, and in favor with God and man. (Luke 2:41-52, RSV-CE).
$19.99
Chinatown - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Jerry Goldsmith
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Chris Siddall
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Chinatown - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1077397 Composed by Jerry Goldsmith. Arranged by Chris Siddall. Film/TV. Score and parts. 8 pages. Chris Siddall Musi...
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Full Orchestra - Level 4 - SKU: A0.1077397 Composed by Jerry Goldsmith. Arranged by Chris Siddall. Film/TV. Score and parts. 8 pages. Chris Siddall Music Publishing #681583. Published by Chris Siddall Music Publishing (A0.1077397). After Phillip Lambro’s original score for Chinatown was rejected at the last minute, composer Jerry Goldsmith was brought in to “save the dayâ€. It’s amazing to think that what is now considered a classic score, and a template for the film noir sound, was written in only ten days. In a meeting with producer Robert Evans, it was suggested that they wanted a contemporary 1930s feel to the music, but Jerry pushed back on this idea saying that this was already displayed on the screen, and that the underscore should enhance the emotion, and emotions are timeless. Jerry hadn’t yet considered what he was going to write, when asked what he envisiged in terms of orchestration, so he quickly replied “four pianos, four harps, strings, solo trumpet and two percussion†which Evans liked the idea of. Having spoken himself into this “trapâ€, Jerry then had to go home and write it, and it turned out to be an interesting combination of instruments to write for Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$4.99
EP!C!!!
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Au...
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Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
Rosary Sonatas: The Resurrection
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Resurrecti
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1081705 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score a...
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Full Orchestra - Level 4 - SKU: A0.1081705 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 151 pages. JMJ Arrangements #685830. Published by JMJ Arrangements (A0.1081705). [W]hen the sabbath was past, Mary Magdalene, and Mary the mother of James, and Salome, bought spices, so that they might go and anoint him. And very early on the first day of the week they went to the tomb when the sun had risen. And they were saying to one another, 'Who will roll away the stone for us from the door of the tomb?' And looking up, they saw that the stone was rolled back; for it was very large. And entering the tomb, they saw a young man sitting on the right side, dressed in a white robe; and they were amazed. And he said to them, 'Do not be amazed; you seek Jesus of Nazareth, who was crucified. He has risen, he is not here; see the place where they laid him. But go, tell his disciples and Peter that he is going before you to Galilee; there you will see him, as he told you.' And they went out and fled from the tomb; for trembling and astonishment had come upon them; and they said nothing to any one, for they were afraid. Now when [Christ] rose early on the first day of the week, he appeared first to Mary Magdalene, from whom he had cast out seven demons. She went out and told those who had been with him, as they mourned and wept. But when they heard that he was alive and had been seen by her, they would not believe it.Mark 16:1-11 (RSV-CE).
$39.99
Tangerine
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Jimmy Dorsey & His Orchestra
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Armando Garrido
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Tangerine
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GMS Ediciones Musicales
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1195144 By Jimmy Dorsey & His Orchestra. By Johnny Mercer and Victor Schertzinger. Arranged by Armando Garrido. 20th ...
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Full Orchestra - Level 4 - SKU: A0.1195144 By Jimmy Dorsey & His Orchestra. By Johnny Mercer and Victor Schertzinger. Arranged by Armando Garrido. 20th Century,Broadway,Latin,Musical/Show,Standards. Score and parts. 90 pages. GMS Ediciones Musicales #794321. Published by GMS Ediciones Musicales (A0.1195144). Tangerine featured here in a symphony orchestra with solo vocalist setting is a lively and joyful interpretation of this classic song, showcasing the full range and power of the orchestra while staying true to the beguine rhythm and style.
$70.00
Recuerdos de la Alhambra - Orchestra version (Conductor score)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Francisco Tarrega
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Reimund Merkens
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Recuerdos de la Alhambra - Orc
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Reimund Merkens
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.910930 Composed by Francisco Tarrega. Arranged by Reimund Merkens. 20th Century. Score and parts. 17 pages. Reimund M...
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Full Orchestra - Level 4 - SKU: A0.910930 Composed by Francisco Tarrega. Arranged by Reimund Merkens. 20th Century. Score and parts. 17 pages. Reimund Merkens #5953703. Published by Reimund Merkens (A0.910930). This is my arrangement for orchestra of Francisco Tárrega's masterpiece for guitar. Francisco Tárrega wrote his guitar piece in 1896 while staying in Granada. He named it after the 13th century Moorish palace in that city. The title means Memories of the Alhambra. The original masterpiece for guitar of Tarréga is also famous beacuse of technical skills. The orchestral version focus not so much on technical skills but more on expression of the beautiful melodie of this song.See also my advanced piano solo version of 'Recuerdos de la Alhambra'
$10.99
Death Theme
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Ennio Morricone
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Death Theme
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1284734 Composed by Ennio Morricone. Arranged by John Langley (at Studio Orchestrations). 20th Century,Broadway,Chamb...
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Full Orchestra - Level 4 - SKU: A0.1284734 Composed by Ennio Morricone. Arranged by John Langley (at Studio Orchestrations). 20th Century,Broadway,Chamber,Film/TV,Musical/Show. Score and Parts. 14 pages. Www.studio-orchestrations.com #875911. Published by www.studio-orchestrations.com (A0.1284734). This is one of Ennio Morricone's most evocative and yearning themes from the Kevin Costner and Sean Connery classic THE UNTOUCHABLES directed by Brian De Palma. The theme comes where Malone has been brutally/mortally shot and wounded and gives Elliott Ness, his friend, the critical information to enable him to arrest Al Capone's bookeeper before dying. Malone's murder is one of the most unexpected and shocking moments on celluloid when it happens but Morricone's theme is full of pathos and lament for a much loved character.For your event/concert of film music, this is a short but always moving piece that hopefully will fit around your other programming ideas. In a market where loud film music is all the rage, this offers a beautiful sorbet to an evening of movie classics.This arrangement is written for Solo Alto Saxophone (Default solo instrument)Solo Alto Flute* (alternative solo instrument)Acoustic guitar (or Harp)*Strings* Morricone does use Alto Flute to play a version of this theme earlier in the soundtrack and this can make a contemplative and quiet version of the same music so your group can choose instrumentation, esepcially where no saxophone is available in your group or concert; also if your group doesn't have a guitar then this can be played by Harp as well.
$80.00
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