Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Bee
Non classifié
456
Piano & claviers
Piano seul
327
Piano, Voix
143
Instruments en Do
25
Orgue
20
1 Piano, 4 mains
9
Piano, Voix et Guitare
8
2 Pianos, 4 mains
6
Clavier
3
Accordéon
3
2 Pianos, 8 mains
3
Piano Trio: piano, violon, violoncelle
3
Piano Facile
2
Orgue, Piano (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare
33
Guitare notes et tablatures
16
2 Guitares (duo)
8
Ukulele
3
Mandoline
3
Ligne De Mélodie, (Paroles) et Accords
3
Banjo
2
Piano, Guitare (duo)
1
Basse electrique
1
Mandoline, Piano (duo)
1
Orchestre à Plectres
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
43
Voix Soprano, Piano
13
Voix haute
12
Chorale TTBB
9
Chorale SSAA
6
Chorale 3 parties
6
Voix basse, Piano
6
Voix Alto, Piano
4
Voix Baryton, Piano
3
Voix duo, Piano
3
Voix basse
2
Chorale SSAATTBB
2
Chorale 2 parties
2
Voix, Guitare
1
Voix moyenne, Piano
1
Voix Tenor
1
Voix Soprano
1
Voix Tenor, Piano
1
+ 13 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
36
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
32
Clarinette
28
Clarinette et Piano
26
Flûte traversière et Piano
24
Quatuor de Clarinettes: 4 clarinettes
22
Hautbois (partie séparée)
17
Flûte, Hautbois, Clarinette, Basson
16
2 Flûtes traversières (duo)
16
Flûte traversière
14
Quintette de Saxophone: 5 saxophones
14
Ensemble de Clarinettes
13
Saxophone Alto et Piano
13
Hautbois, Piano (duo)
11
Saxophone
9
3 Clarinettes (trio)
9
Quatuor de Flûtes : 4 flûtes
8
Saxophone Soprano et Piano
7
Ensemble de saxophones
7
Quintette de Clarinettes: 5 clarinettes
6
Flute (partie séparée)
5
Clarinette Basse, Piano
5
Saxophone Tenor et Piano
4
Flûte et Guitare
4
Saxophone Baryton, Piano
3
Flûte, Violoncelle, Piano (trio)
3
Quintette de Flûte : 5 flûtes
3
Saxophone Alto
3
2 Saxophones (duo)
3
Clarinette, Violoncelle (duo)
2
Saxophone et Orgue
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Violon
2
Clarinette, Violoncelle, Piano (trio)
1
Trio de Flûtes: 3 flûtes
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Cor anglais, Piano
1
Saxophone Tenor
1
Hautbois
1
Flûte, Violon, Piano
1
Cor Anglais
1
Flûte, Violoncelle
1
Flûte, Hautbois, Clarinette (trio)
1
Piccolo
1
2 Clarinettes (duo)
1
Flûte à bec Alto, Piano
1
Ensemble de Flûtes
1
Clarinette, Violon (duo)
1
+ 43 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
67
Trombone et Piano
35
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Cor
23
Trompette
22
Euphonium, Piano (duo)
20
Tuba et Piano
20
Ensemble de Trombones
18
Quatuor de cuivres: 4 trombones
14
Trompette, Piano
12
Cor et Piano
12
Trombone
11
Ensemble de Trompettes
7
Tuba
5
2 Trombones (duo)
5
Trombone basse et Piano
4
Trombone basse
4
Quatuor de Cuivres
4
Euphonium
4
2 Euphoniums et 2 Tubas
3
2 Cors (duo)
3
2 Tubas (duo)
2
Trompette (partie séparée)
2
Instruments en Sib
2
2 Trompettes (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone et orchestre
1
2 Euphoniums (duo)
1
Ensemble de Tubas
1
Trombone (partie séparée)
1
Cor anglais, Piano
1
4 Tubas
1
Cor Anglais
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 32 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
102
Violon et Piano
46
Violon
32
Violoncelle, Piano
22
Alto, Piano
18
Violoncelle
15
Harpe
11
2 Violons (duo)
10
Violon, Violoncelle (duo)
9
Alto seul
9
Violon, Alto (duo)
8
Contre Basse
5
Trio à Cordes: violon, alto, violoncelle
4
2 Violoncelles (duo)
4
Violon, Guitare (duo)
4
Trio à cordes
3
Ensemble d'Altos
2
Contrebasse, Piano (duo)
2
Harpe, Violon (duo)
2
Alto, Violoncelle (duo)
2
Trio à cordes: 3 violins
2
4 Violoncelles
2
Trio à Cordes: 2 violons, violoncelle
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violoncelle, Contrebasse (duo)
2
2 Altos (duo)
2
Trio à Cordes: 2 violons, alto
1
Ensemble de Violons
1
2 Violons, Piano
1
Harpe, Flûte (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle , Guitare (duo)
1
Alto (partie séparée)
1
Harpe, Violon, Violoncelle
1
Violon, Orgue
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre
81
Orchestre à Cordes
49
Orchestre d'harmonie
42
Ensemble de cuivres
41
Ensemble Jazz
34
Orchestre de chambre
25
Jazz combo
7
Fanfare
3
Ensemble de Percussions
3
Cloches
2
Piano et Orchestre
1
+ 6 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1
Partitions Numériques
81
Librairie Musicale
5
Matériel de Musique
2 157
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
The Bee
expert
Orchestre
Partitions à imprimer
81 partitions trouvées
<
1
26
51
76
Rosary Sonatas: The Crucifixion
#
Orchestre
#
AVANCÉ
#
Heinrich Ignaz Franz von Biber
#
Joshua Choe
#
Rosary Sonatas: The Crucifixio
#
JMJ Arrangements
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1081697 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score a...
(+)
Full Orchestra - Level 5 - SKU: A0.1081697 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 95 pages. JMJ Arrangements #685818. Published by JMJ Arrangements (A0.1081697). [S]tanding by the cross of Jesus were his mother, and his mother’s sister, Mary the wife of Clopas, and Mary Magdalene. When Jesus saw his mother, and the disciple whom he loved standing near, he said to his mother, 'Woman, behold, your son!' Then he said to the disciple, 'Behold, your mother!' And from that hour the disciple took her to his own home. After this Jesus, knowing that all was now finished, said (to fulfil the scripture), 'I thirst.' A bowl full of vinegar stood there; so they put a sponge full of the vinegar on hyssop and held it to his mouth. When Jesus had received the vinegar, he said, 'It is finished'; and he bowed his head and gave up his spirit. Since it was the day of Preparation, in order to prevent the bodies from remaining on the cross on the sabbath (for that sabbath was a high day), the Jews asked Pilate that their legs might be broken, and that they might be taken away. So the soldiers came and broke the legs of the first, and of the other who had been crucified with him; but when they came to Jesus and saw that he was already dead, they did not break his legs. But one of the soldiers pierced his side with a spear, and at once there came out blood and water. He who saw it has borne witness—his testimony is true, and he knows that he tells the truth—that you also may believe. For these things took place that the scripture might be fulfilled, 'Not a bone of him shall be broken.' And again another scripture says, 'They shall look on him whom they have pierced.' --John 19:25-37.
$34.99
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
#
Orchestre
#
AVANCÉ
#
Contemporain
#
Adrian Gagiu
#
Symphony No. 4 "Homage to
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Publishe...
(+)
Full Orchestra - Level 5 - SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Conductor's Score
#
Orchestre
#
AVANCÉ
#
Benjamin Harry Sajo
#
Icarus Also Flew: A Pairing wi
#
Benjamin Sajo
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018872 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 38 pages. Benjamin Sajo #6056047...
(+)
Full Orchestra - Level 5 - SKU: A0.1018872 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 38 pages. Benjamin Sajo #6056047. Published by Benjamin Sajo (A0.1018872). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph.  This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Extracted Parts
#
Orchestre
#
AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Icarus Also Flew: A Pairing wi
#
Benjamin Sajo
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018900 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 79 pages. Benjamin Sajo #6056141...
(+)
Full Orchestra - Level 5 - SKU: A0.1018900 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 79 pages. Benjamin Sajo #6056141. Published by Benjamin Sajo (A0.1018900). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$50.00
The Glastry Pearl. Tone Poem Elegy For My Mum.
#
Orchestre
#
AVANCÉ
#
Geraldine
#
The Glastry Pearl. Tone Poem E
#
Geraldine
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldin...
(+)
Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
#
Orchestre
#
AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and S
#
Benjamin Sajo
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951...
(+)
Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
#
Orchestre
#
AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and S
#
Benjamin Sajo
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943...
(+)
Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
The American Seasons (violin solo part – violin and string orchestra)
#
Orchestre
#
AVANCÉ
#
Mark O'Connor
#
The American Seasons
#
Mark O'Connor Musik International
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik Inte...
(+)
Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part – violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark O’Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$22.50
The American Seasons (2nd violins part – violin and string orchestra)
#
Orchestre
#
AVANCÉ
#
Mark O'Connor
#
The American Seasons
#
Mark O'Connor Musik International
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik Inte...
(+)
Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930). The American Seasons (2nd violins part – violin and string orchestra) MO148E2nd Violins Part (score and parts available)Music by Mark O’Connor36 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ECopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method.
$15.00
Concerto in C major for Violin and Orchestra - Reconstruction of Beethoven WoO 5
#
Orchestre
#
AVANCÉ
#
Classique
#
Ludwig van Beethoven, Cees Nie
#
Upstream Music
#
Concerto in C major for Violin
#
Upstream Music
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.933525 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. ...
(+)
Full Orchestra - Level 5 - SKU: A0.933525 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 56 pages. Upstream Music #6353323. Published by Upstream Music (A0.933525). There are four known works of Beethoven for the violin and orchestra genre. They were written during the 1790-1806 period. These are the Violin Romance in G major Opus 40, the Violin Romance in F major Opus 50, the Violin Concerto in D major Opus 61 (1806) and the earlier Violin Concerto in C major WoO 5 (Hess 10). The latter was left to us as a fragment which Beethoven most probably composed in Bonn, between 1790 and 1792. The fragment contains 259 bars, fully written out and than stops abruptly….as if the score was torn in two. The composition is broken off exactly 15 bars into the development. The motif in the last known bars 258 and 259 initiated the task of joining the development as reliably as possible to the rest of the work.In the additional 258 bars, Cees took Beethovenꞌs material into consideration; also in the development, reprise and coda. The most remarkable is the coda. Cees uses a third related key here, which may seem strange at first but was used more often by Beethoven himself, for example in his Violin Concerto in D major Opus 61. It was necessary to compose this work backwards in a manner of speaking. In other words: Cees had to give all the global lines that Beethoven had so masterfully written as correct a place as possible in the score. With respect to earlier completions by colleagues, Cees did not set out by literally copying and transposing the exposition in the reprise. His aim was to write a completion as creatively as possible and still use Beethovenꞌs material and intricate weave ofvoices to the full. Hopefully this completed version will be a respected contribution to the rich violin literature
$59.00
Beethoven's Sonata Pathetique, Op. 13, as a Piano Concerto - 1st movement
#
Orchestre
#
AVANCÉ
#
Classique
#
Ludwig van Beethoven
#
Aere Greenway
#
Beethoven's Sonata Pathetique,
#
Aere R Greenway
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.935346 Composed by Ludwig van Beethoven. Arranged by Aere Greenway. Classical,Romantic Period. Score and parts. 92 pa...
(+)
Full Orchestra - Level 5 - SKU: A0.935346 Composed by Ludwig van Beethoven. Arranged by Aere Greenway. Classical,Romantic Period. Score and parts. 92 pages. Aere R Greenway #6864573. Published by Aere R Greenway (A0.935346). One of the most dramatic of Beethoven's piano sonatas, is now a piano concerto, and as such, is even more dramatic with the power of the orchestra. The piano part can be performed using the Beethoven's piano music, but the piano part included is useful, because it has the same rehearsal marks as the orchestra parts & score. .
$32.97
Beware the Jabberwocky - Score Only
#
Orchestre
#
AVANCÉ
#
Film/TV
#
Thomas Fernando
#
Beware the Jabberwocky - Score
#
Thomas Fernando
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1182869 By Thomas Fernando. By Thomas Fernando. Film/TV. Score and parts. 23 pages. Thomas Fernando #782617. Publishe...
(+)
Full Orchestra - Level 5 - SKU: A0.1182869 By Thomas Fernando. By Thomas Fernando. Film/TV. Score and parts. 23 pages. Thomas Fernando #782617. Published by Thomas Fernando (A0.1182869). Introducing the mesmerizing and enchanting original score to Beware the Jabberwocky, composed by Thomas Fernando. The score is written for a full orchestra, featuring two solo violins and a solo viola, which add depth and richness to the already captivating music. All cues from the film have been notated fully, in their original orchestration.Directed by Sasha Gorman, a graduate of the Victorian College of the Arts, Beware the Jabberwocky weaves the language of bodily movement and dance. The film follows a Knight as she sets out to ensnare and slay her rival, the terrifying Jabberwocky. As the knight comes face to face with her foe, the two engage in an epic battle that will leave viewers on the edge of their seats. But as the duel between the Knight and the Jabberwocky intensifies, something unexpected begins to emerge between them: despite their differences, a deep and powerful connection takes hold, blurring the lines between love and rivalry. This emotive and compelling score underscores the epic fantasy battle between the knight and the Jabberwocky, drawing the viewer into the film's world and heightening the narrative's emotional impact.
$9.99
When there is my mansion by the Sea... Opera On the Wings of the Scarlet Messenger Orchestra Accompa
#
Orchestre
#
AVANCÉ
#
James Nathaniel Holland
#
When there is my mansion by th
#
James Nathaniel Holland
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730471 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 40 pages. Jame...
(+)
Full Orchestra - Level 5 - SKU: A0.730471 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 40 pages. James Nathaniel Holland #3872343. Published by James Nathaniel Holland (A0.730471). Mariana's (Soprano) Aria When there is my mansion by the sea... from On the Wings of the Scarlet Messenger An Opera in 4 Acts, Based on the Henry James novel, On the Wings of a Dove Music, Adaptation and Libretto by James Nathaniel Holland Composer YouTube presentation: https://www.youtube.com/watch?v=dl4l8KeTfic A beautiful and virtuosic contemporary aria for a Gilda Rigoletto type lyric soprano with orchestral accompaniment. Has never been premiered before.Setting: The Fictional Southeast Asian island of Soon Rafa, present day, night, the garden behind Leila's mansion. Mariana (Soprano) niece and ward of her rich Aunt Leila. She cannot marry her love, Kai (bass), due to his lack of money. Mariana has just received a tongue lashing from her Aunt Leila in front of Leila's friends and has left for the garden. Alone and frustrated, Mariana sings of the day when she will have the freedom to do what she wants and execute revenge on all her critics. Fits requirement for contemporary aria in English.Instrumentation: picc, fl12, ob, eh, clBb, bscl, ts, bsn 12, hrn 1234, tpt12, trm, btrm, timp/tri, vocal part, hrp, stringsDuration: 5:15 Range: C4 to C6.
$13.95
A Northern Ballad - (orchestral parts)
#
Orchestre
#
AVANCÉ
#
Classique
#
Horatio Parker
#
Angus Armstrong
#
A Northern Ballad -
#
Angus Armstrong
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.923528 Composed by Horatio Parker (1863-1919). Arranged by Angus Armstrong. Romantic Period. Score and parts. 95 page...
(+)
Full Orchestra - Level 5 - SKU: A0.923528 Composed by Horatio Parker (1863-1919). Arranged by Angus Armstrong. Romantic Period. Score and parts. 95 pages. Angus Armstrong #21259. Published by Angus Armstrong (A0.923528). A Northern Ballad was completed on March 11, 1899. The world premiere was on April 7, 1899, performed by the New Haven Symphony, with the composer also as conductor. Within a year, the piece had been performed by the symphonies of Boston, Chicago, New York, and Cincinnati. For a work that was initially so popular, the score has never been published, until now.
$50.00
Overture to "The Grand Duke"
#
Orchestre
#
AVANCÉ
#
Classique
#
Sir Arthur Seymour Sullivan
#
Overture to "The Grand Du
#
Trevor Denyer
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1475994 Composed by Sir Arthur Seymour Sullivan. Arranged by Typeset by Susan & Trevor Denyer. 19th Century,Romantic ...
(+)
Full Orchestra - Level 5 - SKU: A0.1475994 Composed by Sir Arthur Seymour Sullivan. Arranged by Typeset by Susan & Trevor Denyer. 19th Century,Romantic Period. 91 pages. Trevor Denyer #1053560. Published by Trevor Denyer (A0.1475994). Sullivan is so often overlooked as a composer of pretty tunes, whereas his skill was in producing music that fitted perfectly with the libretto of (mainly) W.S. Gilbert. When taken on its own, his music shows much of the artistry of Guiseppi Verdi; whose scores he edited, but with his own personal style!This overture is rarely played, but has a fabulous selection of themes and orchestral colour so typical of Sullivan - it deserves to be performed more often. The score has been edited to co-ordinate articulations and dynamics which have been missed in the hand-written parts.Print the parts double-sided, including title pages where present, and the page turns will work.Enjoy!
$40.00
The Snow Queen Cometh from "The Snow Queen" Ballet for Orchestra and Optional Multimedia
#
Orchestre
#
AVANCÉ
#
James Nathaniel Holland
#
The Snow Queen Cometh from &qu
#
James Nathaniel Holland
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730433 Composed by James Nathaniel Holland. Christmas,Contemporary. 117 pages. James Nathaniel Holland #3416639. Publ...
(+)
Full Orchestra - Level 5 - SKU: A0.730433 Composed by James Nathaniel Holland. Christmas,Contemporary. 117 pages. James Nathaniel Holland #3416639. Published by James Nathaniel Holland (A0.730433). Also know as The Dance of the Snow Bees. This haunting beautiful piece for orchestra (with optional multimedia) will create a complete blizzard of fun and mystery for your concert. Adapted from American composer James Nathaniel Holland's ballet The Snow Queen. Perfect finale for winter or Christmas concerts or combine with Dance of the Snow Sprites an the Waltz of the Distorted Mirror to make a three movement orchestral suite. (Each sold separately.)Instrumentation: picc, fl12, ob12, eh, clBb12, bscl, bsn12, hrn1234, tpt123, 12trmb, bstrm/tba, timp, triangle/sleigh bells, ride cym with soft mallet/stick, antique cymbals, glock, hrp, treble voice choir, stringsDuration: 9:09.
$15.95
Missa Solemnis, op. 27 - Score Only
#
Orchestre
#
AVANCÉ
#
Adrian Gagiu
#
Missa Solemnis, op. 27 - Score
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
(+)
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
Beetle Snake
#
Orchestre
#
AVANCÉ
#
Danny Elfman
#
Patrick Sheehan
#
rock selections
#
Beetle Snake
#
Patrick Sheehan
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1268019 By Danny Elfman. By Danny Elfman. Arranged by Patrick Sheehan. Film/TV,Holiday. Score and Parts. 107 pages. P...
(+)
Full Orchestra - Level 5 - SKU: A0.1268019 By Danny Elfman. By Danny Elfman. Arranged by Patrick Sheehan. Film/TV,Holiday. Score and Parts. 107 pages. Patrick Sheehan #860565. Published by Patrick Sheehan (A0.1268019). Transcribed from the soundtrack of the 1989 Geffen Company film “Beetlejuiceâ€INSTRUMENTATION: Piccolo, Flute I, Flute II, Oboe, English Horn (F), Bassoon I, Bassoon II, Clarinet I (Bb),Clarinet II (Bb), Bass Clarinet (Bb), Contrabass Clarinet (Bb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Trombone I, Trombone II, Trombone III, Tuba I, Tuba II, Snare Drum, Bass Drum, Crash Cymbals, Tambourine, Castanets, Marimba, Harp, Piano, Organ, Violin I, Violin II, Viola, Cello, ContrabassABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00
Overture to the Opera "Rübezahl"
#
Orchestre
#
AVANCÉ
#
Opera
#
Classique
#
Friedrich von Flotow
#
Overture to the Opera "R&
#
Trevor Denyer
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1185409 Composed by Friedrich von Flotow. Arranged by Edited and typeset by Trevor Denyer. 19th Century,Opera,Romanti...
(+)
Full Orchestra - Level 5 - SKU: A0.1185409 Composed by Friedrich von Flotow. Arranged by Edited and typeset by Trevor Denyer. 19th Century,Opera,Romantic Period. Score and Parts. 104 pages. Trevor Denyer #785099. Published by Trevor Denyer (A0.1185409). This overture to the unknown (these days) romantic opera by Flotow deserves to be performed - being full of melodies and varied textures. It was previously in an innaccurate and hard to read form, which has now been tidied and corrected into a modern typeface.Print the parts double-sided, as presented, and the page turns will work.Rübezahl is seen to be the guardian of the Krkonoše Mountains. Physically, his appearance varies; he can take any form he wishes, from an old grandma to a giant crossing his mountains with one step. (Wikipedia).
$35.00
Overture to the Opera "William Shakespeare"
#
Orchestre
#
AVANCÉ
#
Classique
#
Friedrich Kuhlau
#
Overture to the Opera "Wi
#
Trevor Denyer
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1248871 Composed by Friedrich Kuhlau. Arranged by Transcribed and typeset by Susan & Trevor Denyer. 19th Century,Roma...
(+)
Full Orchestra - Level 5 - SKU: A0.1248871 Composed by Friedrich Kuhlau. Arranged by Transcribed and typeset by Susan & Trevor Denyer. 19th Century,Romantic Period. Score and Parts. 176 pages. Trevor Denyer #843345. Published by Trevor Denyer (A0.1248871). Kuhlau is best known for his piano music, but he has quite a collection of relatively unknown instrumental music too.This overture to the opera William Shakespeare is full of colour, drama and invention. It was previously in a set of innaccurate parts with no score available. These have now been edited and typeset in a modern edition and are eminently playable. Enjoy.
$40.00
Colors Of The Wind
#
Orchestre
#
AVANCÉ
#
Film Walt Disney
#
Vanessa Williams
#
Brian Strohmetz
#
Colors Of The Wind
#
Brian Strohmetz
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1020746 By Vanessa Williams. By Alan Menken. Arranged by Brian Strohmetz. Contemporary. Score and parts. 61 pages. Br...
(+)
Full Orchestra - Level 5 - SKU: A0.1020746 By Vanessa Williams. By Alan Menken. Arranged by Brian Strohmetz. Contemporary. Score and parts. 61 pages. Brian Strohmetz #6657095. Published by Brian Strohmetz (A0.1020746). Colors of the Wind is a song written by composer Alan Menken and lyricist Stephen Schwartz for Walt Disney Pictures' 33rd animated feature film, Pocahontas (1995). The film's theme song, Colors of the Wind was originally recorded by American singer and actress Judy Kuhn in her role as the singing voice of Pocahontas. A pop ballad, the song's lyrics are about animism and respecting nature, finding its roots in indigenous Native American culture, perspectives which have later been adopted in both transcendentalist literature and New Age spirituality.This song received an Oscar for Best Original song.
$74.99
Beethoven Piano Sonata Op. 2 No. 1 Orchestration (by Barış Önder)
#
Orchestre
#
AVANCÉ
#
Classique
#
L
#
Barış Önder
#
Beethoven Piano Sonata Op. 2 N
#
Baris Onder
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1376473 Composed by L. v. Beethoven. Arranged by Barış Önder. Classical. 67 pages. Baris Onder #960998. Pub...
(+)
Full Orchestra - Level 5 - SKU: A0.1376473 Composed by L. v. Beethoven. Arranged by Barış Önder. Classical. 67 pages. Baris Onder #960998. Published by Baris Onder (A0.1376473). Beethoven Piano Sonata Op. 2 No. 1 1st movement Orchestration (by Barış Önder)The pdf file of the full score contains both the full orchestral score and instrumental notes.
$20.00
Symphony No. 9, Mvt. IV (alla marcia) (Beethoven's "Ode to Joy") [full score & set of parts]
#
Orchestre
#
AVANCÉ
#
Classique
#
Ludwig van Beethoven
#
Patrick Sheehan
#
Symphony No. 9, Mvt. IV
#
Patrick Sheehan
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1152400 Composed by Ludwig van Beethoven. Arranged by Patrick Sheehan. Classical. Score and parts. 132 pages. Patrick...
(+)
Full Orchestra - Level 5 - SKU: A0.1152400 Composed by Ludwig van Beethoven. Arranged by Patrick Sheehan. Classical. Score and parts. 132 pages. Patrick Sheehan #752625. Published by Patrick Sheehan (A0.1152400). C-edition score with modern-day transposing instruments. INSTRUMENTATION: Piccolo, Flute I, Flute II, Oboe I, Oboe II, Bassoon I, Bassoon II, Contrabassoon, Clarinet I (Bb), Clarinet II (Bb), Trumpet I (Bb), Trumpet II (Bb), Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Triangle, Crash Cymbals, Bass Drum Timpani, Soprano, Alto, Tenor, Bass, Violin I, Violin II, Viola, Violoncello, Contrabass. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00
It Must Have Been Ol Santa Claus
#
Orchestre
#
AVANCÉ
#
Noël
#
Harry Connick
#
Bryan Kidd
#
It Must Have Been Ol Santa Cla
#
BryanKiddMusic.com
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1321465 Composed by Harry Connick. Arranged by Bryan Kidd. Christmas,Holiday,Jazz,Standards. 134 pages. BryanKiddMusi...
(+)
Full Orchestra - Level 5 - SKU: A0.1321465 Composed by Harry Connick. Arranged by Bryan Kidd. Christmas,Holiday,Jazz,Standards. 134 pages. BryanKiddMusic.com #909922. Published by BryanKiddMusic.com (A0.1321465). Strings and Big Band with Vocal Soloist (C 4 to E 5). Orchestra winds cover group singing and hand-claps. NOTE: a letter-size (8.5x11) score is included with the set; a more easily read tabloid-size (11x17) score is available separately (RECOMMENDED). For the tabloid-size score, click here. Please visit BryanKiddMusic.com    With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.Â
$75.00
<
1
26
51
76
The Bee