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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Contemporary New age
Non classifié
251
Piano & claviers
Piano seul
355
Piano, Voix
28
Orgue
9
2 Pianos, 4 mains
8
1 Piano, 4 mains
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano, Voix et Guitare
3
Instruments en Do
2
Accompagnement Piano
1
Clavecin
1
Piano Trio: piano, violon, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Guitare
25
Guitare notes et tablatures
4
2 Guitares (duo)
2
4 Guitares (Quatuor)
1
Mandoline
1
Voix
Chorale SATB
55
Chorale TTBB
10
Chorale 3 parties
3
Voix haute
2
Voix duo
2
Voix duo, Piano
1
Voix Tenor, Piano
1
Voix seule
1
Voix basse, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix moyenne, Piano
1
Voix Soprano, Piano
1
+ 7 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Flûte traversière et Piano
16
Clarinette et Piano
10
Clarinette
10
Saxophone Alto et Piano
7
Quatuor de Saxophones: 4 saxophones
5
Flûte et Guitare
5
Flûte traversière
5
Hautbois, Piano (duo)
5
Quatuor de Clarinettes: 4 clarinettes
3
2 Saxophones (duo)
3
Flûte, Hautbois, Clarinette, Basson
3
Flûte, Clarinette, Piano (trio)
2
Saxophone et Orgue
2
Ensemble de Flûtes
2
Quatuor de Flûtes : 4 flûtes
1
Ensemble de Clarinettes
1
Quintette de Saxophone: 5 saxophones
1
Flûte, Violon, Piano
1
Saxophone Tenor et Piano
1
2 Flûtes traversières (duo)
1
Saxophone et Guitare
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte à Bec
1
3 Clarinettes (trio)
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Basson
1
Saxophone Alto
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Ensemble de saxophones
1
2 Clarinettes (duo)
1
2 Clarinettes, Piano
1
+ 27 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trombone et Piano
13
Trompette, Piano
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Cor
5
Quatuor de cuivres: 4 trombones
4
Tuba et Piano
4
Trombone basse et Piano
3
Trombone
3
2 Trombones (duo)
2
Trombone basse
2
Ensemble de Cors
2
Cor et Piano
2
Euphonium
2
2 Cors (duo)
1
Trombone et orchestre
1
Trompette (partie séparée)
1
Tuba
1
Trompette, Cor (duo)
1
Trompette
1
Ensemble de Trompettes
1
2 Trompettes (duo)
1
2 Euphoniums (duo)
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
28
Violon et Piano
22
Violon
15
Harpe
10
Trio à Cordes: violon, alto, violoncelle
8
Violoncelle, Piano
5
Violon, Guitare (duo)
4
Violoncelle
4
Alto seul
4
Violoncelle, Contrebasse (duo)
3
Alto, Piano
3
2 Violons (duo)
3
Violon, Violoncelle (duo)
2
Contre Basse
1
Harpe, Flûte (duo)
1
Contrebasse, Piano (duo)
1
Alto (partie séparée)
1
Harpe, Violon (duo)
1
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes: 3 violins
1
2 Violoncelles (duo)
1
2 Altos (duo)
1
Piano Trio: Violon, Alto, Piano
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre
73
Orchestre à Cordes
28
Orchestre d'harmonie
21
Orchestre de chambre
16
Ensemble de cuivres
16
Ensemble Jazz
15
Ensemble de Percussions
6
Vibraphone
3
Jazz combo
3
Cloches
2
Batterie
2
Fanfare
1
Marimba
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
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CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Nouveautes
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Crtitères actifs :
Contemporary New age
expert
Orchestre
Partitions à imprimer
73 partitions trouvées
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26
51
Sage
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Orchestre
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AVANCÉ
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New Age
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Contemporain
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Scores by Ken
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Sage
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Scores by Ken
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1301802 Composed by Scores by Ken. Contemporary,New Age. Score and Parts. 83 pages. Scores by Ken #891395. Published ...
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Full Orchestra - Level 5 - SKU: A0.1301802 Composed by Scores by Ken. Contemporary,New Age. Score and Parts. 83 pages. Scores by Ken #891395. Published by Scores by Ken (A0.1301802). Sage | Scores by Ken About the PieceSage, written by Ken Naidu, is a crowd favourite. It's an instrumental score which showcases a motif across 4 different orchestral textures. It's a perfect score to explore sound design. About the Composer From the breathtaking landscapes of New Zealand, Ken weaves melodies and harmonies that captivate and transport listeners to another realm. Specialising in screen composition, and versatile jazz renditions, each piece is a unique auditory experience, meticulously crafted to resonate with the soul. Whether you're seeking a composition that tells a profound story or a vibrant jazz chart that dances with energy, Scores by Ken promises unparalleled originality and precision in every note.
$49.99
Welcome To A New Age (Full Orchestra)
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Orchestre
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AVANCÉ
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Christian Fortner
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Welcome To A New Age
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Christian Fortner Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1081704 Composed by Christian Fortner. Classical,Contemporary,Contest,Festival,Film/TV,Video Game. Score and parts. 1...
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Full Orchestra - Level 5 - SKU: A0.1081704 Composed by Christian Fortner. Classical,Contemporary,Contest,Festival,Film/TV,Video Game. Score and parts. 132 pages. Christian Fortner Music #685828. Published by Christian Fortner Music (A0.1081704). This large and bombastic epic-orchestral work brings with it the might of 1,000 conquering armies. Strong, rhythmic strings bring energy and life while the winds signal the battlecries of the oncoming storm to take the world. This piece provides opportunity for ensembles to work on energy and rhythmic accuracy as a whole while providing melodic intricacies in each individual section. Ideal for a concert opener or closer.
$149.98
One Sows for the Benefit of Another Age - Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteF...
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Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
Destiny For A New
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Orchestre
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AVANCÉ
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Contemporain
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Joshua A
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Destiny For A New
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Joshua A. Idio
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SheetMusicPlus
Full Orchestra - Advanced - Composed by Joshua A. Idio. 21st Century, 20th Century, Romantic Period, Contemporary Classical, Repertoire. Score, Set ...
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Full Orchestra - Advanced - Composed by Joshua A. Idio. 21st Century, 20th Century, Romantic Period, Contemporary Classical, Repertoire. Score, Set of Parts. 85 pages. Published by Joshua A. Idio
Composed by Joshua A. Idio. (ASCAP Licensed) Orchestral Music. Concert Opener music. Full score and parts.
Symphony Orchestra - Grade 5
Motivational and Exhilarating! This grand ?movie-esque? scoring sends the audience through a heart-pounding epiphany of song and soul. With its use of moving melodies, surprising rhythms, and evocative instrumentation, the courage to take on the world has never felt more achievable. The inspiring begins now!
$125.00
Homage to O'Keeffe for Orchestra
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Orchestre
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AVANCÉ
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Sy Brandon
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Homage to O'Keeffe for Orchest
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Publi...
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Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
Piano Concerto No. 2 in Ab "New York Tour" Full Score and Parts, James Nathaniel Holland
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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Piano Concerto No. 2 in Ab &qu
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730465 Composed by James Nathaniel Holland. Contemporary,Holiday,Jazz,Patriotic. Score and parts. 220 pages. James Na...
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Full Orchestra - Level 5 - SKU: A0.730465 Composed by James Nathaniel Holland. Contemporary,Holiday,Jazz,Patriotic. Score and parts. 220 pages. James Nathaniel Holland #3630023. Published by James Nathaniel Holland (A0.730465). (Duration: 25 minutes) Full Orchestral Score (in Concert Pitch) and Individual Instrument Parts. (Including solo piano part, revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. Nice program compliment with any Mozart piano concertos or with Gershwin's Rhapsody in Blue to feature American composers.This concerto is entitle New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Instrumentation: picc, fl., ob.12, clBb 12, Bsn12, Hrn 123, Tpt 12, Trmb. 12, Tba, Timp, Perc (glock, bass drum, small gong, s. cym w/mall and stl., slapstick, tri., hh) Piano solo, strings.Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube Channel: https://www.youtube.com/user/composerjnholland
$45.25
Piano Concerto No. 2 in Ab "New York Tour" Full Score, James Nathaniel Holland
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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Piano Concerto No. 2 in Ab &qu
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730464 Composed by James Nathaniel Holland. Contemporary,Holiday,Patriotic. Score and parts. 80 pages. James Nathanie...
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Full Orchestra - Level 5 - SKU: A0.730464 Composed by James Nathaniel Holland. Contemporary,Holiday,Patriotic. Score and parts. 80 pages. James Nathaniel Holland #3629797. Published by James Nathaniel Holland (A0.730464). (Duration: 25 minutes) Full Orchestral Score Only in Concert Pitch.James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers or for the Fourth of July summer concert. YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Instrumentation: picc, fl., ob.12, clBb 12, Bsn12, Hrn 123, Tpt 12, Trmb. 12, Tba, Timp, Perc (glock, bass drum, small gong, s. cym w/mall and stl., slapstick, tri., hh) Piano solo, strings.Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube Channel: https://www.youtube.com/user/composerjnholland
$21.95
Autumn In New York
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Orchestre
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AVANCÉ
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Bud Powell
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Matt Amy
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Autumn In New York
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Matt Amy Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1411253 By Bud Powell. By Vernon Duke. Arranged by Matt Amy. Broadway,Contemporary,Film/TV,Jazz,Musical/Show,Pop. 59 ...
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Full Orchestra - Level 5 - SKU: A0.1411253 By Bud Powell. By Vernon Duke. Arranged by Matt Amy. Broadway,Contemporary,Film/TV,Jazz,Musical/Show,Pop. 59 pages. Matt Amy Music #993588. Published by Matt Amy Music (A0.1411253). Key: F majorBPM: 110Style: Swing BalladDuration: 3:31“ Ensemble type: Pops Orchestra (reduced)Full Recording (MIDI): Autumn in New York (MIDI)Instrumentation- Solo Trumpet- Flute- Oboe- Clarinet- Bassoon- Horn 1, 2- Trumpet- Trombone- Piano- Guitar- Acoustic Bass (Rhythm Section)- Drums- Percussion- Violin 1- Violin 2- Viola- CelloClick the following link for more arrangements by Matt AmyContact Matt here
$75.00
New York Variations
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Orchestre
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AVANCÉ
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Contemporain
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Jazz
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David Chesky
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New York Variations
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Pamaluc Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.882383 Composed by David Chesky. Contemporary,Jazz. Score and parts. 765 pages. Pamaluc Music #18581. Published by Pa...
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Full Orchestra - Level 5 - SKU: A0.882383 Composed by David Chesky. Contemporary,Jazz. Score and parts. 765 pages. Pamaluc Music #18581. Published by Pamaluc Music (A0.882383). From the Urban series. This work is an aural palette of modern day New York. Highly energized. The rhythms of the street collide with 21st century classical harmony. Works well for a ballet, as that was the composers intentions. Duration 23:00 min 3fl./ 2ob./ 2cl./ b.cl/ 2bs./ Cbsn/ 4hrns./ 3 tpts./ 3tbns./ tuba / tymp./ 5 perc./ harp/ strings.
$34.98
Symphony 2 in Am - The Promise of America - 2 - New World
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Orchestre
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AVANCÉ
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Contemporain
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Ralph S
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Symphony 2 in Am - The Promise
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Ralph S. Gardner II
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1015520 Composed by Ralph S. Gardner II. Contemporary. Score and parts. 9 pages. Ralph S. Gardner II #5996333. Publis...
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Full Orchestra - Level 5 - SKU: A0.1015520 Composed by Ralph S. Gardner II. Contemporary. Score and parts. 9 pages. Ralph S. Gardner II #5996333. Published by Ralph S. Gardner II (A0.1015520). My second symphony - orchestra.
$1.99
Symphonic Poem # 6 - Snowstorm
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Orchestre
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AVANCÉ
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Aere Greenway
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Symphonic Poem # 6 - Snowstorm
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Aere R Greenway
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.935325 Composed by Aere Greenway. 20th Century,Contemporary,New Age,Romantic Period. Score and parts. 76 pages. Aere ...
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Full Orchestra - Level 5 - SKU: A0.935325 Composed by Aere Greenway. 20th Century,Contemporary,New Age,Romantic Period. Score and parts. 76 pages. Aere R Greenway #6301785. Published by Aere R Greenway (A0.935325). I composed this piano piece in my mid-teen years. Now, in retirement, I have orchestrated it, adding new music. Young and old, making music together. The piano piece (my first) was called Etude in B-flat Major, but the orchestration keeps its subtitle: Snowstorm.
$14.97
Aegean Fire Magnus - Score Only
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Orchestre
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AVANCÉ
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New Age
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Contemporain
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Apostolos Paraskevas
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Aegean Fire Magnus - Score Onl
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Silver Sickle Publications
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1438982 Composed by Apostolos Paraskevas. Classical,Contemporary,New Age. 37 pages. Silver Sickle Publications #10190...
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Full Orchestra - Level 5 - SKU: A0.1438982 Composed by Apostolos Paraskevas. Classical,Contemporary,New Age. 37 pages. Silver Sickle Publications #1019009. Published by Silver Sickle Publications (A0.1438982). Aegean Fire Magnus My music always has a cinematographic attitude, as if it wants to follow a film that has not yet been created. With this work, the listener could wander and experience life around a Greek island. In the beginning, a Greek dance unfolds that develops into a faint prayer; shortly after, a waltz as a distant memory surfaces. The first theme of the work reappears to end the work in a triumphal and frenzy happy fiesta. The idea of the work came after a suggestion by Panos Liaropoulos to compose a string quartet for the summer of 2015. ‘Aegean Fire’ had its premiere in Greece by L’Anima string quartet and shortly after in Boston in February 2016. The Berklee Contemporary Symphony Orchestra under Francisco Noya presented the orchestral version ‘Aegean Fire Magnus’ in its American premiere in 2016 at Jordan Hall in Boston..
$25.00
Symphony No. 1, op. 13
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Orchestre
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AVANCÉ
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New Age
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Contemporain
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Raphael Mak
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Symphony No. 1, op. 13
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VicMusic
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018651 Composed by Raphael Mak. 20th Century,Contemporary,New Age. Score and parts. 92 pages. VicMusic #3448201. Pub...
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Full Orchestra - Level 5 - SKU: A0.1018651 Composed by Raphael Mak. 20th Century,Contemporary,New Age. Score and parts. 92 pages. VicMusic #3448201. Published by VicMusic (A0.1018651). Raphael MakSymphony No. 1, op. 13Instrumentation: 2222/4331/Timp/Cym/B.D./StringsParts available on request: vicmusichk@gmail.comSymphony o.1 in E flat major was my first attempt in large musical forms.
$107.99
The American Seasons (violin solo part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part – violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark O’Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$22.50
The American Seasons (2nd violins part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930). The American Seasons (2nd violins part – violin and string orchestra) MO148E2nd Violins Part (score and parts available)Music by Mark O’Connor36 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ECopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method.
$15.00
Suite of a Thousand Faces
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Orchestre
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AVANCÉ
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Jehad Choate
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Suite of a Thousand Faces
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Jehad Choate
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1025416 Composed by Jehad Choate. Contemporary,Jazz,Latin. Score and parts. 45 pages. Jehad Choate #5818515. Publishe...
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Full Orchestra - Level 5 - SKU: A0.1025416 Composed by Jehad Choate. Contemporary,Jazz,Latin. Score and parts. 45 pages. Jehad Choate #5818515. Published by Jehad Choate (A0.1025416). Based off the texts of Joseph Campbell, this is a musical representation of the hero’s journey with a twist: The hero becomes fully aware of the cycle they are both blessed and cursed to follow. With every step, the hero fights the tropes of mythology, but can they escape their own fate?Movement I: The Calling introduces our main theme naively. It's done in a style reflective of all action/adventure genres: romantically boastful, one dimensional and confident. But as the call to adventure imposes itself on the hero, the hero begins to think that all is not what it seems to be.Movement II: The Motions is a set of trials where the hero experiences great loss, triumphant battles, and a renewed image. Yet, that is just the cycle they expected and its trite conclusion and three act distinction troubles the hero.Movement III: A Fool’s Reckoning is a response to being a pawn in someone else’s story. It takes all learned elements and tries to distort them to be something new and different. But what if this transformation was all part of the same cycle? The hero fights until they forget what they fight for. Reluctantly resilient, they carry on wondering if there was ever anything heroic about them at all.
$20.00
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Pittsburgh Conc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Pu...
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Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
The Valley of the Dry Bones
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Orchestre
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AVANCÉ
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Zsigmond Rosarion
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and it was full of bones
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The Valley of the Dry Bones
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Zsigmond Rosarion
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1518051 By Zsigmond Rosarion. By Zsigmond Rosarion. 21st Century,Christian,Classical,Contemporary. 57 pages. Zsigmond...
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Full Orchestra - Level 5 - SKU: A0.1518051 By Zsigmond Rosarion. By Zsigmond Rosarion. 21st Century,Christian,Classical,Contemporary. 57 pages. Zsigmond Rosarion #1092214. Published by Zsigmond Rosarion (A0.1518051). The Valley of the Dry Bones is based off of the chapter in Ezekiel The Valley of the Dry Bones (from the Bible) symbolizes the Israelites' revival and God's power and sovereignty Ezekiel 37:1-6The hand of the Lord was upon me, and He brought me out by the Spirit of the Lord and set me down in the middle of the valley; and it was full of bones. He caused me to pass among them round about, and behold, there were very many on the surface of the valley; and lo, they were very dry. He said to me, “Son of man, can these bones live?” And I answered, “O Lord God, You know.” Again He said to me, “Prophesy over these bones and say to them, ‘O dry bones, hear the word of the Lord.’ Thus says the Lord God to these bones, ‘Behold, I will cause breath [spirit] to enter you that you may come to life. I will put sinews on you, make flesh grow back on you, cover you with skin and put breath in you that you may come alive; and you will know that I am the Lord.’”Ezekiel is called by the Lord, and given a vision. Ezekiel is set down in a valley full of bones. This is not some symbolic imagery, but these are literally dead people, long dead. God asks Ezekiel if he believes the bones can come back to life, and Ezekiel says only the Lord knows. God gives Ezekiel a prophesy concerning all the dead. At a future date, God will cause breath (His Spirit) to enter the bones so that they may come to life. God will use His power (which is always through the Spirit of God) to cause these dead to be resurrected. We know this isn’t symbolic of spiritual death and spiritual life because of the graphic imagery that is used.
$39.99
The Nirvana of Phoenix 鳳凰涅ç£
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Orchestre
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AVANCÉ
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ending their lives, they bring
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Kwok Man Ho Marco
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The Nirvana of Phoenix é³³
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Kwok Man Ho Marco
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1284327 Composed by Kwok Man Ho Marco. 21st Century,Contemporary,Multicultural,New Age,Spiritual,World. Score and Par...
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Full Orchestra - Level 5 - SKU: A0.1284327 Composed by Kwok Man Ho Marco. 21st Century,Contemporary,Multicultural,New Age,Spiritual,World. Score and Parts. 133 pages. Kwok Man Ho Marco #875499. Published by Kwok Man Ho Marco (A0.1284327). The Nirvana of Phoenix 鳳凰涅ç£Composed for full orchestra by Kwok Man Ho MarcoScore and PartsThe piece The Nirvana of Phoenix《鳳凰涅ç£ã€‹for a full orchestra is inspired by the story of phoenix rebirths in Greek mythology. The word Nirvana literally means blown off. Additionally, it is a term associated with Buddhism, representing the ultimate state of soteriological release and liberation from rebirths in Samsara.The Chinese title of this piece first appeared in the modern poem with the same title, written by Guo Mo-ruo (éƒæ²«è‹¥). His long poem mentions that phoenixes are envoys of happiness in our world. They carry all the sadness and hatred and fly into the flame every five hundred years. By ending their lives, they bring happiness and peace to the world. After the ordeal, they can be reborn from the ashes with even stronger bodies.In Buddhism, pain in life is inevitable, but suffering is optional. The deaths of the phoenixes are not the end of their lives; instead, they mark a new beginning of the story of happiness and peace.For any inquiry, please visit my personal website:https://kwokmanhomarco.wordpress.com
$99.99
Santiago in the Stream - Score Only
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Orchestre
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AVANCÉ
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Contemporain
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Apostolos Paraskevas
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Santiago in the Stream - Score
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Silver Sickle Publications
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1393774 By Apostolos Paraskevas. By Apostolos Paraskevas. Classical,Contemporary,Holiday,Multicultural,New Age,World....
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Full Orchestra - Level 5 - SKU: A0.1393774 By Apostolos Paraskevas. By Apostolos Paraskevas. Classical,Contemporary,Holiday,Multicultural,New Age,World. 49 pages. Silver Sickle Publications #977243. Published by Silver Sickle Publications (A0.1393774). APOSTOLOS PARASKEVAS (b. 1964) Santiago in the StreamSantiago in the Stream was composed for the Landmarks Orchestra, which gave the first performance under the direction of Christopher Wilkins, at the Hatch Shell on August 23, 2017. Apostolos Paraskevas is a classical guitarist, composer, film director, and producer. Since 2001, he has taught composition at the Berklee College of Music. The spokenThe text was developed by Ryan Edwards (a student of Apostolos Paraskevas) out of Hemingwayâ??s short novel The Old Man and the Sea. The composer has written about the piece: â??The music describes Santiago's emotions, thoughts and actions during his last journey. The trumpet announces his signature theme, accompanied by the brass and strings depicting the sound of the seagulls and the ocean. The magnitude of the vast ocean, the anticipation of catching the fish, memories of a distant waltz, and the exciting fight that ends in triumph. Now, it's time to return home with his valuable possessions. He already won the last and most important fight of his life.
$50.00
NAUTILUS
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Orchestre
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AVANCÉ
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Antonello Rizzella
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NAUTILUS
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Antonello Rizzella
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1377811 By Antonello Rizzella. By Antonello Rizzella. 21st Century,Contemporary,Instructional,New Age,Video Game. 68 ...
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Full Orchestra - Level 5 - SKU: A0.1377811 By Antonello Rizzella. By Antonello Rizzella. 21st Century,Contemporary,Instructional,New Age,Video Game. 68 pages. Antonello Rizzella #962412. Published by Antonello Rizzella (A0.1377811). The author's intent was to work on melodic-harmonic-rhythmic materials always attributable to the Fibonacci numerical series, hence, as a consequence, the choice of the title, Nautilus, finding the natural expression in the artistic perfection of said shell of the logarithmic spiral to which the golden section is applied.The form of symphonic movement that emerged has a rhapsodic flowThe choice of the sounds of the harmonic field of the first part (bar 0-50) is therefore based on the numerical series (based on a scale of 10 sounds), tracing each sound of the scale to a number from 0 to 9 and making them correspond to the numbers of the series of Fibonacci from 1 to 267,914,296.The second part (bars 51-64) is based on a harmonic field of 9 sounds which, when superimposed, generate 9 triads formed by superimposed 4ths which are used at a distance of 2, 3 or 5 beats (series of F. , from the 3rd to the 6th number). In this section, isorhythmy is used according to groupings of values ​​that can be numerically traced back to the series.A short third part (bars 65-80) is inserted as an expressive moment: it is based on a scale of 7 sounds (spaced proportionally from each other according to the logarithmic spiral: from the 1/4 tone to the major 3rd).In the next and final section the isorhythmic part is resumed with small changes in the closing coda.
$70.00
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