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TRI ET FILTRES
Tri et filtres :
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ACCORDEON
ALTO
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239
PIANO & CLAVIERS
Piano seul
205
Piano, Voix
174
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25
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2
Basse electrique
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1
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VOIX
Chorale SATB
47
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
2 Flûtes traversières, Piano
25
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21
Clarinette et Piano
19
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16
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14
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9
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Ensemble de saxophones
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Saxophone Soprano et Piano
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Flûte traversière
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6
Saxophone Alto
6
Ensemble de Flûtes
6
2 Flûtes traversières (duo)
6
Clarinette
5
Hautbois (partie séparée)
4
Saxophone Tenor et Piano
4
Clarinette Basse, Piano
3
3 Clarinettes (trio)
3
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3
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3
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3
Quintette de Saxophone: 5 saxophones
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2 Hautbois (duo)
2
Saxophone (partie séparée)
2
Flûte à bec Soprano, Piano
2
Clarinette, Basson (duo)
2
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2
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2
Clarinette, Violon (duo)
2
Flute (partie séparée)
2
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2
Flûte et Guitare
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1
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Cor Anglais
1
Quatuor de Flûtes à bec
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Saxophone Baryton, Piano
1
Flûte, Clarinette et Basson
1
Ensemble De Flûte à bec
1
Quintette de Flûte : 5 flûtes
1
3 Hautbois
1
Hautbois, Trompette (duo)
1
Saxophone
1
Clarinette Basse
1
Flûte à bec Alto
1
Flûte, Hautbois (duo)
1
Flûte, Basson et Piano
1
Clarinette, Basson, Piano (trio)
1
Piccolo
1
Saxophone et Guitare
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Saxophone Tenor
1
Clarinette, Guitare (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Ensemble à vent
1
Flûte, Clarinette, Piano (trio)
1
Flûte et Trio à cordes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Trompette, Piano
18
Trombone et Piano
15
Cor et Piano
8
Tuba et Piano
8
Cor
5
Trompette
5
Quatuor de cuivres: 4 trombones
4
Quatuor de Cuivres
4
Tuba
4
Trombone
4
Quatuor de cuivres: 4 cors
3
Cor anglais, Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
2 Trompettes (duo)
2
2 Cors (duo)
2
Trompette, Trombone (duo)
2
Trompette, Trombone, Piano
2
Trompette, Tuba (duo)
2
Trompette, Cor (duo)
2
Cor, Tuba (duo)
1
Cor Anglais
1
Trombone, Cor (duo)
1
Ensemble de Cors
1
Trombone, Tuba (duo)
1
Trombone (partie séparée)
1
Instruments en Sib
1
Trombone basse et Piano
1
Euphonium
1
2 Trombones (duo)
1
Trombone basse
1
Euphonium, Piano (duo)
1
Ensemble de Trombones
1
Trompette (partie séparée)
1
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CORDES
Violon et Piano
37
Quatuor à cordes: 2 violons, alto, violoncelle
37
Violoncelle, Piano
16
Violon
16
Alto, Piano
15
Contrebasse, Piano (duo)
7
Violoncelle
6
Alto seul
5
Trio à Cordes: violon, alto, violoncelle
5
2 Violons (duo)
3
2 Harpes (duo)
3
Contre Basse
3
Harpe
3
Harpe, Quatuor à cordes
3
Trio à Cordes: 2 violons, violoncelle
2
Alto (partie séparée)
2
Violon, Alto (duo)
2
Violon, Violoncelle (duo)
2
Violon, Guitare (duo)
2
2 Violoncelles (duo)
2
Harpe, Violon (duo)
2
Quatuor à cordes : 4 altos
2
Flûte, Contrebasse (duo)
1
Trio à cordes: 3 violins
1
Harpe, Flûte (duo)
1
2 Altos (duo)
1
2 Contrebasses (duo)
1
Alto, Violoncelle (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
4 Violoncelles
1
Alto, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Violoncelle , Guitare (duo)
1
Trio à cordes: 3 altos
1
Trio à Cordes: 2 violons, alto
1
3 Contrebasses
1
Trio à Cordes: 3 violoncelles
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
61
Orchestre à Cordes
30
Orchestre
29
Orchestre de chambre
15
Ensemble de cuivres
7
Ensemble de Percussions
4
Ensemble Jazz
3
Jazz combo
2
Xylophone, Piano
1
Cloches
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AUTRES
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Ravel century
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Partitions à imprimer
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Jeux d'eau for Orchestra - Maurice Ravel
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.898029 Composed by Maurice Rave…
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Full Orchestra - Level 5 - Digital Download SKU: A0.898029 Composed by Maurice Ravel. Arranged by Tiziano de Felice. 20th Century. 48 pages. Tiziano de Felice #6533943. Published by Tiziano de Felice (A0.898029). Orchestration of the famous piece by Maurice Ravel for solo piano.Instrumentation: 2 flutes + piccolo, 2 oboes + English horn, 2 clarinets + bass clarinet, 2 bassoons4 horns, 3 trumpetscelesta, harp, timpani, tambourine, triangle & stringsThe original piece was inspired by Franz Liszt's piece Les jeux d'eau à la Villa d'Este. Ravel explained its origins in this way: Jeux d'eau, appearing in 1901, is at the origin of the pianistic novelties which one would notice in my work. This piece, inspired by the noise of water and by the musical sounds which make one hear the sprays of water, the cascades, and the brooks [...]
$36.00
32.91 €
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Orchestre
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Maurice Ravel
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Tiziano de Felice
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Jeux d'eau for Orchestra - Maurice Ravel
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Tiziano de Felice
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SheetMusicPlus
Ravel - Noctuelles (orchestra) - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1114946 By Tiziano de Felice. B…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1114946 By Tiziano de Felice. By Maurice Ravel. Arranged by Tiziano de Felice. 20th Century,Classical. 42 pages. Tiziano de Felice #716784. Published by Tiziano de Felice (A0.1114946). Orchestration of Ravel's piano piece Noctuelles' from the piano suite Miroirs. Noctuelles is a highly chromatic work, maintaining a dark, nocturnal mood throughout. The middle section is calm with rich, chordal melodies, and the recapitulation takes place a fifth below the first entry. Scored for large orchestra: picc. / 2 fl. / 2 ob. / eng. h. / 2 Bb cl. / bass cl. / 2 bsn. / 4 horns / 3 tr. / 3 trbn. / b. tuba / 2 harps / celesta / glockenspiel / timpani / b. drum, triangle, tamtam, cymbals & strings.
$28.50
26.06 €
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Orchestre
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Tiziano de Felice
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Tiziano de Felice
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Ravel - Noctuelles
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Tiziano de Felice
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SheetMusicPlus
M. Ravel - "Frontispice", Full orchestra, Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1456968 Composed by Maurice Rav…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1456968 Composed by Maurice Ravel. Arranged by A. Leytush. 20th Century. 12 pages. Arkady Leytush #1036053. Published by Arkady Leytush (A0.1456968).
$25.00
22.86 €
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Orchestre
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Maurice Ravel
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A
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M. Ravel - "Frontispice", Full orchestra, Orchestrated by A. Leytush - Score Only
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Arkady Leytush
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SheetMusicPlus
M. Ravel - Sérénade grotesque, Orchestrated by A. Leytush
Orchestre
Full Orchestra - Digital Download SKU: A0.1008397 Composed by Maurice Ravel. Arrang…
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Full Orchestra - Digital Download SKU: A0.1008397 Composed by Maurice Ravel. Arranged by A. Leytush. 20th Century. Score and parts. 40 pages. Arkady Leytush #6222007. Published by Arkady Leytush (A0.1008397).
$30.00
27.43 €
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Orchestre
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Maurice Ravel
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A
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M. Ravel - Sérénade grotesque, Orchestrated by A. Leytush
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Arkady Leytush
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SheetMusicPlus
A Well-Traveled Road
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1090419 By Daniel Burwasser. By…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pages. Head and Stem #694597. Published by Head and Stem (A0.1090419). A Well-Traveled Road was first sketched in the summer of 1989. It was revised and orchestrated in 1992 for a recording on MMC (now defunct) by the Slovak Radio and Television Orchestra under the direction of Robert Stankovsky. This video represents a revised version from the original 1992 score and 1995 recording. NOTES from 1995: I have always been intrigued with the transformational potentiality of themes. A Well-Traveled Road explores the diverse possibilities of the development of a single motive. I have incorporated certain principles of sonata form, although this music is more episodic in nature than three-part. It is foremost mono-thematic (the theme is first announced in the horns and trumpets). The idea then undergoes several permutations in the form of episodes, including a fleeting waltz, a form of which I am quite fond. The title of the piece itself is a metaphorical allusion to this process. The harmonic language in the work is predominantly tonal. By contemporary music standards, about one-half consonant and one-half dissonant. I do not prescribe to any type of harmonic system or any other such rationale in this work (or seldom in any of my recent work). I prefer using a more intuitive approach to harmony, reserving dissonance for spice and for enhancing the dramatic element of the music. Daniel BurwasserFor more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$70.00
64 €
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Orchestre
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Daniel Burwasser
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A Well-Traveled Road
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Head and Stem
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SheetMusicPlus
Debussy: Sarabande (Pour le piano) (For the piano), L. 95- wind dectet
Orchestre
Large Ensemble - Digital Download Composed by Claude Debussy (1862-1918). Arranged by…
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Large Ensemble - Digital Download Composed by Claude Debussy (1862-1918). Arranged by Ray Thompson. 20th Century. Score and parts. 17 pages. RayThompsonMusic #6109107. Published by RayThompsonMusic
Pour le piano (For the piano), L. 95, is a suite for solo piano by Claude Debussy. It consists of three individually composed movements, Prélude, Sarabande and Toccata. The suite was completed and published in 1901. It was premiered on 11 January 1902 at the Salle Érard, played by Ricardo Viñes. Maurice Ravel orchestrated the middle movement.<br> <br> This is my arrangement of that movement.based on Ravel's orchestration.<br> <br> Regarded as Debussy's first mature piano composition, the suite has frequently been recorded.Arranged double wind quintet/double bass<br> Clarinet parts are for clarinets in A<br> Oboe 2 is for cor anglaisPour le piano (For the piano), L. 95, is a suite for solo piano by Claude Debussy. It consists of three individually composed movements, Prélude, Sarabande and Toccata. The suite was completed and published in 1901. It was premiered on 11 January 1902 at the Salle Érard, played by Ricardo Viñes. Maurice Ravel orchestrated the middle movement.<br> <br> This is my arrangement of that movement.based on Ravel's orchestration.<br> <br> Regarded as Debussy's first mature piano composition, the suite has frequently been recorded.Arranged double wind quintet/double bass<br> Clarinet parts are for clarinets in A<br> Oboe 2 is for cor anglais
$14.95
13.67 €
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Orchestre
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Claude Debussy (1862-1918)
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Ray Thompson
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Debussy: Sarabande
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RayThompsonMusic
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SheetMusicPlus
Pavanne Pour Une Infante Defunte
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1374404 Composed by Maurice Rav…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1374404 Composed by Maurice Ravel. Arranged by Kevin Riley. 20th Century,Classical. 48 pages. Kevin Riley #959008. Published by Kevin Riley (A0.1374404). Pavane pour une infante défunte (Pavane for a Dead Princess) is a work for solo piano by Maurice Ravel, written in 1899 while the French composer was studying at the Conservatoire de Paris under Gabriel Fauré. Ravel published an orchestral version in 1910 using two flutes, an oboe, two clarinets (in Bâ™), two bassoons, two horns, harp, and strings.This version has been expanded for use by community orchestras to include saxophones.
$70.00
64 €
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Orchestre
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Maurice Ravel
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Kevin Riley
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Pavanne Pour Une Infante Defunte
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Kevin Riley
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.86 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.86 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.86 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Take Five
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1452336 By Paul Desmond. By Pau…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1452336 By Paul Desmond. By Paul Desmond. Arranged by Andrew Middleton. 20th Century,21st Century,Contemporary,Jazz. 192 pages. Andrew Middleton #1031659. Published by Andrew Middleton (A0.1452336). Take Five Maurice, is a tongue and cheek arrangement that combines the orchestral forces and the gradual increasing instrument forces of Ravel’s Bolero, with the melodies and chordal pattern of Take Five by Paul Desmond. Following the instrumental structure of Bolero, the piece begins with softer timbres of the woodwinds in the same manner Ravel uses the orchestra, gradually becoming much more raucous. The finally of the piece follows a similar key change to heighten the climax of the music as well as a similar trombone glissando motif found in Bolero as well the jazz styles Paul Desmond would have played.The piece is scored for: Piccolo, 2 flute, 2 oboes, cor anglais, 2 clarinets in B flat, Bass Clarinet in B flat, 2 bassoons, contrabassoon, soprano saxophone, alto saxophone, tenor saxophone 4 horns in F, 3 trumpets in B flat, 2 Trombones, Bass Trombone, Tuba Timpani, Cymbals, Tam-tam, drum kit, harp, celesta and strings.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber.
$69.99
63.99 €
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Orchestre
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Paul Desmond
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Andrew Middleton
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Take Five
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Andrew Middleton
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SheetMusicPlus
Oiseaux Tristes (Orch.)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.867948 Composed by Maurice Rave…
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Full Orchestra - Level 3 - Digital Download SKU: A0.867948 Composed by Maurice Ravel. Arranged by Ric Flauding. 20th Century. Score and parts. 49 pages. Denise Lea Flauding #3237241. Published by Denise Lea Flauding (A0.867948). By Maurice Ravel (Miroirs No. 2), orchestrated by Ric Flauding. flaudingmusic.com
$45.00
41.14 €
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Orchestre
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Maurice Ravel
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Maurice Ravel
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Ric Flauding
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Oiseaux Tristes
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Denise Lea Flauding
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SheetMusicPlus
M. Mussorgsky: Pictures at the Exhibition "Promenade" For Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.871413 Composed by M. Mussorgsk…
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Full Orchestra - Level 3 - Digital Download SKU: A0.871413 Composed by M. Mussorgsky, M. Ravel. Arranged by Clara Obsidian, Decamonto. 20th Century,Concert,Patriotic,Romantic Period. Score and parts. 23 pages. Clara Obsidian #6328647. Published by Clara Obsidian (A0.871413). Pictures at an Exhibition (A Remembrance of Viktor Hartmann, Tableaux d'une exposition) is a suite of ten pieces originally composed for piano by Modest Mussorgsky in 1874.Promenade With simple, strong rhythms in asymmetrical meter, Mussorgsky depicts himself roving through the exhibition, now leisurely, now briskly in order to come close to a picture that had attracted his attention, and at times sadly, thinking of his departed friend.This arrangement of Promenade is adapted from Maurice Ravel's 1922 version for full symphony orchestra. ------------------------------------------------------OrchestrationOrgan Piano Strings (Vln1 Vln2 Vla Vlc Db)Winds (2Bb Cls, 2Fls, 2Obs, 2Bsns, 4 Hns)Brass (2Bb Tpts, Tbn 1, Tbn3, Tba)Glockenspiel---------------------------------------------
$24.00
21.94 €
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Orchestre
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M
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Clara Obsidian, Decamonto
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M. Mussorgsky: Pictures at the Exhibition "Promenade" For Orchestra
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Clara Obsidian
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SheetMusicPlus
Jeux d'eau
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1510386 Composed by Maurice Rav…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1510386 Composed by Maurice Ravel. Arranged by Pierre Penisson. 20th Century. 148 pages. Éditions du Vieux Moulin #1085579. Published by Éditions du Vieux Moulin (A0.1510386). Full score of the orchestration (flute, piccolo, 2 oboes including 1 English horn, 2 clarinets in A, bass clarinet in B flat, 2 bassoons including 1 double bassoon, 2 horns, 2 trumpets in C, trombone, timpani, tam -tam, bass drum, tubular bells, cymbals, snare drum, glockenspiel, harp, celesta, 6 violins I, 5 violins II, 4 violas, 4 cellos, 2 double basses), 32 pages.
$52.70
48.18 €
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Orchestre
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Maurice Ravel
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Pierre Penisson
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Jeux d'eau
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Éditions du Vieux Moulin
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SheetMusicPlus
La Tombeau de Couperin Menuet
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.864256 Composed by Maurice Rave…
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Full Orchestra - Level 5 - Digital Download SKU: A0.864256 Composed by Maurice Ravel. Arranged by Jordan Grigg. 20th Century,Concert,Contemporary,Instructional,Standards. Score and parts. 40 pages. Jordan Grigg #6447133. Published by Jordan Grigg (A0.864256).
$34.95
31.95 €
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Orchestre
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Maurice Ravel
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Jordan Grigg
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La Tombeau de Couperin Menuet
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Jordan Grigg
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SheetMusicPlus
Camille Saint-Saens - "Caprice Arabe", Op. 96, Orchestrated by Arkady Leytush
Orchestre
Full Orchestra - Digital Download SKU: A0.1008422 Composed by Camille Saint-Saens. …
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Full Orchestra - Digital Download SKU: A0.1008422 Composed by Camille Saint-Saens. Arranged by Arkady Leytush. 20th Century. Score and parts. 57 pages. Arkady Leytush #6535793. Published by Arkady Leytush (A0.1008422). I would rather call this opus by Saint-Saens The Frenchman in Morocco.It is known that composer S-S traveled a lot during his rather long and productive life. Despite the obvious oriental flavor of the thematic material in this work, one can clearly feel the western cut, the clarity of the form and the recognizability of the techniques characteristic of classical music. In my transcription, I have not tried to imitate his transparent and always convincing orchestrations. This music itself led me on the path of creating a picture from the Arab world.
$40.00
36.57 €
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Orchestre
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Camille Saint-Saens
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Arkady Leytush
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Camille Saint-Saens - "Caprice Arabe", Op. 96, Orchestrated by Arkady Leytush
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Arkady Leytush
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SheetMusicPlus
Concertino from Quest, Op. 11b (trombone and orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1490191 Composed by Ian Deterli…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1490191 Composed by Ian Deterling. 21st Century,Classical,Contemporary,Contest,Festival. 185 pages. Ian Deterling #1067037. Published by Ian Deterling (A0.1490191). Concertino from Quest is a dark and cinematic work. Inspired by epic film music, this piece travels through mysterious lands and ends in a climactic dance.For solo trombone and orchestra.Score and set of parts; piano reduction is included.
$70.00
64 €
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Orchestre
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Ian Deterling
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piano reduction is included
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Concertino from Quest, Op. 11b
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Ian Deterling
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SheetMusicPlus
Doctor Who Theme
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1356528 By Murray Gold. By Murr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1356528 By Murray Gold. By Murray Gold. Arranged by Kevin Riley. 20th Century,Film/TV,Thriller. 54 pages. Kevin Riley #941199. Published by Kevin Riley (A0.1356528). Doctor Who follows the adventures of the title character, a rogue Time Lord with somewhat unknown origins who goes by the name the Doctor. The Doctor fled Gallifrey, the planet of the Time Lords, in a stolen TARDIS (Time and Relative Dimension(s) in Space), a time machine that travels by materialising into, and dematerialising out of, the time vortex. The TARDIS has a vast interior but appears smaller on the outside, and is equipped with a chameleon circuit intended to make the machine take on the appearance of local objects as a disguise. Due to a malfunction, the Doctor's TARDIS remains fixed as a blue British police box. The main theme was originally composed by Ron Grainer but this version is based on what Murray Gold wrote.
$70.00
64 €
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Orchestre
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Murray Gold
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Kevin Riley
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Doctor Who Theme
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Kevin Riley
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SheetMusicPlus
Fantasia in D Minor
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.999302 Composed by Joshua A. Id…
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Full Orchestra - Level 4 - Digital Download SKU: A0.999302 Composed by Joshua A. Idio. 20th Century,Classical,Romantic Period,Standards. Score and parts. 91 pages. Joshua A Idio #6214169. Published by Joshua A Idio (A0.999302). Composed by Joshua A. Idio. (ASCAP Licensed) Symphonic Orchestra Music. Full score and parts.Grade 4 Symphonic OrchestraEmotional, yet powerful! This dramatic work for symphonic orchestra travels through the depths of the human heart that stirs to cry, love, and see a better humanity. The desire to have our voice heard, in a chaotic and changing world, is embodied within this heartfelt and serious fantasy.
$150.00
137.14 €
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Orchestre
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Joshua A
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Fantasia in D Minor
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Joshua A Idio
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SheetMusicPlus
Christmas Troika (sleigh Ride)
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1300865 Composed by James Curno…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1300865 Composed by James Curnow. Arranged by John Ivor Holland. 21st Century,Christmas. Score and Parts. 32 pages. John Ivor Holland #890543. Published by John Ivor Holland (A0.1300865). The composer writes: Christmas Troika portrays the joy of Christmas via a musical sleigh-ride. Listen as the glistening snow crinkles beneath the weight of the sleigh and the hooves of the prancing horses as it travels through the countryside. One can almost see the frost on the trees, the wind blow and the sleigh-bells ring as the tune 'O Come, All Ye Faithful' wends its way through the music.
$49.99
45.7 €
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Orchestre
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James Curnow
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John Ivor Holland
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Christmas Troika
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John Ivor Holland
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SheetMusicPlus
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Conductor's Score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018872 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018872 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 38 pages. Benjamin Sajo #6056047. Published by Benjamin Sajo (A0.1018872). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph.  This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.28 €
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Orchestre
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Conductor's Score
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Benjamin Sajo
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SheetMusicPlus
Bethlehem
Orchestre
(Orchestra) - Digital Download SKU: H1.C5971ODP Composed by Lloyd Larson. Piano Acc…
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(Orchestra) - Digital Download SKU: H1.C5971ODP Composed by Lloyd Larson. Piano Accompaniment with Optional Orchestra. Christmas, Sacred. Set of Instrumental Parts. 60 pages. Hope Publishing - Digital #C5971ODP. Published by Hope Publishing - Digital (H1.C5971ODP). Words by William H. Neidlinger & Phillips Brooks. Matthew 1:23 - Luke 2.Original anthem words by William H. Neidlinger & Phillips Brooks The 19th-century poet, Philips Brooks, was inspired on his journey to the Holy Land when he travelled to the town of Bethlehem one Christmas Eve. It became the basis of his famous poem, O Little Town of Bethlehem, for which Lloyd Larson has crafted a new melody in this charming choral anthem. The text also draws from William Neidlinger's The Birthday of a King. This setting comes from Lloyd's cantata Were You There on That Christmas Night (code no. 8611). Orchestrations: Conductor's Score, Flute, Oboe (or Soprano Sax or Clarinet), Clarinet in B-Flat, Horn in F (or Clarinet), 2 Trombones (or Baritone T. C. ), Tuba, Percussion 1 & 2, Piano, Harp, 2 Violins, Viola, Cello, String Reduction.
$89.95
82.24 €
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Orchestre
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Lloyd Larson
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Bethlehem
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Hope Publishing - Digital
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SheetMusicPlus
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Extracted Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018900 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018900 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 79 pages. Benjamin Sajo #6056141. Published by Benjamin Sajo (A0.1018900). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$50.00
45.71 €
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Orchestre
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Extracted Parts
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Benjamin Sajo
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SheetMusicPlus
Symphony No. 9 ... My Imaginary London (2014)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869302 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869302 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 75 pages. Thomas Oboe Lee #431491. Published by Thomas Oboe Lee (A0.869302). Instrumentation: 2222-2221-timp-perc-hp-strings Program note. When I told Gil Rose that I had written symphonies for the cities of Paris and Rome, he said Why don’t you do London as your next symphony? I told him, But I’ve never been to London. He said, Well, now you have an excuse to go there. That never happened; going to London, that is. But I was very intrigued about writing a London symphony. So, I decided to go ahead, and instead of London as a travelogue symphony, something I did for Paris and Rome, I came up with an alternative idea. Why not compose a London Symphony in homage to three of my favorite English composers: Benjamin Britten, Ralph Vaughan Williams and Edward Elgar? Symphony No. 9 … My Imaginary London is in three movements with multiple sections within each. 1. Prelude: Benjamin Britten (1913-1976) Moderato Scherzo I Trio I Reprise I Allegretto 2. Interlude: Ralph Vaughan Williams (1872-1958) Lento Scherzo II Trio II: Adagio Reprise II Allegro con fuoco 3. Postlude: Edward Elgar (1857-1934) Largo This work is dedicated to my wife and muse, Kristin Beckwith.Enjoy!!!Vido link: https://youtu.be/q0qmqVz9IhwAudio link: https://thomasoboelee.bandcamp.com/album/symphony-no-9-my-imaginary-london-2014
$9.99
9.13 €
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Orchestre
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Thomas Oboe Lee
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going to London, that is
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Symphony No. 9 ... My Imaginary London
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Thomas Oboe Lee
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SheetMusicPlus
Legacy
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published by Sy Brandon (A0.755203). Legacy is a three movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity.The score prints on legal size paper and the parts on letter.
$49.95
45.67 €
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Orchestre
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Sy Brandon
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Sy Brandon
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