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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
CORNEMUSE
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FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
PIANO
SAXOPHONE
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Orgue
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4
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Guitare
10
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2
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Ligne De Mélodie, (Paroles) et Accords
1
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Dulcimer
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1
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1
Basse electrique
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Chorale SATB
57
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13
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8
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4
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4
Chorale 3 parties
3
Voix seule
2
Voix Mezzo-Soprano, Piano
1
Soli, choeur mixte et accompagnement
1
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1
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1
Chorale
1
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1
Voix basse, Piano
1
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Clarinette
32
Saxophone
27
Flûte traversière
24
Flûte traversière et Piano
16
Quatuor de Clarinettes: 4 clarinettes
12
Saxophone Alto
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Quatuor de Saxophones: 4 saxophones
9
Hautbois (partie séparée)
5
Quatuor de Flûtes : 4 flûtes
5
Saxophone Tenor
4
Clarinette et Piano
4
Hautbois
4
Saxophone Soprano
3
3 Clarinettes (trio)
3
2 Flûtes traversières (duo)
3
2 Saxophones (duo)
3
Hautbois, Piano (duo)
3
Ensemble de saxophones
2
Flûte, Hautbois, Clarinette, Basson
2
Saxophone Tenor et Piano
2
Flûte et Guitare
2
Quintette de Clarinettes: 5 clarinettes
2
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Saxophone (duo)
1
Saxophone Soprano et Piano
1
Flûte irlandaise
1
Flûte à Bec
1
Quintette de Saxophone: 5 saxophones
1
2 Clarinettes (duo)
1
Hautbois, Flûte
1
Clarinette, Violon (duo)
1
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1
Flûte à bec Alto, Piano
1
Flûte, Clarinette (duo)
1
Saxophone (partie séparée)
1
Flûte à bec Soprano
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Quatuor de Flûtes à bec
1
Saxophone et Orgue
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
27
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Trompette
19
Trombone
12
Trombone et Piano
9
Cor
8
Euphonium, Piano (duo)
6
Quatuor de cuivres: 4 trombones
4
Ensemble de Trombones
4
Tuba
4
2 Trombones (duo)
3
Trompette (partie séparée)
2
Tuba et Piano
2
Cor et Piano
2
Trombone basse et Piano
2
Quatuor de cuivres: 4 cors
2
Trombone basse
1
Quatuor de Cuivres
1
2 Tubas (duo)
1
3 Trombones (trio)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette, Piano
1
2 Cors (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
43
Violon et Piano
14
Violon
10
Alto seul
9
Trio à Cordes: violon, alto, violoncelle
8
Violoncelle, Piano
5
Violoncelle (partie séparée)
5
Violon, Violoncelle (duo)
4
Alto, Piano
3
2 Violoncelles (duo)
3
Harpe
3
Trio à Cordes: 2 violons, violoncelle
2
Contre Basse
2
Violon, Alto (duo)
2
Violoncelle
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Altos (duo)
2
Trio à Cordes: 3 violoncelles
2
Violon, Orgue
1
Alto, Violoncelle (duo)
1
Alto (partie séparée)
1
2 Violons (duo)
1
4 Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Harpe, Flûte (duo)
1
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PERCUSSIONS & ORCHESTRES
Ensemble Jazz
45
Orchestre
39
Ensemble de cuivres
23
Orchestre d'harmonie
22
Orchestre à Cordes
18
Batterie
17
Orchestre de chambre
14
Jazz combo
13
Cloches
7
Ensemble de Percussions
7
Fanfare
5
Piano et Orchestre
1
Orchestre, Violon
1
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Hold Up - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1444794 By Beyonce. By Antonio …
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Full Orchestra - Level 5 - Digital Download SKU: A0.1444794 By Beyonce. By Antonio Randolph, Beyonce Knowles, Brian Chase, Deandre Way, Doc Pomus, Emile Haynie, Ezra Koenig, Joshua Tillman, Karen Orzolek, Kelvin McConnell, Mort Shuman, Nicholas Zinner, Sean Rhoden, Thomas Pentz, and Uzoechi Emenike. Arranged by Steven Hackman. Pop. 35 pages. Steve Hackman Productions #1024661. Published by Steve Hackman Productions (A0.1444794).
$49.99
46.14 €
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Orchestre
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Beyonce
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Steven Hackman
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Hold Up - Score Only
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Steve Hackman Productions
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SheetMusicPlus
Cheer Up, Charlie
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1274759 Composed by Anthony New…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1274759 Composed by Anthony Newley and Leslie Bricusse. Arranged by Patrick Sheehan. Broadway,Children,Film/TV,Musical/Show. Score and Parts. 48 pages. Patrick Sheehan #866911. Published by Patrick Sheehan (A0.1274759). Transcribed from the soundtrack of the 1971 Paramount Pictures film “Willy Wonka and the Chocolate Factoryâ€INSTRUMENTATION: Flute I, Flute II, Oboe I, Oboe II,  Bassoon I, Bassoon II, Clarinet I (Bb), Clarinet II (Bb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Trombone I, Trombone II, Trombone III, Tuba, Solo Alto Voice, Celesta, Vibraphone, Harp, Violin I, Violin II, Viola, Cello, Contrabass.ABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00
46.15 €
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Orchestre
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Anthony Newley and Leslie Bricusse
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Patrick Sheehan
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rock selections
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Cheer Up, Charlie
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Patrick Sheehan
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SheetMusicPlus
Concerto for Guitar and Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.809837 Composed by Robert E. Pr…
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Full Orchestra - Level 5 - Digital Download SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #3526877. Published by R. E. Proctor (A0.809837). Concerto for Guitar and Orchestra – Description and performance notes. The concerto provides a challenge for the performer and is delightful to the listener. It is written in the standard three movement concerto format: fast – slow – fast. A variety of musical colors, rhythms, and techniques are used. The first movement begins with an Adagio section which is marked Poco Rubato, followed by Allegro for the balance of the movement. The second movement is darker, and perhaps, a little sullen. The third movement is bright and harkens back to the guitar’s Spanish roots. The movement is happy and light, it has an abrupt and unexpected ending. Throughout the concerto the guitarist will use a wide range of techniques. The full sound spectrum of the guitar is utilized. The guitarist is asked to perform several rapid arpeggios (noted as Finger Roll) wherein the performer utilizes the thumb and fingers to rapidly play the notes in a chord. In other places, chords are to be played with three fingers playing up and the thumb to play down, using the nail (Flamenco style) – up and down referring to pitch. In the first movement, the thumb is used to tap the sound board. The guitar part is partially edited with suggested fingerings for clarity of intent. The balance is left for to the performer’s interpretation. In the second movement there is a completed tremolo section which requires the player to include the little or c finger. The inclusion of the c finger keeps the melodic line following without interruption. The second movement also has the melody played in artificial harmonics with the thumb playing simple a bass line. The third movement is the shortest. It has a challenging arpeggio pattern that uses the fingers strumming up and the thumb strumming down with rapid chord changes. The movements are in 4/4, 6/8, and 3/4 time respectively. Duration is approx. 13:18.
$19.95
18.41 €
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Orchestre
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Robert E
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Concerto for Guitar and Orchestra
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R. E. Proctor
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SheetMusicPlus
One Sows for the Benefit of Another Age - Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vander…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
46.14 €
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Orchestre
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Kyle Vanderburg
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One Sows for the Benefit of Another Age - Orchestra
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NoteForge
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SheetMusicPlus
Homage to O'Keeffe for Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. …
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Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
36.91 €
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Orchestre
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Sy Brandon
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Homage to O'Keeffe for Orchestra
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Sy Brandon
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SheetMusicPlus
Kabuki Pieces, Op. 20
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1373704 Composed by Chris Knapp…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1373704 Composed by Chris Knapp. 21st Century,Classical,Contemporary. 52 pages. Chris Knapp #958094. Published by Chris Knapp (A0.1373704). Kabuki pieces takes influence and inspiration from Japanese Kabuki theatre productions. In this work, the main aspects of Kabuki theatre are explored through the 'deconstructed' Orchestra. Kabuki theatre employs the principles of jo-ha-kyu which helps sets the pace for a dramatic play. Jo-ha-kyustates that a play should start slow, get quicker and end fast. Kabuki employs this technique over a series of 5 acts, hence this composition uses 5 movements and the pace of the work as a whole speeds up as it moves through.1. Introduction - Like with all good pieces of theatre, the first act sets the scene and establishes characters. In this compositon, the scene is set by the Cello accompanied by a selection of percussion (a characteristic trait of Kabuki theatre).2. Battle #1 - In Kabuki theatre there are always a number of battles, these usually occur during the 2nd and 4th acts. This composition similarly mimics the chaos of a battle and features the Woodwind section.3. Tragedy - During the 3rd act, a Tragedy or emotional event usually occurs, thus this composition hopes to mirror that with an emotional outpouring of melodic ideas introducing the Brass.4. Battle #2 - In the 2nd battle of this work, the feature is placed more on the Xylophone who takes a solo role and sets out a frantic tune which provides the basis for a Fugue of sorts picked up by the Strings.5. Conclusion - The conclusion to most Kabuki plays are satisfying and short, this is mirrored by the very brief conclusion to this work.
$35.99
33.22 €
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Orchestre
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Chris Knapp
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Kabuki Pieces, Op. 20
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Chris Knapp
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SheetMusicPlus
Fairest Lord Jesus
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.529931 Composed by Schlesische …
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Full Orchestra - Level 5 - Digital Download SKU: A0.529931 Composed by Schlesische Volkslieder. Arranged by Matt Riley. Christmas,Contemporary,Easter,Sacred. Score and Parts. 119 pages. Www.mattrileymusic.com #3516041. Published by www.mattrileymusic.com (A0.529931). An inspirational and moving arrangement of this classic hymn. Arranged and orchestrated for solo violin and full orchestra.This PDF is formatted for 8.5x11 paper but should be scaled up to 9x14 or 11x17 for the Conductor’s Score. The margins have been left wide to accommodate this correctly. The exact percentage of scaling will vary by printer. The parts can be left at 8.5x11 formatting if desired or scaled up for larger sized paper such as 9x12. Questions or need something modified? Email matt@mattrileymusic.comhttps://youtu.be/O7Bj3IoSawA
$200.00
184.59 €
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Orchestre
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Schlesische Volkslieder
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Matt Riley
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Fairest Lord Jesus
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www.mattrileymusic.com
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SheetMusicPlus
Christmas Processional
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.890746 Composed by French Tradi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.890746 Composed by French Traditional. Arranged by Andrew Wainwright. Christmas. Score and parts. 69 pages. Andrew Wainwright #4888451. Published by Andrew Wainwright (A0.890746). A spectacular opener to any Christmas concert, based on the French carol, Bring a torch, Jeanette, Isabella. This work tells the story of a group of children in medieval Provence, dressed up as shepherds and milkmaids, carrying torches and candles as they proceed to the stable. As they draw closer and their excitement increases, they are constantly reminded by their parents to keep the noise down so that they don't wake up the baby Jesus. The music begins quietly and builds to a majestic conclusion. If I were still conducting regularly, this would certainly be on my list as a Christmas concert opener - it sets the energy and mood most effectively. The scoring is terrific. Paul Hindmarsh, music critic *Please note audio is of the version with choir.
$65.00
59.99 €
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Orchestre
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French Traditional
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Andrew Wainwright
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Christmas Processional
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Andrew Wainwright
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
29.07 €
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Orchestre
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Carson Cooman: Remembering Tomorrow: Trombone Concerto (2004) for trombone and orchestra), score plu
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533655 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #3035627. Published by Musik Fabrik Music Publishing (A0.533655). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$29.95
27.64 €
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Orchestre
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Carson Cooman
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Carson Cooman: Remembering Tomorrow: Trombone Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Remembering Tomorrow: Trombone Concerto - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533654 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533654 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3035625. Published by Musik Fabrik Music Publishing (A0.533654). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$25.95
23.95 €
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Orchestre
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Carson Cooman
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Carson Cooman: Remembering Tomorrow: Trombone Concerto - Score Only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.46 €
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Orchestre
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Concerto for Double Bass & Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.927995 Composed by Malcolm D Ro…
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Full Orchestra - Level 5 - Digital Download SKU: A0.927995 Composed by Malcolm D Robertson. Contemporary. 53 pages. Mr Malcolm D Robertson #6037979. Published by Mr Malcolm D Robertson (A0.927995). Composed in June & July 2020 & completed on the 19th July 2020. As a former Double Bass player, I thought it was about time a composed a concerto for my former instrument. The Concerto uses a relatively small orchestra (Flute, Oboe, Cor Anglais, 2 Clarinets, Bassoon, 2 Horns, Timpani, Harp & Strings), the string section should not be too large, 8,8,6,6,3, would be a preferable size. The solo Double Bass doesn't have a large amount of carrying power & so the dynamics for the soloist are marked up, as the MIDI playback isn't great for a solo Bass, the soloist's dynamics have been notched up still further in places for MIDI playback purposes, but can be adjusted down in concert performance. The bass clef has largely been used for the solo purely because the tenor clef option sounds an octave too high on the Musescore program. The Concerto is in 3 movements and about 17 minutes in duration.Parts are available upon request.
$12.99
11.99 €
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Orchestre
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Malcolm D Robertson
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July 2020 &
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Concerto for Double Bass & Orchestra
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Mr Malcolm D Robertson
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SheetMusicPlus
The Way We Were
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1436997 By Barbra Streisand. By…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1436997 By Barbra Streisand. By Alan Bergman, Marilyn Bergman, and Marvin Hamlisch. Arranged by Fred Barton. 20th Century,Film/TV,Pop,Standards. 81 pages. Fred Barton Music #1017064. Published by Fred Barton Music (A0.1436997). A sweeping, cinematic arrangement for vocal and symphony orchestra. After a mysterioso orchestral introduction, the vocal first chorus rides the major and minor harmonies inherent in the song. An upward modulation brings the repeat of the bridge into a fuller orchestral treatment with more power in the vocal, all leading up to the final shattering climax on the last A section – before descending back into the haunting quality of the opening chorus in the last bars.
$99.99
92.28 €
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Orchestre
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Barbra Streisand
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Fred Barton
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The Way We Were
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Fred Barton Music
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SheetMusicPlus
Concerto in G Minor for Trombone and Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.809786 Composed by Robert E. Pr…
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Full Orchestra - Level 5 - Digital Download SKU: A0.809786 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 165 pages. R. E. Proctor #3003007. Published by R. E. Proctor (A0.809786). The G Minor Concerto for Trombone follows the standard format of fast – slow – fast movements. The first being Adagio – Andante and is entitled Variations. The slow or 2nd movement – Lento - is in 6/8 meter and is entitled Remembering the ‘60’s. The movement is based, in part, on a chord progression to a popular song from the 1960’s. The 3rd movement, entitled Now, is up tempo and rhythmic. It’s harmonic structure based in a jazz-like chord progression. It is bright, thoughtful, and sometimes a bit moody. Approximate length 17 minutes and 55 seconds.
$19.95
18.41 €
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Orchestre
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Robert E
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Concerto in G Minor for Trombone and Orchestra
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R. E. Proctor
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SheetMusicPlus
Flower Through The Storm
Orchestre
Orchestra Cello,Double Bass,Drum Set,Flute,Percussion,Piano and Keyboard,Viola - Level 5 -…
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Orchestra Cello,Double Bass,Drum Set,Flute,Percussion,Piano and Keyboard,Viola - Level 5 - Interactive Download SKU: A0.518421 By Alex Haynes. By Alex Haynes. This edition: Interactive Download. Classical,Musical/Show,World. Score and parts. 90 pages. Duration 357. Alex Haynes #4ZXqfVuUkODgnOVbtDq9ac. Published by Alex Haynes (A0.518421). Key: A major.My dad gave me a huge inspiration for this piece. He said, Imagine a big room with a big screen. Imagine a lone flower on the screen, slumped over from the night. It rises with the sun, growing big and tall. Imagine a storm rushing in, trying to destroy the flower. Imagine the struggle and hardship the flower endures during the storm. The storm goes away. The sun comes out. The flower wakes back up. It starts getting dark. The flower slumps back over. The flower falls asleep. I used his imagery and the music that was already in me to make this piece.
$100.00
92.29 €
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Orchestre
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Alex Haynes
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Flower Through The Storm
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Alex Haynes
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SheetMusicPlus
Op. 18 - Maximus Stellarum for Classical Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.987179 Composed by K. Marschke.…
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Full Orchestra - Level 5 - Digital Download SKU: A0.987179 Composed by K. Marschke. Romantic Period. Score and parts. 81 pages. K Marschke #2024389. Published by K Marschke (A0.987179). Like the title, it is completely original. It is for a classical orchestra set up. Running about 15 minutes in length. It is a rather challenging piece, very little does a player have to sit around for 20 measures to play a single whole note. No: Every player will have their moment and overall makes the performance sound great. Every instrument will have a solo/soli.
$710.55
655.79 €
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Orchestre
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K
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Op. 18 - Maximus Stellarum for Classical Orchestra
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K Marschke
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SheetMusicPlus
Dream of Dunhuang - Ballet in 3 Acts, O,p.29 (1979 - 80) （Parts）
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1040111 Composed by An-lun Huan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1040111 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score and parts. 1019 pages. DoReMi Edition #644935. Published by DoReMi Edition (A0.1040111). One of the Masterpieces of Chinese Music of 20th Century The magnificent cave art at Dunhuang, in Western China sets the stage for the ballet, “Dream of Dunhuangâ€. In the middle of the vast wastes of Western China, lies the oasis of Dunhuang, situated in today‘s Gansu Province. Since the Western Han Dynasty(202BC-8AC), Dunhuang was an important trading and cultural center on the famous “Silk Road’, the ribbon of communication which fostered the historic ties between East and West. In the East was China, source of treasured trading articles such as silk; in the West, the â€road“ branched to Venice, and north to what is today‘s Russia. The mural led caves at Dunhuang, which were begun the Northern Wei dynasty(336AD), and developed over one thousand years into the Qing Dynasty, re presents one of the world‘s richest cultural treasures. Drawing on bothn Western(Indian and Persian) as well as Chinese tradition, the caves, of which 492 remain intact, were decorated as a mines of religious devotion, with the initiation of Buddhism into China. The subjects of the murals, such as devise, demons, apsaras and bodhisattvas, represent the entire pantheon of Buddhist mythology, yet are also significant in their representation of muti-racial and muti-cultural influences, standing as an important testament to the age old exchange between East and West. A fabricated fantasia, the story of the ballet was inspirited by the famous artist, maestro Chang Shu-hong, who dedicated his whole life to Dunhuang. One of the Huang An-lun‘s major compositions with the play written by Xu Qing-dong, the score of “Dream of Dunhuang†was completed in mid-1979. The ballet has been dedicated to the composer‘s closest friends, Canadian writers John Fraser and Elizabeth MacCallun. Up to the date this CD being released, the ballet has never got a chance to performed in mainland China. Nevertheless, its music has been wildly performed and warmly received around the world. The Singapore premiere of its suite No.1 was performed by the SSO, conducted by Maestro Lim Yao. It has been also chosen as one of the “Master Piece of Chinese Music in 20th Century†in 1993. The world premiere of the complete ballet was performed successfully by the Russian State Ballet of Moscow, directed by its artist director, Vyatcheslav Godeyev, in 1994. Choreographed by Chen Min, it was took place in Taiwan with the Taiwan Symphony Orchestra, conducted by maestro David C.H.Chen. In 2002, ROI of Hong Kong has released the CD of the whole ballet, performed by the Russian Philharmonic Orchestra of Moscow. This is also the audio file attached. Before this recording conducted by the composer himself, the entire score was also performed by the Bolshoi Symphony Orchestra of Moscow in1995. The YouTube video was the World Premiere in Taiwan by the Russia National Ballet with the Taiwan symphony Orchestra, conducted by David Chen in 1994. The ballet, “ Dream of Dunhuang†depicts two young artists seeking the ultimate experience in love and expression. This two lovers arrived at desert and with the guidance of the celestial maiden, they discover the miracles of Dunhuang. It‘s divided into three acts: Act I: Desert, Act II: Cave, and Act III: Mogao cave.
$300.00
276.88 €
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Orchestre
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An-lun Huang
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Dream of Dunhuang - Ballet in 3 Acts, O,p.29
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DoReMi Edition
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SheetMusicPlus
The Glastry Pearl. Tone Poem Elegy For My Mum.
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
184.59 €
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Orchestre
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Geraldine
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The Glastry Pearl. Tone Poem Elegy For My Mum.
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Geraldine
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SheetMusicPlus
A Himalaya Concerto (all orchestral and solo parts, excluding full score)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.835443 Composed by Stuart Brown…
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Full Orchestra - Level 5 - Digital Download SKU: A0.835443 Composed by Stuart Brown. Concert,Contemporary,Film/TV. Score and parts. 856 pages. Stuart Brown Music #1892609. Published by Stuart Brown Music (A0.835443). ** ADVISORY NOTE: This composition was written for a professional clarinettist, who has performed it twice (once in UK, once in Australia). As regards level of difficulty, it is on a par with Richard Strauss's oboe concerto, i.e. one of the most challenging solo works available for the instrument. Purchase only if you feel up to the challenge! ** Copyright © Stuart Brown, July 13th 2015, All rights reserved Performing rights apply (administered by PRS for Music in the UK and the USA) For a description of this work, please refer to A Himalaya Concerto (full score) (item number S0.103467, THIS MUST BE PURCHASED SEPARATELY. For a complete bundled product that gives you the maximum flexibility please refer to the composer's own website, search for Stuart Brown Music shop bundles.) This pack contains: 1 solo clarinet; 1 solo cimbalom; 1 piccolo; 3 flutes; 2 oboes; 1 cor anglais; 2 bassoons; 2 double bassoons; 4 horns; 2 trumpets; 2 tenor trombones; 2 bass trombones; 1 tuba; 1 timpani; 1 tubular bells; 16 first violins; 14 second violins; 12 violas; 10 cellos; 8 double basses.
$165.00
152.28 €
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Orchestre
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Stuart Brown
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1 solo cimbalom
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A Himalaya Concerto
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Stuart Brown Music
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SheetMusicPlus
Way Over Yonder
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1231004 By Carole King. By Caro…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1231004 By Carole King. By Carole King. Arranged by Jeffrey Klitz. 21st Century,Contemporary,Pop,Rock,Singer/Songwriter. Score and Parts. 95 pages. ISOJULE MUSIC #826687. Published by ISOJULE MUSIC (A0.1231004). Here's a unique new take on a classic pop song, for full orchestra and alto/mezzo/soprano. Carole King's slow bluesy original 12/8 feel has been transformed into an up tempo 4/4 gospel rock version that starts high and goes higher. Punchy, soulful, with an opportunity for a blazing sax solo in the middle. It's a terrific closing number for an orchestra pops concert. Check it!
$75.00
69.22 €
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Orchestre
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Carole King
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Jeffrey Klitz
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Way Over Yonder
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ISOJULE MUSIC
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SheetMusicPlus
Forgotten Cities
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1348856 Composed by Greg Engell…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1348856 Composed by Greg Engell. Arranged by Greg Engell. Classical,Film/TV,Instructional. 77 pages. Greg Engell #933586. Published by Greg Engell (A0.1348856). Written as a follow-up to WORLDS UNKNOWN, this epic style orchestral piece takes the listener on a journey of sadness and majesty as they explore the ruins of three cities each represented by a different musical theme. As each city is introduced the mood of the piece grows from refelective and sad to grand and majectic and ending with a combination of all three themes.
$75.00
69.22 €
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Orchestre
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Greg Engell
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Greg Engell
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Forgotten Cities
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Greg Engell
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SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1 (Woodwinds and Brass)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Holland #4800547. Published by James Nathaniel Holland (A0.730492). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 1 (Woodwinds and Brass). Piano Score, Full Orchestral Score, Individual Parts (Part 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$70.25
64.84 €
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Orchestre
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James Nathaniel Holland
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1
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James Nathaniel Holland
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SheetMusicPlus
West Coast Suite
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.932391 Composed by Jim Hopson. …
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Full Orchestra - Level 5 - Digital Download SKU: A0.932391 Composed by Jim Hopson. 20th Century,Contemporary. Score and parts. 154 pages. Phonos Music #5375681. Published by Phonos Music (A0.932391). For standard large orchestra: 2, 2, 2, 2 - 4, 3, 3, 1, timp, strDuration: ~11 minutes, 3 contiguous movementsJim Hopson's 'West Coast Suite' is a new, exciting orchestral piece inspired by the majestic geography of the Pacific Northwest. Featuring beautiful melodies that soar over driving, syncopated rhythms, this piece makes for an exciting overture for any Pops, Classics, or Canadian Content programme.From the composer: This Suite is written in three contiguous movements, named for Vancouver, BC’s most iconic features: ‘City’, ‘Sea’, and ‘Mountains’. ‘City’ opens with a flourish of harmonic architecture which morphs into a decidedly cosmopolitan syncopated groove, reflecting the city’s bustling energy. ‘Sea’ features a simple, plaintive melody supported by gently undulating waves of harmony which slowly build to a tempestuous climax and then recede into calmness. ‘Mountains’ begins as a gentle stroll through the North Shore’s idyllic peaks. The final movement gradually builds velocity, culminating in a breakneck sprint up North Vancouver’s infamous ‘Grouse Grind’.For more information about the composer: www.phonosmusic.com
$55.00
50.76 €
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Orchestre
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Jim Hopson
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West Coast Suite
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Phonos Music
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SheetMusicPlus
Delius: La Calinda (from Koanga) for Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1308584 By Frederick Delius. By…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1308584 By Frederick Delius. By Frederick Delius. Arranged by Flavio Regis Cunha. 19th Century,Classical,Contest,Festival,Film/TV. Score and Parts. 26 pages. Flavio Regis Cunha #897825. Published by Flavio Regis Cunha (A0.1308584). Another of Delius’s best-known works falls into the same category as The Walk to the Paradise Garden, being an interlude from an opera that is now rarely heard in full. Koanga predates A Village Romeo and Juliet by just four years and comes from the composer’s Bohemian years in Paris during the 1890s. Delius himself considered it his best opera to date. It was his third after Irmelin and The Magic Fountain and it drew on his experiences in the orange groves of Florida. The hero of the opera, Koanga, is an African prince and voodoo priest, now working as a slave on a Mississippi plantation. Delius incorporated a traditional Martinique dance from the seventeenth century into the plot, for which he wrote a small musical interlude, borrowing from something he had written earlier in his first orchestral work, the Florida Suite. When his trusty companion and scribe Eric Fenby arranged the interlude for orchestra in 1938 – some forty years later – it quickly became another hardy perennial on concert programmes up and down the land.
$49.99
46.14 €
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Orchestre
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Frederick Delius
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Flavio Regis Cunha
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Delius: La Calinda
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Flavio Regis Cunha
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