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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The
Non classifié
5 461
Piano & claviers
Piano seul
5 820
Piano, Voix
506
Orgue
256
Accordéon
125
Piano, Voix et Guitare
125
1 Piano, 4 mains
118
Instruments en Do
84
2 Pianos, 4 mains
83
Piano Trio: piano, violon, violoncelle
61
Clavecin
38
Piano Facile
22
Piano Quatuor: piano, violon, alto, violoncelle
19
Piano Quintette: piano, 2 violons, alto, violoncelle
13
Accompagnement Piano
10
Orgue, Trompette (duo)
8
2 Pianos, 8 mains
8
Orgue, Piano (duo)
8
Piano Quatuor: piano, 2 violons, violoncelle
5
1 Piano, 6 mains
4
Clavier
4
Accordéon et Orchestre
3
Ensemble de Pianos
1
2 Orgues (duo)
1
Concertina
1
Ensemble d'Accordéons
1
Orgue et Orchestre
1
+ 21 instrumentations
Retracter
Guitares
Guitare
692
Guitare notes et tablatures
401
Basse electrique
200
2 Guitares (duo)
47
Ukulele
31
Ligne De Mélodie, (Paroles) et Accords
19
4 Guitares (Quatuor)
8
Dulcimer
8
Mandoline
8
Banjo
6
Ensemble de guitares
5
Piano, Guitare (duo)
4
Luth
3
3 Guitares (trio)
3
Paroles et Accords
1
Orchestre à Plectres
1
Guitare, Violon, Violoncelle (trio)
1
Mandoline, Guitare (duo)
1
Guitare, Quatuor à cordes
1
Guitare, Flûte, Clarinette
1
Mandoline, Piano (duo)
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
949
Chorale TTBB
285
Chorale SSAA
125
Voix Soprano, Piano
64
Chorale 3 parties
61
Voix haute
43
Chorale SSAATTBB
28
Voix Baryton, Piano
23
Voix Tenor, Piano
21
Voix basse, Piano
18
Voix seule
18
Chorale
16
Voix Alto, Piano
14
Chorale 2 parties
13
Voix duo, Piano
11
Voix duo
8
Voix moyenne, Piano
8
Voix Mezzo-Soprano, Piano
8
Chorale Unison
5
Chorale SSATB
4
Chorale SSATTB
3
Voix basse
2
Voix Soprano
2
Voix Tenor
2
Voix duo, Orgue
1
Chorale SAATB A Cappella
1
Chorale SATBB
1
Voix, Guitare
1
Voix Baryton
1
Soli, choeur mixte et accompagnement
1
+ 25 instrumentations
Retracter
Vents
Saxophone
1 156
Flûte traversière
582
Clarinette
574
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
322
Flûte traversière et Piano
258
Quatuor de Saxophones: 4 saxophones
229
Quatuor de Clarinettes: 4 clarinettes
144
Clarinette et Piano
136
Saxophone Alto
130
Flûte, Hautbois, Clarinette, Basson
126
Saxophone Alto et Piano
108
Ensemble de Clarinettes
97
Hautbois, Piano (duo)
92
Saxophone (partie séparée)
87
Saxophone Tenor
80
Quintette de Saxophone: 5 saxophones
65
Ensemble de saxophones
62
Hautbois (partie séparée)
60
Saxophone Soprano et Piano
56
Saxophone Tenor et Piano
50
Quintette de Clarinettes: 5 clarinettes
47
3 Clarinettes (trio)
44
2 Saxophones (duo)
42
Quatuor de Flûtes : 4 flûtes
41
2 Flûtes traversières (duo)
39
2 Clarinettes (duo)
37
Clarinette (partie séparée)
33
Hautbois
31
Ensemble de Flûtes
31
3 Saxophones (trio)
30
Saxophone Baryton, Piano
28
Flute (partie séparée)
27
Saxophone Soprano
24
Clarinette Basse, Piano
23
Flûte et Guitare
21
2 Flûte à bec (duo)
18
Trio de Flûtes: 3 flûtes
15
Flûte à Bec, Piano
13
Cor anglais, Piano
13
Harmonica
12
Hautbois, Clarinette, Basson (trio d'anches)
12
Flûte, Violon, Piano
12
Flûte à Bec
11
Quintette de Flûte : 5 flûtes
9
Quatuor de Flûtes à bec
8
2 Hautbois (duo)
8
Flûte, Clarinette, Piano (trio)
7
Flûte, Hautbois, Clarinette (trio)
7
Flûte, Violoncelle, Piano (trio)
7
Hautbois, Flûte
6
Flûte, Violon
6
Clarinette, Guitare (duo)
6
Flûte, Clarinette et Basson
6
Flûte à bec Alto, Piano
6
Flûte à bec Alto, Basse continue
5
Clarinette, Violoncelle (duo)
5
Flûte, Hautbois, Basson
5
Flûte, Clarinette (duo)
5
Cor Anglais
5
3 Flûtes à bec (trio)
4
Clarinette, Violon (duo)
4
Hautbois, Basson (duo)
4
Clarinette, Violoncelle, Piano (trio)
4
3 Hautbois
4
Flûte, Violoncelle
3
2 Saxophones, Piano
3
5 Flûtes à bec
3
Clarinette, Basson, Piano (trio)
3
Flûte, Saxophone (duo)
3
Flûte, Violon, Violoncelle et Piano
3
2 Clarinettes, Piano
3
Flûte, Alto et Piano
3
Hautbois, Basson et Piano
3
Flûte, Hautbois, Piano (trio)
3
Clarinette, Orgue
3
Flûte, Basson et Piano
2
Flûte traversière, Orgue (duo)
2
Flûte à bec Tenor
2
Clarinette et Alto
2
Flûte, Violoncelle, Guitare
2
Piccolo
2
Saxophone et Guitare
2
Clarinette, Basson (duo)
2
Saxophone et Orgue
2
4 Hautbois
2
Saxophone, Clarinette (duo)
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte à bec Soprano
2
2 Flûtes traversières, Piano
2
Flûte traversière, Orchestre
1
Flûte, alto et harpe
1
Flûte à bec Soprano, Piano
1
Hautbois, Violoncelle
1
Cornemuse
1
Flûte irlandaise
1
Flûte et Quatuor à Cordes
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette Basse
1
2 Clarinettes, Basson
1
Hautbois, Guitare (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Piccolo, Piano
1
Harmonica, Piano
1
Flute, harpe et violon
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Violon et Violoncelle
1
Flûte traversière, Basse continue
1
Flûte à bec Alto
1
Hautbois et Orchestre
1
Flûte, Alto (duo)
1
Flûte, Trombone (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte et Trio à cordes
1
Flûte, Trompette (duo)
1
Flûte, Hautbois (duo)
1
+ 110 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
542
Trompette
542
Trombone
477
Quatuor de Cuivres : 2 trompettes, trombone, tuba
221
Trombone et Piano
182
Ensemble de Trombones
128
Cor et Piano
104
Cor
102
Tuba et Piano
97
Euphonium, Piano (duo)
93
Trompette, Piano
90
Trompette (partie séparée)
85
Quatuor de cuivres: 4 trombones
84
Trombone (partie séparée)
65
Quatuor de cuivres: 4 cors
52
Quatuor de Cuivres: 2 trompettes, Cor, trombone
45
Quatuor de Cuivres
43
Cor (partie séparée)
42
Tuba
41
2 Euphoniums et 2 Tubas
31
2 Trombones (duo)
26
2 Cors (duo)
26
2 Trompettes (duo)
22
Euphonium
20
Ensemble de Cors
19
Ensemble de Trompettes
16
Trombone basse
16
3 Trombones (trio)
13
Cor anglais, Piano
13
4 Tubas
11
Trombone basse et Piano
10
Trompette, Trombone (duo)
10
Trompette, Cor (duo)
9
Trombone, Tuba (duo)
8
Quatuor de cuivres: 4 trompettes
7
2 Tubas (duo)
5
Cor Anglais
5
Trombone, Orgue
4
Quatuor de cuivres: 2 trompettes, 2 trombones
3
2 Trompettes, Clavier (piano ou orgue)
3
Trompette, violon (duo)
3
Trombone et orchestre
3
3 Euphoniums
3
3 Trompettes (trio)
2
3 Cors (trio)
2
Euphonium, Tuba (duo)
2
Tuba (partie séparée)
2
Instruments en Sib
2
Trompette, Orchestre
2
3 Tubas (trio)
2
2 Euphoniums (duo)
2
Trompette, Saxophone (duo)
1
Cor et Harpe
1
Trombone, Cor (duo)
1
Trio de Cuivres
1
Cor, Violoncelle (duo)
1
Clarinette, Cor (duo)
1
Trompette, Tuba (duo)
1
Cor et Orgue
1
Ensemble de Tubas
1
+ 55 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
935
Violon et Piano
416
Violon
387
Violoncelle
224
Violoncelle, Piano
204
Violon, Violoncelle (duo)
145
Alto seul
129
Trio à Cordes: violon, alto, violoncelle
121
Alto, Piano
119
Harpe
106
Violon, Alto (duo)
66
2 Violons (duo)
54
Trio à Cordes: 2 violons, violoncelle
47
Contre Basse
41
2 Violoncelles (duo)
29
Contrebasse, Piano (duo)
24
4 Violoncelles
22
Alto, Violoncelle (duo)
21
Alto (partie séparée)
21
2 Altos (duo)
20
Harpe, Violon (duo)
18
Violon, Guitare (duo)
17
Violoncelle, Contrebasse (duo)
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Harpe, Flûte (duo)
14
Trio à cordes: 3 violins
14
4 Contrebasses
11
Trio à Cordes: 2 violons, alto
10
Trio à Cordes: 3 violoncelles
9
Trio à cordes
8
Quatuor à cordes: 4 violons
7
Violon (partie séparée)
7
2 Contrebasses (duo)
7
Violoncelle , Guitare (duo)
7
Violon, Orgue
5
Ensemble de Violoncelles
4
Trio à cordes: 3 altos
4
Quatuor à cordes : 4 altos
4
Violoncelle, Orgue
3
Harpe, Quatuor à cordes
3
Harpe, Violoncelle (duo)
3
Violoncelle, Orchestre
3
Contrebasse (partie séparée)
3
Piano Trio: Violon, Alto, Piano
3
Alto et Harpe
3
Harpe, Violon, Violoncelle
2
2 Violons, Piano
2
Alto, Guitare (duo)
2
Ensemble d'Altos
2
Violon, Clarinette, Piano (trio)
2
Violon, Violoncelle, Clarinette
1
Violoncelle (partie séparée)
1
2 Harpes (duo)
1
Ensemble de Violons
1
4 Harpes
1
3 Contrebasses
1
Violon, Basse continue
1
Flûte, Contrebasse (duo)
1
+ 53 instrumentations
Retracter
Orchestre & Percussions
Orchestre
887
Orchestre d'harmonie
778
Batterie
469
Ensemble Jazz
462
Jazz combo
394
Orchestre à Cordes
324
Ensemble de cuivres
310
Orchestre de chambre
297
Cloches
66
Fanfare
64
Ensemble de Percussions
52
Percussion (partie séparée)
23
Marimba
17
Big band
8
Vibraphone
6
Piano et Orchestre
5
Orchestre, Violon
4
Batterie (partie séparée)
2
Timbales (partie séparée)
2
Percussion
1
Marimba et Orgue
1
Voix Mezzo-Soprano, Orchestre
1
Xylophone
1
2 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
+ 20 instrumentations
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Autres
Formation musicale - Solfège
5
Théorie de la musique
4
Instruments
ACCORDEON
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▽ INSTRUMENTS
ACCORDEON
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AUTRES INSTRU…
BALALAIKA
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BASSE
BASSON
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BUGLE
CHANT - CHORA…
CHARANGO
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CLARINETTE
CLAVECIN
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CONTREBASSE
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FANFARE - BAN…
FLUTE
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LIVRES
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ORCHESTRE
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PARTITIONS VI…
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GENRES
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20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
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Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
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Japonais
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Cordes
Violon
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Contrebasse
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Chambre
Quatuor à cordes
Quintet à vent
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Orchestre d'Harmonie
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Ensemble de Cuivres
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Chorale
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Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
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Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
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New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
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Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
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Piano Débutant
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Piano Seul
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GUITARE
|
Tout Guitare
Guitare Débutant
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Nouveautes
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Chorale 3 Parties
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Chorale UNISON
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INSTRUMENTS
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DOBRO
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VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
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HARMONICA
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FANFARE - BANDA
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FOLK
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CHARANGO
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MANDOLINE
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PERCUSSION
VIBRAPHONE
XYLOPHONE
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INSTRUMENTATIONS
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GENRES
|
20eme siecle
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Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
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New Age
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Patriotique
Pop
Reggae
Religion / Eglise
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Traditionnel
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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Rosary Sonatas: The Crucifixion
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Orchestre
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AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Crucifixio
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1081697 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score a...
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Full Orchestra - Level 5 - SKU: A0.1081697 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 95 pages. JMJ Arrangements #685818. Published by JMJ Arrangements (A0.1081697). [S]tanding by the cross of Jesus were his mother, and his mother’s sister, Mary the wife of Clopas, and Mary Magdalene. When Jesus saw his mother, and the disciple whom he loved standing near, he said to his mother, 'Woman, behold, your son!' Then he said to the disciple, 'Behold, your mother!' And from that hour the disciple took her to his own home. After this Jesus, knowing that all was now finished, said (to fulfil the scripture), 'I thirst.' A bowl full of vinegar stood there; so they put a sponge full of the vinegar on hyssop and held it to his mouth. When Jesus had received the vinegar, he said, 'It is finished'; and he bowed his head and gave up his spirit. Since it was the day of Preparation, in order to prevent the bodies from remaining on the cross on the sabbath (for that sabbath was a high day), the Jews asked Pilate that their legs might be broken, and that they might be taken away. So the soldiers came and broke the legs of the first, and of the other who had been crucified with him; but when they came to Jesus and saw that he was already dead, they did not break his legs. But one of the soldiers pierced his side with a spear, and at once there came out blood and water. He who saw it has borne witness—his testimony is true, and he knows that he tells the truth—that you also may believe. For these things took place that the scripture might be fulfilled, 'Not a bone of him shall be broken.' And again another scripture says, 'They shall look on him whom they have pierced.' --John 19:25-37.
$34.99
The Glastry Pearl. Tone Poem Elegy For My Mum.
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Orchestre
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AVANCÉ
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Geraldine
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The Glastry Pearl. Tone Poem E
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldin...
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Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Contemporain
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Adrian Gagiu
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Symphony No. 4 "Homage to
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Publishe...
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Full Orchestra - Level 5 - SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
Rosary Sonatas: The Descent of the Holy Spirit
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Orchestre
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AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Descent of
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1081709 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
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Full Orchestra - Level 5 - SKU: A0.1081709 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 78 pages. JMJ Arrangements #685832. Published by JMJ Arrangements (A0.1081709). When the day of Pentecost had come, they were all together in one place. And suddenly a sound came from heaven like the rush of a mighty wind, and it filled all the house where they were sitting. And there appeared to them tongues as of fire, distributed and resting on each one of them. And they were all filled with the Holy Spirit and began to speak in other tongues, as the Spirit gave them utterance. Now there were dwelling in Jerusalem Jews, devout men from every nation under heaven. And at this sound the multitude came together, and they were bewildered, because each one heard them speaking in his own language. And they were amazed and wondered, saying, 'Are not all these who are speaking Galileans? And how is it that we hear, each of us in his own native language? Par′thians and Medes and E′lamites and residents of Mesopota′mia, Judea and Cappado′cia, Pontus and Asia, Phryg′ia and Pamphyl′ia, Egypt and the parts of Libya belonging to Cyre′ne, and visitors from Rome, both Jews and proselytes, Cretans and Arabians, we hear them telling in our own tongues the mighty works of God.'†--Acts 2:1-11 (RSV-CE).
$19.99
Rosary Sonatas: The Assumption
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Orchestre
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AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Assumption
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1081710 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
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Full Orchestra - Level 5 - SKU: A0.1081710 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 118 pages. JMJ Arrangements #685833. Published by JMJ Arrangements (A0.1081710). Hear, O daughter, consider, and incline your ear; forget your people and your father’s house; and the king will desire your beauty. Since he is your lord, bow to him; the people of Tyre will sue your favor with gifts, the richest of the people with all kinds of wealth. The princess is decked in her chamber with gold-woven robes; in many-colored robes she is led to the king, with her virgin companions, her escort, in her train. With joy and gladness they are led along as they enter the palace of the king. Instead of your fathers shall be your sons; you will make them princes in all the earth. I will cause your name to be celebrated in all generations; therefore the peoples will praise you for ever and ever.Psalm 45:10-17 (RSV-CE).
$19.99
As The World Caves In
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Orchestre
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AVANCÉ
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Pop musique
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Matt Maltese
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Scores by Ken
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As The World Caves In
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Scores by Ken
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1301809 By Matt Maltese. By Matt Maltese. Arranged by Scores by Ken. Pop. Score and Parts. 34 pages. Scores by Ken #8...
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Full Orchestra - Level 5 - SKU: A0.1301809 By Matt Maltese. By Matt Maltese. Arranged by Scores by Ken. Pop. Score and Parts. 34 pages. Scores by Ken #891403. Published by Scores by Ken (A0.1301809). As The World Caves In | Matt Maltese About the PieceAs The World Caves In, written by Matt Maltese, is a love song. It centers on a couple spending their last moments on earth in each other’s company while they watch the world come to an end. Speaking with The FADER, Maltese revealed that the song is centered on a couple (former British Prime Minister Theresa May and American President Donald Trump) spending their final “night of romance†with each other while triggering nuclear warheads that destroy the entire world. Arranged as per Sarah Cothran's cover.
$49.99
Flute Concerto The Hummingbird Full Orchestral Score and Individual Parts
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AVANCÉ
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Contemporain
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Jazz
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James Nathaniel Holland
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Flute Concerto The Hummingbird
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730455 Composed by James Nathaniel Holland. Contemporary,Jazz. 217 pages. James Nathaniel Holland #3545937. Published...
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Full Orchestra - Level 5 - SKU: A0.730455 Composed by James Nathaniel Holland. Contemporary,Jazz. 217 pages. James Nathaniel Holland #3545937. Published by James Nathaniel Holland (A0.730455). Full Orchestral Score and Individual PartsA New Concerto for Flute and Orchestra The Hummingbird from contemporary American composer James Nathaniel Holland in three movements. A fun and light-hearted piece. Why the hummingbird? Those cute, little, delicate creatures that just want to go about their business admiring the flowers. After living in Costa Rica for some time it couldn’t be farther from the truth, they are aggressive birds that pick a fight with anything that comes into their territory. But let’s talk about this concerto. It first began with the composer’s desire to write a concerto for flute. Influenced by the 3/8 rhythm of the piano sonatas of Alessandro Scarlatti. Hence, the first movement was born with its sort of here, there, and here again quality which reminded me of the many hummingbirds that I’ve seen in Costa Rica. The first movement also contains a quality of jazz to it and is a nice addition to the flute concerto repertoire. The second movement is slow and straight forward. It is relax time that only a flute can evoke. The third is a sort of Mozart styled third Rondo movement. But as you will listen there are some elements that have nothing to do with Mozart. The harmonies are modern as well as some of the rhythmic aspects.Â
$45.95
The American Seasons (violin solo part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part – violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark O’Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$22.50
The American Seasons (2nd violins part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930). The American Seasons (2nd violins part – violin and string orchestra) MO148E2nd Violins Part (score and parts available)Music by Mark O’Connor36 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ECopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method.
$15.00
The Valley of the Dry Bones
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Orchestre
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AVANCÉ
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Zsigmond Rosarion
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and it was full of bones
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The Valley of the Dry Bones
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Zsigmond Rosarion
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1518051 By Zsigmond Rosarion. By Zsigmond Rosarion. 21st Century,Christian,Classical,Contemporary. 57 pages. Zsigmond...
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Full Orchestra - Level 5 - SKU: A0.1518051 By Zsigmond Rosarion. By Zsigmond Rosarion. 21st Century,Christian,Classical,Contemporary. 57 pages. Zsigmond Rosarion #1092214. Published by Zsigmond Rosarion (A0.1518051). The Valley of the Dry Bones is based off of the chapter in Ezekiel The Valley of the Dry Bones (from the Bible) symbolizes the Israelites' revival and God's power and sovereignty Ezekiel 37:1-6The hand of the Lord was upon me, and He brought me out by the Spirit of the Lord and set me down in the middle of the valley; and it was full of bones. He caused me to pass among them round about, and behold, there were very many on the surface of the valley; and lo, they were very dry. He said to me, “Son of man, can these bones live?” And I answered, “O Lord God, You know.” Again He said to me, “Prophesy over these bones and say to them, ‘O dry bones, hear the word of the Lord.’ Thus says the Lord God to these bones, ‘Behold, I will cause breath [spirit] to enter you that you may come to life. I will put sinews on you, make flesh grow back on you, cover you with skin and put breath in you that you may come alive; and you will know that I am the Lord.’”Ezekiel is called by the Lord, and given a vision. Ezekiel is set down in a valley full of bones. This is not some symbolic imagery, but these are literally dead people, long dead. God asks Ezekiel if he believes the bones can come back to life, and Ezekiel says only the Lord knows. God gives Ezekiel a prophesy concerning all the dead. At a future date, God will cause breath (His Spirit) to enter the bones so that they may come to life. God will use His power (which is always through the Spirit of God) to cause these dead to be resurrected. We know this isn’t symbolic of spiritual death and spiritual life because of the graphic imagery that is used.
$39.99
The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score and
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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The Discontented Housewife, A
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730482 Composed by James Nathaniel Holland. 20th Century,Broadway,Contemporary,Holiday,Musical/Show,Opera. Score and ...
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Full Orchestra - Level 5 - SKU: A0.730482 Composed by James Nathaniel Holland. 20th Century,Broadway,Contemporary,Holiday,Musical/Show,Opera. Score and Parts. 292 pages. James Nathaniel Holland #4309153. Published by James Nathaniel Holland (A0.730482). The Discontented Housewife FULL ORCHESTRAL SCORE AND INDIVIDUAL PARTS (Individual vocal parts are not included, Piano Vocal Score sold separately), A Comic Opera in One Ridiculously Short Act Music and Libretto by James Nathaniel Holland Composer Website: https://www.facebook.com/jamesnathanielholland/Â YouTube presentation of entire opera with singers and piano: https://www.youtube.com/watch?v=XAGjuXCvwzE (Duration: 30') In Czech, fully realized production: Â https://youtu.be/raDiBJAaM_0?si=Yzim2ifUyviLoKRDÂ Twenty some odd years before the Desperate Housewives phenomenon there was a discontented housewife named Margaret. Sung here by Colleen McGrath and Dennis Jesse as her husband Harold. Synopsis: This is the interesting story of Margaret. So begins the screwball one-act chamber opera about an emotionally abused housewife, and the extent she goes to change the situation life has dealt her. Not even the pianist is allowed to sit by and idly accompany Margaret's journey into self-empowerment. Is it a battle between the sexes? Certainly not. It's more like power, domination and the pure thrill of ordering others around. ARTISTS NEEDED: Soprano (Coloratura) Margaret, Harold (Baritone)ORCHESTRATION: Picc, fl12, ob12, cl12, bsn, hrn12, tpt, trm, timp, perc (or drum set), pno, strings. (Full Score in Concert Pitch, Individual Vocal Parts are not included. Please purchase the piano vocal score, sold separately.)Great vehicle for young artists. First premiered at DePauw University, Greencastle Indiana in 1987. Later performed by the New Jersey Concert Opera in 2004. Combine with either J.N. Holland's other one act operas The One Upstairs (comedy) and O Holy Art (tragedy) to make a complete opera evening entitled A New York Triptych All require same type of singers (with some addition and chorus) and same size of orchestra. Other operas also available and published, sold separately.Please note: Although this is a farce, the orchestral should have solid players, an experienced conductor and enough rehearsal time should be given so that the piece won't fall apart in performance. Due to the comedic element, there are constantly shifting tempos and effects that a community or amateur orchestra/conductor might have difficulty with.
$42.99
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1 (Woodwinds and Brass)
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Ho...
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Full Orchestra - Level 5 - SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Holland #4800547. Published by James Nathaniel Holland (A0.730492). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 1 (Woodwinds and Brass). Piano Score, Full Orchestral Score, Individual Parts (Part 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$70.25
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Full Orchestral Score
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730493 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 370 pages. James Nathaniel Ho...
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Full Orchestra - Level 5 - SKU: A0.730493 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 370 pages. James Nathaniel Holland #4800668. Published by James Nathaniel Holland (A0.730493). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. FULL ORCHESTRAL SCORE (with stage directions). Piano Score, Individual Parts (Parts 1 and 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$32.50
Thérèse Brenet: Rondel for SATB chorus, orchestra and organ, score
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Orchestre
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AVANCÉ
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Contemporain
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533844 Composed by Therese Brenet. Contemporary. Score and parts. 13 pages. Musik Fabrik Music Publishing #3053313. P...
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Full Orchestra - Level 5 - SKU: A0.533844 Composed by Therese Brenet. Contemporary. Score and parts. 13 pages. Musik Fabrik Music Publishing #3053313. Published by Musik Fabrik Music Publishing (A0.533844). A setting of a poem in French by Tristan Corbières (1845-1875) for SATB chorus, and orchestra. The instrumentation is: 2220/2000/timp/3perc/hp/organ/strings. The work may be performed alone or together with the composer's two other owrks for chorus and orchestra (Ciels and Le Bois Amical). This is the score only. The orchestral parts are on rental from the publisher. The chorus part, which contains a piano reduction, is available for sale.RonelIl fait noir, enfant, voleur d'étincelles !Il n'est plus de nuits, il n'est plus de jours ;Dors... en attendant venir toutes cellesQui disaient : Jamais ! Qui disaient : Toujours !Entends-tu leurs pas ?... Ils ne sont pas lourds :Oh ! les pieds légers ! – l'Amour a des ailes...Il fait noir, enfant, voleur d'étincelles !Entends-tu leurs voix ?... Les caveaux sont sourds.Dors : Il pèse peu, ton faix d'immortelles :Ils ne viendront pas, tes amis les ours,Jeter leur pavé sur tes demoiselles...Il fait noir, enfant, voleur d'étincelles !English translationIt is Dark, child, thief of sparks!There are no longer nights, There are no longer daysSleep..waiting for those who say never, who say always, to arriveDo you hear their footsteps? They are not heavy.Oh, the light steps! Love has wings...It is Dark, child, thief of sparks!Do you hear their voices? The tombs are silent.Sleep, it weighs little, your weight of dried flowersThey will not come, your friends the bears,to throw their cobblestone on your firefliesIt is Dark, child, thief of sparks!Translation © 2008 by Paul Wehage
$16.95
Thérèse Brenet: Rondel for SATB chorus, orchestra and organ,chorus part
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Orchestre
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AVANCÉ
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Contemporain
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Therese Brenet
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Dors
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533845 Composed by Therese Brenet. Contemporary. Score and parts. 12 pages. Musik Fabrik Music Publishing #3053315. P...
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Full Orchestra - Level 5 - SKU: A0.533845 Composed by Therese Brenet. Contemporary. Score and parts. 12 pages. Musik Fabrik Music Publishing #3053315. Published by Musik Fabrik Music Publishing (A0.533845). A setting of a poem in French by Tristan Corbières (1845-1875) for SATB chorus, and orchestra. The instrumentation is: 2220/2000/timp/3perc/hp/organ/strings. The work may be performed alone or together with the composer's two other owrks for chorus and orchestra (Ciels and Le Bois Amical). This is the chorus part, which contains a piano reduction, only. The orchestral parts are on rental from the publisher. The score, is available for sale. Ronel Il fait noir, enfant, voleur d'étincelles ! Il n'est plus de nuits, il n'est plus de jours ; Dors... en attendant venir toutes celles Qui disaient : Jamais ! Qui disaient : Toujours ! Entends-tu leurs pas ?... Ils ne sont pas lourds : Oh ! les pieds légers ! – l'Amour a des ailes... Il fait noir, enfant, voleur d'étincelles ! Entends-tu leurs voix ?... Les caveaux sont sourds. Dors : Il pèse peu, ton faix d'immortelles : Ils ne viendront pas, tes amis les ours, Jeter leur pavé sur tes demoiselles... Il fait noir, enfant, voleur d'étincelles ! English translation It is Dark, child, thief of sparks! There are no longer nights, There are no longer days Sleep..waiting for those who say never, who say always, to arrive Do you hear their footsteps? They are not heavy. Oh, the light steps! Love has wings... It is Dark, child, thief of sparks! Do you hear their voices? The tombs are silent. Sleep, it weighs little, your weight of dried flowers They will not come, your friends the bears, to throw their cobblestone on your fireflies It is Dark, child, thief of sparks! Translation © 2008 by Paul Wehage
$2.50
Battle Hymn of the Republic
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Orchestre
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AVANCÉ
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Concert Singers of Cary & The
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Vince Leonard
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Battle Hymn of the Republic
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Invinceable Entertainment
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1140588 By Concert Singers of Cary & The Raleigh Symphony, Lawrence Speakman, conductor. By Julia Ward Howe & William...
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Full Orchestra - Level 5 - SKU: A0.1140588 By Concert Singers of Cary & The Raleigh Symphony, Lawrence Speakman, conductor. By Julia Ward Howe & William Steffe. Arranged by Vince Leonard. Film/TV,Historic,Patriotic,Traditional. Score and Parts. 138 pages. Invinceable Entertainment #740826. Published by Invinceable Entertainment (A0.1140588). You Tube and TV news broadcasts are full of videos of joyful home comings of those returning from overseas deployment, but for those who make the ultimate sacrifice for our freedom, that home coming is very different. This project is dedicated to those who's journey takes them to the home that waits beyond this life. Hopefully they receive as joyous a welcome as those we see in this life, not only by family and friends, but also their fellow brothers and sisters in arms who have made the same journey. Thank you to all who serve and all how have sacrificed so much.
$200.00
Overture in Am/A: The Light Of Inner Mist (Valse & Fugue)
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Orchestre
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AVANCÉ
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Contemporain
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Socrates Arvanitakis
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Overture in Am/A: The Light Of
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Socrates Arvanitakis
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1153607 Composed by Socrates Arvanitakis. Classical,Contemporary. Score and parts. 104 pages. Socrates Arvanitakis #7...
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Full Orchestra - Level 5 - SKU: A0.1153607 Composed by Socrates Arvanitakis. Classical,Contemporary. Score and parts. 104 pages. Socrates Arvanitakis #753872. Published by Socrates Arvanitakis (A0.1153607). As the header and title of this score implies, this is an orchestral overture to a cycle of songs entitled The Light Of Inner Mist which In turn belongs to much bigger structural units, present in the header, i.e. LEMONIA => SUMMER BLAST => A DREAM OF LONG AGO, containing other song cycles with their overtures. Many of these songs are still works in progress, but all thematic material of this particular overture is taken from some of its songs.
$50.00
Young Sherlock Holmes Main Theme - Score Only
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Orchestre
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AVANCÉ
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Film/TV
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Bruce Broughton
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Chris Siddall
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Young Sherlock Holmes Main The
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1320475 Composed by Bruce Broughton. Arranged by Chris Siddall. Film/TV. 14 pages. Chris Siddall Music Publishing #90...
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Full Orchestra - Level 5 - SKU: A0.1320475 Composed by Bruce Broughton. Arranged by Chris Siddall. Film/TV. 14 pages. Chris Siddall Music Publishing #908991. Published by Chris Siddall Music Publishing (A0.1320475). Composer Bruce Broughton followed up his hugely successful and popular western adventure Silverado with 1985’s Young Sherlock Holmes. Bringing a thematic richness and blistering action to the score, it’s a magnificent blend of intrigue, romance, high adventure and terror, and is without doubt one of the finest adventure scores ever written.Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$9.99
One Sows for the Benefit of Another Age - Orchestra
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Orchestre
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Contemporain
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteF...
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Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
Another First Time
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Orchestre
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AVANCÉ
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Contemporain
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Jennifer Athena Galatis
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Another First Time
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StyloRouge
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1015133 Composed by Jennifer Athena Galatis. Contemporary. Score and parts. 30 pages. StyloRouge #6430439. Published ...
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Full Orchestra - Level 5 - SKU: A0.1015133 Composed by Jennifer Athena Galatis. Contemporary. Score and parts. 30 pages. StyloRouge #6430439. Published by StyloRouge (A0.1015133). Emotional Cinematic Music for Full Orchestra. Composer Jennifer Athena Galatis.
$9.99
Battle Beyond The Stars - Main Theme - Score Only
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Orchestre
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AVANCÉ
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Film/TV
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James Horner
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Chris Siddall
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Battle Beyond The Stars - Main
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1318829 Composed by James Horner. Arranged by Chris Siddall. Film/TV. 12 pages. Chris Siddall Music Publishing #90746...
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Full Orchestra - Level 5 - SKU: A0.1318829 Composed by James Horner. Arranged by Chris Siddall. Film/TV. 12 pages. Chris Siddall Music Publishing #907464. Published by Chris Siddall Music Publishing (A0.1318829). 1980’s Battle Beyond the Stars saw James Horner explode onto the Hollywood scoring scene. Whilst it wasn’t the first movie he scored, it was certainly the one that made everyone sit up and pay attention, and the exuberant writing most likely led to his appointment as composer on Star Trek II: The Wrath of Khan.  In fact, Battle Beyond the Stars is also where Horner made the acquaintance of then art director James Cameron, with the pair later collaborating on Aliens, Titanic and Avatar. Several moments within the Battle Beyond the Stars score will sound very familiar to fans of Horner’s Star Trek and Aliens scores!Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$9.99
Theme From "New York, New York"
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Orchestre
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AVANCÉ
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Jazz
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Frank Sinatra
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Ken Naidu
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Theme From "New York, New York
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Scores by Ken
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1377410 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Ken Naidu. Broadway,Film/TV,Holiday,Jazz,Musical/S...
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Full Orchestra - Level 5 - SKU: A0.1377410 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Ken Naidu. Broadway,Film/TV,Holiday,Jazz,Musical/Show. 53 pages. Scores by Ken #962002. Published by Scores by Ken (A0.1377410). Theme From New York, New York | Scores by Ken About the PieceArranged by Ken Naidu, New York New York is an instrumental score with great respect and resemblence to its original by Frank Sinatra. It induces the feelings of Nostalgia, Joy and Warmth. It's a perfect score to portray a New York scene. About the Composer From the breathtaking landscapes of New Zealand, Ken weaves melodies and harmonies that captivate and transport listeners to another realm. Specialising in screen composition, and versatile jazz renditions, each piece is a unique auditory experience, meticulously crafted to resonate with the soul. Whether you're seeking a composition that tells a profound story or a vibrant jazz chart that dances with energy, Scores by Ken promises unparalleled originality and precision in every note.
$49.99
Rosary Sonatas: The Coronation
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Orchestre
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AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Coronation
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1081711 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
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Full Orchestra - Level 5 - SKU: A0.1081711 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 103 pages. JMJ Arrangements #685834. Published by JMJ Arrangements (A0.1081711). Then God’s temple in heaven was opened, and the ark of his covenant was seen within his temple; and there were flashes of lightning, loud noises, peals of thunder, an earthquake, and heavy hail. And a great portent appeared in heaven, a woman clothed with the sun, with the moon under her feet, and on her head a crown of twelve stars.Revelation 11:19-12:1 (RSV-CE).
$34.99
The Hero and the Damned, An Opera in Four Acts, Full Orchestral Score (Full Score in Concert Pitch)
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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The Hero and the Damned, An Op
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730485 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 338 pages. Jam...
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Full Orchestra - Level 5 - SKU: A0.730485 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 338 pages. James Nathaniel Holland #4332853. Published by James Nathaniel Holland (A0.730485). FULL ORCHESTRAL SCORE (Full Score in Concert Pitch). The Story of Medusa and Perseus Setting: Ancient Mythological Greece, 2019 Revised Edition with second verse added to the popular alto aria, Let Me Weep (Duration: 2.5 hours) Follow the journey of Perseus as he discovers himself and travels to distant lands and battles the infamous Medusa in order to save his mother from a tyrant. Musically exciting and accessible. Be the first organization to premiere this American contemporary opera in English. Instrumentation: picc/fl, fl, ob12, cl1, cl/bcl, bsn 1, bsn/cbsn, hrn 1234, tpt 123, trmb12, btrom, tba, timp, perc, harp, strings. Full orchestral score, piano vocal score and individual instrument parts 1 (ww and brass) and 2 (strings//harp/perc) sold separately. Solos, duets, ensembles. Arias for the operatically neglected alto and mezzo-soprano. This opera can also pass as musical theater. Composer Website: https://www.facebook.com/jamesnathanielholland/YouTube Demo: https://youtu.be/XLbxwQyZPhI.
$42.95
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