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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Times
Non classifié
140
Piano & claviers
Piano seul
161
Piano, Voix
6
2 Pianos, 4 mains
5
Clavecin
5
Piano, Voix et Guitare
4
Orgue
4
Piano Trio: piano, violon, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accompagnement Piano
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Guitare
2
Ukulele
1
Guitare notes et tablatures
1
Voix
Chorale SATB
23
Chorale TTBB
6
Voix Soprano, Piano
3
Chorale SSAA
3
Voix Tenor, Piano
1
Voix haute
1
+ 1 instrumentations
Retracter
Vents
Flûte traversière et Piano
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Ensemble de Clarinettes
7
Saxophone
6
Quatuor de Clarinettes: 4 clarinettes
6
Flûte traversière
5
Clarinette et Piano
4
Quatuor de Saxophones: 4 saxophones
4
Flûte, Hautbois, Clarinette, Basson
4
Clarinette
4
Saxophone Alto et Piano
3
Ensemble de saxophones
3
3 Clarinettes (trio)
3
Hautbois (partie séparée)
3
Saxophone Soprano et Piano
3
Saxophone Tenor et Piano
2
Hautbois, Piano (duo)
2
Quintette de Clarinettes: 5 clarinettes
1
2 Flûtes traversières (duo)
1
Clarinette, Basson (duo)
1
Flûte, Violoncelle
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Ensemble de Flûtes
1
3 Saxophones (trio)
1
2 Saxophones (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flute (partie séparée)
1
Flûte, Hautbois (duo)
1
Flûte, Saxophone (duo)
1
2 Clarinettes (duo)
1
Hautbois
1
Saxophone Alto
1
Clarinette, Violon (duo)
1
Saxophone et Orgue
1
+ 29 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette
5
Trombone et Piano
5
Ensemble de Trombones
4
Quatuor de cuivres: 4 trombones
3
Euphonium, Piano (duo)
3
Cor
3
Tuba et Piano
3
Trombone
3
Cor et Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette, Piano
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Euphoniums et 2 Tubas
1
Ensemble de Trompettes
1
2 Trompettes (duo)
1
Quatuor de Cuivres
1
2 Trombones (duo)
1
Ensemble de Cors
1
Quatuor de cuivres: 4 cors
1
Trombone basse et Piano
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
30
Violon et Piano
10
Violoncelle, Piano
7
Violon
5
Violon, Alto (duo)
3
Violoncelle
2
Alto, Piano
2
Harpe, Violon (duo)
2
Violon (partie séparée)
2
Piano Trio: Violon, Alto, Piano
1
Alto (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
Violon, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
2 Violoncelles (duo)
1
Contrebasse, Piano (duo)
1
Harpe, Flûte (duo)
1
Harpe
1
4 Violoncelles
1
Violon, Violoncelle (duo)
1
Alto, Violoncelle (duo)
1
2 Violons (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Orchestre
21
Orchestre d'harmonie
14
Ensemble de cuivres
12
Ensemble Jazz
10
Batterie
7
Orchestre à Cordes
6
Jazz combo
5
Orchestre de chambre
4
Ensemble de Percussions
3
Fanfare
2
Cloches
2
Piano et Orchestre
1
+ 7 instrumentations
Retracter
Autres
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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21 partitions trouvées
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1
Running, Searching (for Orchestra)
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Orchestre
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AVANCÉ
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Contemporain
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Tito Abeleda
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Running, Searching
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Visionary Quest Records
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.984543 Composed by Tito Abeleda. Contemporary. Score and parts. 72 pages. Visionary Quest Records #4794297. Published...
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Full Orchestra - Level 5 - SKU: A0.984543 Composed by Tito Abeleda. Contemporary. Score and parts. 72 pages. Visionary Quest Records #4794297. Published by Visionary Quest Records (A0.984543). Full Orchestra: Flutes 1-2, Oboe 1-2, Clarinet 1-2, Bassoon 1-2, Trumpet 1-2, Horn 1-2, Trombone 1-2, Timpani, Tom-Tom, Concert Bass Drum, Cymbal, Wood Blocks, Xylophone, Violin 1-2, Viola 1-2, Violoncello 1-2, ContrabassComposed by Tito Abeleda (1964 - ) Music score plus parts = 72 PagesSometimes we need to run away. Sometimes we need to run towards something. Other times we are in need of searching for something important. Sometimes that search is frenetic or a matter of survival. Then there are those times we just need get away as quietly as possible. This encapsulates the essence of this piece Running, Searching (for Orchestra).Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$30.00
Piano Concerto No. 2 in Ab "New York Tour" Full Score and Parts, James Nathaniel Holland
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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Piano Concerto No. 2 in Ab &qu
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730465 Composed by James Nathaniel Holland. Contemporary,Holiday,Jazz,Patriotic. Score and parts. 220 pages. James Na...
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Full Orchestra - Level 5 - SKU: A0.730465 Composed by James Nathaniel Holland. Contemporary,Holiday,Jazz,Patriotic. Score and parts. 220 pages. James Nathaniel Holland #3630023. Published by James Nathaniel Holland (A0.730465). (Duration: 25 minutes) Full Orchestral Score (in Concert Pitch) and Individual Instrument Parts. (Including solo piano part, revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. Nice program compliment with any Mozart piano concertos or with Gershwin's Rhapsody in Blue to feature American composers.This concerto is entitle New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Instrumentation: picc, fl., ob.12, clBb 12, Bsn12, Hrn 123, Tpt 12, Trmb. 12, Tba, Timp, Perc (glock, bass drum, small gong, s. cym w/mall and stl., slapstick, tri., hh) Piano solo, strings.Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube Channel: https://www.youtube.com/user/composerjnholland
$45.25
Piano Concerto No. 2 in Ab "New York Tour" Full Score, James Nathaniel Holland
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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Piano Concerto No. 2 in Ab &qu
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730464 Composed by James Nathaniel Holland. Contemporary,Holiday,Patriotic. Score and parts. 80 pages. James Nathanie...
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Full Orchestra - Level 5 - SKU: A0.730464 Composed by James Nathaniel Holland. Contemporary,Holiday,Patriotic. Score and parts. 80 pages. James Nathaniel Holland #3629797. Published by James Nathaniel Holland (A0.730464). (Duration: 25 minutes) Full Orchestral Score Only in Concert Pitch.James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers or for the Fourth of July summer concert. YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Instrumentation: picc, fl., ob.12, clBb 12, Bsn12, Hrn 123, Tpt 12, Trmb. 12, Tba, Timp, Perc (glock, bass drum, small gong, s. cym w/mall and stl., slapstick, tri., hh) Piano solo, strings.Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube Channel: https://www.youtube.com/user/composerjnholland
$21.95
Concerto for Violin and Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Dan Pinkston
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Concerto for Violin and Orches
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Dan Pinkston
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1032208 Composed by Dan Pinkston. 20th Century,Contemporary. Score and parts. 72 pages. Dan Pinkston #4609387. Publis...
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Full Orchestra - Level 5 - SKU: A0.1032208 Composed by Dan Pinkston. 20th Century,Contemporary. Score and parts. 72 pages. Dan Pinkston #4609387. Published by Dan Pinkston (A0.1032208). Premiered by violinist Chloe Trevor in 2017, this bold and dramatic work showcases Pinkston's ability to create music that reaches both audiences and musicians. At times beautiful and at other times haunting, this concerto is thoroughly a 21st-Century piece, yet it honors the traditions of the violin concerto.
$20.00
Saga
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Orchestre
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AVANCÉ
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Ilari Hylkil
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Saga
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Ilari Hylkila
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.872390 Composed by Ilari Hylkil. 20th Century,Celtic,Contemporary,Romantic Period,World. Score and parts. 133 pages. ...
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Full Orchestra - Level 5 - SKU: A0.872390 Composed by Ilari Hylkil. 20th Century,Celtic,Contemporary,Romantic Period,World. Score and parts. 133 pages. Ilari Hylkila #5286817. Published by Ilari Hylkila (A0.872390). Saga is neo-medieval composition for a full orchestra consisting of four movements. It brings a listener to ancient times. Saga is suitable for both professional orchestras and advanced amateur groups.More information about the composer: www.ilarihylkila.com.
$100.00
Un Piccolo Concerto
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Orchestre
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AVANCÉ
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Contemporain
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Guido Alfonso Medina Rivera
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Guido Alfonso Medina Rivera
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Un Piccolo Concerto
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SGAE
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1007901 Composed by Guido Alfonso Medina Rivera. Arranged by Guido Alfonso Medina Rivera. 20th Century,Concert,Contem...
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Full Orchestra - Level 5 - SKU: A0.1007901 Composed by Guido Alfonso Medina Rivera. Arranged by Guido Alfonso Medina Rivera. 20th Century,Concert,Contemporary. Score and parts. 220 pages. SGAE #3918741. Published by SGAE (A0.1007901). From the formal point of view, Un Piccolo Concerto is structured in three movements: I: Moderato, II: Homage to Ponce, mostly slow and II: Aires Mexicanos, allegro with verve. From the harmonic point of view, in the first movement a modal language is used, with some very tonal parts, the use of pantonalism or a very accelerated path through different tones and some use of blue elements, with a leitmotiv that is will repeat several times, giving the work a minimalist accent. The second movement, however, is very tonal, epic, with different changes of tone and mode in its development. In the third, the procedure is totally tonal, although very modulant, where they try to reflect the Mexican airs, because that is its main purpose. In this movement the same leitmotiv of the first one is also exploited, but with the rhythmic variant that supposes the ternary subdivision (6/8). In all movements, special care has been taken to respect the guitar aspect, both in technique and style. The estimated duration is approximately 17:30, although it could vary according to the sense given to the rittardando, taste of the interpreter and intermediates between movements.
$50.00
Symphony No 3 for large orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Malcolm D Robertson
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Symphony No 3 for large orches
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Mr Malcolm D Robertson
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.928012 Composed by Malcolm D Robertson. Contemporary. 171 pages. Mr Malcolm D Robertson #6638445. Published by Mr Mal...
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Full Orchestra - Level 5 - SKU: A0.928012 Composed by Malcolm D Robertson. Contemporary. 171 pages. Mr Malcolm D Robertson #6638445. Published by Mr Malcolm D Robertson (A0.928012). Composed between the 21st July & the 18th October 2021, my 3rd Symphony, at around 34 minutes in duration, is the longest of my three symphonies to date & my most substantial purely orchestral score. The Symphony is in four movements following a fast-slow-fast-slow format. It is a dark probing & at times disturbing score. The Symphony makes much use of the very dark Locrian mode with its prominent diminished 5th (tritone). The 1st movement is angry & driven with a swirling energy. The 2nd movement is a kind of sad processional which builds to protesting battering climax before ending in a sense of resignation. The 3rd movement marked 'with malice' ranges from a sense of waspish humour to downright arrogant brutallity. The slow 4th movement is the longest movement, the opening hinting at two works by Wagner & Holst. The movement has a sense of questioning & searching, perhaps a single word 'why?' sums the movement up & to some extent the Symphony too. Parts are available upon request.
$30.00
Introduction to Ernani
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Orchestre
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AVANCÉ
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Opera
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Classique
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Trevor Denyer
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Trevor Denyer
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Introduction to Ernani
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Trevor Denyer
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1284960 By Trevor Denyer. By Guiseppi Verdi. Arranged by Trevor Denyer. 19th Century,Opera,Romantic Period. Score and...
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Full Orchestra - Level 5 - SKU: A0.1284960 By Trevor Denyer. By Guiseppi Verdi. Arranged by Trevor Denyer. 19th Century,Opera,Romantic Period. Score and Parts. 112 pages. Trevor Denyer #876085. Published by Trevor Denyer (A0.1284960). This opening extract from Verdi's Ernani is a suitably dramatic and energetic piece for chorus and orchestra. It will fit into an opening section of an opera fiesta, while being less known than many others.While Ernani is not well known these days, it was first performed on 9 March 1844, and it was immensely popular, and was revived countless times during its early years. It became Verdi's most popular opera until it was superseded by Il trovatore after 1853. In 1904, it became the first opera to be recorded completely.As usual with my offerings, print each part double-sided as presented, and the page turns will work.
$30.00
Burden Of Lives Full Score: Band & Parts
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Orchestre
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AVANCÉ
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Suraj Synthesist
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Burden Of Lives Full Score: Ba
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Suraj Synthesist
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1152218 By Suraj Synthesist. By Suraj Synthesist. 20th Century,Contemporary,Multicultural,New Age,Rock,World. Score a...
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Full Orchestra - Level 5 - SKU: A0.1152218 By Suraj Synthesist. By Suraj Synthesist. 20th Century,Contemporary,Multicultural,New Age,Rock,World. Score and parts. 68 pages. Suraj Synthesist #752423. Published by Suraj Synthesist (A0.1152218). Track number 5, approx 5:35mins in the album Consume this album, A fiction of medieval Feudal times/land. A revenge song. This sheet music consists of Vocal lead and choral harmony, the Harpsichord &Organ Parts , Lead & Rhythm Guitars & Bass Guitar's tabs & Clefs, and Drums . Based on Phrygian Dominant and Phrygian or Hanumatodi, Vakulabharanam, and the Hindustani Raagas of Bhairavi. Double bass drumming in 10/8 with a strong polyrhythm, to groovy common time, Sweep arpeggios and chords of Diminished, Augmented, Flat9 , Major7-Sharp 11. Technical Prog Metal/Rock.
$14.99
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik...
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Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
Carson Cooman: Remembering Tomorrow: Trombone Concerto (2004) for trombone and orchestra), score plu
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Remembering Tom
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #3035627. Pu...
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Full Orchestra - Level 5 - SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #3035627. Published by Musik Fabrik Music Publishing (A0.533655). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$29.95
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik ...
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Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
Carson Cooman: Remembering Tomorrow: Trombone Concerto - Score Only
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Remembering Tom
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533654 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3035625. Pu...
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Full Orchestra - Level 5 - SKU: A0.533654 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3035625. Published by Musik Fabrik Music Publishing (A0.533654). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$25.95
Mozartina
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Orchestre
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AVANCÉ
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Otoniel Rojas
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Mozartina
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Otoniel Rojas
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1302257 Composed by Otoniel Rojas. 20th Century,Classical,Historic,Latin,Traditional. Score and Parts. 119 pages. Oto...
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Full Orchestra - Level 5 - SKU: A0.1302257 Composed by Otoniel Rojas. 20th Century,Classical,Historic,Latin,Traditional. Score and Parts. 119 pages. Otoniel Rojas #891863. Published by Otoniel Rojas (A0.1302257). Based on a traditional Merengue tune from Dominican Republic in a Rondó style a'la Mozart, combining Mozart's Jupiter symphony 35th 4-note theme.Originally commissioned by the 'Fundación Filarmónica del Cibao' in  1997. Mozartina is an effervescent overture that paints us a contemporary Mozart, exposed to the melodic and rhythmic resources of the Caribbean identity, fusing the style and spirit of the famous Austrian with a mixed of the rhythmic and harmonic developments of the last 200 years of musical development. The work is structured as Rondo ,taking as its theme the traditional merengue (a traditional Dominican dance) El jarro 'ta pichao using it as melodic material that integrates into many styles and orchestral techniques. The topic is presented in juxtaposition with the monumental melodic motif of the last movement of the symphony ' Jupiter ' . Sometimes we appreciate it as it is , sometimes in inverted or hidden among contrapuntistic passages in striped and woven into different instrumental colors and harmonic richness coated within countless melodic modulations or put into small pieces. The climax part suddenly surrounds us with the classic merengue, where the 'tambora' (traditional dominican percussion instrument) makes appearance and gives it its soul. Meanwhile, in the background we still can hear the theme of 'Jupiter'. There briefly we can discover a 'perico ripiao' (another traditional Dominican dance)with its typical melisma embodied by the horn, we finally get to a climax that concludes with a short cadenza of 'tambora' and the reitaration of the main merengue theme in unison. The work was commissioned in 1997 for the opening concert of the Philharmonic of Cibao and this time receives his first audition by the National Symphony Orchestra.
$9.99
Concerto in G Minor for Trombone and Orchestra
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Orchestre
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AVANCÉ
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Robert E
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Concerto in G Minor for Trombo
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.809786 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 165 pages. R. E. Proctor #3003007. ...
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Full Orchestra - Level 5 - SKU: A0.809786 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 165 pages. R. E. Proctor #3003007. Published by R. E. Proctor (A0.809786). The G Minor Concerto for Trombone follows the standard format of fast – slow – fast movements. The first being Adagio – Andante and is entitled Variations. The slow or 2nd movement – Lento - is in 6/8 meter and is entitled Remembering the ‘60’s. The movement is based, in part, on a chord progression to a popular song from the 1960’s. The 3rd movement, entitled Now, is up tempo and rhythmic. It’s harmonic structure based in a jazz-like chord progression. It is bright, thoughtful, and sometimes a bit moody. Approximate length 17 minutes and 55 seconds.
$19.95
Concerto No. 1 for French Horn Full Orchestral Score and Individual Parts (Optional Trombone solo)
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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Concerto No. 1 for French Horn
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730478 Composed by James Nathaniel Holland. Concert,Contemporary,Holiday. Score and parts. 210 pages. James Nathaniel...
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Full Orchestra - Level 5 - SKU: A0.730478 Composed by James Nathaniel Holland. Concert,Contemporary,Holiday. Score and parts. 210 pages. James Nathaniel Holland #4111275. Published by James Nathaniel Holland (A0.730478). 21st century, American composer James Nathaniel Holland brings you a mystical concerto led by one of the orchestra's most beautiful instrument, the French Horn. This publication includes the full orchestral score (in concert pitch) and all individual instrument parts. As a optional bonus, a solo trombone part can be used in place of the French horn and is included at the end.This three movement concerto begins with the first movement, Return to Vahalla echoing the great composers Richard Strauss and Wagner.Then continues with an emotional second movement, Vissi D'arte (or 'All for Art').The third movement is a fun scherzo and march which satirises the sometimes passive agression and self importance of the Bureaucrat, coming to an energetic finale that is typcial of Holland's music.This arrangement includes the instrument part and orchestra reduction for the piano with the part written above in concert pitch for easier rehearsal. Instrumentation: picc, fl12, ob12, clBb12, bsn 12, hrn 123, tpt123, trmb12, tba, timp, perc, solo horn, hrp, strings (opt. solo trombone substitution)
$32.95
Concerto No. 4 for Piano and Orchestra "The Bells" Full Score and Parts
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Orchestre
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AVANCÉ
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Contemporain
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James Nathaniel Holland
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Concerto No. 4 for Piano and O
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730521 Composed by James Nathaniel Holland. Contemporary. Score and parts. 224 pages. James Nathaniel Holland #619885...
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Full Orchestra - Level 5 - SKU: A0.730521 Composed by James Nathaniel Holland. Contemporary. Score and parts. 224 pages. James Nathaniel Holland #6198859. Published by James Nathaniel Holland (A0.730521). Full Score (in concert pitch) and individual parts including the solo piano part. American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire. YouTube video demo: https://youtu.be/WbK8Mc7N-sc.
$25.95
Peripeteia
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Orchestre
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AVANCÉ
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Contemporain
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Drake Mabry
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Peripeteia
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Drake Mabry
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.799450 Composed by Drake Mabry. 20th Century,Contemporary. Score and parts. 47 pages. Drake Mabry #1778693. Published...
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Full Orchestra - Level 5 - SKU: A0.799450 Composed by Drake Mabry. 20th Century,Contemporary. Score and parts. 47 pages. Drake Mabry #1778693. Published by Drake Mabry (A0.799450). Peripeteia means an unexpected change of fortune. I wrote this in Aspen, Colorado during the summer of 1977 when Krysztof Penderecki accepted me as a student during the music festival. In a way, this is a tribute to Penderecki and uses some of his landmark techniques as well many of my own. The duration is 10 minutes. This is a manuscript score and sometimes not easy to read, thus the reduced price.
$9.99
Prelude for orchestra (score)
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Orchestre
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AVANCÉ
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Contemporain
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Drake Mabry
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Prelude for orchestra
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Drake Mabry
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.799428 Composed by Drake Mabry. 20th Century,Contemporary. Score and parts. 12 pages. Drake Mabry #516891. Published ...
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Full Orchestra - Level 5 - SKU: A0.799428 Composed by Drake Mabry. 20th Century,Contemporary. Score and parts. 12 pages. Drake Mabry #516891. Published by Drake Mabry (A0.799428). Prelude was written just before Peripeteia during the summer of 1977. See the Peripeteia score for more details. The Prelude can be played by itself or as a companion piece to Peripeteia. The duration is 3'30. This is a manuscript score and sometimes not easy to read, thus the reduced price.
$5.99
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