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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A
Non classifié
76 356
Piano & claviers
Piano seul
62 927
Piano, Voix
40 631
Piano Facile
18 331
Piano, Voix et Guitare
16 060
Orgue
6 650
Instruments en Do
4 581
Piano grosses notes
4 053
Accompagnement Piano
2 666
1 Piano, 4 mains
1 971
Accordéon
1 154
Piano Trio: piano, violon, violoncelle
893
Piano (partie séparée)
546
2 Pianos, 4 mains
425
Piano Quatuor: piano, 2 violons, violoncelle
254
Piano Quatuor: piano, violon, alto, violoncelle
204
Orgue, Trompette (duo)
164
Orgue, Piano (duo)
139
Clavecin
129
Piano Quintette: piano, 2 violons, alto, violoncelle
115
Clavier
90
1 Piano, 6 mains
73
Ligne De Mélodie, Piano
44
2 Pianos, 8 mains
30
Accordéon, Voix
15
Instrument seul et Orgue
14
2 Accordéons
11
Orgue, Voix
8
Fake Book
5
Accordéon et Orchestre
4
2 Orgues (duo)
4
Accordéon, Piano
3
Ensemble d'Accordéons
3
Tous Les Instruments
3
Accordéon - Piano, Voix, Guitare
2
Ensemble de Pianos
2
Accordéon, Corde(s)
2
Orgue et Orchestre
1
+ 32 instrumentations
Retracter
Guitares
Guitare notes et tablatures
10 090
Guitare
5 869
Ligne De Mélodie, (Paroles) et Accords
4 759
Ukulele
2 731
Basse electrique
1 765
Paroles et Accords
1 717
Guitare (partie séparée)
938
2 Guitares (duo)
821
Mandoline
505
Dulcimer
321
Piano, Guitare (duo)
294
Banjo
241
4 Guitares (Quatuor)
229
Ensemble de guitares
125
3 Guitares (trio)
122
Ukulele Baryton
44
Basse électrique (partie séparée)
29
2 Dulcimers (duo)
27
Mandoline, Guitare (duo)
23
Ensemble de Ukulélés
20
Guitare, Violon, Violoncelle (trio)
17
Mandoline, Piano (duo)
17
2 Ukuleles
16
Guitare Pedal Steel
15
Partitions De Groupes
14
Dobro
7
2 Mandolines (duo)
5
Orchestre à Plectres
3
Guitare, Quatuor à cordes
3
Guitare, Orchestre
3
Guitare, Flûte, Clarinette
2
Guitare Tab, Voix, Basse, Batterie
2
Cithare
1
Luth
1
3 Dulcimers (trio)
1
+ 30 instrumentations
Retracter
Voix
Chorale SATB
35 012
Chorale 3 parties
11 431
Chorale 2 parties
8 975
Chorale TTBB
7 929
Chorale SSAA
5 338
Chorale Unison
4 437
Pack Instrumental pour Chorale
3 961
Voix duo, Piano
2 768
Chorale
1 999
Voix duo
1 131
Voix seule
941
Voix Soprano, Piano
717
Voix Alto, Piano
512
Voix Tenor, Piano
469
Voix haute
456
Voix Baryton, Piano
316
Voix basse, Piano
195
Voix moyenne, Piano
167
Chorale SSAATTBB
126
Chorale SSATBB
125
Chorale SSATB
98
Voix Tenor
97
Chorale SATTB
93
Chorale SSAB a cappella
83
Voix Soprano
53
Chorale SSATTB
41
Voix, Guitare
33
Voix Mezzo-Soprano, Piano
32
Chorale SAATB A Cappella
31
Voix basse
28
Soli, choeur mixte et accompagnement
25
Voix et basse continue
24
Chorale SSAB, Piano
23
Chorale SSAATB
12
Chorale SSAATB A Cappella
10
Chorale SATBB
10
Voix Soprano, Orchestre
7
Chorale, Orchestre
7
Chorale SATTBB A Cappella
6
Chorale, Orgue
4
Voix haute, Piano
4
Voix Moyenne
3
Male Voice
3
Chorale SATTBB, Clavier
2
Voix duo, Orgue
2
Voix Baryton
1
+ 41 instrumentations
Retracter
Vents
Flûte traversière et Piano
6 350
Saxophone (partie séparée)
5 504
Quatuor de Saxophones: 4 saxophones
5 176
Clarinette et Piano
4 702
Flûte traversière
4 684
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3 978
Clarinette
3 904
Flûte, Hautbois, Clarinette, Basson
3 727
Hautbois, Piano (duo)
3 561
2 Saxophones (duo)
3 419
Saxophone Alto et Piano
3 303
2 Flûtes traversières (duo)
3 136
Saxophone Alto
3 055
Quatuor de Clarinettes: 4 clarinettes
2 988
Saxophone Tenor
2 562
Saxophone Tenor et Piano
2 517
2 Clarinettes (duo)
2 433
Hautbois (partie séparée)
1 799
Saxophone Soprano et Piano
1 721
Quatuor de Flûtes : 4 flûtes
1 572
Quintette de Saxophone: 5 saxophones
1 569
Clarinette (partie séparée)
1 425
3 Clarinettes (trio)
1 312
Saxophone
1 180
Flûte et Guitare
1 172
Flûte, Clarinette (duo)
1 113
3 Saxophones (trio)
994
Flute (partie séparée)
892
Ensemble de Clarinettes
891
Trio de Flûtes: 3 flûtes
775
Saxophone Baryton, Piano
753
Ensemble de Flûtes
703
Quintette de Clarinettes: 5 clarinettes
642
Ensemble de saxophones
628
2 Hautbois (duo)
624
Clarinette, Violon (duo)
591
Hautbois
557
Flûte à bec Soprano
556
Cor anglais, Piano
518
2 Flûte à bec (duo)
518
Saxophone, Clarinette (duo)
514
Hautbois, Basson (duo)
507
Flûte, Violon
493
Hautbois, Clarinette (duo)
437
Flûte à Bec
393
Flûte, Violon, Piano
383
Ocarina
369
Flûte, Hautbois, Clarinette (trio)
365
Flûte à bec Alto
357
Harmonica
341
Saxophone Soprano
325
Flûte, Clarinette et Basson
308
Quintette de Flûte : 5 flûtes
299
Clarinette Basse, Piano
295
Clarinette, Trompette (duo)
292
Quatuor de Flûtes à bec
276
Clarinette, Guitare (duo)
272
Flûte, Hautbois (duo)
263
Clarinette, Basson (duo)
251
Flûte, Violoncelle
245
Clarinette et Alto
231
Flûte, Alto (duo)
229
Hautbois, Clarinette, Basson (trio d'anches)
229
Flûte, Saxophone (duo)
208
Hautbois, Flûte
207
Flûte, Clarinette, Piano (trio)
201
Flûte, Trompette (duo)
190
Cor Anglais
187
Instruments en Mib
173
Clarinette, Harpe (duo)
164
Clarinette, Violoncelle (duo)
164
Saxophone Baryton
150
Flûte, Hautbois, Basson
150
Hautbois, Violoncelle
143
Flûte, Violon et Violoncelle
141
2 Flûtes traversières, Piano
137
2 Clarinettes, Piano
127
Ensemble De Flûte à bec
122
Flûte, Violoncelle, Piano (trio)
119
Flûte, Clarinette, Violon (trio)
99
Flûte, Hautbois, Violon
98
3 Flûtes à bec (trio)
97
Flûte à bec Alto, Piano
96
Flûte irlandaise
90
Hautbois, violon (duo)
83
Flûte, Trombone (duo)
81
Flûte à bec Soprano, Piano
81
Flûte, Basson et Piano
81
Clarinette, Violoncelle, Piano (trio)
79
5 Flûtes à bec
75
Flûte à bec Tenor
73
2 Saxophones, Piano
70
Flûte, Hautbois, Piano (trio)
68
Piccolo
64
Saxophone et Guitare
62
Flute, harpe et violon
61
Hautbois, Guitare (duo)
58
Cor anglais, Guitare (duo)
57
Hautbois et alto (duo)
57
Flûte, Alto et Piano
54
2 Clarinettes, Basson
48
Saxophone et Piano
47
Clarinette, Trombone (duo)
47
Clarinette Basse
47
Cornemuse
44
Piccolo, Piano
38
Flûte à Bec, Piano
37
Saxophone et Orgue
34
Flûte, trombone et piano
33
Flûte, Violon, Violoncelle et Piano
33
Flûte, Tuba (duo)
30
Clarinette, Basson, Piano (trio)
30
Flûte, Clarinette, Cor, Basson (Quartet)
29
Flûte, Harpe et Violoncelle
29
3 Hautbois
28
Hautbois, Trompette (duo)
28
4 Hautbois
28
Saxophone, Violon (duo)
27
Saxophone et Harpe
26
Clarinette, trompette et piano
25
Hautbois, Harpe
25
Flûte traversière, Orgue (duo)
24
Ensemble à vent
23
Flûte et Trio à cordes
23
Flûte à bec, Guitare (duo)
22
Hautbois, trombone (duo)
21
Clarinette, Tuba
21
Clarinette, Alto et Piano (trio)
18
Flute, Cor (duo)
18
Hautbois, Violoncelle et Piano
17
Hautbois, Basson et Piano
16
Flûte, Violoncelle, Guitare
15
Clarinette, Contrebasse (duo)
14
Quintette de Clarinette: Clarinette, Quatuor à Cordes
13
2 Cors Anglais Et Pianoforte
12
Hautbois, Clarinette et Piano (Trio)
12
Clarinette, Orgue
10
Hautbois, Violin, Alto et Violoncelle (Quatuor)
10
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
10
Flûte, alto et harpe
8
Flûte à bec, Harpe
8
Hautbois, Violon, Piano
8
Cor anglais et Harpe (duo)
8
Flûte, Violon, Guitare
8
Flûte à bec Alto, Basse continue
7
Saxophone et violoncelle
6
Flûte traversière, Orchestre
6
Flûte et Quatuor à Cordes
6
2 Flûtes à bec, Piano
5
Clarinette, Orchestre
5
Flûte traversière, Basse continue
5
2 Flûtes, Basse continue
4
Saxophone, Basson (duo)
4
2 Hautbois, Piano
4
Ensemble de Hautbois
4
Saxophone, Tuba (duo)
3
2 Hautbois et Basson
3
Flûte de Pan
3
Melodica
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
2 Harmonicas
2
2 Flûtes traversières, Harpe
2
Hautbois, Orgue
2
Harmonica, Piano
2
3 Flûtes à bec, Piano
2
2 Flûtes à bec, Guitare
1
Flute, alto, violoncelle et guitare
1
Hautbois et Orchestre
1
Clarinette, Saxophone, Piano
1
Flûte à bec Soprano, Basse continue
1
2 Hautbois et Cor anglais
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte, Alto et Violoncelle
1
+ 168 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4 525
Trompette
4 056
Trombone (partie séparée)
3 269
Trompette, Piano
3 095
Trompette (partie séparée)
3 075
Trombone et Piano
3 027
Trombone
2 959
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2 793
Cor et Piano
2 113
Cor
1 982
2 Trompettes (duo)
1 277
Tuba
1 164
2 Trombones (duo)
1 060
Quatuor de Cuivres
1 020
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1 009
Tuba et Piano
971
Cor (partie séparée)
862
Tuba (partie séparée)
658
Trompette, Trombone (duo)
635
2 Cors (duo)
550
Quatuor de cuivres: 4 trombones
548
Euphonium, Piano (duo)
542
Cor anglais, Piano
518
Trompette, Saxophone (duo)
452
Quatuor de cuivres: 4 cors
437
Euphonium
424
Trompette, Cor (duo)
318
Ensemble de Trombones
273
3 Trombones (trio)
232
2 Euphoniums et 2 Tubas
205
Trio de Cuivres
196
Cor Anglais
187
2 Tubas (duo)
178
Ensemble de Trompettes
168
Instruments en Sib
143
Bass Clef Instruments
138
4 Tubas
127
Ensemble de Cors
122
Quatuor de cuivres: 4 trompettes
118
3 Trompettes (trio)
98
Quatuor de cuivres: 2 trompettes, 2 trombones
81
Trombone, Tuba (duo)
72
Trompette, Tuba (duo)
71
Tuba et Orgue
66
Euphonium, Tuba (duo)
63
Trombone basse
59
Cor anglais, Guitare (duo)
57
Cor, Violoncelle (duo)
56
Trombone, Orgue
48
2 Trompettes, Clavier (piano ou orgue)
46
Trompette, Violoncelle (duo)
42
Trompette, violon (duo)
40
Trompette, Basson (duo)
40
Trombone, Cor (duo)
39
Cor, Tuba (duo)
37
Instruments en Fa
37
Trompette, Violoncelle et Piano
35
Trombone basse et Piano
34
2 Euphoniums (duo)
34
Cor et Harpe
31
Tuba ou Euphonium ou Saxhorn
30
3 Cors (trio)
28
Trombone, Violon (duo)
27
Trompette, Harpe
26
Cor et Basson (duo)
25
Trombone, violoncelle (duo)
25
Trompette, Trombone, Piano
25
Clarinette, Cor (duo)
19
Trompette et Guitare
18
2 Trombones, Piano
18
3 Tubas (trio)
17
Cor, Trompette, Trombone (trio)
17
Cor et Orgue
17
Cornet A Pistons
14
2 Cors Anglais Et Pianoforte
12
Ensemble de Tubas
9
Cor anglais et Harpe (duo)
8
Cornet et Piano
7
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
7
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
7
Trombone et orchestre
6
2 Cors, Piano
6
Cor, Orchestre
5
Trombone, Alto (duo)
5
Cor, Violoncelle et Piano
5
3 Euphoniums
4
Trompette, Euphonium (duo)
3
Euphonium (partie séparée)
3
4 Euphoniums
2
Cornet et orchestre
2
Trompette, Orchestre
1
Euphonium Ou Saxhorn Et Piano
1
+ 87 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
12 851
Violon et Piano
7 342
Violon
5 828
Violoncelle, Piano
4 790
Violoncelle
3 956
Harpe
3 932
Alto, Piano
3 773
Alto seul
2 571
Violon, Violoncelle (duo)
2 496
2 Violons (duo)
2 315
Trio à Cordes: violon, alto, violoncelle
2 233
2 Violoncelles (duo)
1 475
Violon (partie séparée)
1 438
Violon, Alto (duo)
1 195
Contrebasse (partie séparée)
1 147
Quintette à cordes: 2 violons, alto, violoncelle, basse
1 136
Alto (partie séparée)
951
2 Altos (duo)
916
Contre Basse
908
Contrebasse, Piano (duo)
887
Trio à Cordes: 2 violons, violoncelle
872
Harpe, Flûte (duo)
490
Piano Trio: Violon, Alto, Piano
481
Alto, Violoncelle (duo)
467
Trio à cordes: 3 violins
419
Violon, Guitare (duo)
416
Violoncelle (partie séparée)
402
4 Violoncelles
364
2 Harpes (duo)
302
Harpe, Violon (duo)
253
Violoncelle , Guitare (duo)
225
Trio à Cordes: 3 violoncelles
201
Quatuor à cordes: 4 violons
194
Trio à Cordes: 2 violons, alto
192
2 Contrebasses (duo)
166
Violoncelle, Contrebasse (duo)
154
Alto, Guitare (duo)
151
Violon, Basson (duo)
132
Trio à cordes: 3 altos
121
Quatuor à cordes : 4 altos
105
Quintette à cordes: 2 violons, 2 altos, violoncelle
83
Trio à cordes
79
Harpe, Violoncelle (duo)
65
2 Violons, Piano
62
Alto et Basson
61
Violon, Clarinette, Piano (trio)
52
Alto et Harpe
52
Harpe, Voix
52
Violoncelle, Orgue
47
Quintette à cordes : 2 violons, alto et 2 violoncelles
45
Ensemble de Violons
40
Flûte, Contrebasse (duo)
37
4 Contrebasses
34
Ensemble d'Altos
29
Harpe, Violon, Violoncelle
25
2 Violoncelles, Piano
25
Violon, Tuba (duo)
24
Violoncelle, Orchestre
24
Violon, Orgue
23
Harpe et Piano
18
Ensemble de Violoncelles
18
3 Contrebasses
13
Harpe, Trombone (duo)
13
Harpe et mandoline
13
Violon, Basse continue
12
Violoncelle, Basse continue
11
Violon, Violoncelle, Clarinette
11
Autoharp
10
Violon, Trompette et Piano
9
3 Harpes
9
Harpe (partie séparée)
8
2 Altos, Piano
7
Harpe, Quatuor à cordes
4
Alto, Orgue
4
Harpe et Orgue
3
4 Harpes
3
5 Harpes
2
2 Violons et Basse continue
2
Alto et orchestre
2
+ 74 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
24 988
Orchestre à Cordes
6 464
Orchestre
5 673
Ensemble Jazz
5 336
Ensemble de cuivres
3 178
Cloches
3 167
Fanfare
2 959
Orchestre de chambre
1 709
Batterie
1 491
Jazz combo
1 419
Percussion (partie séparée)
849
Ensemble de Percussions
637
Batterie (partie séparée)
622
Percussion
243
Marimba
219
Timbales (partie séparée)
195
Instrumentation Flexible
156
Vibraphone
133
Xylophone
116
Xylophone, Piano
91
Piano et Orchestre
52
Quintette à Vent
49
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
40
Timbales
36
Orchestre, Violon
30
Big band
25
2 Xylophones
24
Caisse Claire
19
Quatuor à Vent : 4 instruments à vents
18
Quintette de Cuivres: autres combinaisons
16
Ensemble d'École
10
Xylophone (partie séparée)
9
Vibraphone et Marimba
9
Vibraphone (partie séparée)
7
3 Marimbas
5
Marimba, Piano (duo)
4
Marimba et Orgue
4
Xylophone ou Marimba ou Vibraphone
4
Bodhran
2
3 Percussions
2
Cajon
2
Conga
2
Bongos
2
2 Marimbas
2
Voix et Orchestre
2
2 Percussions
1
2 Caisses Claires (duo)
1
Marimba ou Xylophone et Piano
1
+ 43 instrumentations
Retracter
Autres
Formation musicale - Solfège
155
Théorie de la musique
10
Papeterie
1
Instruments
ACCORDEON
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AUTRES INST…
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DOBRO - GUI…
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FLUTE A DIX…
FLUTE DE PA…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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A Ceremony of Lessons and Carols - Instrumental Ensemble Score and Parts
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Orchestre
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Noël
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Jean Anne Shafferman and Anna
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A Ceremony of Lessons and Caro
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SheetMusicPlus
Percussion, Electronic Keyboard, Handbell 3 octaves - A Simple Service for Choir and Congregation. Composed by Jean Anne Shafferman and Anna Laura P...
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Percussion, Electronic Keyboard, Handbell 3 octaves - A Simple Service for Choir and Congregation. Composed by Jean Anne Shafferman and Anna Laura Page. Choral Cantatas. Christmas. Instrumental Ensemble Score and Parts. 206 pages. Lorenz Publishing Company #30/2591L. Published by Lorenz Publishing Company
Orchestration: Lloyd Larson.
Filled with charm and warmth, this traditional service is thoughtfully designed for performance by choirs of all sizes with a minimum of preparation and cost. Beloved traditional scripture readings are tightly interwoven with twenty-six carols that include just a touch of Handel and Bach! A continuous flow of carols both accompanies the scripture readings and flows seamlessly into simple arrangements for choir, choir with vocal solo or duet, and choir with congregation. One unique feature is an optional four-hand piano score that adds budget-friendly sparkle! Another welcome option is a simple handbell and percussion score with synth strings and two-hand piano. Flexibly conceived, this program can be performed in its entirety, lasting approximately 30-35 minutes, or shortened to conform to your particular Christmas needs.
$179.95
Destiny For A New
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Orchestre
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AVANCÉ
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Contemporain
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Joshua A
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Destiny For A New
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Joshua A. Idio
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SheetMusicPlus
Full Orchestra - Advanced - Composed by Joshua A. Idio. 21st Century, 20th Century, Romantic Period, Contemporary Classical, Repertoire. Score, Set ...
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Full Orchestra - Advanced - Composed by Joshua A. Idio. 21st Century, 20th Century, Romantic Period, Contemporary Classical, Repertoire. Score, Set of Parts. 85 pages. Published by Joshua A. Idio
Composed by Joshua A. Idio. (ASCAP Licensed) Orchestral Music. Concert Opener music. Full score and parts.
Symphony Orchestra - Grade 5
Motivational and Exhilarating! This grand ?movie-esque? scoring sends the audience through a heart-pounding epiphany of song and soul. With its use of moving melodies, surprising rhythms, and evocative instrumentation, the courage to take on the world has never felt more achievable. The inspiring begins now!
$125.00
Rondo in A minor for Viola and Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Joel Jacklich
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Joel Jacklich (ASCAP)
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Rondo in A minor for Viola and
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Joel Jacklich
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.723062 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 154 pa...
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Chamber Orchestra - Level 5 - SKU: A0.723062 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 154 pages. Joel Jacklich #2075161. Published by Joel Jacklich (A0.723062). This is an arrangement by the composer of his Rondo in A minor (originally written for Guitar and Orchestra) for Viola and Orchestra. There is also a version arranged for Cello and Orchestra. In October, 2014, after my most recent commission, the creative juices were still flowing, and I felt the urge to write a work for guitar and orchestra (which I had always wanted to do, partly inspired by the memories Pepe Romero's performances with my orchestra forty years earlier). Amazingly, within two days I had, except for a few minor corrections, a completed work. The result was the Rondo in A minor for Guitar and Orchestra, which I dedicated to my friend, Sir Pepe Romero, with the greatest respect and admiration. In December of 2014, I realized the work was easily accessible for either viola or cello and created versions of the piece for solo cello and orchestra, and also a version for solo viola and orchestra. The work is rondo-like in form, but does not strictly follow all the rules. The form of the work is a kind of a musical palindrome: A B A C A D A C A B A (including a cadenza in the final rondo statement). The presence of castanets gives the work a bit of a Spanish flair. The piece is scored for pairs of flutes, oboes, clarinets in A, bassoons, horns, and trumpets in C; with timpani, castanets, and strings (8,8,5,5,3). Parts for clarinets and trumpets in B-flat are included in the set for those orchestras lacking clarinets in A or trumpets in C.
$65.00
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 3 in A minor, op. 17
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Orchestre
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AVANCÉ
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Contemporain
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951...
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Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943...
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Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Jeremy Goh, Daniel Cheng
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Theme and Variations on a Chin
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Jeremy Goh
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published b...
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Full Orchestra - Level 3 - SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published by Jeremy Goh (A0.1027336). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
$4.99
Symphony No. 2 ... A Phantasmagorey Ballet (1998)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 2 ... A Phantasma
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126...
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Full Orchestra - Level 4 - SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998
$9.99
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1 (Woodwinds and Brass)
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Ho...
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Full Orchestra - Level 5 - SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Holland #4800547. Published by James Nathaniel Holland (A0.730492). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 1 (Woodwinds and Brass). Piano Score, Full Orchestral Score, Individual Parts (Part 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$70.25
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Full Orchestral Score
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730493 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 370 pages. James Nathaniel Ho...
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Full Orchestra - Level 5 - SKU: A0.730493 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 370 pages. James Nathaniel Holland #4800668. Published by James Nathaniel Holland (A0.730493). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. FULL ORCHESTRAL SCORE (with stage directions). Piano Score, Individual Parts (Parts 1 and 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$32.50
S. Prokofiev: Fleetingness, op. 22, (1915-17), orchestrated by A. Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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S
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A
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Comfort 2
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S. Prokofiev: Fleetingness, op
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published ...
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Full Orchestra - Level 3 - SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published by Arkady Leytush (A0.1344002). 1. Fear & Comfort 2. Slumber 3. Under & Above Water 4. Manipulate Magician 5. Bird Commotion 6. Tree of Us 7. Harp (original name) 8. Melancholy 9. In the Park 10. Grimaces 11. Jester 12. Lame Grasshopper & Dragonfly 13. Laziness 14. Tin Soldiers & Ballerina 15. Premonition of Impending Disaster 16. Unrealistic Hopes 17. Tears & Calm 18. Reverie 19. Overturn 20. Dreams About the FutureThe reason for writing was the poems of K. D. Balmont, two lines of which Prokofiev chose as an epigraph: “In every fleeting moment I see worlds, full of changing rainbow playâ€. In 1940-42, the famous avant-garde artist Alexander Rodchenko created a series of drawings illustrating “Fleetingnessâ€.
$100.00
Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807...
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Full Orchestra - Level 4 - SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807. Published by Benjamin Sajo (A0.1018920). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjamin Sajo #6064731...
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Full Orchestra - Level 4 - SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjamin Sajo #6064731. Published by Benjamin Sajo (A0.1018901). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pag...
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Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
You Give Love A Bad Name
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Bon Jovi
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Brett A Foster
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You Give Love A Bad Name
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Brett A Foster
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1260631 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Brett A Foster. 20th Century,Con...
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Full Orchestra - Level 4 - SKU: A0.1260631 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Brett A Foster. 20th Century,Contemporary,Rock. Score and Parts. 12 pages. Brett A Foster #853824. Published by Brett A Foster (A0.1260631). You Give Love a Bad Name is a song by American rock band Bon Jovi, released as the first single from their 1986 album Slippery When Wet. Written by Jon Bon Jovi, Richie Sambora, and Desmond Child about a woman who has jilted her lover, the song reached No. 1 on the U.S. Billboard Hot 100 on November 29, 1986, and became the band's first number one hit. This Pops style arrangement for full orchestra (with optional parts for Saxophone and Rock Rhythm Section) is sure to be a sing along hit for your next concert. If you are looking for a great combined choral orchestral work, the arrangement also features optional parts for a TTBB Choir and Piano. The arrangement works with and without the choir. A TTBB Choral Arrangement is also available for separate sale, for those who don't have the luxury of a full orchestra.
$79.00
I. Stravinsky – Serenade in A, Orchestrated by A. Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Igor Stravinsky
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A
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I. Stravinsky – Serenade
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1374158 Composed by Igor Stravinsky. Arranged by A. Leytush. 20th Century. 94 pages. Arkady Leytush #958734. Publishe...
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Full Orchestra - Level 4 - SKU: A0.1374158 Composed by Igor Stravinsky. Arranged by A. Leytush. 20th Century. 94 pages. Arkady Leytush #958734. Published by Arkady Leytush (A0.1374158). This 4-part suite is called Serenade in A. This name, chosen by its author, completely exhausts the content of this music and emphasizes the main idea of the composition, as well as the tonality of all parts. Each part provides comprehensive details in this series and has its own title. I emphasize that this is by no means a programmatic essay. The nature of each part and their internal content pushed me to follow my interpretation of each part in the orchestral transcription. 1. Hymne is essentially nothing more than a Hymn of love! His character, sublime above the everyday, is, as it were, raised to the surface and presented in bright, broad strokes as an irrefutable truth. 2. Romanza - I perceive it as a kind of parody of a love romance with the main sentiments and elements inherent in this genre. This is by no means a refutation of love, but only some irony over the false, pretentious way of expressing this feeling. The grotesque character is emphasized whenever possible by the orchestration. 3. Rondoletto - this part, from the very beginning in my orchestration, resembles the multi-voiced play of musicians preparing to play, testing the sound of their instruments, tuning them and playing out. 4. Cadenza Finala - the nature of the music is the union and rapture of love. In my orchestration there can be traced duets of various instruments and orchestra groups such as: a pair of Flutes, a pair of Oboes, Clarinets, Trumpets, Trombones, 1st and 2nd Violins. This feature of the pairs I have chosen should emphasize their relationship and relatedness.
$60.00
We Need A Little Christmas
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Orchestre
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AVANCÉ
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Noël
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Kimberley Locke
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Bryan Kidd
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We Need A Little Christmas
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BryanKiddMusic.com
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1164372 By Kimberley Locke. By Jerry Herman. Arranged by Bryan Kidd. Christmas,Holiday,Standards. Score and Parts. 10...
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Full Orchestra - Level 5 - SKU: A0.1164372 By Kimberley Locke. By Jerry Herman. Arranged by Bryan Kidd. Christmas,Holiday,Standards. Score and Parts. 101 pages. BryanKiddMusic.com #764719. Published by BryanKiddMusic.com (A0.1164372). With a touch of John Philip Sousa, a spiritedly bright opener for your Christmas Season concert. Jerry Herman’s “We Need a Little Christmas†was introduced by Angela Lansbury and Beatrice Arthur in the 1966 Tony Award-winning Broadway production, Mame. A subsequent cover later that year by Percy Faith and His Orchestra and Chorus further established it as a seasonal favorite – other notable artists include the Muppets, Johnny Mathis, Idina Menzel and Pentatonix. This set includes a full score* and complete set of instrumental parts. NOTE: The SSATB Chorus is only shown on the score (for reference) and is NOT included as a separate part in this set. You are legally required to purchase as many copies of the choral parts as there are members of your chorus (includes rehearsal piano). Choral Parts Click Here Brass high note: Trumpet D6 (with an optional F6); Trombone A4 *A letter-size (8.5x11) score is included with the set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED). Tabloid Score Click HereWith 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for the American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.Please visit BryanKiddMusic.comÂ
$75.00
Symphony No. 2: A Countryside Symphony, Op. 10
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Chris Knapp
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Symphony No. 2: A Countryside
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Chris Knapp
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1322184 Composed by Chris Knapp. 21st Century,Classical. 177 pages. Chris Knapp #910544. Published by Chris Knapp (A0...
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Full Orchestra - Level 4 - SKU: A0.1322184 Composed by Chris Knapp. 21st Century,Classical. 177 pages. Chris Knapp #910544. Published by Chris Knapp (A0.1322184). Symphony No. 2 celebrates nature and brings a new approach to the traditional Pastoral style in symphonic writing. Symphony No. 2: A Countryside Symphony is in 3 movements:I: The Pastures (A moderate opening before a rhythmic Vivace)II: A Storm Gathers (A moody, slow opening, which builds to a dramatic middle section before a gentle release to finish)III: Nature's Festival (a rousing, joyous finish).This is written for a medium orchestra and is accessible for both and amateur and professional orchestras.
$30.99
Diehnelt: Striadica - A Symphonic Passage - SCORE
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Kim Diehnelt
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Diehnelt: Striadica - A Sympho
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Kim Diehnelt
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.809057 Composed by Kim Diehnelt. Contemporary. Score and parts. 28 pages. Kim Diehnelt #4367718. Published by Kim Die...
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Full Orchestra - Level 4 - SKU: A0.809057 Composed by Kim Diehnelt. Contemporary. Score and parts. 28 pages. Kim Diehnelt #4367718. Published by Kim Diehnelt (A0.809057). Striadica: A Symphonic PassageThe every-day, reshaped by contingencies. The time-bound path twists through certainty, bewilderment, and fragile reconstruction. Upon release, recognition arrives.Duration: 8 - 9 mins.I was specifically asked to write a work where everyone had something to play. As is my usual style, I tend to allow the second players and less-prominent instruments a chance to shine, and in general shake up the usual orchestral hierarchy. (The second violins, for example, even get their own solo passage!)The wind parts are much more individualized, where the first part may have a completely different line than the second.A colleague who is a trombone player challenged me to write parts that sing for his instrument; hence the word dolce occurs in the low brass parts. Although the low brass parts are rather simple, they do require finesse and nuance.In general, none of the parts are overly challenging; rather, I hope each player finds the music allows them the opportunity to express themselves both individually and as an ensemble.Instrumentation1 Piccolo2 Flutes2 Oboes2 Clarinets in A2 Bassoons4 Horns in F2 Trumpets in C3 Trombones (2 Tenor, 1 Bass Trombone)1 TubaTimpani (B / D)Percussion: Wood Blocks, Snare Drum1 HarpStrings------Commissioned by the Lake Forest Civic Orchestra, IL. Premiere performance May, 2018This item contains ONLY THE SCORE. The PDF, when printed double sided will make for an 8 ½ by 11 score with a left margin suitable for comb binding. (Please consider a larger sized comb than usual so pages may be turned quietly!) A full set of hard-copy parts are available directly from Kim Diehnelt. (Kim@KimDiehnelt.com)© 2017 Kim Diehnelt (ASCAP)
$8.99
A Soldier's Memory - Instrumental Parts
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Orchestre
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FACILE
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Christian James Jesse
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A Soldier's Memory - Instrumen
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Christian James Jesse
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.940117 Composed by Christian James Jesse. Contemporary,Film/TV,Folk,Holiday,Patriotic. Score and parts. 99 pages. Chr...
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Full Orchestra - Level 2 - SKU: A0.940117 Composed by Christian James Jesse. Contemporary,Film/TV,Folk,Holiday,Patriotic. Score and parts. 99 pages. Christian James Jesse #5751477. Published by Christian James Jesse (A0.940117). After each tour of duty, every soldier has a range of emotions and thoughts racing through his or her head as the make the trip home. A Soldier’s Memory explores a few of those emotions including feelings of heroism, memories of being reunited and PTSD flashbacks. I wanted to share my love and support of our nation’s military by telling a more realistic story rather than an idealized victorious celebration. Coming from a family of many veterans, I am honored to write a piece remembering our nation’s veterans’ stories.-A Soldier’s Memory was commissioned by Maestro Hector Guzman for the Irving Symphony Orchestra as part of the SMU-Irving Symphony Orchestra Student Composer-in-Residence program for the 2018-2019 Concert Season. A Soldier’s Memory premiered on November 3rd, 2018 at the Irving Arts Center by the Irving Symphony Orchestra conducted by Maestro Hector Guzman. -https://christianjesse.com/a-soldiers-memory
$20.00
A Soldier's Memory - Conductor Score - Score Only
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Orchestre
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FACILE
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Christian James Jesse
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A Soldier's Memory - Conductor
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Christian James Jesse
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.940116 Composed by Christian James Jesse. Contemporary,Film/TV,Folk,Holiday,Patriotic. Score and parts. 32 pages. Chr...
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Full Orchestra - Level 2 - SKU: A0.940116 Composed by Christian James Jesse. Contemporary,Film/TV,Folk,Holiday,Patriotic. Score and parts. 32 pages. Christian James Jesse #5751467. Published by Christian James Jesse (A0.940116). After each tour of duty, every soldier has a range of emotions and thoughts racing through his or her head as the make the trip home. A Soldier’s Memory explores a few of those emotions including feelings of heroism, memories of being reunited and PTSD flashbacks. I wanted to share my love and support of our nation’s military by telling a more realistic story rather than an idealized victorious celebration. Coming from a family of many veterans, I am honored to write a piece remembering our nation’s veterans’ stories.-A Soldier’s Memory was commissioned by Maestro Hector Guzman for the Irving Symphony Orchestra as part of the SMU-Irving Symphony Orchestra Student Composer-in-Residence program for the 2018-2019 Concert Season. A Soldier’s Memory premiered on November 3rd, 2018 at the Irving Arts Center by the Irving Symphony Orchestra conducted by Maestro Hector Guzman. -https://christianjesse.com/a-soldiers-memory
$20.00
A Well-Traveled Road
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Orchestre
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AVANCÉ
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Contemporain
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Daniel Burwasser
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A Well-Traveled Road
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Head and Stem
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pages. Head and Ste...
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Full Orchestra - Level 5 - SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pages. Head and Stem #694597. Published by Head and Stem (A0.1090419). A Well-Traveled Road was first sketched in the summer of 1989. It was revised and orchestrated in 1992 for a recording on MMC (now defunct) by the Slovak Radio and Television Orchestra under the direction of Robert Stankovsky. This video represents a revised version from the original 1992 score and 1995 recording. NOTES from 1995: I have always been intrigued with the transformational potentiality of themes. A Well-Traveled Road explores the diverse possibilities of the development of a single motive. I have incorporated certain principles of sonata form, although this music is more episodic in nature than three-part. It is foremost mono-thematic (the theme is first announced in the horns and trumpets). The idea then undergoes several permutations in the form of episodes, including a fleeting waltz, a form of which I am quite fond. The title of the piece itself is a metaphorical allusion to this process. The harmonic language in the work is predominantly tonal. By contemporary music standards, about one-half consonant and one-half dissonant. I do not prescribe to any type of harmonic system or any other such rationale in this work (or seldom in any of my recent work). I prefer using a more intuitive approach to harmony, reserving dissonance for spice and for enhancing the dramatic element of the music. Daniel BurwasserFor more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$70.00
A. N. Scriabin - Valse in A flat major, Op. 38, Orchestrated by A. Leytush
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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A
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Arkady Leytush
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A. N. Scriabin - Valse in A fl
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1144178 Composed by A. N. Scriabin. Arranged by Arkady Leytush. Classical. Score and parts. 45 pages. Arkady Leytush ...
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Full Orchestra - Level 4 - SKU: A0.1144178 Composed by A. N. Scriabin. Arranged by Arkady Leytush. Classical. Score and parts. 45 pages. Arkady Leytush #744498. Published by Arkady Leytush (A0.1144178). This wonderful salon waltz by A.N. Scriabin, I hope, will now receive the status of a concert waltz. Deciding to orchestrate was not so easy, as the many piano interpretations of this music point directly to the extremely refined approach to this composition, including flexible rubato and subtle nuances. Nevertheless, the internal possibilities of this music give, it seems to me, the right to a greater scope, various timbre colors of the orchestra and, ultimately, moving to a different scale of sound. The orchestral transcription of this waltz allows the symphony orchestra to fully express itself, including a huge palette of sounds from the most tender and transparent episodes to full and brilliant tutti. I would also like to note that this work, first of all, is my modest contribution to the celebration of the 150th anniversary of the birth of this genius of Russian music.
$60.00
Like a River Glorious
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Orchestre
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FACILE
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Musique Sacrée
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WYE VALLEY
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Robert Myers
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Like a River Glorious
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.976716 Composed by WYE VALLEY. Arranged by Robert Myers. Christian,Sacred. Score and parts. 35 pages. WheatMyer Music...
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Full Orchestra - Level 2 - SKU: A0.976716 Composed by WYE VALLEY. Arranged by Robert Myers. Christian,Sacred. Score and parts. 35 pages. WheatMyer Music #4794181. Published by WheatMyer Music (A0.976716). Opening from and closing into gentle whispers over a snare ostinato and steady quarter note pulse in the low voices, the dynamic swell and ebb of this setting of WYE VALLEY depicts all the majestic, stately, abiding grandeur of a mighty river and, despite its brevity, portrays a sense of perpetuity. And this in itself is a metaphor of the order, peace, and timelessness of God’s eternal kingdom. With a short introduction and conclusion the music takes one turn through the WYE VALLEY melody to create an orchestral prelude from the graceful tune. Like a River Glorious is meant to be ready to play in one setting and so can be added to your program with little fuss. It functions well as a liturgical prelude or postlude or it would be well-fitted to a transitional role, even in a secular setting.Find more music and news at wheatmyermusic.com/ and www.facebook.com/WheatMyerMusic.
$45.00
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