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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
We Beethoven
Non classifié
244
Piano & claviers
Piano seul
118
Piano Facile
35
Instruments en Do
12
Orgue
12
1 Piano, 4 mains
9
Piano, Voix
8
Piano, Voix et Guitare
4
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 6 mains
1
Orgue, Trompette (duo)
1
+ 8 instrumentations
Retracter
Guitares
Mandoline
10
Guitare
9
Guitare notes et tablatures
8
Ukulele
3
Piano, Guitare (duo)
1
2 Guitares (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
Ukulele Baryton
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
24
Chorale 2 parties
18
Chorale 3 parties
15
Voix duo
8
Chorale SSAA
4
Chorale TTBB
4
Voix duo, Piano
4
Chorale
3
Chorale SSAB a cappella
2
Voix seule
1
Chorale Unison
1
+ 6 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
37
Quatuor de Saxophones: 4 saxophones
31
Quintette de Flûte : 5 flûtes
23
Quintette de Clarinettes: 5 clarinettes
16
Quatuor de Flûtes : 4 flûtes
14
Quatuor de Clarinettes: 4 clarinettes
13
Quintette de Saxophone: 5 saxophones
11
Flûte traversière et Piano
9
Flûte à bec Soprano
9
Clarinette et Piano
9
Flûte à bec Alto
8
Harmonica
8
Saxophone Alto et Piano
7
2 Flûtes traversières (duo)
6
Flûte, Hautbois, Clarinette, Basson
6
Flûte, Clarinette (duo)
6
Saxophone Tenor et Piano
5
Saxophone Soprano et Piano
5
2 Clarinettes (duo)
5
2 Saxophones (duo)
5
Hautbois, Piano (duo)
5
3 Clarinettes (trio)
3
Ensemble de saxophones
3
Hautbois (partie séparée)
3
2 Saxophones, Piano
2
Trio de Flûtes: 3 flûtes
2
3 Saxophones (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Saxophone et Harpe
2
Clarinette
2
Ensemble de Flûtes
2
Saxophone Alto
2
Flûte, Violon
2
Flûte traversière
2
Ensemble de Clarinettes
1
2 Flûte à bec (duo)
1
Flute (partie séparée)
1
Hautbois, Harpe
1
Saxophone Baryton, Piano
1
Saxophone Tenor
1
Clarinette Basse, Piano
1
Hautbois, Flûte
1
Clarinette, Violon (duo)
1
Flûte et Guitare
1
Saxophone et Piano
1
Clarinette, Violoncelle (duo)
1
2 Clarinettes, Piano
1
Hautbois, Clarinette (duo)
1
+ 43 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
24
Ensemble de Trombones
19
Trombone et Piano
10
Quatuor de cuivres: 4 trombones
8
Trompette
6
Trompette, Piano
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Cor et Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
2 Trombones (duo)
4
Trombone (partie séparée)
3
Cor
3
Trompette (partie séparée)
3
Trompette, Trombone (duo)
2
Trompette, Cor (duo)
2
3 Trombones (trio)
2
2 Trompettes (duo)
2
Trombone
2
2 Euphoniums et 2 Tubas
1
Trio de Cuivres
1
3 Cors (trio)
1
2 Cors (duo)
1
Cor et Harpe
1
2 Trompettes, Clavier (piano ou orgue)
1
3 Trompettes (trio)
1
Cor (partie séparée)
1
+ 21 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
27
Violon et Piano
15
Violon
10
Harpe
10
Violoncelle, Piano
8
2 Harpes (duo)
7
Alto, Piano
5
2 Violons (duo)
4
Violoncelle
4
Trio à Cordes: violon, alto, violoncelle
4
Piano Trio: Violon, Alto, Piano
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Alto seul
2
Harpe, Violon (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Violon, Alto (duo)
2
Violon, Violoncelle (duo)
2
2 Altos (duo)
2
2 Violoncelles (duo)
2
Harpe, Trombone (duo)
1
Harpe, Flûte (duo)
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 violins
1
Alto (partie séparée)
1
Violoncelle, Orgue
1
Contre Basse
1
Quatuor à cordes: 4 violons
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
4 Violoncelles
1
Harpe, Violoncelle (duo)
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
22
Cloches
14
Orchestre de chambre
7
Orchestre à Cordes
6
Orchestre
5
Jazz combo
1
Ensemble de cuivres
1
+ 2 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
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BATTERIE
BOUZOUKI
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Vous avez sélectionné:
We Beethoven
Orchestre
Partitions à imprimer
5 partitions trouvées
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I Sing the Mighty Power of God/Joyful Joyful We Adore Thee
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Orchestre
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INTERMÉDIAIRE
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Isaac Watts, Ludwig van Beetho
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Beka Wilson
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I Sing the Mighty Power of God
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Beka Wilson
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.786373 Composed by Isaac Watts, Ludwig van Beethoven. Arranged by Beka Wilson. Christian,Classical,Gospel,Sacred. Sco...
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Full Orchestra - Level 3 - SKU: A0.786373 Composed by Isaac Watts, Ludwig van Beethoven. Arranged by Beka Wilson. Christian,Classical,Gospel,Sacred. Score and parts. 56 pages. Beka Wilson #4354833. Published by Beka Wilson (A0.786373). An old favorite hymn is mixed with a theme from the 4th movement of Beethoven's 9th Symphony for a powerful prelude or stunning offertory for your church service. It is simple enough for younger musicians, yet contains enough depth to interest seasoned musicians as well. 56 pages (includes score and set of parts), approximately 3 1/2 minutes in length (at 120 bpm).
$59.99
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Jeremy Goh, Daniel Cheng
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Theme and Variations on a Chin
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Jeremy Goh
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published b...
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Full Orchestra - Level 3 - SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published by Jeremy Goh (A0.1027336). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
$4.99
WISHFUL VARIATIONS
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Orchestre
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AVANCÉ
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Noël
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ERWIN CHANDLER
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Beethoven
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WISHFUL VARIATIONS
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Paterchan Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.925257 Composed by ERWIN CHANDLER. Christmas. Score and parts. 124 pages. Paterchan Music #4728391. Published by Pate...
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Full Orchestra - Level 5 - SKU: A0.925257 Composed by ERWIN CHANDLER. Christmas. Score and parts. 124 pages. Paterchan Music #4728391. Published by Paterchan Music (A0.925257). A very imaginative set of variants based on We Wish You a Merry Christmas. Composed in the styles of Bach; Beethoven; Chopin; Debussy; Stravinsky and Chandler (I just had to add my variation!). Inspired by a request at a Christmas party!
$60.00
Kommos (Lamentation) / "When the World Moved On" - Extracted Parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723...
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Full Orchestra - Level 4 - SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.  The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.  Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:  Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661...
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Full Orchestra - Level 4 - SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
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