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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Op. 5
Non classifié
1 045
Piano & claviers
Piano, Voix
3 634
Piano seul
2 132
Orgue
152
Piano Facile
100
1 Piano, 4 mains
39
Piano Trio: piano, violon, violoncelle
19
Piano, Voix et Guitare
18
2 Pianos, 4 mains
16
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano Quatuor: piano, 2 violons, violoncelle
4
Orgue, Trompette (duo)
4
Piano grosses notes
4
Instruments en Do
3
Accordéon
3
Clavier
3
Orgue, Piano (duo)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Instrument seul et Orgue
2
Accompagnement Piano
2
2 Orgues (duo)
1
2 Accordéons
1
Clavecin
1
+ 17 instrumentations
Retracter
Guitares
Guitare
116
Guitare notes et tablatures
94
2 Guitares (duo)
32
Ukulele
11
4 Guitares (Quatuor)
9
3 Guitares (trio)
4
Mandoline
2
Ligne De Mélodie, (Paroles) et Accords
2
Piano, Guitare (duo)
1
Ensemble de guitares
1
Paroles et Accords
1
Basse electrique
1
+ 7 instrumentations
Retracter
Voix
Voix seule
107
Chorale SATB
98
Chorale 3 parties
52
Voix haute
22
Chorale TTBB
18
Voix moyenne, Piano
11
Chorale SSAA
10
Voix basse, Piano
9
Voix Soprano, Piano
5
Chorale Unison
4
Voix Alto, Piano
4
Chorale
3
Chorale 2 parties
3
Voix haute, Piano
3
Chorale SSATTB
2
Voix basse
2
Voix Tenor, Piano
2
Voix Baryton, Piano
2
Chorale SSAATTBB
2
Voix duo, Piano
1
Chorale SAATB A Cappella
1
Voix Mezzo-Soprano, Piano
1
+ 17 instrumentations
Retracter
Vents
Flûte traversière et Piano
171
Clarinette et Piano
112
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
72
Saxophone Alto et Piano
62
Hautbois, Piano (duo)
61
Quintette de Saxophone: 5 saxophones
58
2 Flûtes traversières (duo)
55
Clarinette
46
Quatuor de Clarinettes: 4 clarinettes
46
Quintette de Clarinettes: 5 clarinettes
43
2 Saxophones (duo)
42
Saxophone Tenor et Piano
38
Flûte traversière
38
Saxophone Soprano et Piano
34
2 Clarinettes (duo)
32
Saxophone Baryton, Piano
30
5 Flûtes à bec
27
Clarinette Basse, Piano
27
Quatuor de Saxophones: 4 saxophones
27
Flûte et Guitare
21
Flûte, Hautbois, Clarinette, Basson
21
Quintette de Flûte : 5 flûtes
21
Cor anglais, Piano
18
2 Hautbois (duo)
18
Clarinette (partie séparée)
17
Ensemble de Clarinettes
16
Saxophone Alto
13
3 Flûtes à bec (trio)
13
3 Saxophones (trio)
12
Hautbois (partie séparée)
11
3 Clarinettes (trio)
9
Saxophone (partie séparée)
9
Ensemble de Flûtes
9
Quatuor de Flûtes : 4 flûtes
9
Flute (partie séparée)
8
Trio de Flûtes: 3 flûtes
7
Ensemble de saxophones
7
Piccolo, Piano
6
Saxophone
6
Flûte, Clarinette (duo)
6
Ensemble De Flûte à bec
6
2 Flûte à bec (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Clarinette et Basson
4
Quatuor de Flûtes à bec
4
Flûte à Bec
4
Flûte à bec Alto, Basse continue
4
Flûte, Violon, Piano
3
Saxophone Tenor
3
Flûte, Violon
3
Cor Anglais
3
Flûte, Hautbois, Basson
3
Clarinette, Basson, Piano (trio)
3
Flûte et Quatuor à Cordes
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte traversière, Basse continue
3
Clarinette, Guitare (duo)
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois, Basson (duo)
3
Clarinette, Violoncelle (duo)
2
Flûte à bec Alto, Piano
2
Clarinette, Violon (duo)
2
Flûte, Violoncelle
2
Hautbois, Clarinette (duo)
2
Flûte, Alto (duo)
2
Clarinette, Basson (duo)
2
Hautbois, Flûte
2
Flûte à bec Soprano, Piano
2
Flûte, Clarinette, Piano (trio)
2
2 Clarinettes, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Clarinette et Piano (Trio)
1
2 Cors Anglais Et Pianoforte
1
Harmonica
1
Flûte irlandaise
1
Flûte, Alto et Piano
1
Flûte à bec Alto
1
2 Flûtes, Basse continue
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette et Alto
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte à bec Soprano
1
Flûte à Bec, Piano
1
2 Flûtes à bec, Piano
1
Ocarina
1
Clarinette, Alto et Piano (trio)
1
+ 82 instrumentations
Retracter
Cuivres
Trombone et Piano
78
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
61
Cor et Piano
54
Trompette, Piano
52
Euphonium, Piano (duo)
47
Trompette
41
Cor
38
Tuba et Piano
32
2 Cors (duo)
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
24
Trompette (partie séparée)
21
Cor anglais, Piano
18
2 Trombones (duo)
12
Trombone (partie séparée)
11
Trombone
9
Trombone basse et Piano
8
Quatuor de cuivres: 4 trombones
7
2 Trompettes (duo)
7
Ensemble de Trombones
6
Ensemble de Cors
6
Trompette et Guitare
5
Quatuor de cuivres: 4 cors
5
Trompette, Trombone (duo)
4
Cor (partie séparée)
4
Trompette, Cor (duo)
4
Cor Anglais
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
2 Euphoniums et 2 Tubas
3
2 Euphoniums (duo)
3
2 Tubas (duo)
3
Trombone, Cor (duo)
3
Ensemble de Trompettes
3
Quatuor de cuivres: 4 trompettes
2
Tuba et Orgue
2
Quatuor de Cuivres
2
Euphonium, Tuba (duo)
2
4 Tubas
2
Euphonium
1
Tuba
1
2 Cors Anglais Et Pianoforte
1
2 Trompettes, Clavier (piano ou orgue)
1
3 Trompettes (trio)
1
3 Tubas (trio)
1
Trio de Cuivres
1
Ensemble de Tubas
1
+ 40 instrumentations
Retracter
Cordes
Violon et Piano
297
Quatuor à cordes: 2 violons, alto, violoncelle
225
Violoncelle, Piano
152
Violon
101
Alto, Piano
93
Violoncelle
83
Alto seul
56
2 Violons (duo)
52
2 Violoncelles (duo)
50
Trio à Cordes: violon, alto, violoncelle
38
Violon (partie séparée)
32
Alto (partie séparée)
32
Violon, Alto (duo)
32
Violon, Guitare (duo)
29
Violon, Violoncelle (duo)
25
2 Altos (duo)
21
Trio à Cordes: 2 violons, violoncelle
17
Alto, Violoncelle (duo)
12
Violoncelle , Guitare (duo)
12
Contrebasse, Piano (duo)
9
Violon, Basse continue
7
Harpe
7
Trio à cordes: 3 violins
7
4 Violoncelles
6
Alto, Guitare (duo)
6
Violoncelle (partie séparée)
6
Trio à Cordes: 3 violoncelles
5
2 Violons, Piano
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Contre Basse
4
Trio à Cordes: 2 violons, alto
4
Quatuor à cordes : 4 altos
4
Trio à cordes: 3 altos
4
Violoncelle, Basse continue
4
2 Harpes (duo)
3
Piano Trio: Violon, Alto, Piano
3
Violoncelle, Contrebasse (duo)
3
Quatuor à cordes: 4 violons
3
Trio à cordes
3
Contrebasse (partie séparée)
2
2 Contrebasses (duo)
2
2 Violons et Basse continue
2
Harpe, Violon (duo)
2
Harpe, Flûte (duo)
1
Harpe et Piano
1
Violoncelle, Orchestre
1
Flûte, Contrebasse (duo)
1
2 Altos, Piano
1
2 Violoncelles, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Violoncelle, Clarinette
1
Violon, Clarinette, Piano (trio)
1
+ 47 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
167
Orchestre
123
Orchestre d'harmonie
98
Orchestre de chambre
68
Ensemble de cuivres
21
Ensemble de Percussions
11
Ensemble Jazz
4
Cloches
4
Percussion (partie séparée)
4
Batterie
3
Orchestre, Violon
3
Piano et Orchestre
2
Marimba
1
Vibraphone (partie séparée)
1
+ 9 instrumentations
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FLUTE A DIX…
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▽ INSTRUMENTS
ACCORDEON
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AUTRES INSTRU…
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BASSE
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BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
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CONTREBASSE
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FLUTE
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LIVRES
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MANDOLINE
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Cordes
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CHORALE / VOIX
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New Age
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Traditionnel
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|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
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1 581
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
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Meilleures Ventes
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GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
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|
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Chorale 2 Parties
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Crtitères actifs :
Op. 5
Orchestre
Partitions à imprimer
123 partitions trouvées
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101
op.5 no.12 - A little evening melody
#
Orchestre
#
INTERMÉDIAIRE
#
Deniz Inan
#
Deniz Inan
#
op.5 no.12 - A little evening
#
Deniz Inan
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.518366 By Deniz Inan. By Deniz Inan. Arranged by Deniz Inan. Classical,Film/TV,Multicultural,Video Game,Wedding,World...
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Full Orchestra - Level 3 - SKU: A0.518366 By Deniz Inan. By Deniz Inan. Arranged by Deniz Inan. Classical,Film/TV,Multicultural,Video Game,Wedding,World. Score and parts. 7 pages. Deniz Inan #129060. Published by Deniz Inan (A0.518366). Original composition for orchestra Album: Op.5 - Maybe You Website: www.deniz-inan.com.
$5.00
op.5 no.7 - The Window above the Clouds (piano & orchestra)
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Orchestre
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INTERMÉDIAIRE
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Deniz Inan
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Deniz Inan
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op.5 no.7 - The Window above t
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Deniz Inan
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.518367 By Deniz Inan. By Deniz Inan. Arranged by Deniz Inan. Classical,Film/TV,Multicultural,Video Game,Wedding,World...
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Full Orchestra - Level 3 - SKU: A0.518367 By Deniz Inan. By Deniz Inan. Arranged by Deniz Inan. Classical,Film/TV,Multicultural,Video Game,Wedding,World. Score and parts. 23 pages. Deniz Inan #129061. Published by Deniz Inan (A0.518367). Original composition for piano and orchestra Album: Op.5 - Maybe You Website: www.deniz-inan.com.
$5.00
Crusell - Clarinet Concerto No.2 in F minor, Op.5
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Orchestre
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Bernhard Henrik Crusell
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J
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Crusell - Clarinet Concerto No
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J.G. Cuco Barber
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SheetMusicPlus
Full Orchestra - SKU: A0.1232175 Composed by Bernhard Henrik Crusell. Arranged by J.G. Cucó Barber. 19th Century,Classical. Score and Parts. 192 page...
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Full Orchestra - SKU: A0.1232175 Composed by Bernhard Henrik Crusell. Arranged by J.G. Cucó Barber. 19th Century,Classical. Score and Parts. 192 pages. J.G. Cuco Barber #827858. Published by J.G. Cuco Barber (A0.1232175). Work Title Grand concerto pour la clarinetteComposer Crusell, Bernhard HenrikOpus/Catalogue Number Op.5Key F minorMovements/Sections 3 movements Allegro (F minor, 329 bars) Andante pastorale (D-flat major, 64 bars) Rondo. Allegretto (F minor, 285 bars) Year/Date of Composition 1815First Publication 1818Dedication Tsar Alexander IAverage Duration 25 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation clarinet, orchestraInstrDetail flute, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani, strings
$35.00
"Te Deum", op. 5 - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Adrian Gagiu
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Adrian Gagiu
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"Te Deum", op. 5 - S
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1203852 By Adrian Gagiu. By Adrian Gagiu. Arranged by Adrian Gagiu. 20th Century,Baroque,Christian,Classical,Sacred. ...
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Full Orchestra - Level 4 - SKU: A0.1203852 By Adrian Gagiu. By Adrian Gagiu. Arranged by Adrian Gagiu. 20th Century,Baroque,Christian,Classical,Sacred. 133 pages. Adrian Gagiu #802408. Published by Adrian Gagiu (A0.1203852). Neo-Baroque, medium-sized, large scale composition for 4 vocal soloists, mixed chorus in 4 to 8 parts, and full orchestra with organ, setting the traditional canticle text, mostly with church modes and alternating polyphonic intricacies with solemn, intense or profound moments. It would work both for worship and in concert, as it includes powerful outbursts, elaborate counterpoint, and also soft and humble moments, while avoiding any harsh excesses of modernism. Total duration: 46 min. Performing Rights Organization: SOCAN. The audio sample is the 5th movement. The first two choruses, in 4 parts, follow the general outline of the Baroque French overture: a solemn introduction followed by an elaborate fugue. The 3rd movement is a solemn arioso for bass, followed by a grand chorus in 4 and 5 parts. The 4th movement is an arioso for tenor, followed by a complex chorus in 5 parts. The 5th movement is a suite of two ariosos for alto and soprano, followed by a grand, but brief chorus in 6 parts, and then by a mysterious instrumental evocation of the Last Judgment. The 6th movement is a vocal quartet a cappella, based on a well-known Orthodox hymn and alternated with a refrain for chorus in 7 parts and organ, then followed by a grand choral complex ended in humble supplication. The final, 7th movement is a grand motet for double chorus and orchestra, with four themes more and more intricately combined, up to the majestic coda treated in quadruple counterpoint.
$50.00
P.I. Tchaikovsky - ROMANCE, op.5, Orchestrated by A. Leytush
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Orchestre
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Classique
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Peter Ilyich Tchaikovsky
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A
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P.I. Tchaikovsky - ROMANCE, op
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008381 Composed by Peter Ilyich Tchaikovsky. Arranged by A. Leytush. Romantic Period. Score and parts. 27 pages. Arkady Leytus...
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Full Orchestra - SKU: A0.1008381 Composed by Peter Ilyich Tchaikovsky. Arranged by A. Leytush. Romantic Period. Score and parts. 27 pages. Arkady Leytush #5888621. Published by Arkady Leytush (A0.1008381).
$40.00
Romanze in F Major, Op. 118, No. 5
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Orchestre
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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Stanley M Hoffman
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Romanze in F Major, Op. 118, N
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stanleymhoffman.com
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1168409 Composed by Johannes Brahms. Arranged by Stanley M Hoffman. Classical. Score and Parts. 69 pages. Stanleymhof...
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Full Orchestra - Level 3 - SKU: A0.1168409 Composed by Johannes Brahms. Arranged by Stanley M Hoffman. Classical. Score and Parts. 69 pages. Stanleymhoffman.com #768742. Published by stanleymhoffman.com (A0.1168409). Romanze, Op. 118, No. 5Music by Johannes Brahms (Piano)Arranged for Orchestra by Stanley M. Hoffman.Arrangement:© Copyright 2023 by Stanley M. Hoffman.   www(dot)stanleymhoffman(dot)comAll rights reserved.#brahms #piano #pianomusic #orchestra #orchestral #orchestralmusic #arrangements #scrollingscore #musicvideos.
$44.00
Intermezzo in B-flat Minor, Op. 117, No. 2
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Orchestre
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AVANCÉ
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Classique
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Johannes Brahms
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Stanley M
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Intermezzo in B-flat Minor, Op
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stanleymhoffman.com
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.924884 Composed by Johannes Brahms. Arranged by Stanley M. Hoffman. Romantic Period. Score and parts. 78 pages. Stanl...
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Full Orchestra - Level 5 - SKU: A0.924884 Composed by Johannes Brahms. Arranged by Stanley M. Hoffman. Romantic Period. Score and parts. 78 pages. Stanleymhoffman.com #6865061. Published by stanleymhoffman.com (A0.924884). Intermezzo in B-flat Minor, Op. 117, No. 2, orchestrated for 2 Flutes (1st doubles on Piccolo), Oboes, 2 Clarinets in B-flat, 1 Bassoon, 1 Contrabassoon, 4 Horns in F, 2 Trumpets in B-flat, 3 Trombones, Timpani, Harp, Strings   Duration: ca. 5 minutes
$42.50
Abel - 6 Symphonies, WK 1-6 ; Op.1
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Orchestre
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Classique
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Carl Friedrich Abel
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J
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Abel - 6 Symphonies, WK 1-6 ;
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J.G. Cuco Barber
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SheetMusicPlus
Full Orchestra - SKU: A0.819764 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Score and parts. 210 pages. J.G. Cuco Barbe...
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Full Orchestra - SKU: A0.819764 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Score and parts. 210 pages. J.G. Cuco Barber #6207969. Published by J.G. Cuco Barber (A0.819764). Work Title 6 Symphonies, Op.1Alternative Title 6 OverturesComposer Abel, Carl FriedrichOpus/Catalogue Number Op.1 ; WK 1-6Movements/Sections 6 overtures/symphoniesSymphony in B-flat major, WK 1Symphony in C major, WK 2Symphony in D major, WK 3Symphony in E-flat major, WK 4Symphony in F major, WK 5Symphony in G major, WK 6First Publication 1759 Composer Time Period ClassicalPiece Style ClassicalInstrumentation orchestra, continuo.
$75.00
Kabuki Pieces, Op. 20
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Orchestre
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AVANCÉ
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Chris Knapp
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Kabuki Pieces, Op. 20
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Chris Knapp
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1373704 Composed by Chris Knapp. 21st Century,Classical,Contemporary. 52 pages. Chris Knapp #958094. Published by Chr...
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Full Orchestra - Level 5 - SKU: A0.1373704 Composed by Chris Knapp. 21st Century,Classical,Contemporary. 52 pages. Chris Knapp #958094. Published by Chris Knapp (A0.1373704). Kabuki pieces takes influence and inspiration from Japanese Kabuki theatre productions. In this work, the main aspects of Kabuki theatre are explored through the 'deconstructed' Orchestra. Kabuki theatre employs the principles of jo-ha-kyu which helps sets the pace for a dramatic play. Jo-ha-kyustates that a play should start slow, get quicker and end fast. Kabuki employs this technique over a series of 5 acts, hence this composition uses 5 movements and the pace of the work as a whole speeds up as it moves through.1. Introduction - Like with all good pieces of theatre, the first act sets the scene and establishes characters. In this compositon, the scene is set by the Cello accompanied by a selection of percussion (a characteristic trait of Kabuki theatre).2. Battle #1 - In Kabuki theatre there are always a number of battles, these usually occur during the 2nd and 4th acts. This composition similarly mimics the chaos of a battle and features the Woodwind section.3. Tragedy - During the 3rd act, a Tragedy or emotional event usually occurs, thus this composition hopes to mirror that with an emotional outpouring of melodic ideas introducing the Brass.4. Battle #2 - In the 2nd battle of this work, the feature is placed more on the Xylophone who takes a solo role and sets out a frantic tune which provides the basis for a Fugue of sorts picked up by the Strings.5. Conclusion - The conclusion to most Kabuki plays are satisfying and short, this is mirrored by the very brief conclusion to this work.
$35.99
CHINESE RHAPSODY No.3 For Saxophone and Full Orchestra, Op.46(1988) [score】 - Score Only
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Orchestre
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AVANCÉ
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An-lun Huang
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CHINESE RHAPSODY No.3 For Saxo
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DoReMi Edition
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1049004 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Score and part...
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Full Orchestra - Level 5 - SKU: A0.1049004 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Score and parts. 61 pages. DoReMi Edition #653398. Published by DoReMi Edition (A0.1049004). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
$19.99
Romanischer Tanz No. 5, op.22 - Score Only
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Orchestre
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AVANCÉ
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Arnold Krug
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Romanischer Tanz No. 5, op.22
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Albismusic
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1086641 Composed by Arnold Krug (1894-1904). Classical,Multicultural,Romantic Period,World. Score and parts. 22 pages...
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Full Orchestra - Level 5 - SKU: A0.1086641 Composed by Arnold Krug (1894-1904). Classical,Multicultural,Romantic Period,World. Score and parts. 22 pages. Albismusic #690847. Published by Albismusic (A0.1086641). Copyright 2015 by AlbisMusic. Please contact Albismusic to purchase the instrumental parts.
$5.99
Abel - 6 Symphonies, WK 19-24 ; Op.10
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Orchestre
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Classique
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Carl Friedrich Abel
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J
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Basse. Deux Hautbois &
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Abel - 6 Symphonies, WK 19-24
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J.G. Cuco Barber
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SheetMusicPlus
Full Orchestra - SKU: A0.1448456 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. 315 pages. J.G. Cuco Barber #1028366. Publis...
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Full Orchestra - SKU: A0.1448456 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. 315 pages. J.G. Cuco Barber #1028366. Published by J.G. Cuco Barber (A0.1448456). Work Title 6 SymphoniesAlternative Title Six Simphonies a Deux Violons, Taille & Basse. Deux Hautbois & deux Corns de Chasse ad Libitum.Composer Abel, Carl FriedrichOpus/Catalogue Number WK 19-24 ; Op.10Movements/Sections 6 symphoniesFirst Publication 1773Dedication Sir William Young, Governor of DominicaAverage Duration 1 hour (total)10 minutes (no.1) / 11 minutes (no.2) / 9 minutes (no.3) / 9 minutes (no.4) / 9 minutes (no.5) / 12 minutes (no.6)Composer Time Period ClassicalPiece Style ClassicalInstrumentation Orchestra: (ad lib: 2 oboes, 2 horns), strings, continuo.
$75.00
Lindpaintner - Concertino in E major, Op.43 for Horn & Orchestra
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Orchestre
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AVANCÉ
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Classique
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Peter Joseph Von Lindpaintner
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J
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Lindpaintner - Concertino in E
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J.G. Cuco Barber
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1452133 Composed by Peter Joseph Von Lindpaintner. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic Per...
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Full Orchestra - Level 5 - SKU: A0.1452133 Composed by Peter Joseph Von Lindpaintner. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic Period. 99 pages. J.G. Cuco Barber #1031452. Published by J.G. Cuco Barber (A0.1452133). Work Title Horn ConcertinoAlternative Title Concertino pour le Cor avec Accompagnement de deux Violons, Alto, Violoncelle et Basse, Flûte, deux Clarinettes, deux Bassons, deux Cors, deux Trompettes et TimbalesComposer Lindpaintner, Peter Joseph vonOpus/Catalogue Number Op.43Key E major (with an introduction in B major)Movements/Sections 3 movements Adagio ma non troppo — Allegretto Andantino Allegro First Publication 1824 ca. – Leipzig: H.A. ProbstDedication à son ami S. RauchComposer Time Period RomanticPiece Style RomanticInstrumentation horn and orchestraOrchestra flute, 2 clarinets (A), 2 bassoons2 horns, 2 trumpets, timpani, strings.
$75.00
Beethoven Piano Sonata Op. 2 No. 1 Orchestration (by Barış Önder)
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Orchestre
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AVANCÉ
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Classique
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L
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Barış Önder
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Beethoven Piano Sonata Op. 2 N
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Baris Onder
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1376473 Composed by L. v. Beethoven. Arranged by Barış Önder. Classical. 67 pages. Baris Onder #960998. Pub...
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Full Orchestra - Level 5 - SKU: A0.1376473 Composed by L. v. Beethoven. Arranged by Barış Önder. Classical. 67 pages. Baris Onder #960998. Published by Baris Onder (A0.1376473). Beethoven Piano Sonata Op. 2 No. 1 1st movement Orchestration (by Barış Önder)The pdf file of the full score contains both the full orchestral score and instrumental notes.
$20.00
Piano Concerto No.1 - Ruben Dimitrashuk (Op.6 No.3)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Ruben Dimitrashuk
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Ruben Dimitrashuk
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Piano Concerto No.1 - Ruben Di
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Ruben Dimitrashuk
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1370809 By Ruben Dimitrashuk. By Ruben Dimitrashuk. Arranged by Ruben Dimitrashuk. Classical,Contest,Festival,Traditi...
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Full Orchestra - Level 4 - SKU: A0.1370809 By Ruben Dimitrashuk. By Ruben Dimitrashuk. Arranged by Ruben Dimitrashuk. Classical,Contest,Festival,Traditional. 25 pages. Ruben Dimitrashuk #955149. Published by Ruben Dimitrashuk (A0.1370809). This is the first movement of Piano Concerto No.1 - Ruben Dimitrashuk (Op.6 No.3) in E minor. It is constructed in Sonata Form (Introduction, Exposition, Development, Recapitulation) and is about 5 1/2 minutes in length.
$9.99
RICHARD STRAUSS - SUITE DER ROSENKAVALIER, OP. 59 - TRUMPETS I, II & III
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Orchestre
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AVANCÉ
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Classique
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Richard Strauss
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Edition Testore
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RICHARD STRAUSS - SUITE DER RO
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Edition Testore
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.819531 Composed by Richard Strauss. Arranged by Edition Testore. 20th Century,Classical,Romantic Period,Standards. Sc...
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Full Orchestra - Level 5 - SKU: A0.819531 Composed by Richard Strauss. Arranged by Edition Testore. 20th Century,Classical,Romantic Period,Standards. Score and parts. 18 pages. Edition Testore #5828341. Published by Edition Testore (A0.819531). SUITE from Opera DER ROSENKAVALIER, OP. 59FULL ORCHESTRASET OF PARTS:Brass: 3 trumpets
$18.50
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
Filiberto Pierami: INTRODUZIONE ED ALLEGRO (op.23) - Score Only
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Orchestre
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AVANCÉ
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Filiberto Pierami
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Filiberto Pierami: INTRODUZION
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Sconfinarte
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1361214 Composed by Filiberto Pierami. 21st Century,Classical,Contemporary. 25 pages. Sconfinarte #945709. Published ...
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Full Orchestra - Level 5 - SKU: A0.1361214 Composed by Filiberto Pierami. 21st Century,Classical,Contemporary. 25 pages. Sconfinarte #945709. Published by Sconfinarte (A0.1361214). Filiberto PieramiINTRODUZIONE ED ALLEGRO Op.23 (ES 532)Organico: Orchestra d’archihttp://www.edizionisconfinarte.com/filiberto-pierami/.
$20.00
RICHARD STRAUSS - SUITE DER ROSENKAVALIER, OP. 59 - HARPS I & II
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Orchestre
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AVANCÉ
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Classique
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Richard Strauss
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Edition Testore
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II
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RICHARD STRAUSS - SUITE DER RO
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Edition Testore
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.819534 Composed by Richard Strauss. Arranged by Edition Testore. 20th Century,Classical,Romantic Period,Standards. Sc...
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Full Orchestra - Level 5 - SKU: A0.819534 Composed by Richard Strauss. Arranged by Edition Testore. 20th Century,Classical,Romantic Period,Standards. Score and parts. 19 pages. Edition Testore #5828357. Published by Edition Testore (A0.819534). SUITE from Opera DER ROSENKAVALIER, OP. 59FULL ORCHESTRASET OF PARTS:Harps I & II
$19.50
Mendelssohn - Violin Concerto In E Minor,Op.64 -1. Allegro Full Score Original - Score Only
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Orchestre
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AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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poon
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Mendelssohn - Violin Concerto
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poon
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1349576 Composed by Felix Bartholdy Mendelssohn. Arranged by poon. Classical. 117 pages. Poon #934336. Published by p...
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Full Orchestra - Level 5 - SKU: A0.1349576 Composed by Felix Bartholdy Mendelssohn. Arranged by poon. Classical. 117 pages. Poon #934336. Published by poon (A0.1349576). Mendelssohn - Violin Concerto In E Minor,Op.64 - 1. Allegro Orchestra Full Score Original.
$1.99
There are Blows in Life, So Powerful...I Don't Know Op. 2b (Orchestral version)
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Orchestre
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AVANCÉ
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Manuel Carranza Cueto
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There are Blows in Life, So Po
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Manuel Carranza Cueto
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1079913 Composed by Manuel Carranza Cueto. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. ...
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Full Orchestra - Level 5 - SKU: A0.1079913 Composed by Manuel Carranza Cueto. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. 80 pages. Manuel Carranza Cueto #684126. Published by Manuel Carranza Cueto (A0.1079913). There are Blows in Life, So Powerful...I Don't Know Op. 2 for soprano (Orchestral version). Score and parts.
$150.00
Symphony No. 1, op. 13
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Orchestre
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AVANCÉ
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New Age
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Contemporain
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Raphael Mak
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Symphony No. 1, op. 13
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VicMusic
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018651 Composed by Raphael Mak. 20th Century,Contemporary,New Age. Score and parts. 92 pages. VicMusic #3448201. Pub...
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Full Orchestra - Level 5 - SKU: A0.1018651 Composed by Raphael Mak. 20th Century,Contemporary,New Age. Score and parts. 92 pages. VicMusic #3448201. Published by VicMusic (A0.1018651). Raphael MakSymphony No. 1, op. 13Instrumentation: 2222/4331/Timp/Cym/B.D./StringsParts available on request: vicmusichk@gmail.comSymphony o.1 in E flat major was my first attempt in large musical forms.
$107.99
REQUIEM op. 11
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Orchestre
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AVANCÉ
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Iyad KANAAN
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REQUIEM op. 11
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iyad kanaan
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.979726 Composed by Iyad KANAAN. Concert,Contemporary,Easter,Opera,Sacred. Score and parts. 137 pages. Iyad kanaan #67...
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Full Orchestra - Level 5 - SKU: A0.979726 Composed by Iyad KANAAN. Concert,Contemporary,Easter,Opera,Sacred. Score and parts. 137 pages. Iyad kanaan #6758719. Published by iyad kanaan (A0.979726). Full Catholic REQUIEM mass op. 11 for four soloists (Soprano, mezzo, Tenor and Bass-baritone) Choir and Orchestra. melodic expressive and dramatic.
$100.00
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
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