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ACCORDEON
ALTO
AUTRES INST…
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BASSON
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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UKULELE
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VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
75678
PIANO & CLAVIERS
Piano seul
59187
Piano, Voix
38645
Piano Facile
17949
Piano, Voix et Guitare
15369
Orgue
6276
Piano grosses notes
3776
Instruments en Do
3447
Accompagnement Piano
2716
1 Piano, 4 mains
1838
Accordéon
1023
Piano (partie séparée)
821
Piano Trio: piano, violon, violoncelle
792
2 Pianos, 4 mains
391
Piano Quatuor: piano, 2 violons, violoncelle
257
Piano Quatuor: piano, violon, alto, violoncelle
205
Orgue, Trompette (duo)
167
Orgue, Piano (duo)
138
Clavecin
122
Piano Quintette: piano, 2 violons, alto, violoncelle
107
Clavier
81
1 Piano, 6 mains
70
Ligne De Mélodie, Piano
44
2 Pianos, 8 mains
27
Accordéon, Voix
15
Instrument seul et Orgue
14
2 Accordéons
10
Orgue, Voix
8
Accordéon et Orchestre
4
2 Orgues (duo)
4
Ensemble de Pianos
4
Tous Les Instruments
3
Accordéon, Piano
3
Ensemble d'Accordéons
3
Accordéon, Corde(s)
2
Accordéon - Piano, Voix, Guitare
2
Orgue et Orchestre
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
9870
Ligne De Mélodie, (Paroles) et Accords
4699
Guitare
4205
Ukulele
2546
Paroles et Accords
1701
Guitare (partie séparée)
1198
Basse electrique
1179
2 Guitares (duo)
712
Mandoline
467
Dulcimer
291
Piano, Guitare (duo)
286
Banjo
237
4 Guitares (Quatuor)
201
Ensemble de guitares
123
3 Guitares (trio)
112
Basse électrique (partie séparée)
112
2 Dulcimers (duo)
27
Ukulele Baryton
26
Mandoline, Guitare (duo)
23
Ensemble de Ukulélés
20
Guitare, Violon, Violoncelle (trio)
17
Mandoline, Piano (duo)
17
2 Ukuleles
16
Partitions De Groupes
14
Guitare Pedal Steel
12
Dobro
7
2 Mandolines (duo)
4
Guitare, Orchestre
3
Orchestre à Plectres
3
Guitare, Flûte, Clarinette
2
Guitare Tab, Voix, Basse, Batterie
2
Guitare, Quatuor à cordes
2
Luth
1
3 Dulcimers (trio)
1
Cithare
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
32470
Chorale 3 parties
10849
Chorale 2 parties
8559
Chorale TTBB
7297
Chorale SSAA
4851
Chorale Unison
4313
Voix duo, Piano
2526
Chorale
1996
Voix duo
1133
Voix seule
937
Voix haute
247
Voix Soprano, Piano
238
Voix Alto, Piano
145
Voix moyenne, Piano
144
Chorale SSAATTBB
126
Chorale SSATBB
125
Voix Tenor, Piano
110
Voix basse, Piano
102
Voix Tenor
97
Chorale SSATB
96
Chorale SATTB
93
Voix Soprano
55
Chorale SSATTB
41
Chorale SSAB a cappella
41
Voix, Guitare
33
Voix Mezzo-Soprano, Piano
32
Chorale SAATB A Cappella
31
Voix Baryton, Piano
31
Voix basse
27
Soli, choeur mixte et accompagnement
25
Voix et basse continue
24
Chorale SSAB, Piano
13
Chorale SSAATB
12
Chorale SSAATB A Cappella
10
Chorale SATBB
10
Chorale, Orchestre
7
Voix Soprano, Orchestre
7
Chorale SATTBB A Cappella
6
Voix haute, Piano
4
Chorale, Orgue
4
Voix Moyenne
3
Male Voice
3
Voix duo, Orgue
2
Chorale SATTBB, Clavier
2
Voix Baryton
1
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
7698
Flûte traversière et Piano
5928
Quatuor de Saxophones: 4 saxophones
4714
Clarinette
4457
Flûte traversière
4248
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3646
Flûte, Hautbois, Clarinette, Basson
3511
Clarinette et Piano
3366
Hautbois, Piano (duo)
3235
2 Saxophones (duo)
3099
Saxophone Alto et Piano
2928
Quatuor de Clarinettes: 4 clarinettes
2839
2 Flûtes traversières (duo)
2821
Saxophone Alto
2743
Saxophone Tenor et Piano
2360
2 Clarinettes (duo)
2252
Hautbois (partie séparée)
1819
Clarinette (partie séparée)
1809
Saxophone Soprano et Piano
1559
Quintette de Saxophone: 5 saxophones
1456
Quatuor de Flûtes : 4 flûtes
1438
3 Clarinettes (trio)
1218
Flûte et Guitare
1110
Saxophone
1079
Flûte, Clarinette (duo)
1029
Flute (partie séparée)
944
Ensemble de Clarinettes
836
Saxophone Tenor
749
3 Saxophones (trio)
746
Trio de Flûtes: 3 flûtes
688
Saxophone Baryton, Piano
663
Ensemble de Flûtes
648
Ensemble de saxophones
589
Quintette de Clarinettes: 5 clarinettes
581
2 Hautbois (duo)
543
Clarinette, Violon (duo)
539
Saxophone, Clarinette (duo)
492
Flûte à bec Soprano
481
Cor anglais, Piano
476
2 Flûte à bec (duo)
462
Hautbois, Basson (duo)
445
Flûte, Violon
443
Hautbois
388
Flûte à Bec
366
Hautbois, Clarinette (duo)
358
Harmonica
329
Flûte à bec Alto
313
Flûte, Hautbois, Clarinette (trio)
293
Clarinette, Trompette (duo)
293
Quintette de Flûte : 5 flûtes
280
Flûte, Clarinette et Basson
270
Quatuor de Flûtes à bec
268
Clarinette et Alto
230
Clarinette, Guitare (duo)
224
Clarinette, Basson (duo)
216
Flûte, Violoncelle
208
Flûte, Alto (duo)
207
Flûte, Saxophone (duo)
207
Clarinette Basse, Piano
193
Hautbois, Flûte
191
Hautbois, Clarinette, Basson (trio d'anches)
191
Saxophone Soprano
187
Flûte, Hautbois (duo)
182
Flûte, Clarinette, Piano (trio)
182
Cor Anglais
174
Instruments en Mib
165
Clarinette, Harpe (duo)
165
Flûte, Trompette (duo)
151
Flûte, Violon et Violoncelle
140
2 Flûtes traversières, Piano
137
Flûte, Hautbois, Basson
127
Clarinette, Violoncelle (duo)
121
Ensemble De Flûte à bec
119
Flûte, Violon, Piano
119
Flûte, Violoncelle, Piano (trio)
118
Flûte à bec Alto, Piano
101
Flûte, Clarinette, Violon (trio)
99
Hautbois, Violoncelle
98
Flûte, Hautbois, Violon
98
3 Flûtes à bec (trio)
94
2 Clarinettes, Piano
94
Saxophone Baryton
94
Flûte à bec Soprano, Piano
90
Flûte irlandaise
88
Flûte, Basson et Piano
80
Flûte à bec Tenor
73
5 Flûtes à bec
72
2 Saxophones, Piano
68
Clarinette, Violoncelle, Piano (trio)
66
Saxophone et Guitare
62
Piccolo
58
Cor anglais, Guitare (duo)
57
Ocarina
51
Flute, harpe et violon
51
Flûte, Trombone (duo)
50
Hautbois, violon (duo)
50
2 Clarinettes, Basson
48
Hautbois et alto (duo)
48
Saxophone et Piano
46
Cornemuse
44
Flûte, Alto et Piano
41
Piccolo, Piano
38
Flûte, Hautbois, Piano (trio)
38
Flûte à Bec, Piano
37
Flûte, Violon, Violoncelle et Piano
36
Saxophone et Orgue
34
Flûte, trombone et piano
33
Flûte, Clarinette, Cor, Basson (Quartet)
31
Flûte, Harpe et Violoncelle
29
Clarinette, Basson, Piano (trio)
29
Clarinette Basse
28
Clarinette, Trombone (duo)
28
4 Hautbois
28
3 Hautbois
26
Ensemble à vent
26
Saxophone et Harpe
25
Clarinette, trompette et piano
25
Flûte traversière, Orgue (duo)
24
Flûte et Trio à cordes
24
Hautbois, Harpe
23
Flûte à bec, Guitare (duo)
22
Clarinette, Tuba
21
Hautbois, Guitare (duo)
21
Flûte, Tuba (duo)
21
Hautbois, trombone (duo)
21
Flute, Cor (duo)
18
Clarinette, Alto et Piano (trio)
18
Hautbois, Violoncelle et Piano
17
Hautbois, Basson et Piano
15
Flûte, Violoncelle, Guitare
15
Quintette de Clarinette: Clarinette, Quatuor à Cordes
13
Clarinette, Contrebasse (duo)
13
2 Cors Anglais Et Pianoforte
11
Hautbois, Violin, Alto et Violoncelle (Quatuor)
10
Clarinette, Orgue
10
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
9
Flûte, alto et harpe
8
Hautbois, Violon, Piano
8
Cor anglais et Harpe (duo)
8
Flûte à bec, Harpe
8
Flûte, Violon, Guitare
8
Saxophone, Violon (duo)
7
Flûte à bec Alto, Basse continue
7
Flûte et Quatuor à Cordes
6
Saxophone et violoncelle
6
Flûte traversière, Orchestre
6
Flûte traversière, Basse continue
5
Clarinette, Orchestre
5
Saxophone, Basson (duo)
4
2 Flûtes, Basse continue
4
2 Flûtes à bec, Piano
4
2 Hautbois, Piano
4
Ensemble de Hautbois
4
2 Flûtes, 2 Clarinettes (Quatuor)
3
Melodica
3
2 Hautbois et Basson
3
Saxophone, Tuba (duo)
3
Flûte de Pan
3
3 Flûtes à bec, Piano
2
2 Flûtes traversières, Harpe
2
Hautbois, Orgue
2
2 Harmonicas
2
Harmonica, Piano
2
Flute, alto, violoncelle et guitare
1
Flûte, Alto et Violoncelle
1
Flûte à bec Soprano, Basse continue
1
Hautbois et Orchestre
1
2 Hautbois et Cor anglais
1
2 Hautbois, 2 Cors et 2 Bassons
1
Clarinette, Saxophone, Piano
1
2 Flûtes à bec, Guitare
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4042
Trombone (partie séparée)
3706
Trompette
3695
Trompette (partie séparée)
3492
Trompette, Piano
2744
Trombone et Piano
2731
Trombone
2687
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2626
Cor et Piano
1810
Cor
1783
Cor (partie séparée)
1172
2 Trompettes (duo)
1170
Tuba
1049
Quatuor de Cuivres
991
2 Trombones (duo)
975
Quatuor de Cuivres: 2 trompettes, Cor, trombone
946
Tuba et Piano
820
Tuba (partie séparée)
761
Trompette, Trombone (duo)
597
Quatuor de cuivres: 4 trombones
534
Euphonium, Piano (duo)
509
2 Cors (duo)
500
Cor anglais, Piano
476
Trompette, Saxophone (duo)
428
Quatuor de cuivres: 4 cors
407
Euphonium
395
Trompette, Cor (duo)
307
Ensemble de Trombones
264
Trio de Cuivres
191
2 Euphoniums et 2 Tubas
186
Cor Anglais
174
2 Tubas (duo)
173
3 Trombones (trio)
167
Ensemble de Trompettes
166
Instruments en Sib
135
Bass Clef Instruments
131
4 Tubas
123
Ensemble de Cors
108
Quatuor de cuivres: 4 trompettes
100
3 Trompettes (trio)
82
Quatuor de cuivres: 2 trompettes, 2 trombones
80
Trombone, Tuba (duo)
71
Tuba et Orgue
66
Euphonium, Tuba (duo)
62
Trompette, Tuba (duo)
59
Cor anglais, Guitare (duo)
57
Trombone, Orgue
48
2 Trompettes, Clavier (piano ou orgue)
46
Trompette, Violoncelle (duo)
41
Trombone, Cor (duo)
38
Cor, Tuba (duo)
35
2 Euphoniums (duo)
34
Instruments en Fa
30
Tuba ou Euphonium ou Saxhorn
30
Cor et Harpe
30
Trombone basse et Piano
28
Trompette, Basson (duo)
27
3 Cors (trio)
27
Trombone, Violon (duo)
27
Trompette, Trombone, Piano
26
Cor et Basson (duo)
25
Trompette, Harpe
24
Cor, Violoncelle (duo)
23
Trombone basse
20
Clarinette, Cor (duo)
19
Trompette, violon (duo)
18
Trompette et Guitare
18
Cor, Trompette, Trombone (trio)
17
Cor et Orgue
17
3 Tubas (trio)
17
Trompette, Violoncelle et Piano
16
Cornet A Pistons
14
2 Trombones, Piano
11
2 Cors Anglais Et Pianoforte
11
Ensemble de Tubas
9
Cor anglais et Harpe (duo)
8
Cornet et Piano
7
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
7
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
7
Trombone et orchestre
6
Cor, Orchestre
5
Cor, Violoncelle et Piano
5
2 Cors, Piano
5
3 Euphoniums
4
Trombone, Alto (duo)
4
Trompette, Euphonium (duo)
3
Cornet et orchestre
2
4 Euphoniums
2
Euphonium Ou Saxhorn Et Piano
1
Euphonium (partie séparée)
1
Trompette, Orchestre
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
11959
Violon et Piano
6826
Violon
5398
Violoncelle, Piano
4344
Harpe
3778
Alto, Piano
3396
Violoncelle (partie séparée)
2737
Alto seul
2277
Violon, Violoncelle (duo)
2256
2 Violons (duo)
2123
Trio à Cordes: violon, alto, violoncelle
1908
Violon (partie séparée)
1604
Contrebasse (partie séparée)
1558
Violoncelle
1385
2 Violoncelles (duo)
1356
Violon, Alto (duo)
1106
Alto (partie séparée)
1066
Quintette à cordes: 2 violons, alto, violoncelle, basse
1040
2 Altos (duo)
850
Contre Basse
762
Contrebasse, Piano (duo)
752
Trio à Cordes: 2 violons, violoncelle
600
Piano Trio: Violon, Alto, Piano
479
Harpe, Flûte (duo)
476
Violon, Guitare (duo)
396
Alto, Violoncelle (duo)
393
4 Violoncelles
364
2 Harpes (duo)
287
Trio à cordes: 3 violins
261
Harpe, Violon (duo)
252
Violoncelle , Guitare (duo)
201
Quatuor à cordes: 4 violons
176
Trio à Cordes: 3 violoncelles
164
2 Contrebasses (duo)
161
Violoncelle, Contrebasse (duo)
154
Alto, Guitare (duo)
133
Trio à Cordes: 2 violons, alto
115
Quatuor à cordes : 4 altos
94
Violon, Basson (duo)
90
Trio à cordes: 3 altos
83
Trio à cordes
79
Quintette à cordes: 2 violons, 2 altos, violoncelle
68
Harpe (partie séparée)
64
Harpe, Violoncelle (duo)
63
2 Violons, Piano
61
Alto et Harpe
53
Harpe, Voix
52
Violon, Clarinette, Piano (trio)
47
Violoncelle, Orgue
45
Alto et Basson
44
Ensemble de Violons
40
4 Contrebasses
34
Flûte, Contrebasse (duo)
30
Ensemble d'Altos
29
Harpe, Violon, Violoncelle
25
Violoncelle, Orchestre
24
Violon, Tuba (duo)
24
Violon, Orgue
23
2 Violoncelles, Piano
23
Ensemble de Violoncelles
21
Harpe et Piano
17
3 Contrebasses
13
Harpe et mandoline
13
Violon, Basse continue
12
Violoncelle, Basse continue
11
Violon, Violoncelle, Clarinette
11
Autoharp
10
Violon, Trompette et Piano
8
Harpe, Trombone (duo)
8
3 Harpes
8
2 Altos, Piano
7
Harpe, Quatuor à cordes
4
Alto, Orgue
4
Harpe et Orgue
3
4 Harpes
3
Alto et orchestre
2
5 Harpes
2
2 Violons et Basse continue
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
22991
Orchestre à Cordes
5623
Orchestre
5281
Ensemble Jazz
4122
Ensemble de cuivres
3058
Cloches
2982
Orchestre de chambre
1592
Batterie
1350
Jazz combo
1293
Percussion (partie séparée)
1210
Batterie (partie séparée)
1189
Fanfare
823
Ensemble de Percussions
627
Percussion
241
Marimba
210
Timbales (partie séparée)
189
Instrumentation Flexible
155
Vibraphone
119
Xylophone
116
Xylophone, Piano
70
Piano et Orchestre
52
Quintette à Vent
51
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
36
Timbales
36
Orchestre, Violon
29
Big band
25
Caisse Claire
19
Quatuor à Vent : 4 instruments à vents
18
Ensemble d'École
10
Vibraphone et Marimba
9
Quintette de Cuivres: autres combinaisons
9
Vibraphone (partie séparée)
7
Xylophone (partie séparée)
6
3 Marimbas
5
Marimba et Orgue
4
Marimba, Piano (duo)
4
Xylophone ou Marimba ou Vibraphone
4
Cajon
2
Bodhran
2
Voix et Orchestre
2
Conga
2
Bongos
2
2 Marimbas
2
2 Percussions
1
2 Caisses Claires (duo)
1
3 Percussions
1
Orchestre Symphonique
1
Marimba ou Xylophone et Piano
1
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Formation musicale - Solfège
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Destiny For A New
Orchestre
Full Orchestra - Advanced - Digital Download Composed by Joshua A. Idio. 21st Century…
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Full Orchestra - Advanced - Digital Download Composed by Joshua A. Idio. 21st Century, 20th Century, Romantic Period, Contemporary Classical, Repertoire. Score, Set of Parts. 85 pages. Published by Joshua A. Idio
Composed by Joshua A. Idio. (ASCAP Licensed) Orchestral Music. Concert Opener music. Full score and parts.<br> <br> Symphony Orchestra - Grade 5<br> Motivational and Exhilarating! This grand “movie-esque” scoring sends the audience through a heart-pounding epiphany of song and soul. With its use of moving melodies, surprising rhythms, and evocative instrumentation, the courage to take on the world has never felt more achievable. The inspiring begins now!
$125.00
114.87 €
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Orchestre
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Joshua A
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Destiny For A New
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Joshua A. Idio
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SheetMusicPlus
Rondo in A minor for Viola and Orchestra
Orchestre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.723062 Composed by Joel Jack…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.723062 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 154 pages. Joel Jacklich #2075161. Published by Joel Jacklich (A0.723062). This is an arrangement by the composer of his Rondo in A minor (originally written for Guitar and Orchestra) for Viola and Orchestra. There is also a version arranged for Cello and Orchestra. In October, 2014, after my most recent commission, the creative juices were still flowing, and I felt the urge to write a work for guitar and orchestra (which I had always wanted to do, partly inspired by the memories Pepe Romero's performances with my orchestra forty years earlier). Amazingly, within two days I had, except for a few minor corrections, a completed work. The result was the Rondo in A minor for Guitar and Orchestra, which I dedicated to my friend, Sir Pepe Romero, with the greatest respect and admiration. In December of 2014, I realized the work was easily accessible for either viola or cello and created versions of the piece for solo cello and orchestra, and also a version for solo viola and orchestra. The work is rondo-like in form, but does not strictly follow all the rules. The form of the work is a kind of a musical palindrome: A B A C A D A C A B A (including a cadenza in the final rondo statement). The presence of castanets gives the work a bit of a Spanish flair. The piece is scored for pairs of flutes, oboes, clarinets in A, bassoons, horns, and trumpets in C; with timpani, castanets, and strings (8,8,5,5,3). Parts for clarinets and trumpets in B-flat are included in the set for those orchestras lacking clarinets in A or trumpets in C.
$65.00
59.73 €
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Orchestre
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Joel Jacklich
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Joel Jacklich (ASCAP)
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Rondo in A minor for Viola and Orchestra
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Joel Jacklich
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
192.98 €
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Orchestre
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
192.98 €
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Orchestre
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
28.95 €
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Orchestre
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.38 €
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Orchestre
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh,…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published by Jeremy Goh (A0.1027336). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
$4.99
4.59 €
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Orchestre
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Jeremy Goh, Daniel Cheng
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Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
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Jeremy Goh
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SheetMusicPlus
Symphony No. 2 ... A Phantasmagorey Ballet (1998)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998
$9.99
9.18 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 2 ... A Phantasmagorey Ballet
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Thomas Oboe Lee
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SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1 (Woodwinds and Brass)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Holland #4800547. Published by James Nathaniel Holland (A0.730492). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 1 (Woodwinds and Brass). Piano Score, Full Orchestral Score, Individual Parts (Part 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$70.25
64.56 €
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Orchestre
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James Nathaniel Holland
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1
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James Nathaniel Holland
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SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Full Orchestral Score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730493 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730493 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 370 pages. James Nathaniel Holland #4800668. Published by James Nathaniel Holland (A0.730493). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. FULL ORCHESTRAL SCORE (with stage directions). Piano Score, Individual Parts (Parts 1 and 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$32.50
29.87 €
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Orchestre
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James Nathaniel Holland
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Full Orchestral Score
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James Nathaniel Holland
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SheetMusicPlus
S. Prokofiev: Fleetingness, op. 22, (1915-17), orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1344002 Composed by S. Prokofie…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published by Arkady Leytush (A0.1344002). 1. Fear & Comfort 2. Slumber 3. Under & Above Water 4. Manipulate Magician 5. Bird Commotion 6. Tree of Us 7. Harp (original name) 8. Melancholy 9. In the Park 10. Grimaces 11. Jester 12. Lame Grasshopper & Dragonfly 13. Laziness 14. Tin Soldiers & Ballerina 15. Premonition of Impending Disaster 16. Unrealistic Hopes 17. Tears & Calm 18. Reverie 19. Overturn 20. Dreams About the FutureThe reason for writing was the poems of K. D. Balmont, two lines of which Prokofiev chose as an epigraph: “In every fleeting moment I see worlds, full of changing rainbow playâ€. In 1940-42, the famous avant-garde artist Alexander Rodchenko created a series of drawings illustrating “Fleetingnessâ€.
$100.00
91.89 €
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Orchestre
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S
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A
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Comfort 2
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S. Prokofiev: Fleetingness, op. 22,
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Arkady Leytush
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807. Published by Benjamin Sajo (A0.1018920). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
28.95 €
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Orchestre
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
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Benjamin Sajo
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018901 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjamin Sajo #6064731. Published by Benjamin Sajo (A0.1018901). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.38 €
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Orchestre
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
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Benjamin Sajo
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.18 €
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Orchestre
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
You Give Love A Bad Name
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1260631 By Bon Jovi. By Desmond…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1260631 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Brett A Foster. 20th Century,Contemporary,Rock. Score and Parts. 12 pages. Brett A Foster #853824. Published by Brett A Foster (A0.1260631). You Give Love a Bad Name is a song by American rock band Bon Jovi, released as the first single from their 1986 album Slippery When Wet. Written by Jon Bon Jovi, Richie Sambora, and Desmond Child about a woman who has jilted her lover, the song reached No. 1 on the U.S. Billboard Hot 100 on November 29, 1986, and became the band's first number one hit. This Pops style arrangement for full orchestra (with optional parts for Saxophone and Rock Rhythm Section) is sure to be a sing along hit for your next concert. If you are looking for a great combined choral orchestral work, the arrangement also features optional parts for a TTBB Choir and Piano. The arrangement works with and without the choir. A TTBB Choral Arrangement is also available for separate sale, for those who don't have the luxury of a full orchestra.
$79.00
72.6 €
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Orchestre
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Bon Jovi
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Brett A Foster
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You Give Love A Bad Name
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Brett A Foster
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SheetMusicPlus
I. Stravinsky – Serenade in A, Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1374158 Composed by Igor Stravi…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1374158 Composed by Igor Stravinsky. Arranged by A. Leytush. 20th Century. 94 pages. Arkady Leytush #958734. Published by Arkady Leytush (A0.1374158). This 4-part suite is called Serenade in A. This name, chosen by its author, completely exhausts the content of this music and emphasizes the main idea of the composition, as well as the tonality of all parts. Each part provides comprehensive details in this series and has its own title. I emphasize that this is by no means a programmatic essay. The nature of each part and their internal content pushed me to follow my interpretation of each part in the orchestral transcription. 1. Hymne is essentially nothing more than a Hymn of love! His character, sublime above the everyday, is, as it were, raised to the surface and presented in bright, broad strokes as an irrefutable truth. 2. Romanza - I perceive it as a kind of parody of a love romance with the main sentiments and elements inherent in this genre. This is by no means a refutation of love, but only some irony over the false, pretentious way of expressing this feeling. The grotesque character is emphasized whenever possible by the orchestration. 3. Rondoletto - this part, from the very beginning in my orchestration, resembles the multi-voiced play of musicians preparing to play, testing the sound of their instruments, tuning them and playing out. 4. Cadenza Finala - the nature of the music is the union and rapture of love. In my orchestration there can be traced duets of various instruments and orchestra groups such as: a pair of Flutes, a pair of Oboes, Clarinets, Trumpets, Trombones, 1st and 2nd Violins. This feature of the pairs I have chosen should emphasize their relationship and relatedness.
$60.00
55.14 €
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Orchestre
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Igor Stravinsky
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A
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I. Stravinsky – Serenade in A, Orchestrated by A. Leytush - Score Only
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Arkady Leytush
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SheetMusicPlus
We Need A Little Christmas
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1164372 By Kimberley Locke. By …
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Full Orchestra - Level 5 - Digital Download SKU: A0.1164372 By Kimberley Locke. By Jerry Herman. Arranged by Bryan Kidd. Christmas,Holiday,Standards. Score and Parts. 101 pages. BryanKiddMusic.com #764719. Published by BryanKiddMusic.com (A0.1164372). With a touch of John Philip Sousa, a spiritedly bright opener for your Christmas Season concert. Jerry Herman’s “We Need a Little Christmas†was introduced by Angela Lansbury and Beatrice Arthur in the 1966 Tony Award-winning Broadway production, Mame. A subsequent cover later that year by Percy Faith and His Orchestra and Chorus further established it as a seasonal favorite – other notable artists include the Muppets, Johnny Mathis, Idina Menzel and Pentatonix. This set includes a full score* and complete set of instrumental parts. NOTE: The SSATB Chorus is only shown on the score (for reference) and is NOT included as a separate part in this set. You are legally required to purchase as many copies of the choral parts as there are members of your chorus (includes rehearsal piano). Choral Parts Click Here Brass high note: Trumpet D6 (with an optional F6); Trombone A4 *A letter-size (8.5x11) score is included with the set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED). Tabloid Score Click HereWith 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for the American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.Please visit BryanKiddMusic.comÂ
$75.00
68.92 €
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Orchestre
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Kimberley Locke
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Bryan Kidd
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We Need A Little Christmas
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BryanKiddMusic.com
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SheetMusicPlus
Symphony No. 2: A Countryside Symphony, Op. 10
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1322184 Composed by Chris Knapp…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1322184 Composed by Chris Knapp. 21st Century,Classical. 177 pages. Chris Knapp #910544. Published by Chris Knapp (A0.1322184). Symphony No. 2 celebrates nature and brings a new approach to the traditional Pastoral style in symphonic writing. Symphony No. 2: A Countryside Symphony is in 3 movements:I: The Pastures (A moderate opening before a rhythmic Vivace)II: A Storm Gathers (A moody, slow opening, which builds to a dramatic middle section before a gentle release to finish)III: Nature's Festival (a rousing, joyous finish).This is written for a medium orchestra and is accessible for both and amateur and professional orchestras.
$30.99
28.48 €
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Orchestre
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Chris Knapp
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Symphony No. 2: A Countryside Symphony, Op. 10
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Chris Knapp
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SheetMusicPlus
Diehnelt: Striadica - A Symphonic Passage - SCORE
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.809057 Composed by Kim Diehnelt…
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Full Orchestra - Level 4 - Digital Download SKU: A0.809057 Composed by Kim Diehnelt. Contemporary. Score and parts. 28 pages. Kim Diehnelt #4367718. Published by Kim Diehnelt (A0.809057). Striadica: A Symphonic PassageThe every-day, reshaped by contingencies. The time-bound path twists through certainty, bewilderment, and fragile reconstruction. Upon release, recognition arrives.Duration: 8 - 9 mins.I was specifically asked to write a work where everyone had something to play. As is my usual style, I tend to allow the second players and less-prominent instruments a chance to shine, and in general shake up the usual orchestral hierarchy. (The second violins, for example, even get their own solo passage!)The wind parts are much more individualized, where the first part may have a completely different line than the second.A colleague who is a trombone player challenged me to write parts that sing for his instrument; hence the word dolce occurs in the low brass parts. Although the low brass parts are rather simple, they do require finesse and nuance.In general, none of the parts are overly challenging; rather, I hope each player finds the music allows them the opportunity to express themselves both individually and as an ensemble.Instrumentation1 Piccolo2 Flutes2 Oboes2 Clarinets in A2 Bassoons4 Horns in F2 Trumpets in C3 Trombones (2 Tenor, 1 Bass Trombone)1 TubaTimpani (B / D)Percussion: Wood Blocks, Snare Drum1 HarpStrings------Commissioned by the Lake Forest Civic Orchestra, IL. Premiere performance May, 2018This item contains ONLY THE SCORE. The PDF, when printed double sided will make for an 8 ½ by 11 score with a left margin suitable for comb binding. (Please consider a larger sized comb than usual so pages may be turned quietly!) A full set of hard-copy parts are available directly from Kim Diehnelt. (Kim@KimDiehnelt.com)© 2017 Kim Diehnelt (ASCAP)
$8.99
8.26 €
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Orchestre
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Kim Diehnelt
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Diehnelt: Striadica - A Symphonic Passage - SCORE
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Kim Diehnelt
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SheetMusicPlus
A Soldier's Memory - Instrumental Parts
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.940117 Composed by Christian Ja…
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Full Orchestra - Level 2 - Digital Download SKU: A0.940117 Composed by Christian James Jesse. Contemporary,Film/TV,Folk,Holiday,Patriotic. Score and parts. 99 pages. Christian James Jesse #5751477. Published by Christian James Jesse (A0.940117). After each tour of duty, every soldier has a range of emotions and thoughts racing through his or her head as the make the trip home. A Soldier’s Memory explores a few of those emotions including feelings of heroism, memories of being reunited and PTSD flashbacks. I wanted to share my love and support of our nation’s military by telling a more realistic story rather than an idealized victorious celebration. Coming from a family of many veterans, I am honored to write a piece remembering our nation’s veterans’ stories.-A Soldier’s Memory was commissioned by Maestro Hector Guzman for the Irving Symphony Orchestra as part of the SMU-Irving Symphony Orchestra Student Composer-in-Residence program for the 2018-2019 Concert Season. A Soldier’s Memory premiered on November 3rd, 2018 at the Irving Arts Center by the Irving Symphony Orchestra conducted by Maestro Hector Guzman. -https://christianjesse.com/a-soldiers-memory
$20.00
18.38 €
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Orchestre
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Christian James Jesse
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A Soldier's Memory - Instrumental Parts
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Christian James Jesse
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SheetMusicPlus
A Soldier's Memory - Conductor Score - Score Only
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.940116 Composed by Christian Ja…
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Full Orchestra - Level 2 - Digital Download SKU: A0.940116 Composed by Christian James Jesse. Contemporary,Film/TV,Folk,Holiday,Patriotic. Score and parts. 32 pages. Christian James Jesse #5751467. Published by Christian James Jesse (A0.940116). After each tour of duty, every soldier has a range of emotions and thoughts racing through his or her head as the make the trip home. A Soldier’s Memory explores a few of those emotions including feelings of heroism, memories of being reunited and PTSD flashbacks. I wanted to share my love and support of our nation’s military by telling a more realistic story rather than an idealized victorious celebration. Coming from a family of many veterans, I am honored to write a piece remembering our nation’s veterans’ stories.-A Soldier’s Memory was commissioned by Maestro Hector Guzman for the Irving Symphony Orchestra as part of the SMU-Irving Symphony Orchestra Student Composer-in-Residence program for the 2018-2019 Concert Season. A Soldier’s Memory premiered on November 3rd, 2018 at the Irving Arts Center by the Irving Symphony Orchestra conducted by Maestro Hector Guzman. -https://christianjesse.com/a-soldiers-memory
$20.00
18.38 €
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Orchestre
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Christian James Jesse
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A Soldier's Memory - Conductor Score - Score Only
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Christian James Jesse
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SheetMusicPlus
A Well-Traveled Road
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1090419 By Daniel Burwasser. By…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pages. Head and Stem #694597. Published by Head and Stem (A0.1090419). A Well-Traveled Road was first sketched in the summer of 1989. It was revised and orchestrated in 1992 for a recording on MMC (now defunct) by the Slovak Radio and Television Orchestra under the direction of Robert Stankovsky. This video represents a revised version from the original 1992 score and 1995 recording. NOTES from 1995: I have always been intrigued with the transformational potentiality of themes. A Well-Traveled Road explores the diverse possibilities of the development of a single motive. I have incorporated certain principles of sonata form, although this music is more episodic in nature than three-part. It is foremost mono-thematic (the theme is first announced in the horns and trumpets). The idea then undergoes several permutations in the form of episodes, including a fleeting waltz, a form of which I am quite fond. The title of the piece itself is a metaphorical allusion to this process. The harmonic language in the work is predominantly tonal. By contemporary music standards, about one-half consonant and one-half dissonant. I do not prescribe to any type of harmonic system or any other such rationale in this work (or seldom in any of my recent work). I prefer using a more intuitive approach to harmony, reserving dissonance for spice and for enhancing the dramatic element of the music. Daniel BurwasserFor more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$70.00
64.33 €
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Orchestre
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Daniel Burwasser
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A Well-Traveled Road
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Head and Stem
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SheetMusicPlus
A. N. Scriabin - Valse in A flat major, Op. 38, Orchestrated by A. Leytush
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1144178 Composed by A. N. Scria…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1144178 Composed by A. N. Scriabin. Arranged by Arkady Leytush. Classical. Score and parts. 45 pages. Arkady Leytush #744498. Published by Arkady Leytush (A0.1144178). This wonderful salon waltz by A.N. Scriabin, I hope, will now receive the status of a concert waltz. Deciding to orchestrate was not so easy, as the many piano interpretations of this music point directly to the extremely refined approach to this composition, including flexible rubato and subtle nuances. Nevertheless, the internal possibilities of this music give, it seems to me, the right to a greater scope, various timbre colors of the orchestra and, ultimately, moving to a different scale of sound. The orchestral transcription of this waltz allows the symphony orchestra to fully express itself, including a huge palette of sounds from the most tender and transparent episodes to full and brilliant tutti. I would also like to note that this work, first of all, is my modest contribution to the celebration of the 150th anniversary of the birth of this genius of Russian music.
$60.00
55.14 €
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Orchestre
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A
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Arkady Leytush
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A. N. Scriabin - Valse in A flat major, Op. 38, Orchestrated by A. Leytush
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Arkady Leytush
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SheetMusicPlus
Like a River Glorious
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.976716 Composed by WYE VALLEY. …
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Full Orchestra - Level 2 - Digital Download SKU: A0.976716 Composed by WYE VALLEY. Arranged by Robert Myers. Christian,Sacred. Score and parts. 35 pages. WheatMyer Music #4794181. Published by WheatMyer Music (A0.976716). Opening from and closing into gentle whispers over a snare ostinato and steady quarter note pulse in the low voices, the dynamic swell and ebb of this setting of WYE VALLEY depicts all the majestic, stately, abiding grandeur of a mighty river and, despite its brevity, portrays a sense of perpetuity. And this in itself is a metaphor of the order, peace, and timelessness of God’s eternal kingdom. With a short introduction and conclusion the music takes one turn through the WYE VALLEY melody to create an orchestral prelude from the graceful tune. Like a River Glorious is meant to be ready to play in one setting and so can be added to your program with little fuss. It functions well as a liturgical prelude or postlude or it would be well-fitted to a transitional role, even in a secular setting.Find more music and news at wheatmyermusic.com/ and www.facebook.com/WheatMyerMusic.
$45.00
41.35 €
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Orchestre
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WYE VALLEY
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Robert Myers
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Like a River Glorious
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WheatMyer Music
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SheetMusicPlus
Make His Praise a Glorious Thing (Orchestration)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.976726 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976726 Composed by Robert Myers. Christian,Gospel,Sacred. Score and parts. 60 pages. WheatMyer Music #5191479. Published by WheatMyer Music (A0.976726). Make His Praise a Glorious Thing is a new setting of the English language's great doxology from the pen of Thomas Ken. It builds on his words with references to the multitude of Psalmic exhortations to exuberantly praise God in manifold ways and make His praise glorious. The character of the piece reflects this with a joyous and spirited aesthetic above a driving tempo. The text also juxtaposes our contemporary praises within the historic stream of doxologies from saints past and future as a precursor to the eternal, magnificent, and heavenly doxologies portrayed in Revelation 5 and 7. The melody correspondingly has roots in the traditional Old 100th Psalm tune as well, although it will take a keen ear to catch it.Although set for SATB choir, it is hoped that the accessible melody will find a place in your congregational singing also. Make His Praise a Glorious Thing is a wonderful call to worship, responsorial, or sacred concert opening or closing. Choral octavos with piano accompaniment are available separately.
$45.00
41.35 €
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Orchestre
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Robert Myers
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Make His Praise a Glorious Thing
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WheatMyer Music
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SheetMusicPlus
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