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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Eric Rath
Non classifié
88
Piano & claviers
Piano seul
51
Piano, Voix
8
Piano, Voix et Guitare
6
Instruments en Do
4
Orgue
3
Piano Facile
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accompagnement Piano
2
2 Pianos, 4 mains
1
1 Piano, 4 mains
1
+ 5 instrumentations
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Guitares
Guitare
6
Guitare notes et tablatures
5
Ligne De Mélodie, (Paroles) et Accords
3
Banjo
2
Ukulele
1
Basse electrique
1
Mandoline
1
+ 2 instrumentations
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Voix
Chorale SATB
11
Voix Soprano, Piano
4
Chorale TTBB
4
Chorale SSAA
3
Voix Alto, Piano
1
Voix basse, Piano
1
Chorale Unison
1
Chorale 3 parties
1
Chorale 2 parties
1
+ 4 instrumentations
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Vents
Flûte traversière et Piano
16
Clarinette et Piano
15
Quintette de Saxophone: 5 saxophones
11
Saxophone Baryton, Piano
10
Saxophone Tenor et Piano
10
Hautbois, Piano (duo)
10
Cor anglais, Piano
9
Saxophone Soprano et Piano
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Clarinette Basse, Piano
8
Clarinette
7
Saxophone Alto et Piano
5
Ensemble de Clarinettes
4
Quintette de Flûte : 5 flûtes
4
Hautbois (partie séparée)
2
2 Flûtes traversières (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte et Guitare
2
2 Clarinettes (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Flute (partie séparée)
1
Flûte traversière
1
Quatuor de Clarinettes: 4 clarinettes
1
Saxophone Alto
1
Ensemble de Flûtes
1
2 Flûte à bec (duo)
1
Saxophone Soprano
1
Piccolo, Piano
1
+ 23 instrumentations
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Cuivres
Euphonium, Piano (duo)
12
Trombone et Piano
11
Cor anglais, Piano
9
Cor et Piano
9
Trompette (partie séparée)
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trombone (partie séparée)
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trompette, Piano
4
Ensemble de Trombones
4
Ensemble de Trompettes
4
Trompette
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor
2
Trombone
1
Tuba et Piano
1
+ 11 instrumentations
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Cordes
Violoncelle, Piano
13
Quatuor à cordes: 2 violons, alto, violoncelle
12
Violon et Piano
9
Alto, Piano
8
Ensemble de Violons
4
Violon
4
Ensemble d'Altos
4
Alto (partie séparée)
2
Contre Basse
1
Violoncelle
1
Violoncelle , Guitare (duo)
1
Alto seul
1
2 Violons (duo)
1
Contrebasse (partie séparée)
1
Violon, Violoncelle (duo)
1
2 Violoncelles (duo)
1
Harpe
1
Trio à Cordes: 2 violons, violoncelle
1
4 Violoncelles
1
Violon (partie séparée)
1
Violoncelle (partie séparée)
1
+ 16 instrumentations
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17
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Percussion
2
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1
Ensemble de Percussions
1
Cloches
1
Fanfare
1
Piano et Orchestre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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Vous avez sélectionné:
Eric Rath
Orchestre
Partitions à imprimer
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Enchanted Landscapes, A Symphonic Poem for symphony orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.944033 Composed by Ofer Ben-Amo…
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Full Orchestra - Level 4 - Digital Download SKU: A0.944033 Composed by Ofer Ben-Amots. Contemporary. Score and parts. 50 pages. The Composer's Own Press #4612747. Published by The Composer's Own Press (A0.944033). Composer’s Note: Enchanted Landscapes was commissioned by the Colorado Springs Philharmonic in recognition of the Association’s 90th Anniversary. Inspired by the theme of America the Beautiful, I decided to portray the actual beauty of the land, rather than to use Katharine Lee Bates and Samuel Ward's famous song as a musical reference. Thus, Enchanted Landscapes was composed as a single-movement Symphonic Poem, which transforms various visual elements of our magical views into an audible experience. The main melody is vast; Spanning over 30 measures, it conveys the feeling of spaciousness. Then, the same long melody repeats in a different, higher key. The middle part of the composition presents a fanfare-like theme, which builds up through both dynamics and polyphonic means. This section, dominated mainly by the brass and wind instruments, brings in a sense of drama, mystery, and purple mountain majesties. Finally, the use of Melodica sound in the otherwise traditional orchestration, adds a feeling of nostalgia and longing to the pure and proud landscape that watches upon us constantly, and connects us with the earth, with nature, and with ourselves. SCORING INFORMATION: fl. (2), ob. (2), Eng. hn., cl. in b-flat (2), bass cl. (in b-flat), Trp. (2), Fr. hn. (2), Tbn (2), Tuba, Perc (2) Melodica (or Accord.), Harp, strings.Total Duration: 11 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$36.00
33.19 €
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Orchestre
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Ofer Ben-Amots
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Enchanted Landscapes, A Symphonic Poem for symphony orchestra
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The Composer's Own Press
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SheetMusicPlus
Chester - Full Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.723123 Composed by William Bill…
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Full Orchestra - Level 3 - Digital Download SKU: A0.723123 Composed by William Billings. Arranged by Joel Jacklich (ASCAP). Classical,Folk,Holiday,Patriotic. Score and parts. 22 pages. Joel Jacklich #3111503. Published by Joel Jacklich (A0.723123). William Billings, the first native-born American composer, wrote Chester as a patriotic tune embracing the American disdain for their British overlords and espousing the need for freedom and self-determination. The title, merely reflects a common practice of the time of having hymn tunes named for the location of their composition, rather than for their content. The piece served as a sort of de facto national anthem in the early years of our nationhood. The original words are supposedly by Billings himself.Let tyrants shake their iron rod,And Slav'ry clank her galling chains,We fear them not, we trust in God,New England's God forever reigns.Howe and Burgoyne and Clinton too,With Prescot and Cornwallis join'd,Together plot our Overthrow,In one Infernal league combin'd.When God inspir'd us for the fight,Their ranks were broke, their lines were forc'd,Their ships were Shatter'd in our sight,Or swiftly driven from our Coast.The Foe comes on with haughty Stride;Our troops advance with martial noise,Their Vet'rans flee before our Youth,And Gen'rals yield to beardless Boys.What grateful Off'ring shall we bring?What shall we render to the Lord?Loud Halleluiahs let us Sing,And praise his name on ev'ry Chord.
$19.99
18.43 €
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Orchestre
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William Billings
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Joel Jacklich (ASCAP)
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Chester - Full Orchestra
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Joel Jacklich
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Extracted Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018959 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.  The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.  Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:  Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
29.04 €
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Orchestre
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.44 €
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Orchestre
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
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Eric Rath
