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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CLAIRON
CLARINETTE
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War March
Non classifié
18
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6
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1
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Quatuor de Flûtes : 4 flûtes
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Ensemble de Clarinettes
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3 Clarinettes (trio)
1
+ 5 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Trompette
2
Trombone et Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Trombone
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Cor
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Euphonium, Piano (duo)
1
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6
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3
2 Violons (duo)
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Alto seul
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11
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
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BOUZOUKI
CHORALE - CHAN…
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Vous avez sélectionné:
War March
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Orchestre
Partitions à imprimer
11 partitions trouvées
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1
March to Babylon
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Orchestre
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AVANCÉ
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Noël
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Michael Ware
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March to Babylon
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MusicWare Press
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SheetMusicPlus
Full Orchestra - Advanced - Composed by Michael Ware. 21st Century, Contemporary Classical, Sacred, Movies, Repertoire. 102 pages. Published by Musi...
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Full Orchestra - Advanced - Composed by Michael Ware. 21st Century, Contemporary Classical, Sacred, Movies, Repertoire. 102 pages. Published by MusicWare Press
March to Babylon is a cinematic orchestral composition by Michael Ware written for Oklahoma Baptist University Concerto Aria. This dramatic work depicting the ancient Israelites being carried away captive to Babylon would be a crowd pleaser for nearly any orchestral programming.
Download includes PDF full score (legal size) and PDF instrumental parts (letter size).
$70.00
Marches
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Orchestre
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AVANCÉ
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Phillip S
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Marches
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Phillip Steven Ledesma
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1009811 Composed by Phillip S. Ledesma. 20th Century,Romantic Period. Score and parts. 11 pages. Phillip Steven Ledes...
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Full Orchestra - Level 5 - SKU: A0.1009811 Composed by Phillip S. Ledesma. 20th Century,Romantic Period. Score and parts. 11 pages. Phillip Steven Ledesma #1919003. Published by Phillip Steven Ledesma (A0.1009811). Full Orchestral Score. Marches is the 2nd movement to the 1st symphony. In contrast to the more sublime Ruhevoll (and the 4th movement Molto Adagio) Marches utilizes many aspects of the march in various settings, from large brass and woodwind circus venues to trios of soloists, while also encompassing the somber funeral procession. Marches opens the brass and low strings in a dogfight; the brass fire short staccato blasts as 'cellos and basses answer with long lyrical lines setting the pace until the cat and mouse game ends with the low strings driving their way to the trio. When the three soloists finish their introductory theme they are answered by the full orchestra taking the theme and surrounding it with all the boisterous bells and whistles of a circus march! But the reality is that marches are - at their core - war music, and the waste that war causes has to be addressed in the funeral march. These themes are all cycled through once again, with a coda that cleverly ties things up.
$9.99
Bridal March from the Opera "The Birds"
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Orchestre
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AVANCÉ
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Classique
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C Hubert H Parry
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Typeset by Trevor Denyer
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Bridal March from the Opera &q
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Trevor Denyer
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1256411 Composed by C Hubert H Parry. Arranged by Typeset by Trevor Denyer. 19th Century,Romantic Period. Score and P...
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Full Orchestra - Level 5 - SKU: A0.1256411 Composed by C Hubert H Parry. Arranged by Typeset by Trevor Denyer. 19th Century,Romantic Period. Score and Parts. 70 pages. Trevor Denyer #849837. Published by Trevor Denyer (A0.1256411). The English composer, Hubert Parry, is best know for his Coronation Anthem I Was Glad, but his catalogue is so much broader than this.This overture from his opera The Birds is powerful, descriptive and emotionally charged. It is full of colour, warmth and variation of orchestration.I hope this edition will bring his work to a much greater public appreciation.
$40.00
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik...
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Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik ...
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Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
Angel of Mons (Full score & complete set of parts)
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Orchestre
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AVANCÉ
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James Bersey
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Angel of Mons
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James Bersey
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1198860 Composed by James Bersey. Historic,March,Multicultural,Patriotic,Spiritual,World. Score and parts. 147 pages....
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Full Orchestra - Level 5 - SKU: A0.1198860 Composed by James Bersey. Historic,March,Multicultural,Patriotic,Spiritual,World. Score and parts. 147 pages. James Bersey #797947. Published by James Bersey (A0.1198860). ANGEL OF MONS - score & partscomposed byJAMES BERSEYThis work was composed in 2014 to mark the centanary of the Battle of Mons 1914.It will work well in any commemorative/memorial concert associated with war.INSTRUMENTATIONsop.choir,1 (picc) 2.2.3 (3rd+bass),24.3 (3rd=bugel).3.2timp.perc(3)stringsThe Angels of Mons is a story of the reputed appearance of a supernatural entity which protected the British Army from defeat by the invading forces of the German Empire at the beginning of World War I during the Battle of Mons in Belgium on 23 August 1914.PRINTING INSTRUCTIONSFor best results, print onto A3 paper & bind.Alternatively read direct from digital device.© Copyright protected - All rights reserved.
$20.00
1861 Overture - Score Only
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Orchestre
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AVANCÉ
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Dillon M
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Dillon M
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1861 Overture - Score Only
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DeRosa Studios
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1111995 By Dillon M. DeRosa. By Dillon M. DeRosa. Arranged by Dillon M. DeRosa. Classical,Folk,Historic,March,Patriot...
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Full Orchestra - Level 5 - SKU: A0.1111995 By Dillon M. DeRosa. By Dillon M. DeRosa. Arranged by Dillon M. DeRosa. Classical,Folk,Historic,March,Patriotic. 110 pages. DeRosa Studios #714175. Published by DeRosa Studios (A0.1111995). 1861 Overture – Full Orchestral Score is based on the story of the American Civil War and the freedom of the slaves. The composition is modeled after Tchaikovsky’s 1812 Overture using themes from the American Civil War. Commissioned by Andy Rakich for use in the “Checkmate Lincolnites†video series on his famous “Atun-Shei Films†YouTube channel.
$69.99
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951...
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Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943...
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Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
The Glastry Pearl. Tone Poem Elegy For My Mum.
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Orchestre
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AVANCÉ
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Geraldine
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The Glastry Pearl. Tone Poem E
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldin...
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Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
A Dream Deferred - score
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Orchestre
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AVANCÉ
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Contemporain
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Philip Orem
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A Dream Deferred - score
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Philip Orem
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.872673 Composed by Philip Orem. Contemporary. Score and parts. 59 pages. Philip Orem #3684671. Published by Philip Or...
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Full Orchestra - Level 5 - SKU: A0.872673 Composed by Philip Orem. Contemporary. Score and parts. 59 pages. Philip Orem #3684671. Published by Philip Orem (A0.872673). A Dream Deferred is a clarinet concerto written in response to what I perceive as the growing racism, misogyny, homophobia, xenophobia, religious discrimination and antagonism to the most vulnerable in our society. The first movement, If Not Now, When? is a whirl of activity, questioning, often angry. The second, The Weariness, the Fear and the Resistance, starts with a bluesy melody before growing into an eerie section that is followed by a macabre waltz. The first melody returns at the end. The last movement, Nevertheless, We Must Persist, is a march towards justice. This is a very virtuosic piece for the solo clarinet and has lots for the orchestra to do.Here is a link to audio for all three movements. https://drive.google.com/open?id=1rc9XT-qSW4etC24MjMOWGM9anrsbRWqRSCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website
$50.00
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War March
