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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Com
Non classifié
8 099
Piano & claviers
Piano seul
11 848
Piano, Voix
757
Orgue
437
Accordéon
368
Piano, Voix et Guitare
199
1 Piano, 4 mains
197
2 Pianos, 4 mains
144
Instruments en Do
118
Piano Trio: piano, violon, violoncelle
116
Piano Facile
46
Clavecin
41
Piano Quatuor: piano, violon, alto, violoncelle
37
Piano Quintette: piano, 2 violons, alto, violoncelle
28
Orgue, Trompette (duo)
17
Accompagnement Piano
13
2 Pianos, 8 mains
12
Orgue, Piano (duo)
10
Piano Quatuor: piano, 2 violons, violoncelle
10
Clavier
6
Ensemble d'Accordéons
5
1 Piano, 6 mains
5
Accordéon et Orchestre
3
Accordéon, Corde(s)
2
2 Accordéons
2
Ensemble de Pianos
1
Accordéon, Voix
1
2 Orgues (duo)
1
Concertina
1
Orgue et Orchestre
1
+ 24 instrumentations
Retracter
Guitares
Guitare
1 710
Guitare notes et tablatures
698
Basse electrique
333
2 Guitares (duo)
168
Ukulele
114
4 Guitares (Quatuor)
74
3 Guitares (trio)
35
Ligne De Mélodie, (Paroles) et Accords
24
Ensemble de guitares
23
Piano, Guitare (duo)
17
Mandoline
15
Dulcimer
15
Mandoline, Piano (duo)
14
Mandoline, Guitare (duo)
9
Banjo
7
Orchestre à Plectres
5
Guitare, Orchestre
4
Luth
3
2 Guitares et Orchestre
3
Paroles et Accords
3
Guitare, Quatuor à cordes
2
Guitare, Flûte, Clarinette
2
Bouzouki
1
2 Dulcimers (duo)
1
Guitare, Violon, Violoncelle (trio)
1
+ 20 instrumentations
Retracter
Voix
Chorale SATB
1 562
Chorale TTBB
727
Chorale SSAA
260
Chorale 3 parties
120
Voix Soprano, Piano
88
Voix seule
60
Chorale SSAATTBB
55
Voix haute
55
Chorale
52
Chorale SSATTB
37
Voix Tenor, Piano
35
Voix Baryton, Piano
29
Voix basse, Piano
27
Voix moyenne, Piano
26
Chorale 2 parties
22
Chorale SSATB
22
Voix Mezzo-Soprano, Piano
19
Voix Alto, Piano
18
Voix duo, Piano
14
Voix duo
13
Voix Soprano
6
Chorale Unison
6
Voix, Guitare
5
Chorale SSAATB
3
Soli, choeur mixte et accompagnement
3
Voix basse
3
Chorale SATBB
2
Voix Tenor
2
Voix Soprano, Orchestre
1
Chorale SAATB A Cappella
1
Voix Baryton
1
Voix duo, Orgue
1
+ 27 instrumentations
Retracter
Vents
Saxophone
3 398
Flûte traversière
1 639
Clarinette
1 511
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
436
Flûte traversière et Piano
404
Saxophone (partie séparée)
361
Quatuor de Saxophones: 4 saxophones
339
Saxophone Alto
323
Clarinette et Piano
241
Saxophone Tenor
225
Quatuor de Clarinettes: 4 clarinettes
186
Ensemble de Clarinettes
181
Saxophone Alto et Piano
178
Flûte, Hautbois, Clarinette, Basson
170
Ensemble de saxophones
163
Clarinette (partie séparée)
162
Hautbois (partie séparée)
150
Hautbois, Piano (duo)
143
Saxophone Soprano
139
Flute (partie séparée)
114
Saxophone Soprano et Piano
109
2 Saxophones (duo)
91
Quintette de Saxophone: 5 saxophones
90
2 Flûtes traversières (duo)
88
Saxophone Tenor et Piano
86
2 Clarinettes (duo)
78
Quintette de Clarinettes: 5 clarinettes
74
Hautbois
72
Quatuor de Flûtes : 4 flûtes
71
Flûte et Guitare
70
Flûte à Bec
61
3 Clarinettes (trio)
58
3 Saxophones (trio)
50
Ensemble de Flûtes
50
Saxophone Baryton, Piano
49
Clarinette Basse, Piano
30
Trio de Flûtes: 3 flûtes
24
2 Flûte à bec (duo)
21
Hautbois, Clarinette, Basson (trio d'anches)
19
Cor anglais, Piano
18
Flûte, Clarinette (duo)
17
Flûte, Clarinette et Basson
17
Flûte, Violon, Piano
16
Quatuor de Flûtes à bec
15
Quintette de Flûte : 5 flûtes
15
Flûte, Violoncelle, Piano (trio)
14
Clarinette, Guitare (duo)
14
Flûte à Bec, Piano
13
Harmonica
12
2 Hautbois (duo)
11
Flûte à bec Alto, Piano
10
Flûte, Violon
10
Flûte, Clarinette, Piano (trio)
10
Flûte, Hautbois, Basson
10
Quintette de Clarinette: Clarinette, Quatuor à Cordes
9
Cor Anglais
8
Clarinette, Violoncelle (duo)
8
3 Flûtes à bec (trio)
8
Flûte, Hautbois, Clarinette (trio)
8
Clarinette, Basson (duo)
7
Clarinette, Violoncelle, Piano (trio)
7
Flûte traversière, Orchestre
7
Flûte, Violoncelle
7
5 Flûtes à bec
6
2 Flûtes traversières, Piano
6
Hautbois, Basson (duo)
6
Flûte à bec Alto
6
Hautbois, Flûte
6
Clarinette, Violon (duo)
6
Flûte à bec Alto, Basse continue
5
2 Clarinettes, Piano
5
3 Hautbois
5
2 Saxophones, Piano
5
Ocarina
5
Flûte à bec Tenor
4
Hautbois, Basson et Piano
4
Flûte, Saxophone (duo)
4
Flûte, Violoncelle, Guitare
4
Flûte, Violon, Violoncelle et Piano
4
Saxophone, Clarinette (duo)
4
Clarinette, Orchestre
4
Ensemble à vent
4
Flûte traversière, Orgue (duo)
4
Flûte, Hautbois, Piano (trio)
4
Flûte, Basson et Piano
4
Hautbois, Guitare (duo)
4
Clarinette et Alto
3
Clarinette, Basson, Piano (trio)
3
Flûte à bec Soprano
3
Saxophone Baryton
3
4 Hautbois
3
Piccolo
3
Clarinette Basse
3
Flûte, Alto et Piano
3
Clarinette, Orgue
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Saxophone et Guitare
3
Hautbois, Orgue
2
Flûte traversière, Basse continue
2
Flûte, Violon et Violoncelle
2
Flûte, Trombone (duo)
2
Clarinette, Contrebasse (duo)
2
Hautbois et Orchestre
2
Hautbois, Clarinette (duo)
2
Ensemble De Flûte à bec
2
Hautbois, Violoncelle
2
Saxophone et violoncelle
2
Flûte, Alto (duo)
2
Saxophone et Orgue
2
Flûte, alto et harpe
2
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flute, harpe et violon
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte et Trio à cordes
1
2 Flûtes à bec, Piano
1
Flûte et Quatuor à Cordes
1
Flûte, Alto et Violoncelle
1
Flûte, Trompette (duo)
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Tuba (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte irlandaise
1
2 Clarinettes, Basson
1
Ensemble de Hautbois
1
Harmonica, Piano
1
Flûte à bec Soprano, Piano
1
Hautbois, trombone (duo)
1
Flûte, Violon, Guitare
1
Saxophone, Basson (duo)
1
Flûte, Hautbois (duo)
1
Clarinette, Trombone (duo)
1
2 Flûtes, Basse continue
1
Cornemuse
1
Instruments en Mib
1
Piccolo, Piano
1
Clarinette, Alto et Piano (trio)
1
+ 131 instrumentations
Retracter
Cuivres
Trompette
1 410
Trombone
1 288
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
689
Trompette (partie séparée)
367
Trombone (partie séparée)
317
Quatuor de Cuivres : 2 trompettes, trombone, tuba
265
Trombone et Piano
218
Cor (partie séparée)
186
Cor
158
Ensemble de Trombones
152
Quatuor de cuivres: 4 trombones
138
Cor et Piano
136
Trompette, Piano
130
Tuba et Piano
119
Euphonium, Piano (duo)
113
Quatuor de cuivres: 4 cors
77
Quatuor de Cuivres
65
Tuba
53
Quatuor de Cuivres: 2 trompettes, Cor, trombone
48
2 Trombones (duo)
39
Euphonium
33
2 Euphoniums et 2 Tubas
32
2 Trompettes (duo)
32
Ensemble de Cors
29
2 Cors (duo)
29
Trombone basse
21
4 Tubas
18
Ensemble de Trompettes
18
Cor anglais, Piano
18
Tuba (partie séparée)
17
Trompette, Trombone (duo)
16
Quatuor de cuivres: 4 trompettes
15
3 Trombones (trio)
14
Trombone basse et Piano
12
2 Trompettes, Clavier (piano ou orgue)
10
Trompette, Cor (duo)
9
Trombone, Tuba (duo)
8
Cor Anglais
8
Euphonium, Tuba (duo)
7
Trombone, Orgue
7
Trompette, Orchestre
6
2 Tubas (duo)
6
Trombone et orchestre
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
3 Cors (trio)
4
3 Euphoniums
3
Trompette, violon (duo)
3
Trompette, Tuba (duo)
3
Trompette, Saxophone (duo)
3
Euphonium (partie séparée)
3
3 Trompettes (trio)
3
Tuba et Orgue
2
Cor et Orgue
2
Instruments en Sib
2
Cor et Harpe
2
Cor, Violoncelle (duo)
2
3 Tubas (trio)
2
Trombone, Cor (duo)
2
2 Euphoniums (duo)
2
Trompette, Trombone, Piano
2
Trompette, Basson (duo)
1
Trompette, Violoncelle (duo)
1
Cor, Orchestre
1
Clarinette, Cor (duo)
1
Ensemble de Tubas
1
Trombone, Violon (duo)
1
Trio de Cuivres
1
Cor et Basson (duo)
1
Trombone, Alto (duo)
1
+ 64 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 652
Violon
1 092
Violon et Piano
767
Violoncelle
623
Alto seul
376
Violoncelle, Piano
363
Violon, Violoncelle (duo)
211
Harpe
188
Alto, Piano
184
Trio à Cordes: violon, alto, violoncelle
173
2 Violons (duo)
107
Violon, Alto (duo)
90
Contre Basse
86
Violon, Guitare (duo)
74
Trio à Cordes: 2 violons, violoncelle
69
Alto (partie séparée)
61
2 Violoncelles (duo)
59
4 Violoncelles
50
2 Altos (duo)
50
Contrebasse, Piano (duo)
47
Violon (partie séparée)
44
Alto, Violoncelle (duo)
38
Violoncelle , Guitare (duo)
33
Quintette à cordes: 2 violons, alto, violoncelle, basse
32
Harpe, Violon (duo)
23
Violoncelle, Contrebasse (duo)
22
Trio à cordes: 3 violins
20
Harpe, Flûte (duo)
19
Trio à Cordes: 3 violoncelles
18
Contrebasse (partie séparée)
17
4 Contrebasses
15
Ensemble de Violoncelles
14
Trio à cordes
14
Trio à Cordes: 2 violons, alto
13
Quatuor à cordes: 4 violons
12
Violoncelle (partie séparée)
10
Violoncelle, Orchestre
9
2 Contrebasses (duo)
8
Quatuor à cordes : 4 altos
8
Violoncelle, Orgue
7
Violon, Orgue
6
Trio à cordes: 3 altos
6
Piano Trio: Violon, Alto, Piano
5
Alto, Guitare (duo)
5
Alto et Harpe
5
Harpe, Violoncelle (duo)
4
Alto et orchestre
4
Violon, Clarinette, Piano (trio)
4
Harpe, Quatuor à cordes
3
2 Violons, Piano
3
Violon, Violoncelle, Clarinette
2
Ensemble de Violons
2
Harpe, Orchestre
2
Ensemble d'Altos
2
Harpe, Violon, Violoncelle
2
Flûte, Contrebasse (duo)
2
4 Harpes
1
3 Harpes
1
Violoncelle, Basse continue
1
Alto, Orgue
1
Violon, Basse continue
1
2 Altos, Piano
1
2 Harpes (duo)
1
Harpe (partie séparée)
1
Alto et Basson
1
Harpe et Piano
1
Violon, Basson (duo)
1
Harpe, Trombone (duo)
1
3 Contrebasses
1
Violon, Clarinette et Guitare
1
+ 65 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 555
Orchestre
1 532
Batterie
1 203
Ensemble Jazz
919
Orchestre à Cordes
525
Jazz combo
467
Ensemble de cuivres
421
Orchestre de chambre
415
Fanfare
105
Percussion (partie séparée)
99
Cloches
90
Ensemble de Percussions
87
Marimba
34
Percussion
22
Timbales (partie séparée)
16
Piano et Orchestre
14
Vibraphone
10
Big band
9
Orchestre, Violon
8
Batterie (partie séparée)
8
Quintette à Vent
4
Xylophone
3
Caisse Claire
2
Marimba et Orgue
1
Quintette de Cuivres: autres combinaisons
1
Marimba, Piano (duo)
1
Instrumentation Flexible
1
Orchestre Symphonique
1
Xylophone (partie séparée)
1
2 Marimbas
1
Conga
1
Voix Mezzo-Soprano, Orchestre
1
Quatuor à Vent : 4 instruments à vents
1
+ 28 instrumentations
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--INSTRUMENTS--
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1526
The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score and
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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The Discontented Housewife, A
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730482 Composed by James Nathaniel Holland. 20th Century,Broadway,Contemporary,Holiday,Musical/Show,Opera. Score and ...
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Full Orchestra - Level 5 - SKU: A0.730482 Composed by James Nathaniel Holland. 20th Century,Broadway,Contemporary,Holiday,Musical/Show,Opera. Score and Parts. 292 pages. James Nathaniel Holland #4309153. Published by James Nathaniel Holland (A0.730482). The Discontented Housewife FULL ORCHESTRAL SCORE AND INDIVIDUAL PARTS (Individual vocal parts are not included, Piano Vocal Score sold separately), A Comic Opera in One Ridiculously Short Act Music and Libretto by James Nathaniel Holland Composer Website: https://www.facebook.com/jamesnathanielholland/ YouTube presentation of entire opera with singers and piano: https://www.youtube.com/watch?v=XAGjuXCvwzE (Duration: 30') In Czech, fully realized production:  https://youtu.be/raDiBJAaM_0?si=Yzim2ifUyviLoKRD Twenty some odd years before the Desperate Housewives phenomenon there was a discontented housewife named Margaret. Sung here by Colleen McGrath and Dennis Jesse as her husband Harold. Synopsis: This is the interesting story of Margaret. So begins the screwball one-act chamber opera about an emotionally abused housewife, and the extent she goes to change the situation life has dealt her. Not even the pianist is allowed to sit by and idly accompany Margaret's journey into self-empowerment. Is it a battle between the sexes? Certainly not. It's more like power, domination and the pure thrill of ordering others around. ARTISTS NEEDED: Soprano (Coloratura) Margaret, Harold (Baritone)ORCHESTRATION: Picc, fl12, ob12, cl12, bsn, hrn12, tpt, trm, timp, perc (or drum set), pno, strings. (Full Score in Concert Pitch, Individual Vocal Parts are not included. Please purchase the piano vocal score, sold separately.)Great vehicle for young artists. First premiered at DePauw University, Greencastle Indiana in 1987. Later performed by the New Jersey Concert Opera in 2004. Combine with either J.N. Holland's other one act operas The One Upstairs (comedy) and O Holy Art (tragedy) to make a complete opera evening entitled A New York Triptych All require same type of singers (with some addition and chorus) and same size of orchestra. Other operas also available and published, sold separately.Please note: Although this is a farce, the orchestral should have solid players, an experienced conductor and enough rehearsal time should be given so that the piece won't fall apart in performance. Due to the comedic element, there are constantly shifting tempos and effects that a community or amateur orchestra/conductor might have difficulty with.
$42.99
Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik Int...
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Full Orchestra - Level 5 - SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960). Americana Symphony Variations on Appalachia Waltz (wind parts – symphony orchestra) MO164B-IWind Parts (score and parts available)Music by Mark O’Connor164 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik Int...
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Full Orchestra - Level 5 - SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik International #6209407. Published by Mark O'Connor Musik International (A0.861963). Americana Symphony Variations on Appalachia Waltz (string parts – symphony orchestra) MO164U-ZString Parts (score and parts available)Music by Mark O’Connor163 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American. Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
Americana Symphony "Variations on Appalachia Waltz" (brass parts – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik Int...
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Full Orchestra - Level 5 - SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik International #6209399. Published by Mark O'Connor Musik International (A0.861961). Americana Symphony Variations on Appalachia Waltz (brass parts – symphony orchestra) MO164J-PBrass Parts (score and parts available)Music by Mark O’Connor162 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
Americana Symphony "Variations on Appalachia Waltz" (percussion parts – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik International #6209401. Published by Mark O'Connor Musik International (A0.861962). Americana Symphony Variations on Appalachia Waltz (percussion parts – symphony orchestra) MO164Q-TPercussion Parts (score and parts available)Music by Mark O’Connor99 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$50.00
Americana Symphony "Variations on Appalachia Waltz" (score – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik International #6209393. Published by Mark O'Connor Musik International (A0.861959). Americana Symphony Variations on Appalachia Waltz (score – symphony orchestra) MO164AScore (parts available)Music by Mark O’Connor86 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$40.00
Silent Frights: A collection of music to accompany silent film scenes
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Orchestre
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AVANCÉ
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Halloween
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Gaston Borch
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W
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Silent Frights: A collection o
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RÄ“sFacta Editions
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1453661 Composed by Gaston Borch. Arranged by W.C. Rohl. Classical,Film/TV,Halloween,Historic,Thriller. 170 pages. RÄ...
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Full Orchestra - Level 5 - SKU: A0.1453661 Composed by Gaston Borch. Arranged by W.C. Rohl. Classical,Film/TV,Halloween,Historic,Thriller. 170 pages. RēsFacta Editions #1032875. Published by RēsFacta Editions (A0.1453661). A collection of five pieces for orchestra by French composer, Gaston Borch (1871-1926) written to accompany creepy, suspenseful, mysterious, and supernatural scenes for silent films. A prolific composer, cellist, conductor, and arranger,  Borch moved to the United States in the early 1900s where he significantly contributed to the American musical landscape. He became particularly known for his work in the burgeoning field of silent film music, composing scores that enhanced the emotional impact of films. Borch’s music was characterized by its melodic richness and dramatic expressiveness, which made it ideal for the cinema. His ability to craft music that perfectly matched the narrative and emotional arcs of films made him a sought-after composer in the industry.  The entire collection - or any number of the individual selections - would make an ideal addition to any Halloween-themed program.  Score and parts. Also available for string orchestra. resfactamusic.com
$90.00
The Snow Queen Cometh from "The Snow Queen" Ballet for Orchestra and Optional Multimedia
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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The Snow Queen Cometh from &qu
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730433 Composed by James Nathaniel Holland. Christmas,Contemporary. 117 pages. James Nathaniel Holland #3416639. Publ...
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Full Orchestra - Level 5 - SKU: A0.730433 Composed by James Nathaniel Holland. Christmas,Contemporary. 117 pages. James Nathaniel Holland #3416639. Published by James Nathaniel Holland (A0.730433). Also know as The Dance of the Snow Bees. This haunting beautiful piece for orchestra (with optional multimedia) will create a complete blizzard of fun and mystery for your concert. Adapted from American composer James Nathaniel Holland's ballet The Snow Queen. Perfect finale for winter or Christmas concerts or combine with Dance of the Snow Sprites an the Waltz of the Distorted Mirror to make a three movement orchestral suite. (Each sold separately.)Instrumentation: picc, fl12, ob12, eh, clBb12, bscl, bsn12, hrn1234, tpt123, 12trmb, bstrm/tba, timp, triangle/sleigh bells, ride cym with soft mallet/stick, antique cymbals, glock, hrp, treble voice choir, stringsDuration: 9:09.
$15.95
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1 (Woodwinds and Brass)
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Ho...
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Full Orchestra - Level 5 - SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Holland #4800547. Published by James Nathaniel Holland (A0.730492). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 1 (Woodwinds and Brass). Piano Score, Full Orchestral Score, Individual Parts (Part 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$70.25
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Full Orchestral Score
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730493 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 370 pages. James Nathaniel Ho...
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Full Orchestra - Level 5 - SKU: A0.730493 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 370 pages. James Nathaniel Holland #4800668. Published by James Nathaniel Holland (A0.730493). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. FULL ORCHESTRAL SCORE (with stage directions). Piano Score, Individual Parts (Parts 1 and 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$32.50
The One Upstairs, A Comic Opera in One Act, Full Orchestral and Individual Parts
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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The One Upstairs, A Comic Oper
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730443 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 358 pages. James Nathan...
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Full Orchestra - Level 5 - SKU: A0.730443 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 358 pages. James Nathaniel Holland #3482947. Published by James Nathaniel Holland (A0.730443). Full Score and Individual Parts, including singers and actors and stage directions. (Vocal Piano Score and Orchestral Score Only sold separately). THE ONE UPSTAIRS A Comic Opera in One Act Opera (in English) (Opera duration: 1 hour)  Duration: 45 minutes  Perfect vehicle for coloratura and Broadway Alto. Combine with Holland operas called A New York Triptych The Discontented Housewife (Farce) and O Holy Art (tragedy) (both sold separately) for a full length evening of fun and accessible American contemporary opera.  Instrumentation: Picc, Fl12, Ob12, Cl12, Bsn, Hrn12, Trp, Trom, Tim, Perc (or Drm set), glock, piano, strings  Singers: Coloratura, Alto, Soprano, Baritone, 1 Actor Speaking part, 3 non-singing extras.  BRIEF SYNOPSIS: An unsuspecting woman moves into a volatile apartment situation with a crazy neighbor above who keeps banging on the floor at the slightest provocation. It's war! Find out who wins and how in the end. Perfect opera for high school, university or young voices with strong coloratura and alto actress.
$60.95
The One Upstairs, A Comic Opera in One Act, Full Orchestral Score Only
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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The One Upstairs, A Comic Oper
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730442 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 140 pages. James Nathaniel Holl...
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Full Orchestra - Level 5 - SKU: A0.730442 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 140 pages. James Nathaniel Holland #3482897. Published by James Nathaniel Holland (A0.730442). Full Score Only (Vocal Piano Score and Orchestral Score with individual parts sold separately). THE ONE UPSTAIRS A Comic Opera in One Act (Opera in English) (Opera duration: 1 hour) Piano Vocal Score   Duration: 45 minutes  Perfect vehicle for coloratura and Broadway Alto. Combine with Holland operas called A New York Triptych The Discontented Housewife (Farce) and O Holy Art (tragedy) (both sold separately) for a full length evening of fun and accessible American contemporary opera.  Instrumentation: Picc, Fl12, Ob12, Cl12, Bsn, Hrn12, Trp, Trom, Tim, Perc (or Drm set), glock, piano, strings  Singers: Coloratura, Alto, Soprano, Baritone, 1 Actor Speaking part, 3 non-singing extras.  BRIEF SYNOPSIS: An unsuspecting woman moves into a volatile apartment situation with a crazy neighbor above who keeps banging on the floor at the slightest provocation. It's war! Find out who wins and how in the end. Perfect opera for high school, university or young voices with strong coloratura and alto actress.
$21.95
Welcome To A New Age (Full Orchestra)
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Orchestre
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AVANCÉ
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Christian Fortner
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Welcome To A New Age
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Christian Fortner Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1081704 Composed by Christian Fortner. Classical,Contemporary,Contest,Festival,Film/TV,Video Game. Score and parts. 1...
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Full Orchestra - Level 5 - SKU: A0.1081704 Composed by Christian Fortner. Classical,Contemporary,Contest,Festival,Film/TV,Video Game. Score and parts. 132 pages. Christian Fortner Music #685828. Published by Christian Fortner Music (A0.1081704). This large and bombastic epic-orchestral work brings with it the might of 1,000 conquering armies. Strong, rhythmic strings bring energy and life while the winds signal the battlecries of the oncoming storm to take the world. This piece provides opportunity for ensembles to work on energy and rhythmic accuracy as a whole while providing melodic intricacies in each individual section. Ideal for a concert opener or closer.
$149.98
Mendelssohn Unfinished Symphony No. 6 C-Major (1845) - Completed
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Orchestre
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AVANCÉ
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Gerd Prengel
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Adrian Gaigu
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Mendelssohn Unfinished Symphon
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Gerd Prengel
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1311951 Composed by Gerd Prengel. Arranged by Adrian Gaigu. 19th Century. 221 pages. Gerd Prengel #900836. Published ...
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Full Orchestra - Level 5 - SKU: A0.1311951 Composed by Gerd Prengel. Arranged by Adrian Gaigu. 19th Century. 221 pages. Gerd Prengel #900836. Published by Gerd Prengel (A0.1311951). In 1845 Felix Mendelssohn was working on 2 movements for a 6th symphony in C-Major (shortly before he begann working on his Elijah oratorion). This is an attempt to complete them in his style and for the first time. I. Allegro ma non troppoFor the first movement a full score of the first 2 minutes (79 measures) exist and additionally sketches for further passages were included and elaborated here: m. 81 - 93: transition to the 2nd theme m. 107 - 116: 2nd theme m. 146 - 150 ending of the exposition m. 152 - 165: beginning of the development m. 196 - 204: canonic passage 11:57 II. Andante cantabile The very melodious sketches for the first 2:15 minutes were worked out to a second movement with variations on the main theme and a more passionate middle part. This publication includes the score and parts and is addressed to any conductors and orchestras willing to play unknown, excellent music by Mendelssohn put in a context true to his idiom. Total duration: 23 min. MP3:www.gerdprengel.de/Mendelssohn_unfinished_symphony_1.mp3www.gerdprengel.de/Mendelssohn_unfinished_symphony_2.mp3
$100.00
O Come All Ye Faithful (Adeste Fideles) - Female vocal with Choir and Pops Orchestra, Key of F to G
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Orchestre
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AVANCÉ
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Musique Sacrée
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Traditional
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Daryl McKenzie
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O Come All Ye Faithful
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.745892 Composed by Traditional. Arranged by Daryl McKenzie. Christmas,Holiday,Praise & Worship. Score and parts. 76 p...
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Full Orchestra - Level 5 - SKU: A0.745892 Composed by Traditional. Arranged by Daryl McKenzie. Christmas,Holiday,Praise & Worship. Score and parts. 76 pages. Daryl McKenzie #6190485. Published by Daryl McKenzie (A0.745892). Christmas Carol favourite arranged for Vocal, Choir with Pops Orchestra (2 Flutes, 2 Clarinets, 3 F Horns, 3 Trumpets, 3 Trombones, Piano, Guitar, Bass Guitar, Drums, Percussion, Harp, Vlns1, Vlns2, Vla, Vcl, CB) Key of F with key change to GSuitable for Community singing.
$69.99
When there is my mansion by the Sea... Opera On the Wings of the Scarlet Messenger Orchestra Accompa
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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When there is my mansion by th
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730471 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 40 pages. Jame...
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Full Orchestra - Level 5 - SKU: A0.730471 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 40 pages. James Nathaniel Holland #3872343. Published by James Nathaniel Holland (A0.730471). Mariana's (Soprano) Aria When there is my mansion by the sea... from On the Wings of the Scarlet Messenger An Opera in 4 Acts, Based on the Henry James novel, On the Wings of a Dove Music, Adaptation and Libretto by James Nathaniel Holland Composer YouTube presentation: https://www.youtube.com/watch?v=dl4l8KeTfic A beautiful and virtuosic contemporary aria for a Gilda Rigoletto type lyric soprano with orchestral accompaniment. Has never been premiered before.Setting: The Fictional Southeast Asian island of Soon Rafa, present day, night, the garden behind Leila's mansion. Mariana (Soprano) niece and ward of her rich Aunt Leila. She cannot marry her love, Kai (bass), due to his lack of money. Mariana has just received a tongue lashing from her Aunt Leila in front of Leila's friends and has left for the garden. Alone and frustrated, Mariana sings of the day when she will have the freedom to do what she wants and execute revenge on all her critics. Fits requirement for contemporary aria in English.Instrumentation: picc, fl12, ob, eh, clBb, bscl, ts, bsn 12, hrn 1234, tpt12, trm, btrm, timp/tri, vocal part, hrp, stringsDuration: 5:15 Range: C4 to C6.
$13.95
O Come All Ye Faithful (Adeste Fideles) - Female vocal with Choir and Pops Orchestra, Key of Eb to F
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Orchestre
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AVANCÉ
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Musique Sacrée
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Daryl McKenzie
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Daryl McKenzie
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O Come All Ye Faithful
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1145514 By Daryl McKenzie. By Traditional. Arranged by Daryl McKenzie. Christmas,Holiday,Praise & Worship. Score and ...
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Full Orchestra - Level 5 - SKU: A0.1145514 By Daryl McKenzie. By Traditional. Arranged by Daryl McKenzie. Christmas,Holiday,Praise & Worship. Score and parts. 76 pages. Daryl McKenzie #745750. Published by Daryl McKenzie (A0.1145514). Christmas Carol favourite arranged for Vocal, Choir with Pops Orchestra (2 Flutes, 2 Clarinets, 3 F Horns, 3 Trumpets, 3 Trombones, Piano, Guitar, Bass Guitar, Drums, Percussion, Harp, Vlns1, Vlns2, Vla, Vcl, CB) Key of Eb with key change to FSuitable for Community singing.
$69.99
Star Trek: First Contact - Main Title / Locutus - Score Only
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Orchestre
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AVANCÉ
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Film/TV
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Alexander Courage, Joel Golds
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Chris Siddall
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Star Trek: First Contact - Mai
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Composed by Alexander Courage, Joel Goldsmith, and Jerry Goldsmith. Arranged by Chris Siddall. Film/TV. 14 pages. Chris Siddall...
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Full Orchestra - Level 5 - Composed by Alexander Courage, Joel Goldsmith, and Jerry Goldsmith. Arranged by Chris Siddall. Film/TV. 14 pages. Chris Siddall Music Publishing #810597. Published by Chris Siddall Music Publishing
It seems fitting that Jerry Goldsmith should be selected to compose the score for the Next Generation crew?s first solo movie outing, directed by the ship?s first officer himself, Jonathan Frakes. Having kicked off the original series crew?s offerings with Star Trek: The Motion Picture, and turning in a surprisingly excellent entry for Star Trek V: The Final Frontier (given that movie?s otherwise lacklustre reception), the director and producers made a specific point of budgeting Goldsmith into the production, and he was not going to turn down the opportunity to reinstate his themes into the franchise. 1996 saw a particularly busy schedule for Goldsmith though, with the late-running post production on The Ghost and the Darkness, and so Jerry called upon his son Joel to co-compose with him in the three weeks available to complete the score, with Joel handling most of the Borg-related material. Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$9.99
The American Seasons (violin solo part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part – violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark O’Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$22.50
The American Seasons (2nd violins part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930). The American Seasons (2nd violins part – violin and string orchestra) MO148E2nd Violins Part (score and parts available)Music by Mark O’Connor36 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ECopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method.
$15.00
Piano Concerto No. 2 in Ab "New York Tour" Full Score and Parts, James Nathaniel Holland
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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Piano Concerto No. 2 in Ab &qu
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730465 Composed by James Nathaniel Holland. Contemporary,Holiday,Jazz,Patriotic. Score and parts. 220 pages. James Na...
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Full Orchestra - Level 5 - SKU: A0.730465 Composed by James Nathaniel Holland. Contemporary,Holiday,Jazz,Patriotic. Score and parts. 220 pages. James Nathaniel Holland #3630023. Published by James Nathaniel Holland (A0.730465). (Duration: 25 minutes) Full Orchestral Score (in Concert Pitch) and Individual Instrument Parts. (Including solo piano part, revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. Nice program compliment with any Mozart piano concertos or with Gershwin's Rhapsody in Blue to feature American composers.This concerto is entitle New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Instrumentation: picc, fl., ob.12, clBb 12, Bsn12, Hrn 123, Tpt 12, Trmb. 12, Tba, Timp, Perc (glock, bass drum, small gong, s. cym w/mall and stl., slapstick, tri., hh) Piano solo, strings.Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube Channel: https://www.youtube.com/user/composerjnholland
$45.25
Piano Concerto No. 2 in Ab "New York Tour" Full Score, James Nathaniel Holland
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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Piano Concerto No. 2 in Ab &qu
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730464 Composed by James Nathaniel Holland. Contemporary,Holiday,Patriotic. Score and parts. 80 pages. James Nathanie...
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Full Orchestra - Level 5 - SKU: A0.730464 Composed by James Nathaniel Holland. Contemporary,Holiday,Patriotic. Score and parts. 80 pages. James Nathaniel Holland #3629797. Published by James Nathaniel Holland (A0.730464). (Duration: 25 minutes) Full Orchestral Score Only in Concert Pitch.James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers or for the Fourth of July summer concert. YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Instrumentation: picc, fl., ob.12, clBb 12, Bsn12, Hrn 123, Tpt 12, Trmb. 12, Tba, Timp, Perc (glock, bass drum, small gong, s. cym w/mall and stl., slapstick, tri., hh) Piano solo, strings.Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube Channel: https://www.youtube.com/user/composerjnholland
$21.95
O Holy Art, A Tragic Opera in One Act, Individual Instrument Parts Only
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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O Holy Art, A Tragic Opera in
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730451 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 269 pages. James Nathaniel Holl...
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Full Orchestra - Level 5 - SKU: A0.730451 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 269 pages. James Nathaniel Holland #3538241. Published by James Nathaniel Holland (A0.730451). INDIVIDUAL INSTRUMENT PARTS Only (Full Score, Vocal Piano Score sold separately). Does not include vocal parts. O HOLY ART A Tragic Opera in One Act (Opera in English) (Opera duration: 1 hour and 20 minutes) Libretto and Music by James Nathaniel Holland  Combine with Holland operas called A New York Triptych The Discontented Housewife (Farce) and The One Upstairs (comedy) (both sold separately) for a full length evening of fun and accessible American contemporary opera.  Instrumentation: Picc, Fl12, Ob12, Cl12, Bsn, Hrn12, Trp, Trom, Tim, Perc (or Drm set), glock, piano, strings  Singers: Baritone Lead, 2 Sopranos, Bass, 2 Broadway Altos (could double roles), 1 Actor Speaking part, SATB Chorus  BRIEF SYNOPSIS: What happens when a struggling, unknown composer attends a friend's New Year's Eve Party and meets a famous composer who offers to show the work to his agent? Never famous enough, Djeno (baritone), is always rejected and the meeting with the famous composer's agent proves the same. Telling them to do whatever with the piece, it is appropriated by the famous composer and is a hit.  Hearing the piece on the radio and sung by his soprano best friend, Djeno can take no more and commits suicide. His friend must deal with the aftermath of her betrayal.  Musical theater/opera hybrid. Perfect opera university or young voices. Poignant commentary on our time and the superficial, over-importance fame plays in it. Beautiful, accessible music.
$60.95
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 3 in A minor, op. 17
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Orchestre
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AVANCÉ
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Contemporain
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
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