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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Can You Dig It
Non classifié
165
Piano & claviers
Piano seul
158
Piano, Voix
10
Instruments en Do
6
Orgue
4
Piano, Voix et Guitare
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Guitare
14
Guitare notes et tablatures
5
Ligne De Mélodie, (Paroles) et Accords
5
Basse electrique
2
Mandoline
1
2 Guitares (duo)
1
+ 1 instrumentations
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Voix
Chorale SATB
25
Chorale TTBB
7
Voix Soprano, Piano
3
Chorale SSAA
2
Voix duo, Piano
2
Voix haute
2
Voix Tenor, Piano
1
Voix basse, Piano
1
Chorale 3 parties
1
Voix duo
1
+ 5 instrumentations
Retracter
Vents
Hautbois (partie séparée)
16
2 Flûtes traversières (duo)
14
Clarinette
12
Quatuor de Saxophones: 4 saxophones
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Flûte traversière
7
Quatuor de Clarinettes: 4 clarinettes
7
Saxophone Alto et Piano
6
Hautbois, Piano (duo)
6
Flute (partie séparée)
5
Flûte traversière et Piano
5
Saxophone Tenor et Piano
4
Saxophone Alto
4
Flûte, Hautbois, Clarinette, Basson
4
2 Saxophones (duo)
3
Flûte, Violon, Piano
2
Ensemble de Clarinettes
2
Flûte, Clarinette, Piano (trio)
2
Saxophone Soprano et Piano
2
Ensemble de Flûtes
2
2 Clarinettes (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Clarinette et Piano (Trio)
1
3 Clarinettes (trio)
1
Clarinette Basse, Piano
1
Saxophone Tenor
1
Piccolo
1
Clarinette, Basson (duo)
1
2 Clarinettes, Piano
1
Saxophone et Orgue
1
Flûte, Violoncelle
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette et Piano
1
Cor Anglais
1
Ensemble de saxophones
1
+ 31 instrumentations
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Cuivres
Cor
10
Trompette
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trombone et Piano
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trompette, Piano
4
Quatuor de cuivres: 4 trombones
4
Ensemble de Trombones
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor et Piano
3
Tuba
2
2 Cors (duo)
1
Quatuor de cuivres: 4 cors
1
Tuba et Piano
1
Trombone
1
Trombone et orchestre
1
Quatuor de Cuivres
1
Ensemble de Trompettes
1
Trompette (partie séparée)
1
2 Trombones (duo)
1
Cor Anglais
1
Quatuor de cuivres: 4 trompettes
1
Trombone (partie séparée)
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
33
Violon et Piano
16
Harpe
14
Violon
13
Trio à Cordes: violon, alto, violoncelle
8
Alto, Piano
8
Violoncelle
7
Violoncelle, Piano
7
2 Violons (duo)
6
Trio à Cordes: 2 violons, violoncelle
5
Violon, Violoncelle (duo)
5
Alto seul
4
Violoncelle, Contrebasse (duo)
3
Contre Basse
3
2 Violoncelles (duo)
3
Alto, Violoncelle (duo)
1
Violon, Clarinette, Piano (trio)
1
2 Altos (duo)
1
4 Harpes
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Piano Trio: Violon, Alto, Piano
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre
54
Orchestre de chambre
18
Orchestre d'harmonie
17
Orchestre à Cordes
15
Ensemble Jazz
13
Ensemble de cuivres
11
Jazz combo
5
Ensemble de Percussions
4
Fanfare
2
Cloches
2
Marimba
2
Xylophone
1
Batterie
1
+ 8 instrumentations
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Autres
Instruments
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BALALAIKA
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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XYLOPHONE
style (tous)
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54 partitions trouvées
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51
Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
#
Orchestre
#
AVANCÉ
#
Mark O'Connor
#
Americana Symphony "Varia
#
Mark O'Connor Musik International
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik Int...
(+)
Full Orchestra - Level 5 - SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960). Americana Symphony Variations on Appalachia Waltz (wind parts – symphony orchestra) MO164B-IWind Parts (score and parts available)Music by Mark O’Connor164 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
#
Orchestre
#
AVANCÉ
#
Mark O'Connor
#
Americana Symphony "Varia
#
Mark O'Connor Musik International
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik Int...
(+)
Full Orchestra - Level 5 - SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik International #6209407. Published by Mark O'Connor Musik International (A0.861963). Americana Symphony Variations on Appalachia Waltz (string parts – symphony orchestra) MO164U-ZString Parts (score and parts available)Music by Mark O’Connor163 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American. Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
Americana Symphony "Variations on Appalachia Waltz" (brass parts – symphony orchestra)
#
Orchestre
#
AVANCÉ
#
Mark O'Connor
#
Americana Symphony "Varia
#
Mark O'Connor Musik International
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik Int...
(+)
Full Orchestra - Level 5 - SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik International #6209399. Published by Mark O'Connor Musik International (A0.861961). Americana Symphony Variations on Appalachia Waltz (brass parts – symphony orchestra) MO164J-PBrass Parts (score and parts available)Music by Mark O’Connor162 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
Americana Symphony "Variations on Appalachia Waltz" (percussion parts – symphony orchestra)
#
Orchestre
#
AVANCÉ
#
Mark O'Connor
#
Americana Symphony "Varia
#
Mark O'Connor Musik International
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik Inte...
(+)
Full Orchestra - Level 5 - SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik International #6209401. Published by Mark O'Connor Musik International (A0.861962). Americana Symphony Variations on Appalachia Waltz (percussion parts – symphony orchestra) MO164Q-TPercussion Parts (score and parts available)Music by Mark O’Connor99 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$50.00
Americana Symphony "Variations on Appalachia Waltz" (score – symphony orchestra)
#
Orchestre
#
AVANCÉ
#
Mark O'Connor
#
Americana Symphony "Varia
#
Mark O'Connor Musik International
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik International #6209393. Published by Mark O'Connor Musik International (A0.861959). Americana Symphony Variations on Appalachia Waltz (score – symphony orchestra) MO164AScore (parts available)Music by Mark O’Connor86 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$40.00
The American Seasons (violin solo part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part – violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark O’Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$22.50
The American Seasons (2nd violins part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930). The American Seasons (2nd violins part – violin and string orchestra) MO148E2nd Violins Part (score and parts available)Music by Mark O’Connor36 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ECopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method.
$15.00
It's A Long Way To The Top (if You Wanna Rock 'n' Roll)
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Orchestre
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AVANCÉ
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AC/DC
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Jennifer Lindberg
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It's A Long Way To The Top
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Jennifer Lindberg
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1302968 By AC/DC. By Angus Young, Bon Scott, and Malcolm Young. Arranged by Jennifer Lindberg. Classical,Rock. Score ...
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Full Orchestra - Level 5 - SKU: A0.1302968 By AC/DC. By Angus Young, Bon Scott, and Malcolm Young. Arranged by Jennifer Lindberg. Classical,Rock. Score and Parts. 91 pages. Jennifer Lindberg #892577. Published by Jennifer Lindberg (A0.1302968). Arranged for rock orchestra - full symphony orchestra, plus vocals, bass, keyboard, and drums.Instrumentation:2 flute + piccolo2 oboe + english horn2 clarinet + bass clarinet1 tenor sax2 bassoon2 horn2 trumpet2 trombonetubaelectric bassdrum setkeyboardharp (electric lever harp, but can use pedal harp)voicesviolins 1 and 2violacellocontrabass.
$49.99
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik...
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Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik ...
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Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
It Happened In Sun Valley
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Orchestre
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AVANCÉ
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Mel Torme
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Bryan Kidd
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It Happened In Sun Valley
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BryanKiddMusic.com
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1313785 By Mel Torme. By Harry Warren and Mack Gordon. Arranged by Bryan Kidd. Broadway,Christmas,Holiday,Jazz,Musica...
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Full Orchestra - Level 5 - SKU: A0.1313785 By Mel Torme. By Harry Warren and Mack Gordon. Arranged by Bryan Kidd. Broadway,Christmas,Holiday,Jazz,Musical/Show,Standards. 131 pages. BryanKiddMusic.com #902500. Published by BryanKiddMusic.com (A0.1313785). From the 20th Century Fox movie, Sun Valley Serenade featuring Glenn Miller and His Orchestra. Includes a full score* and complete set of instrumental parts. NOTE: The SSATB Vocal Jazz Ensemble is only shown on the score (for reference) and is NOT included as a separate part in this  set. You are legally required to purchase as many copies of the choral parts as there are members of your chorus. Vocal Jazz Ensemble parts, click here *A letter-size (8.5x11) score is included with the set; a more easily read tabloid-size (11x17) score is available separately (RECOMMENDED). Tabloid (11x17) score, click hereWith 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for the American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia. Please visit BryanKiddMusic.comÂ
$75.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951...
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Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943...
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Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Brahms Sonata in F-minor, Opus 5, 5th movement, as a Symphony
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Orchestre
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AVANCÉ
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Classique
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Aere Greenway
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Aere Greenway
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Brahms Sonata in F-minor, Opus
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Aere R Greenway
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1282260 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. ...
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Full Orchestra - Level 5 - SKU: A0.1282260 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. 105 pages. Aere R Greenway #873570. Published by Aere R Greenway (A0.1282260). Brahms composed his piano sonata in F-minor, in 1853, at the age of 20. Â Markings in the piano music, such as 'like cello', or in another place 'like pizzicato', suggest he was thinking in orchestral terms. Â Indeed, the earliest sketches of his 1st symphony come from the year his sonata in F-minor was published. Â Yet he worked at least 14 years on his first symphony, finally publishing it in 1876, at age 43. Â What if Brahms had orchestrated his sonata in F-minor, opus 5, publishing it as his first symphony, in his youth, rather than at age 43? Â Attempting to answer that, I embarked on a big project, to orchestrate Brahms sonata in F-minor, into a symphony. Â And you can listen to it yourself, as the music of Brahms comes shining through, as a symphony that 'might have been'. Â Though the instrument choices and dynamics adjustments for orchestra are mine, the music is all Brahms. Â See what you think. Â This is the 5th movement, the Finale. Â The music of Brahms is a long-time favorite of symphony audiences, and this could be a hit with your audience, as well.
$47.97
Brahms Sonata in F-minor, Opus 5, 3rd movement, as a Symphony
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Orchestre
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AVANCÉ
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Classique
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Aere Greenway
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Aere Greenway
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Brahms Sonata in F-minor, Opus
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Aere R Greenway
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1272505 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. ...
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Full Orchestra - Level 5 - SKU: A0.1272505 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. 46 pages. Aere R Greenway #864730. Published by Aere R Greenway (A0.1272505). As a life-long fan of the music of Brahms, I have wished there were more than his four symphonies to enjoy. Â So I set about orchestrating his sonata for piano, opus 5, as a symphony. Â I doing so, I've seen many things in his piano music, that suggest he was thinking orchestrally. Â And this is a composition from his youth (1854). Â In fact, I have been repeatedly amazed at how many simultaneous, independent parts, he has put into a piano solo. Â I haven't needed to create anything. Â It's all Brahms, coming through. Â Perhaps, if Brahms weren't so overwhelmed by the genius of Beethoven, who came before, he might have made this his first symphony. Â And you get to hear its third movement now. Â As with the tradition of Beethoven, the 3rd movement is a scherzo. Â You can think of it (at least in the beginning, and end), as the waltz of the gargoyles. Â Enjoy!Brahms has long been a staple of concert-going audiences, and with this piece, you can perform a new symphony of Brahms, created from his piano sonata in F-minor, orchestrated into a symphony by Aere.
$47.97
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Conductor's Score
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AVANCÉ
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018872 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 38 pages. Benjamin Sajo #6056047...
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Full Orchestra - Level 5 - SKU: A0.1018872 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 38 pages. Benjamin Sajo #6056047. Published by Benjamin Sajo (A0.1018872). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph.  This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Extracted Parts
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Contemporain
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018900 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 79 pages. Benjamin Sajo #6056141...
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Full Orchestra - Level 5 - SKU: A0.1018900 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 79 pages. Benjamin Sajo #6056141. Published by Benjamin Sajo (A0.1018900). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$50.00
CC000ORC - The flight of the Mosquito
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Carl Van Pevenage
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CC000ORC - The flight of the M
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Carl Van Pevenage
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.921242 Composed by Carl Van Pevenage. World. Score and parts. 138 pages. Carl Van Pevenage #5777021. Published by Car...
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Full Orchestra - Level 5 - SKU: A0.921242 Composed by Carl Van Pevenage. World. Score and parts. 138 pages. Carl Van Pevenage #5777021. Published by Carl Van Pevenage (A0.921242). My master piece.You can copy the parts for you orchestra.It's free to play for educational purposes. For commercial action, please contact the composer.Watch out the solo in the middle is crazy. If it's too difficult, jump to the next section.
$45.00
Symphony No. 2, In Praise to Haitian Gods, Full Orchestral Score Only
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James Nathaniel Holland
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Symphony No. 2, In Praise to H
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730486 Composed by James Nathaniel Holland. African,Contemporary,World. Score and parts. 128 pages. James Nathaniel H...
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Full Orchestra - Level 5 - SKU: A0.730486 Composed by James Nathaniel Holland. African,Contemporary,World. Score and parts. 128 pages. James Nathaniel Holland #4357263. Published by James Nathaniel Holland (A0.730486). FULL SCORE only, Individual instrument parts sold separately. Haitian voodoo rhythms, and gods Damballa Wedo, Papa Legba, Ezulie, Baron Zamdi the Gede are brought to the orchestral concert stage in this second symphony of American composer James Nathaniel Holland, who served for a while in Haiti in the US Peace Corps in the 1990s. The symphony for large orchestra is divided into three movements. It begins with a rousing invocation which melts into a sensitive section, sympathetic of the human condition and of the Republic of the Caribbean island of Haiti. The second movement, actually three sections, is very a very African sounding fugue that changes into a contraposition of the quiet, mysterious Minwet and the European French Minuet, and ends with an almost church joyous, dance of complex percussion, call and response. The last movement incorporates multimedia of the beauty of spoken Kreyol language: stating that we, ourselves, are the gods expressed in the Haitian folk dances. And ends with an energetic Haitian carnival section. Great, varied and different, showpiece for any symphony orchestral concert with overtones of jazz and Afro Carib music. Instrumentation: picc/fl 1.2., fl/altofl. 3.4., ob 1.2., pic cl./clBb 1, clBb 2.3.4., bcl., ssax, asax, tsax, bsax, bsn 1.2., cbsn, hrns 1.2.3.4., tpt 1.2.3., trom. 1.2., btrm, tba, timp, perc (bdrm, slapstick (or whip), maracas, metal guiro, agogo bells, calabasa, crash cyms, tri., bongos, congos, celeste., marimba) harp, strings.YouTube Presentation: https://youtu.be/ON24g0ZJFQwComposer website: https://www.facebook.com/jamesnathanielholland/
$18.95
Homage to O'Keeffe for Orchestra
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Sy Brandon
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Homage to O'Keeffe for Orchest
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Publi...
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Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
Symphony No. 2, In Praise to Haitian Gods, Individual Instrument Parts
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James Nathaniel Holland
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Symphony No. 2, In Praise to H
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730488 Composed by James Nathaniel Holland. Contemporary,Folk,World. Score and parts. 315 pages. James Nathaniel Holl...
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Full Orchestra - Level 5 - SKU: A0.730488 Composed by James Nathaniel Holland. Contemporary,Folk,World. Score and parts. 315 pages. James Nathaniel Holland #4359113. Published by James Nathaniel Holland (A0.730488). INDIVIDUAL INSTRUMENT PARTS only, Full score sold separately. Haitian voodoo rhythms, and gods Damballa Wedo, Papa Legba, Ezulie, Baron Zamdi the Gede are brought to the orchestral concert stage in this second symphony of American composer James Nathaniel Holland, who served for a while in Haiti in the US Peace Corps in the 1990s. The symphony for large orchestra is divided into three movements. It begins with a rousing invocation which melts into a sensitive section, sympathetic of the human condition and of the Republic of the Caribbean island of Haiti. The second movement, actually three sections, is very a very African sounding fugue that changes into a contraposition of the quiet, mysterious Minwet and the European French Minuet, and ends with an almost church joyous, dance of complex percussion, call and response. The last movement incorporates multimedia of the beauty of spoken Kreyol language: stating that we, ourselves, are the gods expressed in the Haitian folk dances. And ends with an energetic Haitian carnival section. Great, varied and different, showpiece for any symphony orchestral concert with overtones of jazz and Afro Carib music. Instrumentation: picc/fl 1.2., fl/altofl. 3.4., ob 1.2., pic cl./clBb 1, clBb 2.3.4., bcl., ssax, asax, tsax, bsax, bsn 1.2., cbsn, hrns 1.2.3.4., tpt 1.2.3., trom. 1.2., btrm, tba, timp, perc (bdrm, slapstick (or whip) maracas, metal guiro, agogo bells, calabasa, crash cyms, tri., bongos, congos, celeste., marimba) harp, strings.YouTube Presentation: https://youtu.be/ON24g0ZJFQwComposer website: https://www.facebook.com/jamesnathanielholland/
$42.95
Orchestral Excerpts for Tuba with Piano accompaniment, Volume 2 - Score Only
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Classique
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doing so, you will be able to
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Various
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Takahiro Kim
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Orchestral Excerpts for Tuba w
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Gordon Cherry
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1036106 Composed by Various. Arranged by Takahiro Kim. Classical,Romantic Period. Score and parts. 116 pages. Gordon ...
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Full Orchestra - Level 5 - SKU: A0.1036106 Composed by Various. Arranged by Takahiro Kim. Classical,Romantic Period. Score and parts. 116 pages. Gordon Cherry #641207. Published by Gordon Cherry (A0.1036106). Below is a description of Volume 2 of Orchestral Excerpts for Tuba with Piano accompaniment arranged by Japanese Tubist Takahiro Kim. This new edition includes the following music: Piano accompaniments to the orchestral excerpts from major works for Tuba. This edition does not include a separate Tuba (the tuba part is in the piano accompaniment part though), however, if the performer needs these parts, they are readily available in the Complete Collection of Low Brass Orchestra Music compiled by Gordon Cherry. Many tuba players (at any level) will play in an orchestra or practice the tuba part of a piece as part of their studies. You will also have the opportunity to listen to reference recordings and study those pieces. In this textbook, I have arranged the tuba part so that it can be played with piano accompaniment. Some pieces are difficult to understand from the orchestral soundtrack alone. I have transcribed the piano part as simply as possible. By doing so, you will be able to clearly understand the relationship between the phrases, accompaniment patterns, harmonies, rhythms, and the relationship between the tuba part and the orchestra. I have included many parts other than the ones to be played in the audition pieces. This is because I want you to practice with a strong image of the musicality and sound feeling used in those pieces. I think you will be able to fully understand the outline of the music. Bruckner: Symphony No. 4-9 - You may only have the opportunity to practice the sections for auditions, such as No. 4 (4th movement) and No. 7 (4th movement). However, by practicing other sections as well, you will be able to study the ideal style, sounds, and harmonies that are appropriate for Bruckner's symphonies. By referring to the piano part, you will be able to understand the harmony very quickly. Mendelssohn: A Midsummer Night’s Dream Overture - If you have a chance to practice with a pianist, try practicing at a slower tempo so that you can visualize the ideal tone and nuance of articulation for bass tuba while feeling the harmonic background of the piano playing. Of course, mp3 files will also help you. Mussorgsky: Pictures at an Exhibition - Each section is very unique, so it is best to practice with a clear purpose. In Bydlo, everything is arranged for concert use. So it will be possible to play it in a real concert or orchestral situation. If you play with the accompaniment in mind, your approach to the phrases will surely change. I recommend that you practice all sections of Pictures at an Exhibition with a pianist at a slow tempo. When you listen to recordings or practice by yourself, it may be difficult to pay attention to each harmony. Knowing a clear harmonic standard will help you take your sound and articulation in a more ideal direction.
$30.00
Violin Concerto No. 1 Full Score and Individual Parts James Nathaniel Holland
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James Nathaniel Holland
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Violin Concerto No. 1 Full Sco
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730459 Composed by James Nathaniel Holland. Concert,Contemporary,Holiday,Patriotic. Score and parts. 232 pages. James...
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Full Orchestra - Level 5 - SKU: A0.730459 Composed by James Nathaniel Holland. Concert,Contemporary,Holiday,Patriotic. Score and parts. 232 pages. James Nathaniel Holland #3569503. Published by James Nathaniel Holland (A0.730459). (Duration: 26 minutes) One the most gorgeous classical music concertos of our century waiting for its violin virtuoso to champion it… writes the Milan American Music Society Offered here the full score in concert pitch and all individual parts. Instrumentation: picc, fl12, ob12, cl in A, 12, Bcl, Bsn 12, hrn 1234, Bb tpt 12, trm 12, tba, tim, perc. (bass drum, calabasa, tri., susp. and crash cym, sm. gong. and snare), harp, soloist, strings. Echoes of Elgar, R. Strauss, and Vaughn Williams. The concerto begins majestically with the section entitled (the mountains), then transforms into an African type melody (Costa Rica coffee dreams), then a beautiful sentimental melody (sentimental love) and a rousing scherzo (carnival). Reduced piano score with violin part sold separately. YouTube presentation with orchestra at: https://www.youtube.com/watch?v=j6YqKEvfVIU James Nathaniel Holland is an American-Costa Rican classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$63.25
Brahms Sonata in F-minor, Opus 5, 2nd movement, as a Symphony
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Classique
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Aere Greenway, via MuseScore
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Aere Greenway
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Brahms Sonata in F-minor, Opus
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Aere R Greenway
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1267868 By Aere Greenway, via MuseScore. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Sc...
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Full Orchestra - Level 5 - SKU: A0.1267868 By Aere Greenway, via MuseScore. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. 65 pages. Aere R Greenway #860416. Published by Aere R Greenway (A0.1267868). As a life-long fan of the music of Brahms, I have wished there were more than his four symphonies to enjoy. Â So I set about orchestrating his sonata for piano, opus 5, as a symphony. Â I doing so, I've seen many things in his piano music, that suggest he was thinking orchestrally. Â And this is a composition from his youth (1854). Â In fact, I have been repeatedly amazed at how many simultaneous, independent parts, he has put into a piano solo. Â I haven't needed to create anything. Â It's all Brahms, coming through. Â Perhaps, if Brahms weren't so overwhelmed by the genius of Beethoven, who came before, he might have made this his first symphony. Â And your orchestra can perform it for your audiences to enjoy!Brahms has long been a staple of concert-going audiences, and with this piece, you can perform a new symphony of Brahms, created from his piano sonata in F-minor, orchestrated into a symphony by Aere.
$47.97
Thérèse Brenet: Le Livre de L'Harmonie du Monde for orchestra ((pic222clbs2cbn/4331/4perc/tmp/hp/str
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.532888 Composed by Therese Brenet. Contemporary,Spiritual. Score and parts. 47 pages. Musik Fabrik Music Publishing #...
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Full Orchestra - Level 5 - SKU: A0.532888 Composed by Therese Brenet. Contemporary,Spiritual. Score and parts. 47 pages. Musik Fabrik Music Publishing #119693. Published by Musik Fabrik Music Publishing (A0.532888). For this work, the composer has chosen to write three movements of an equal strength and an equal dramatic force. She leaves aside the idea of a calm slow movement which one usually finds at the center of a long work. With these three outbursts, she understands that she hasn't chosen the easiest route and that she is transgressing the traditional rules of classical form. She knows that she is risking that her work will bore or tire her listeners. Motivated by her inspiration, she has decided to break with the usual equilibrium, which she knows is a challenge and which she holds herself responsible, reminded of the phrase by Jean Cocteau : “It is clear that certain works haunt you, troubling your moral comfort and teach you that the best method is that of men who work outside of learned rules.†The title is inspired by the writing of Hildegarde van Bingen, who was one of the most extraordinary figures of the 12th century. A mystic who was also a doctor, a poet, a linguist and astronomer, her influence spread over all Europe. This is the full score. The parts are on rental from the publisher. Duration 11' I LLe cantique de l'Univers 4' 10 II Vents solaires 3' 20 III Expansion 3' 30 Recorded on Thérèse Brenet : Le Livre de L'Harmonie du Monde http://www.jtbprod.com/llhm.htm The third movement Expansion may be heard here : https://www.youtube.com/watch?v=5fUX_0HC0-o.
$29.95
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