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--INSTRUMENTS--
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Partitions à imprimer
22 partitions trouvées
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1
There are Blows in Life, So Powerful...I Don't Know Op. 2b (Orchestral version)
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Orchestre
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AVANCÉ
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Manuel Carranza Cueto
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There are Blows in Life, So Po
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Manuel Carranza Cueto
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1079913 Composed by Manuel Carranza Cueto. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. ...
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Full Orchestra - Level 5 - SKU: A0.1079913 Composed by Manuel Carranza Cueto. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. 80 pages. Manuel Carranza Cueto #684126. Published by Manuel Carranza Cueto (A0.1079913). There are Blows in Life, So Powerful...I Don't Know Op. 2 for soprano (Orchestral version). Score and parts.
$150.00
Locura Tanguera (Tango) transcription for orquesta típica
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Orchestre
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AVANCÉ
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Tango
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Osvaldo Pugliese y su Orquesta
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Andrés S
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Locura Tanguera
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Andrés S. Orlando
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1173792 By Osvaldo Pugliese y su Orquesta TÃpica. By Osvaldo Ruggiero. Arranged by Andrés S. Orlando (transcrip...
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Full Orchestra - Level 5 - SKU: A0.1173792 By Osvaldo Pugliese y su Orquesta TÃpica. By Osvaldo Ruggiero. Arranged by Andrés S. Orlando (transcription). 20th Century,Latin,Multicultural,World. Score and parts. 40 pages. Andrés S. Orlando #773943. Published by Andrés S. Orlando (A0.1173792). Locura tanguera is a composition by the legendary bandoneonist Osvaldo Ruggiero, who led the bandoneon line of Osvaldo Pugliese's orchestra for 28 years.This tango is a perfect synthesis of the style created by the orchestra, with passages of overwhelming rhythm, great lyricism and perfect for dance.The recording dates from the year 1966, the culminating moment in the stylistic maturation of the orchestra before Ruggiero formed the Sexteto Tango together with other great musicians from the orchestra.This score is a transcription of that recording arranged for three violins, viola, cello, four bandoneons, piano and double bass.Music scores for individual instruments. No full score included on this publication.
$29.99
Locura Tanguera (Tango) transcription for orquesta típica - individual parts
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Orchestre
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AVANCÉ
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Tango
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Osvaldo Pugliese y su Orquesta
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Andrés S
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Locura Tanguera
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Andrés S. Orlando
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1173630 By Osvaldo Pugliese y su Orquesta TÃpica. By Osvaldo Ruggiero. Arranged by Andrés S. Orlando (transcrip...
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Full Orchestra - Level 5 - SKU: A0.1173630 By Osvaldo Pugliese y su Orquesta TÃpica. By Osvaldo Ruggiero. Arranged by Andrés S. Orlando (transcription). 20th Century,Latin,Multicultural,World. Score and parts. 24 pages. Andrés S. Orlando #773776. Published by Andrés S. Orlando (A0.1173630). Locura tanguera is a composition by the legendary bandoneonist Osvaldo Ruggiero, who led the bandoneon line of Osvaldo Pugliese's orchestra for 28 years.This tango is a perfect synthesis of the style created by the orchestra, with passages of overwhelming rhythm, great lyricism and perfect for dance.The recording dates from the year 1966, the culminating moment in the stylistic maturation of the orchestra before Ruggiero formed the Sexteto Tango together with other great musicians from the orchestra.This score is a transcription of that recording arranged for three violins, viola, cello, four bandoneons, piano and double bass.Full orchestra score. No individual instruments parts included on this publication.
$29.99
The Floodgates of the Sky
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Orchestre
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AVANCÉ
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Josh Trentadue
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The Floodgates of the Sky
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T.U.X. People's Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1287299 Composed by Josh Trentadue. 21st Century,Contemporary,Contest,Festival. Score and Parts. 122 pages. T.U.X. Pe...
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Full Orchestra - Level 5 - SKU: A0.1287299 Composed by Josh Trentadue. 21st Century,Contemporary,Contest,Festival. Score and Parts. 122 pages. T.U.X. People's Music #878316. Published by T.U.X. People's Music (A0.1287299). Bring bombast and excitement to your concert program with this rhythmically driving, lively piece directly inspired by the epic flood of the Noah's Ark tale!
$100.00
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik...
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Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik ...
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Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
"Arcane Aldébaran" piano 1 & 2 / Cello 1,2,3,4 / Contrabass
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AVANCÉ
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Contemporain
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Julien Boulier
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Julien Boulier
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"Arcane Aldébaran&
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Julien Boulier
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1014395 Composed by Julien Boulier. Arranged by Julien Boulier. 20th Century,Contemporary. Score and parts. 72 pages....
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Full Orchestra - Level 5 - SKU: A0.1014395 Composed by Julien Boulier. Arranged by Julien Boulier. 20th Century,Contemporary. Score and parts. 72 pages. Julien Boulier #4603309. Published by Julien Boulier (A0.1014395). Extracted parts piano 1 & piano 2 / Cello 1,2,3,4 (3 cellos divisi and 1 solo cello advanced or 1 cello advanced amplified) / Contrabass 1,2,3String Orchestra, Chamber Orchestra, 2 pianos advanced level for duo (rythm 3 for 4 between 3 quarters piano 1 right hand and 4 quavers 2 hands piano 2) / 6 violas / 3 Contrebass / 3 cellos divisi or 1 cello expert / / 6 altos / - Composed by Julien Boulier. Arranged by Julien Boulier. Contemporary Classical, Impressionistic, Neo-Classical. 35 pages. Published by Julien Boulier (S0.568883).Item Number: S0.568883Vimeo pro video The Public Studio : https://vimeo.com/82255166Fin de la retranscription à partir de la maquette (1 ère étape avant corrections et ajouts par des instrumentistes / signes d'expression, d'articulation...) de Arcane Aldébaran pour 2 pianos et cordes :- code oeuvre Sacem du score pdf 150 à la noire de Arcane Aldébaran pour 2 pianos et cordes : 3450428911 - numéro Sacem du score pdf 150 à la noire de Arcane Aldébaran pour 2 pianos et cordes : 1252520Arcane Aldébaran morceau maquette mp3 déposé Sacem Code ISWC : T-703.547.656.5 /morceau qui avait été utilisé dans ce court métrage de The Public Studio https://vimeo.com/82255166, court métrage réalisé par Ming-Zhu Hii & Nicholas Coghlan. Il faudra dans un deuxième temps compléter avec plusieurs violons, altos, violoncelles et contrebasses. Violons1-2;3-4,... altos1-2;3-4...; Violoncelle 1-2; 3-4; Contrebasses 1-2;3-4 En amplifiant certains instruments, et d'autres non.
$5.00
The Valley of the Dry Bones
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AVANCÉ
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Zsigmond Rosarion
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and it was full of bones
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The Valley of the Dry Bones
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Zsigmond Rosarion
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1518051 By Zsigmond Rosarion. By Zsigmond Rosarion. 21st Century,Christian,Classical,Contemporary. 57 pages. Zsigmond...
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Full Orchestra - Level 5 - SKU: A0.1518051 By Zsigmond Rosarion. By Zsigmond Rosarion. 21st Century,Christian,Classical,Contemporary. 57 pages. Zsigmond Rosarion #1092214. Published by Zsigmond Rosarion (A0.1518051). The Valley of the Dry Bones is based off of the chapter in Ezekiel The Valley of the Dry Bones (from the Bible) symbolizes the Israelites' revival and God's power and sovereignty Ezekiel 37:1-6The hand of the Lord was upon me, and He brought me out by the Spirit of the Lord and set me down in the middle of the valley; and it was full of bones. He caused me to pass among them round about, and behold, there were very many on the surface of the valley; and lo, they were very dry. He said to me, “Son of man, can these bones live?” And I answered, “O Lord God, You know.” Again He said to me, “Prophesy over these bones and say to them, ‘O dry bones, hear the word of the Lord.’ Thus says the Lord God to these bones, ‘Behold, I will cause breath [spirit] to enter you that you may come to life. I will put sinews on you, make flesh grow back on you, cover you with skin and put breath in you that you may come alive; and you will know that I am the Lord.’”Ezekiel is called by the Lord, and given a vision. Ezekiel is set down in a valley full of bones. This is not some symbolic imagery, but these are literally dead people, long dead. God asks Ezekiel if he believes the bones can come back to life, and Ezekiel says only the Lord knows. God gives Ezekiel a prophesy concerning all the dead. At a future date, God will cause breath (His Spirit) to enter the bones so that they may come to life. God will use His power (which is always through the Spirit of God) to cause these dead to be resurrected. We know this isn’t symbolic of spiritual death and spiritual life because of the graphic imagery that is used.
$39.99
Olympic Fanfare and Theme
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Orchestre
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AVANCÉ
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John T
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Olympic Fanfare and Theme
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Arthur Pereira de Moura Fé
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1500090 Composed by John T. Williams. 20th Century,Multicultural,World. 18 pages. Arthur Pereira de Moura Fé #107616...
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Full Orchestra - Level 5 - SKU: A0.1500090 Composed by John T. Williams. 20th Century,Multicultural,World. 18 pages. Arthur Pereira de Moura Fé #1076165. Published by Arthur Pereira de Moura Fé (A0.1500090). Commissioned by the 1984 Los Angeles Olympic Organizing Commitee.
$100.00
Princess Leia's Theme
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Orchestre
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AVANCÉ
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John T
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Princess Leia's Theme
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Arthur Pereira de Moura Fé
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1500099 Composed by John T. Williams. 20th Century,Film/TV. 5 pages. Arthur Pereira de Moura Fé #1076174. Published ...
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Full Orchestra - Level 5 - SKU: A0.1500099 Composed by John T. Williams. 20th Century,Film/TV. 5 pages. Arthur Pereira de Moura Fé #1076174. Published by Arthur Pereira de Moura Fé (A0.1500099). From Star Wars.
$70.00
Bridge Over Troubled Water
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Orchestre
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AVANCÉ
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Simon And Garfunkel
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Nicholas Hersh
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Bridge Over Troubled Water
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Nicholas Hersh
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1461569 By Simon And Garfunkel. By Paul Simon. Arranged by Nicholas Hersh. 20th Century,Folk,Patriotic,Pop,Rock. 113 ...
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Full Orchestra - Level 5 - SKU: A0.1461569 By Simon And Garfunkel. By Paul Simon. Arranged by Nicholas Hersh. 20th Century,Folk,Patriotic,Pop,Rock. 113 pages. Nicholas Hersh #1040308. Published by Nicholas Hersh (A0.1461569). A colorful arrangement of Simon & Garfunkel's timeless classic for large orchestra, featuring an ostinato inner verse perfect for a spoken poem, jazz solo or other feature. A keen listener may even detect tinges of a more patriotic theme!This is the complete score and set of parts, formatted for 10x13 paper, a standard part size intended for ease of reading. When downloaded, everything will be in one file, which you can print double-sided. If printing on 8.5x11 paper, be sure to fit to size or scale to about 90%.Instrumentation:3[1.2.p] 3[1.2.3/eh] 3[1.2.bcl] 3[1.2.cb] - 4 3 3 1 - t+2 - drset - opt. bsgtr - pno/opt. cel - opt. hp - strDuration: 5 min.
$99.95
Roundball Rock
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Orchestre
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AVANCÉ
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John Tesh
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Todd Sheehan
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Roundball Rock
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Todd Sheehan
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1467965 By John Tesh. By John Tesh. Arranged by Todd Sheehan. 20th Century,Classical,Film/TV,Pop,Rock. 86 pages. Todd...
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Full Orchestra - Level 5 - SKU: A0.1467965 By John Tesh. By John Tesh. Arranged by Todd Sheehan. 20th Century,Classical,Film/TV,Pop,Rock. 86 pages. Todd Sheehan #1046272. Published by Todd Sheehan (A0.1467965). John Tesh: Roundball Rock - 1:49 Instrumentation: 2232 - 4431 - T+3 (incl. drs) - pf - egtr - ebass - str Professional quality arrangement for full orchestra of the John Tesh “Roundball Rock - The NBA on NBC Theme (1990-2022).” This arrangement rocks!
$70.00
The Mandalorian
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Orchestre
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AVANCÉ
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Contemporain
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Ludwig Goransson
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Todd Sheehan
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The Mandalorian
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Todd Sheehan
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1374765 Composed by Ludwig Goransson. Arranged by Todd Sheehan. 21st Century,Classical,Contemporary,Film/TV. 77 pages...
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Full Orchestra - Level 5 - SKU: A0.1374765 Composed by Ludwig Goransson. Arranged by Todd Sheehan. 21st Century,Classical,Contemporary,Film/TV. 77 pages. Todd Sheehan #959295. Published by Todd Sheehan (A0.1374765).  This is the Way.  An exciting, faithful reproduction of The Mandalorian - Main Title - from the Disney Production of STAR WARS: THE MANDALORIAN for professional orchestra.  Instrumentation: 2233 - alto recorder, tenor recorder, bass recorder - 4431 - T 4 - hp - pf/cel - ac./egtr - ebass - str *Alto, Tenor, Bass Recorders are optional (cued within orchestra parts), *Digitial delay optional
$100.00
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Conductor's Score
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Orchestre
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AVANCÉ
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018872 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 38 pages. Benjamin Sajo #6056047...
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Full Orchestra - Level 5 - SKU: A0.1018872 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 38 pages. Benjamin Sajo #6056047. Published by Benjamin Sajo (A0.1018872). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph.  This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
SSRI
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Orchestre
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AVANCÉ
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Jonathan Worsley
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SSRI
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Jonathan Worsley
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1147835 Composed by Jonathan Worsley. 20th Century,Classical,Contemporary. Score and parts. 164 pages. Jonathan Worsl...
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Full Orchestra - Level 5 - SKU: A0.1147835 Composed by Jonathan Worsley. 20th Century,Classical,Contemporary. Score and parts. 164 pages. Jonathan Worsley #748033. Published by Jonathan Worsley (A0.1147835). 2(1.2/pic).2(1.2/ca).2.2(1.cbsn) | 4.2.3(1.2.btbn).1 | T | 2P | Hp | Str A deeply personal piece that deals with antidepressants, and the fluctuations in mood that they can bring about. Score, parts, and percussion score.
$20.00
CHINESE RHAPSODY No.3 For Saxophone and Full Orchestra, Op.46(1988) [score】 - Score Only
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Orchestre
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AVANCÉ
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An-lun Huang
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CHINESE RHAPSODY No.3 For Saxo
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DoReMi Edition
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1049004 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Score and part...
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Full Orchestra - Level 5 - SKU: A0.1049004 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Score and parts. 61 pages. DoReMi Edition #653398. Published by DoReMi Edition (A0.1049004). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
$19.99
The Glastry Pearl. Tone Poem Elegy For My Mum.
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Orchestre
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AVANCÉ
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Geraldine
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The Glastry Pearl. Tone Poem E
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldin...
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Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Extracted Parts
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018900 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 79 pages. Benjamin Sajo #6056141...
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Full Orchestra - Level 5 - SKU: A0.1018900 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 79 pages. Benjamin Sajo #6056141. Published by Benjamin Sajo (A0.1018900). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$50.00
Americana Symphony "Variations on Appalachia Waltz" (percussion parts – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik International #6209401. Published by Mark O'Connor Musik International (A0.861962). Americana Symphony Variations on Appalachia Waltz (percussion parts – symphony orchestra) MO164Q-TPercussion Parts (score and parts available)Music by Mark O’Connor99 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$50.00
Concierto de Metal para un Recuerdo
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Orchestre
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AVANCÉ
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Contemporain
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William Ortiz
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Blues and Rock &
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Concierto de Metal para un Rec
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William Ortiz
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1008985 Composed by William Ortiz. 20th Century,Contemporary. Score and parts. 127 pages. William Ortiz #5869315. Pub...
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Full Orchestra - Level 5 - SKU: A0.1008985 Composed by William Ortiz. 20th Century,Contemporary. Score and parts. 127 pages. William Ortiz #5869315. Published by William Ortiz (A0.1008985). The title of this work is a metaphor and it shouldn't be taken literally as a concerto for any specific instrument, although brass and metal percussion instruments are prominent. Ever since I can remember, Rhythm & Blues and Rock & Roll have had a strong influence in me musically. In like manner Concierto de Metal para un Recuerdo utilizes a popular and common 4-part street corner harmonic progression as it's main recourse. The sonic material or theme that evolves from that is transformed and modified into various melodic, harmonic, rhythmic and/or timbre motifs. A surprise feel good rock passage emerges revealing another cultural phenomena that permeates in our socio-musical environment. This work questions the possibility of overcoming abstruse musical concepts in contemporary concert music. But at the same time, it is revolutionary in the sense that it dares to contradict and confront Eurocentric musical concepts with an accessible and unpretentious street gutted idiom.
$45.00
The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score and
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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The Discontented Housewife, A
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730482 Composed by James Nathaniel Holland. 20th Century,Broadway,Contemporary,Holiday,Musical/Show,Opera. Score and ...
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Full Orchestra - Level 5 - SKU: A0.730482 Composed by James Nathaniel Holland. 20th Century,Broadway,Contemporary,Holiday,Musical/Show,Opera. Score and Parts. 292 pages. James Nathaniel Holland #4309153. Published by James Nathaniel Holland (A0.730482). The Discontented Housewife FULL ORCHESTRAL SCORE AND INDIVIDUAL PARTS (Individual vocal parts are not included, Piano Vocal Score sold separately), A Comic Opera in One Ridiculously Short Act Music and Libretto by James Nathaniel Holland Composer Website: https://www.facebook.com/jamesnathanielholland/Â YouTube presentation of entire opera with singers and piano: https://www.youtube.com/watch?v=XAGjuXCvwzE (Duration: 30') In Czech, fully realized production: Â https://youtu.be/raDiBJAaM_0?si=Yzim2ifUyviLoKRDÂ Twenty some odd years before the Desperate Housewives phenomenon there was a discontented housewife named Margaret. Sung here by Colleen McGrath and Dennis Jesse as her husband Harold. Synopsis: This is the interesting story of Margaret. So begins the screwball one-act chamber opera about an emotionally abused housewife, and the extent she goes to change the situation life has dealt her. Not even the pianist is allowed to sit by and idly accompany Margaret's journey into self-empowerment. Is it a battle between the sexes? Certainly not. It's more like power, domination and the pure thrill of ordering others around. ARTISTS NEEDED: Soprano (Coloratura) Margaret, Harold (Baritone)ORCHESTRATION: Picc, fl12, ob12, cl12, bsn, hrn12, tpt, trm, timp, perc (or drum set), pno, strings. (Full Score in Concert Pitch, Individual Vocal Parts are not included. Please purchase the piano vocal score, sold separately.)Great vehicle for young artists. First premiered at DePauw University, Greencastle Indiana in 1987. Later performed by the New Jersey Concert Opera in 2004. Combine with either J.N. Holland's other one act operas The One Upstairs (comedy) and O Holy Art (tragedy) to make a complete opera evening entitled A New York Triptych All require same type of singers (with some addition and chorus) and same size of orchestra. Other operas also available and published, sold separately.Please note: Although this is a farce, the orchestral should have solid players, an experienced conductor and enough rehearsal time should be given so that the piece won't fall apart in performance. Due to the comedic element, there are constantly shifting tempos and effects that a community or amateur orchestra/conductor might have difficulty with.
$42.99
Thérèse Brenet: Le Livre de L'Harmonie du Monde for orchestra ((pic222clbs2cbn/4331/4perc/tmp/hp/str
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.532888 Composed by Therese Brenet. Contemporary,Spiritual. Score and parts. 47 pages. Musik Fabrik Music Publishing #...
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Full Orchestra - Level 5 - SKU: A0.532888 Composed by Therese Brenet. Contemporary,Spiritual. Score and parts. 47 pages. Musik Fabrik Music Publishing #119693. Published by Musik Fabrik Music Publishing (A0.532888). For this work, the composer has chosen to write three movements of an equal strength and an equal dramatic force. She leaves aside the idea of a calm slow movement which one usually finds at the center of a long work. With these three outbursts, she understands that she hasn't chosen the easiest route and that she is transgressing the traditional rules of classical form. She knows that she is risking that her work will bore or tire her listeners. Motivated by her inspiration, she has decided to break with the usual equilibrium, which she knows is a challenge and which she holds herself responsible, reminded of the phrase by Jean Cocteau : “It is clear that certain works haunt you, troubling your moral comfort and teach you that the best method is that of men who work outside of learned rules.†The title is inspired by the writing of Hildegarde van Bingen, who was one of the most extraordinary figures of the 12th century. A mystic who was also a doctor, a poet, a linguist and astronomer, her influence spread over all Europe. This is the full score. The parts are on rental from the publisher. Duration 11' I LLe cantique de l'Univers 4' 10 II Vents solaires 3' 20 III Expansion 3' 30 Recorded on Thérèse Brenet : Le Livre de L'Harmonie du Monde http://www.jtbprod.com/llhm.htm The third movement Expansion may be heard here : https://www.youtube.com/watch?v=5fUX_0HC0-o.
$29.95
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