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8 partitions trouvées
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1
Silent Frights: A collection of music to accompany silent film scenes
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Orchestre
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AVANCÉ
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Halloween
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Gaston Borch
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W
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Silent Frights: A collection o
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RēsFacta Editions
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1453661 Composed by Gaston Borch. Arranged by W.C. Rohl. Classical,Film/TV,Halloween,Historic,Thriller. 170 pages. R...
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Full Orchestra - Level 5 - SKU: A0.1453661 Composed by Gaston Borch. Arranged by W.C. Rohl. Classical,Film/TV,Halloween,Historic,Thriller. 170 pages. RēsFacta Editions #1032875. Published by RēsFacta Editions (A0.1453661). A collection of five pieces for orchestra by French composer, Gaston Borch (1871-1926) written to accompany creepy, suspenseful, mysterious, and supernatural scenes for silent films. A prolific composer, cellist, conductor, and arranger, Borch moved to the United States in the early 1900s where he significantly contributed to the American musical landscape. He became particularly known for his work in the burgeoning field of silent film music, composing scores that enhanced the emotional impact of films. Borch’s music was characterized by its melodic richness and dramatic expressiveness, which made it ideal for the cinema. His ability to craft music that perfectly matched the narrative and emotional arcs of films made him a sought-after composer in the industry. The entire collection - or any number of the individual selections - would make an ideal addition to any Halloween-themed program. Score and parts. Also available for string orchestra. resfactamusic.com
$90.00
Candy 'n Cake
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Orchestre
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AVANCÉ
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Halloween
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Gert Th
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Gert Th
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Candy 'n Cake
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Gert Th. Walter
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1121862 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Halloween,Holiday. Score and Parts. 106 p...
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Full Orchestra - Level 5 - SKU: A0.1121862 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Halloween,Holiday. Score and Parts. 106 pages. Gert Th. Walter #723056. Published by Gert Th. Walter (A0.1121862). Are you looking for modern and spirited Christmas music for your Full Orchestra? Here you go! Piccolo - Fl1.2 - Ob1.2 - E. Hr. - Cl1.2 - Bass Cl. - Bsn1.2 - D. Bsn. / Hr1.2.3.4 - Tr1.2.3 - Tb1.2.3 / Timpani / Mallet Perc. (Marimba, Xylophone and Glockenspiel) - Orchestra Perc. - Latin Perc. - Drum Set / Harp / Pianoforte / Strings. Renewed © 2023 MusikVerlag Gert Walter, Germany. All Rights Reserved. Please also visit our website: https://www.musikverlaggertwalter.de And now have fun making music!
$69.90
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
The American Seasons (violin solo part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part – violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark O’Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$22.50
The American Seasons (2nd violins part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930). The American Seasons (2nd violins part – violin and string orchestra) MO148E2nd Violins Part (score and parts available)Music by Mark O’Connor36 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ECopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method.
$15.00
Dyker Heights
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Orchestre
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AVANCÉ
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Gert Th
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Gert Th
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Dyker Heights
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Gert Th. Walter
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1506190 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. 21st Century,Advent,Christmas,Holiday. 102 pages. G...
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Full Orchestra - Level 5 - SKU: A0.1506190 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. 21st Century,Advent,Christmas,Holiday. 102 pages. Gert Th. Walter #1081564. Published by Gert Th. Walter (A0.1506190). Are you looking for modern and spirited Christmas music including score & parts for your Full Orchestra? Here you go! Piccolo - Fl1.2 - Ob1.2 - Engl.Hr - Clar1.2 - Bass Clarinet - Tenor Sax1.2.3 - Bsn1.2 - Double Bsn. / Hr1.2.3.4 - Trp1.2.3 - Tb1.2.3 / Timpani / Mallet Percussion (Marimba, Xylophone & Glockenspiel) - Orchestra Percussion / Harp / Pianoforte / Strings. © 2024 MusikVerlag Gert Walter, Germany. All Rights Reserved. Please also visit our website: https://www.musikverlaggertwalter.de And now have fun making music!
$89.90
The President's Turkey-Pardon
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Orchestre
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AVANCÉ
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Noël
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Gert Th
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Gert Th
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The President's Turkey-Pardon
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Gert Th. Walter
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1205821 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Holiday. Score and Parts. 84 pages. Gert ...
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Full Orchestra - Level 5 - SKU: A0.1205821 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Holiday. Score and Parts. 84 pages. Gert Th. Walter #804005. Published by Gert Th. Walter (A0.1205821). Are you looking for modern and spirited Christmas music for your Full Orchestra? Here you go! Piccolo - Fl1.2 - Ob1.2 - Engl. Hr. - Clar1.2 - Bass Clarinet - Alto Sax 1.2 - Tenor Sax - Bsn1.2 - Double Bsn. / Hr1.2.3.4 - Trp1.2.3 - Tb1.2 - Bass Tromb. / Timpani / Mallet Perc. (Marimba, Xylophone & Glockenspiel) - Orchestra Perc. - Latin Perc. - Drum Set / Harp / Pianoforte / Strings. Renewed © 2023 MusikVerlag Gert Walter, Germany. All Rights Reserved. Please also visit our website: https://www.musikverlaggertwalter.de. And now have fun making music!
$69.90
Upper Structures
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Orchestre
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AVANCÉ
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Contemporain
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Jonathan Worsley
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Upper Structures
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Jonathan Worsley
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1098498 Composed by Jonathan Worsley. Contemporary. Score and parts. 117 pages. Jonathan Worsley #638799. Published b...
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Full Orchestra - Level 5 - SKU: A0.1098498 Composed by Jonathan Worsley. Contemporary. Score and parts. 117 pages. Jonathan Worsley #638799. Published by Jonathan Worsley (A0.1098498). 2(1.afl/pic).2(1.ca).2(1.cl/bcl).2(1.cbsn) | 2.2.2.1 | T | 2P | Hp | Str An abstract piece constructed around 'upper structures', a jazz-piano chord-voicing technique. This is where an altered chord is voiced as a (seemingly unrelated) triad in the right hand, while the left hand plays a shell voicing (3rd and 7th of the chord). This piece explores all nine available upper structure voicings. Composed for the BBC National Orchestra of Wales, through 'Composition: Wales 2022'. Premiered May 2022, Hoddinott Hall, Cardiff, Wales, by the BBC NOW. Score, parts, and percussion score.
$20.00
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