English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
38
Librairie
Musicale
2
Matériel
de Musique
172
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
74
PIANO & CLAVIERS
Piano seul
25
Piano, Voix et Guitare
1
GUITARES
Guitare
4
Guitare notes et tablatures
1
VOIX
Chorale SATB
4
Chorale 3 parties
2
Voix Tenor
1
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Ensemble de Clarinettes
6
Clarinette (partie séparée)
6
Flute (partie séparée)
6
Saxophone (partie séparée)
4
Hautbois (partie séparée)
4
Hautbois, Piano (duo)
3
Saxophone Alto
2
Flûte, Hautbois, Basson
2
3 Clarinettes (trio)
2
Flûte traversière
2
Clarinette
1
Flûte, Hautbois, Clarinette, Basson
1
Hautbois, Basson et Piano
1
Saxophone Alto et Piano
1
Flûte, Clarinette, Piano (trio)
1
Ensemble de saxophones
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette (partie séparée)
6
Trombone (partie séparée)
6
Cor (partie séparée)
6
Trombone et Piano
3
Cor
2
Tuba (partie séparée)
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Trompette, Piano
1
Cor et Piano
1
3 Trombones (trio)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Euphonium, Piano (duo)
1
2 Euphoniums et 2 Tubas
1
Ensemble de Trombones
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
2
Contrebasse (partie séparée)
2
Violon, Guitare (duo)
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
Violoncelle, Piano
1
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
64
Orchestre
38
Ensemble Jazz
10
Orchestre à Cordes
9
Cloches
5
Orchestre de chambre
5
Ensemble de Percussions
2
Ensemble de cuivres
2
Percussion (partie séparée)
2
Timbales (partie séparée)
2
Jazz combo
1
Xylophone (partie séparée)
1
Fanfare
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Winds
expert
Orchestre
Partitions à imprimer
38 partitions trouvées
<
1
26
The Hero and Damned, An Opera In Four Acts, Individual Instruments 1 of 2 (Woodwinds and Brass)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730483 Composed by James Nathan…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.730483 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 338 pages. James Nathaniel Holland #4331497. Published by James Nathaniel Holland (A0.730483). FIRST SET OF INDIVIDUAL INSTRUMENT PARTS OF THE ORCHESTRA (Woodwinds and Brass). The Story of Medusa and Perseus Setting: Ancient Mythological Greece, 2019 Revised Edition with second verse added to the popular alto aria, Let Me Weep (Duration: 2.5 hours) Follow the journey of Perseus as he discovers himself and travels to distant lands and battles the infamous Medusa in order to save his mother from a tyrant. Musically exciting and accessible. Be the first organization to premiere this American contemporary opera in English. Instrumentation: picc/fl, fl, ob12, cl1, cl/bcl, bsn 1, bsn/cbsn, hrn 1234, tpt 123, trmb12, btrom, tba, timp, perc, harp, strings. Full orchestral score, piano vocal score and individual instrument parts 2 (strings) sold separately. Solos, duets, ensembles. Arias for the operatically neglected alto and mezzo-soprano. This opera can also pass as musical theater. Composer Website: https://www.facebook.com/jamesnathanielholland/YouTube Demo: https://youtu.be/XLbxwQyZPhI.
$80.25
73.37 €
#
Orchestre
#
James Nathaniel Holland
#
The Hero and Damned, An Opera In Four Acts, Individual Instruments 1 of 2
#
James Nathaniel Holland
#
SheetMusicPlus
Germain, An Opera in 4 Acts, INSTRUMENT PARTS 1 (WOODWINDS AND BRASS)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730495 Composed by James Nathan…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.730495 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 390 pages. James Nathaniel Holland #5017161. Published by James Nathaniel Holland (A0.730495). INDIVIDUAL INSTRUMENT PARTS (PART 1 of 2, WOODWINDS AND BRASS)Full orchestral score (concert pitch), Individual parts (part 2, strings, harp, percussion), and Piano Vocal Score sold separately.American contemporary composer James Nathaniel Holland brings this opera of political intrigue, love and betrayal in four acts. OPERA SYNOPSIS:
$72.95
66.69 €
#
Orchestre
#
James Nathaniel Holland
#
Germain, An Opera in 4 Acts, INSTRUMENT PARTS 1
#
James Nathaniel Holland
#
SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1 (Woodwinds and Brass)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathan…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Holland #4800547. Published by James Nathaniel Holland (A0.730492). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 1 (Woodwinds and Brass). Piano Score, Full Orchestral Score, Individual Parts (Part 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$70.25
64.23 €
#
Orchestre
#
James Nathaniel Holland
#
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1
#
James Nathaniel Holland
#
SheetMusicPlus
Carson Cooman: Remembering Tomorrow: Trombone Concerto (2004) for trombone and orchestra), score plu
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533655 Composed by Carson Cooma…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #3035627. Published by Musik Fabrik Music Publishing (A0.533655). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$29.95
27.38 €
#
Orchestre
#
Carson Cooman
#
Carson Cooman: Remembering Tomorrow: Trombone Concerto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Carson Cooman: Remembering Tomorrow: Trombone Concerto - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533654 Composed by Carson Cooma…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.533654 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3035625. Published by Musik Fabrik Music Publishing (A0.533654). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$25.95
23.72 €
#
Orchestre
#
Carson Cooman
#
Carson Cooman: Remembering Tomorrow: Trombone Concerto - Score Only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagi…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
45.67 €
#
Orchestre
#
Adrian Gagiu
#
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
#
Adrian Gagiu
#
SheetMusicPlus
Riding the Waves - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1516688 Composed by Evan Widjaj…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1516688 Composed by Evan Widjaja. 21st Century,Classical,Contemporary,Film/TV,Romantic Period. 23 pages. Evan Widjaja #1090861. Published by Evan Widjaja (A0.1516688). Riding the Waves is an orchestral piece for symphony orchestra with double winds.
$15.00
13.71 €
#
Orchestre
#
Evan Widjaja
#
Riding the Waves - Score Only
#
Evan Widjaja
#
SheetMusicPlus
CHINESE RHAPSODY No.3 For Saxophone and Full Orchestra, Op.46(1988) [score】 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1049004 Composed by An-lun Huan…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1049004 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Score and parts. 61 pages. DoReMi Edition #653398. Published by DoReMi Edition (A0.1049004). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
$19.99
18.28 €
#
Orchestre
#
An-lun Huang
#
CHINESE RHAPSODY No.3 For Saxophone and Full Orchestra, Op.46(1988) [score】 - Score Only
#
DoReMi Edition
#
SheetMusicPlus
Welcome To A New Age (Full Orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1081704 Composed by Christian F…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1081704 Composed by Christian Fortner. Classical,Contemporary,Contest,Festival,Film/TV,Video Game. Score and parts. 132 pages. Christian Fortner Music #685828. Published by Christian Fortner Music (A0.1081704). This large and bombastic epic-orchestral work brings with it the might of 1,000 conquering armies. Strong, rhythmic strings bring energy and life while the winds signal the battlecries of the oncoming storm to take the world. This piece provides opportunity for ensembles to work on energy and rhythmic accuracy as a whole while providing melodic intricacies in each individual section. Ideal for a concert opener or closer.
$149.98
137.12 €
#
Orchestre
#
Christian Fortner
#
Welcome To A New Age
#
Christian Fortner Music
#
SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
91.42 €
#
Orchestre
#
Adrian Gagiu
#
Missa Solemnis, op. 27 - Score Only
#
Adrian Gagiu
#
SheetMusicPlus
It Must Have Been Ol Santa Claus
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1321465 Composed by Harry Conni…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1321465 Composed by Harry Connick. Arranged by Bryan Kidd. Christmas,Holiday,Jazz,Standards. 134 pages. BryanKiddMusic.com #909922. Published by BryanKiddMusic.com (A0.1321465). Strings and Big Band with Vocal Soloist (C 4 to E 5). Orchestra winds cover group singing and hand-claps. NOTE: a letter-size (8.5x11) score is included with the set; a more easily read tabloid-size (11x17) score is available separately (RECOMMENDED). For the tabloid-size score, click here. Please visit BryanKiddMusic.com    With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.Â
$75.00
68.57 €
#
Orchestre
#
Harry Connick
#
Bryan Kidd
#
It Must Have Been Ol Santa Claus
#
BryanKiddMusic.com
#
SheetMusicPlus
Test Drive
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1238030 By John Powell. By John…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1238030 By John Powell. By John Powell. Arranged by Veronica Underhill. Film/TV. Score and Parts. 35 pages. Veronica Underhill #833492. Published by Veronica Underhill (A0.1238030). This arrangement of Test Drive was made with advanced string players in mind. Each section gets parts of the melody and has significant shifting in this creative arrangement of John Powell's score. The work starts off with a layered introduction and beautiful piccolo solo, then gives way to lush upper strings as the next part of the theme is presented by the brass and lower strings. Winds support the upper strings throughout and percussion adds even more energy and intensity, making listeners feel as if they are riding their own dragons for the very first time. Perfect as an opener or closer to a high school Orchestra concert program!
$65.00
59.43 €
#
Orchestre
#
John Powell
#
Veronica Underhill
#
Test Drive
#
Veronica Underhill
#
SheetMusicPlus
Symphony No. 7 for Full Orchestra in Three Movements, Full Score and Parts Included
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730431 Composed by James Nathan…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.730431 Composed by James Nathaniel Holland. Concert,Contemporary. Score and parts. 253 pages. James Nathaniel Holland #3410407. Published by James Nathaniel Holland (A0.730431). A magical and beautiful symphony compiled from music of James Nathaniel Holland's ballet, The Snow Queen as a concert piece. The first movement is a buffet of musical styles, the second a beautiful and lyrical bittersweet longing of the strings and winds with solo violin, the third a rousing finish. A piece sure to please modern audiences and orchestra performers alike.
$45.25
41.37 €
#
Orchestre
#
James Nathaniel Holland
#
Symphony No. 7 for Full Orchestra in Three Movements, Full Score and Parts Included
#
James Nathaniel Holland
#
SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÃ…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
35.61 €
#
Orchestre
#
Thierry Pélicant
#
Thierry Pélicant: Concerto for contrabass and orchestra, score only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Anasazi Overture - Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.991609 Composed by Christopher …
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.991609 Composed by Christopher Wolfe. Contemporary. Score and parts. 82 pages. Christopher Wolfe #3019975. Published by Christopher Wolfe (A0.991609). Written in 2007 for the Luton Symphony Orchestra in Bedfordshire, England, the Anasazi Overture is a fun and crowd-pleasing concert overture that combines beautiful Coplandesque string playing with exciting Hans Zimmer style brass. The piece is based on two Native American folk tunes; A Hopi lullaby and a Pueblo corn grinding song. The instrumentation of the piece is without percussion as the original intent of the work was to Make it cheap to play. It features double winds and brass with the exception of a 3rd horn part. The level of playing for the strings is quite advanced and the piece is suitable for all-county, all-state, youth orchestras, semiprofessional and professional groups.Some of the advanced techniques required involve heavy double-stopping and high shifting positions for the strings and Hans Zimmer style cuivre for the horns (NOTE: NOT STOPPED HORN) as well as upward rips.The included MP3 recording is the first live performance of the work by the amateur group it was composed for, but I am confident that this piece will prove to be fun and exciting to play for even professional orchestras. This set contains 1 of each part. Permission is given to create copies of the parts for each player in the orchestra as needed. The work has been quite popular with those who have played it. I can be contacted at wolfiemeister@yahoo.com with any questions regarding the work.
$35.00
32 €
#
Orchestre
#
Christopher Wolfe
#
Anasazi Overture - Orchestra
#
Christopher Wolfe
#
SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÃ…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
27.38 €
#
Orchestre
#
Thierry Pélicant
#
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Suite Gothique: Chorale & Toccata (Score Only)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.961186 Composed by Leon Boellma…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.961186 Composed by Leon Boellmann. Arranged by Brendan Moir. Concert,Contemporary,Romantic Period,Sacred,World. Score and parts. 18 pages. Bemuse #6252901. Published by Bemuse (A0.961186). FOR REDUCED PRICES (and to better support the composer), visithttps://bemuse.bandcamp.com/merch/suite-gothique-chorale-toccata-for-symphonic-orchestra-score-only-...For more music by Brendan Moir, visit http://www.bemusearts.comA classical guitar piece inspired by the winds of Spain. This time for two guitars!
$10.00
9.14 €
#
Orchestre
#
Leon Boellmann
#
Brendan Moir
#
Suite Gothique: Chorale & Toccata
#
Bemuse
#
SheetMusicPlus
Feeling Good
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1107458 By Michael Buble. By An…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1107458 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Daryl McKenzie. Broadway,Jazz,Musical/Show,Standards. Score and parts. 89 pages. Daryl McKenzie #710119. Published by Daryl McKenzie (A0.1107458). Arranged in the style of Michael Buble or Vocal with Pops Orchestra - Voice, 2Fl, 2Ob, 2Cl, 2Bsn, 5Sax, 4Hn, 4Trpt, 4Trb, Tba, 3 Perc, Pno, Gtr, Bass, Drums, Vln1, Vln2, Vla, Vcl, CB. Key of Bbm/Bm/Cm Note this arrangement will work with Woodwinds only (No Saxes), Saxes only (No Woodwinds or F Horns) or with both. Full audio demo (sibelius sounds): https://bit.ly/3S4Bc8w Same arrangement in the keys of Ebm/Em/Fm or Gm/G#m/Am also available: https://bit.ly/3qFBWp1 More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
91.42 €
#
Orchestre
#
Michael Buble
#
Daryl McKenzie
#
Feeling Good
#
Daryl McKenzie
#
SheetMusicPlus
(everybody's Waitin' For) The Man With The Bag
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1307611 Composed by Dudley Broo…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1307611 Composed by Dudley Brooks, Harold Stanley, and Irving Taylor. Arranged by Daryl McKenzie. Christmas,Holiday,Jazz. 92 pages. Daryl McKenzie #896872. Published by Daryl McKenzie (A0.1307611). Female Vocal with Pops Orchestra (or Big band with Strings) Key of F major. As recorded by Kay Starr but a tone lower. Voice, Picc,Fl, 2Ob, 2Cl, 2Bsn, 5 saxes, 4 F horns, 4 Trumpets, 4 Trombones, Tuba, Piano, Guitar, Bass, Drums, 3 Percussion, Harp, Violin 1, Violin 2, Viola, Cello, Contrabass.Note this arrangement will work with Woodwinds only (No Saxes), Saxes only (No Woodwinds or F Horns) or with both.Big band Arrangement (Key G) and Pops Orchestra arrangement (Key of Bb or G) also available on Sheet Music Plus.: Search HereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.com Youtube Playlist: https://bit.ly/3m0oUkH
$99.99
91.42 €
#
Orchestre
#
Dudley Brooks, Harold Stanley, and Irving Taylor
#
Daryl McKenzie
#
(everybody's Waitin' For) The Man With The Bag
#
Daryl McKenzie
#
SheetMusicPlus
Scherzo from Tschaikowsky's Symphony #4 for full advanced children symphony orchestra or youth orche
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.805407 Composed by P. I. Tschai…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.805407 Composed by P. I. Tschaikowsky. Arranged by Laura C. Quijada OrtÃz. Romantic Period. Score and parts. 200 pages. Laura Quijada #3462859. Published by Laura Quijada (A0.805407). Arranged for advanced children symphony orchestra or for youth symphony orchestra. Original key. Abridged movement. Separate woodwinds/brass & percussion scores included for section teachers. Excellent for demanding the best out of the woodwind players! Details Duration: circa 00:04:40 minutes Key: original F major Measures: 306 Instrumentation: piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, bass trombone, tuba, timpani, snare drum, triangle, hand cymbals, strings Set includes: conductor's score, woodwinds score, brass & percussion score, parts
$70.00
64 €
#
Orchestre
#
P
#
Laura C
#
Scherzo from Tschaikowsky's Symphony #4 for full advanced children symphony orchestra or youth orche
#
Laura Quijada
#
SheetMusicPlus
PRAISE MY SOUL THE KING OF HEAVEN FOR FULL ORCHESTRA
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.837303 Arranged by Garth M. Wil…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.837303 Arranged by Garth M. Williams, (Socan). Easter,Praise & Worship,Standards. Score and parts. 39 pages. Garth M. Williams (Socan) #5033923. Published by Garth M. Williams (Socan) (A0.837303). This arrangement is written for senior high school or adult amateur orchestra. It contains complete woodwinds including saxophone section, complete brasses and full strings. There is also an additional Violin III part which covers the viola if no violas are available or if there are violinists who need a less difficult part. Violins are divided towards the end of the score. Percussion includes temp. and xylophone. Towards the end of the score the strings are written in augmentation while the woodwinds and xylophone play a intricate ostinato part.
$50.00
45.71 €
#
Orchestre
#
Garth M
#
PRAISE MY SOUL THE KING OF HEAVEN FOR FULL ORCHESTRA
#
Garth M. Williams
#
SheetMusicPlus
Bluegrass Mashup for Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1477292 Composed by Traditional…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1477292 Composed by Traditional. Arranged by Stephen W. Burch (ASCAP). Country,Traditional. 118 pages. BurchMusic #1054714. Published by BurchMusic (A0.1477292). This “Mashup” is an arrangement for Full Orchestra of three well-known fiddle tunes; Fire on the Mountain, Flop-Eared Mule, and Turkey in the Straw. Each instrument group gets a real workout! It is scored for woodwinds in pairs (Clarinets in A) piccolo and bass clarinet, horns 1-4, trumpets in C 1-3, trombones 1-2, bass trombone, tuba, timpani, percussion, piano, xylophone, and (of course!) strings. There is also a combined piano/xylophone part.
$50.00
45.71 €
#
Orchestre
#
Traditional
#
Stephen W
#
Bluegrass Mashup for Orchestra
#
BurchMusic
#
SheetMusicPlus
Circle Of Life
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1436894 By Elton John. By Elton…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1436894 By Elton John. By Elton John and Tim Rice. Arranged by Georg Wiesinger. Film/TV,Multicultural,Pop,World. 62 pages. Georg Wiesinger #1016960. Published by Georg Wiesinger (A0.1436894). Bring the iconic sounds of Disney’s The Lion King to life with this masterful orchestral arrangement of Circle of Life, composed by the legendary Elton John and Tim Rice. This arrangement, commissioned by the esteemed Bruckner Orchestra Linz, is a faithful transcription of the beloved song as heard in the film, meticulously crafted for a full symphony orchestra.This arrangement captures the essence and grandeur of the original, ensuring an authentic and stirring performance that will resonate with audiences. With parts for strings, woodwinds (3/3/3/2), brass (4/3/3/1), percussion (4 players), solo, and more (harp, e-piano, bass-guitar), this arrangement allows each section of the orchestra to shine, delivering the powerful and emotional experience that Circle of Life is known for.Key Features:Authenticity: Faithfully transcribed to match the film’s version, ensuring a familiar and beloved sound.Versatility: Perfect for concert performances, special events, and themed programs.Professional Quality: Commissioned by a world-class orchestra, reflecting high standards of musicality and craftsmanship.Comprehensive Parts: Includes full score and individual parts for each section of the orchestra.Ideal for orchestras looking to add a timeless and emotionally impactful piece to their repertoire, this arrangement of Circle of Life promises to captivate and inspire audiences of all ages. Bring the magic and majesty of the African savanna to your concert hall with this stunning orchestral arrangement.
$100.00
91.42 €
#
Orchestre
#
Elton John
#
Georg Wiesinger
#
Circle Of Life
#
Georg Wiesinger
#
SheetMusicPlus
Let It Go
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1436893 By Idina Menzel. By Kri…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1436893 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Georg Wiesinger. Film/TV,Pop. 62 pages. Georg Wiesinger #1016959. Published by Georg Wiesinger (A0.1436893). Experience the magic of Disney’s Frozen with this exquisite orchestral arrangement of Let it Go, composed by Robert Lopez and Kristen Anderson-Lopez. Crafted with meticulous attention to detail, this arrangement captures the essence and grandeur of the original film score, ensuring an authentic and immersive performance experience.Commissioned by the renowned Bruckner Orchestra Linz, this arrangement is designed for a full symphony orchestra and soloist. It includes parts for strings, woodwinds (3/3/3/2), brass (4/3/3/1), percussion (4 players), the solo part, and more (piano, harp, e-guitar, bass guitar), allowing every section to shine in this iconic piece. The arrangement stays true to the original vocal lines and harmonies, bringing the powerful and emotional lyrics to life through the rich textures of the orchestra.
$200.00
182.85 €
#
Orchestre
#
Idina Menzel
#
Georg Wiesinger
#
Let It Go
#
Georg Wiesinger
#
SheetMusicPlus
And The Waltz Goes On
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1421751 Composed by Anthony Hop…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1421751 Composed by Anthony Hopkins. Arranged by Steve Sensenig. Classical,Contemporary. 99 pages. Steve Sensenig #1003096. Published by Steve Sensenig (A0.1421751). This infectious waltz by Sir Anthony Hopkins was introduced several decades after its composition when arranged/orchestrated and premiered by King of the Waltz, Dutch violinist and conductor André Rieu. While Maestro Rieu's arrangement included sax, accordion, and even a barrel organ, this arrangement of And the Waltz Goes On is for traditional symphonic orchestra with double woodwinds and a full brass. (Full instrumentation is 2.2.2.2 / 4.3.3.1 / Timp.perc(3) / Hp / Pno / Strings), using the structure of Maestro Rieu's arrangement as the basis for this adaptation.
$89.99
82.27 €
#
Orchestre
#
Anthony Hopkins
#
Steve Sensenig
#
And The Waltz Goes On
#
Steve Sensenig
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
