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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Child This Day - Percussion
Non classifié
999
Piano & claviers
Piano Facile
749
Piano seul
697
Piano, Voix
329
Orgue
233
Piano, Voix et Guitare
112
Piano grosses notes
91
1 Piano, 4 mains
57
Instruments en Do
49
Accompagnement Piano
26
Piano Trio: piano, violon, violoncelle
13
Orgue, Piano (duo)
4
Clavier
3
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 4 mains
2
1 Piano, 6 mains
2
Accordéon, Voix
2
Accordéon
2
Instrument seul et Orgue
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
164
Ukulele
97
Ligne De Mélodie, (Paroles) et Accords
57
Guitare
39
2 Guitares (duo)
28
Basse electrique
12
Piano, Guitare (duo)
4
Paroles et Accords
3
2 Ukuleles
3
3 Guitares (trio)
2
Banjo
1
Mandoline
1
Dulcimer
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
313
Chorale 2 parties
215
Chorale Unison
211
Chorale 3 parties
91
Chorale TTBB
23
Voix duo, Piano
20
Chorale SSAA
13
Voix seule
10
Voix Alto, Piano
10
Pack Instrumental pour Chorale
4
Voix Soprano, Piano
4
Chorale
4
Voix duo
3
Chorale SSAATTBB
1
Voix, Guitare
1
+ 10 instrumentations
Retracter
Vents
Flûte traversière et Piano
87
Clarinette et Piano
72
Flûte traversière
71
Quatuor de Saxophones: 4 saxophones
60
Hautbois, Piano (duo)
54
Clarinette
49
2 Saxophones (duo)
47
2 Flûtes traversières (duo)
46
Saxophone Alto et Piano
46
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
44
Saxophone Tenor et Piano
41
Saxophone Alto
36
Flûte, Hautbois, Clarinette, Basson
33
2 Clarinettes (duo)
33
Saxophone Soprano et Piano
26
3 Saxophones (trio)
25
Saxophone Tenor
25
Flûte, Clarinette (duo)
24
Hautbois
22
Quatuor de Clarinettes: 4 clarinettes
22
Hautbois (partie séparée)
20
Saxophone (partie séparée)
20
Quatuor de Flûtes : 4 flûtes
19
Quintette de Saxophone: 5 saxophones
17
Saxophone Baryton, Piano
17
2 Hautbois (duo)
14
Saxophone Soprano
14
3 Clarinettes (trio)
11
Cor anglais, Piano
11
Trio de Flûtes: 3 flûtes
10
Hautbois, Basson (duo)
10
Flûte, Violon, Piano
10
Ensemble de Flûtes
9
Ensemble de Clarinettes
9
Flûte, Hautbois, Clarinette (trio)
8
Quatuor de Flûtes à bec
7
Flûte à Bec
7
Flûte, Violoncelle
7
Ensemble de saxophones
7
Clarinette, Violoncelle (duo)
6
Saxophone Baryton
6
Flûte à bec Soprano
6
Harmonica
5
Flûte, Clarinette et Basson
5
Clarinette Basse, Piano
5
Clarinette, Basson (duo)
4
Quintette de Flûte : 5 flûtes
4
Hautbois, Clarinette (duo)
4
Hautbois, Violoncelle
4
Hautbois, Flûte
4
Flûte, Violon et Violoncelle
4
Quintette de Clarinettes: 5 clarinettes
4
2 Flûte à bec (duo)
4
Saxophone, Clarinette (duo)
3
Clarinette, Violon (duo)
3
Flûte à bec Alto
3
2 Flûtes traversières, Piano
3
Flûte, Hautbois (duo)
3
Flute (partie séparée)
3
Clarinette, Trompette (duo)
2
Flûte et Guitare
2
Cor Anglais
2
Flûte, Violon
2
Flûte, Hautbois, Basson
2
5 Flûtes à bec
2
Clarinette, Violoncelle, Piano (trio)
2
Clarinette, Alto et Piano (trio)
2
Clarinette, Harpe (duo)
1
Flûte, trombone et piano
1
Flûte à Bec, Piano
1
Flûte à bec Soprano, Piano
1
Flûte à bec Alto, Piano
1
2 Clarinettes, Basson
1
3 Hautbois
1
Clarinette et Alto
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Clarinettes, Piano
1
Flûte, Trompette (duo)
1
Saxophone et Harpe
1
Hautbois, Harpe
1
3 Flûtes à bec (trio)
1
Flûte, Clarinette, Piano (trio)
1
Clarinette Basse
1
Flûte, Alto et Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Saxophone (duo)
1
+ 81 instrumentations
Retracter
Cuivres
Trompette
60
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
57
Trompette, Piano
52
Trombone et Piano
48
Cor et Piano
40
Cor
40
Tuba
33
Tuba et Piano
33
Trombone
32
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
2 Trompettes (duo)
26
2 Trombones (duo)
18
Quatuor de Cuivres
17
2 Cors (duo)
13
Cor anglais, Piano
11
Trompette, Trombone (duo)
10
2 Tubas (duo)
10
Euphonium, Piano (duo)
6
Trompette, Cor (duo)
6
Trompette (partie séparée)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trompette, Basson (duo)
5
Trio de Cuivres
5
Quatuor de cuivres: 4 trompettes
4
Euphonium, Tuba (duo)
3
Trompette, Violoncelle (duo)
3
Tuba et Orgue
2
Euphonium
2
Cor Anglais
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone, Tuba (duo)
2
Cor, Violoncelle (duo)
2
Ensemble de Trombones
2
Quatuor de cuivres: 4 trombones
2
2 Euphoniums et 2 Tubas
2
Trompette, Tuba (duo)
2
Cor et Basson (duo)
2
Ensemble de Trompettes
1
Trompette, Saxophone (duo)
1
Trompette, Violoncelle et Piano
1
Bass Clef Instruments
1
Trompette, Harpe
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone (partie séparée)
1
Cor et Harpe
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 cors
1
+ 42 instrumentations
Retracter
Cordes
Violon et Piano
133
Quatuor à cordes: 2 violons, alto, violoncelle
112
Violon
94
Violoncelle, Piano
85
Alto, Piano
75
Violoncelle
72
2 Violons (duo)
66
Alto seul
61
Violon, Violoncelle (duo)
56
Violon, Alto (duo)
37
Trio à Cordes: violon, alto, violoncelle
31
Harpe
29
2 Violoncelles (duo)
29
2 Altos (duo)
28
Contrebasse, Piano (duo)
27
Contre Basse
24
Trio à Cordes: 2 violons, violoncelle
22
Alto (partie séparée)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Violon (partie séparée)
11
Alto, Violoncelle (duo)
9
2 Harpes (duo)
9
2 Contrebasses (duo)
8
Violoncelle, Contrebasse (duo)
7
Trio à Cordes: 2 violons, alto
5
Trio à Cordes: 3 violoncelles
4
Trio à cordes: 3 violins
4
Harpe, Violoncelle (duo)
4
Violon, Basson (duo)
3
Violoncelle (partie séparée)
3
Quatuor à cordes: 4 violons
3
Trio à cordes
3
Harpe, Voix
3
Harpe, Violon (duo)
2
Flûte, Contrebasse (duo)
2
Contrebasse (partie séparée)
2
4 Violoncelles
2
Violon, Trompette et Piano
1
Alto et Basson
1
2 Violons, Piano
1
Piano Trio: Violon, Alto, Piano
1
2 Violoncelles, Piano
1
Alto et Harpe
1
Ensemble de Violons
1
2 Altos, Piano
1
Harpe, Flûte (duo)
1
Violon, Clarinette, Piano (trio)
1
Violon, Guitare (duo)
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
179
Orchestre à Cordes
48
Cloches
46
Orchestre
30
Ensemble de cuivres
17
Orchestre de chambre
13
Ensemble Jazz
11
Marimba
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Xylophone, Piano
3
Fanfare
2
Xylophone
2
Batterie
1
Vibraphone
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
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Achats pour Musiciens
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30
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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SheetMusicPlus
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Crtitères actifs :
A Child This Day - Percussion
Orchestre
Partitions à imprimer
30 partitions trouvées
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1
26
Benjamin Harlan: A Child This Day (complete set of parts) - orchestra/band (Orchestra)
#
Orchestre
#
INTERMÉDIAIRE
#
Enfant
#
Benjamin Harlan
#
Virtualsheetmusic
Instantly printable sheet music by Benjamin Harlan for orchestra/band (Orchestra) of MEDIUM skill level. / children,christian,christmas,advent,carol,festival...
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Instantly printable sheet music by Benjamin Harlan for orchestra/band (Orchestra) of MEDIUM skill level. / children,christian,christmas,advent,carol,festival
$179.99
Carol, (Villagers All This Frosty Morn) - SATB Chorus and Orchestra from The Wind in the
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
James Nathaniel Holland
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Carol,
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.730316 Composed by James Nathaniel Holland. Christian,Christmas,Contemporary. Score and parts. 60 pages. James Nathan...
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Full Orchestra - Level 4 - SKU: A0.730316 Composed by James Nathaniel Holland. Christian,Christmas,Contemporary. Score and parts. 60 pages. James Nathaniel Holland #2890667. Published by James Nathaniel Holland (A0.730316). NEW CHRISTMAS MUSIC!! Carol (Villagers All This Frosty Morn) from Kenneth Grahame's classic novel The Wind in the Willows and arranged from the ballet, The Wind in the Willows by American composer James Nathaniel Holland. Here in complete anthem form with orchestral accompaniment. Perfect for a children's Christmas concert.Instrumentation: Fl12, Ob12, EH, ClBb 12, BCl, Bsn 12, Cbsn, HrnF 1234, Trmp Bb12, Trmb, Tba, Timp, Perc (hand cym, sus. cym w/mallet, tri), glock, pno, stringsFull score in concert pitch and parts Included.Scene Synopsis: The scene opens as Rat has succumbed to winter hibernation in front of his cozy fire. Mole takes the opportunity to return to his home, once neat tidy this past spring, now abandoned and neglected due to his adventures with Mr. Toad and with Rat over the summer and autumn. Mole hears singing outside his window and opens the door to carolers. It's a winter wonderland and he dances to music of this carol, announcing the joy all the animals felt when the baby Jesus was born on Christmas day.
$21.95
20 Carols for Orchestra Volume 1
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Orchestre
#
INTERMÉDIAIRE
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Various
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Trevor Davies
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As With Gladness
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20 Carols for Orchestra Volume
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Musicworks.co.uk
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1316984 Composed by Various. Arranged by Trevor Davies. Christmas,Classical,Sacred. 144 pages. Musicworks.co.uk #9056...
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Full Orchestra - Level 3 - SKU: A0.1316984 Composed by Various. Arranged by Trevor Davies. Christmas,Classical,Sacred. 144 pages. Musicworks.co.uk #905659. Published by Musicworks.co.uk (A0.1316984). A Child this Day is Born; As With Gladness; Away in a Manger (Kirkpatrick); Ding Dong Merrily on High.Full orchestral arrangements, ideal for the ever popular Audience Participation type of carol concert as well as the traditional carol service.The arrangements are accessible to a broad ability range (intermediate) and are mostly based on the standard choral arrangements. The orchestration includes a broad range of optional cover parts (eg Clarinet3/Oboe etc).A popular resource for 25 years which has been used widely in the UK as well as further afield (New Zealand, Portugal ...)Available in 5 volumes: volumes 2-5 currently being prepared, to be available by 17th November 2023.
$9.99
Sweet Child of Bethlehem
#
Orchestre
#
Joel Raney
#
Sweet Child of Bethlehem
#
Hope Publishing - Digital
#
SheetMusicPlus
(Orchestra) - SKU: H1.C5428ODP Composed by Joel Raney. Piano Accompaniment with Optional Orchestra. Classics, Christmas. Set of Instrumental Parts. 27 p...
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(Orchestra) - SKU: H1.C5428ODP Composed by Joel Raney. Piano Accompaniment with Optional Orchestra. Classics, Christmas. Set of Instrumental Parts. 27 pages. Hope Publishing - Digital #C5428ODP. Published by Hope Publishing - Digital (H1.C5428ODP). Matthew 1:23 - Matthew 2:1 - Matthew 2:2 - Matthew 2:3 - Matthew 2:4 - Matthew 2:5 - Matthew 2:6.Original anthem Joel Raney takes Caesar Franck's classic Panis Angelicus and sets new Christmas lyrics in a lush SATB arrangement. Perfect for Christmas Eve, or any service during the holiday season, this anthem is a profound expression of our worship of the Sweet Child of Bethlehem. The Orchestration contains a Conductor's Score and parts for: Flute, Oboe, Violin, Viola, Cello & Bass Violin.
$89.95
What Child Is This?
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Orchestre
#
INTERMÉDIAIRE
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Noël
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William C Dix
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Elizabeth Ross
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What Child Is This?
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Elizabeth Ross
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1142103 Composed by William C Dix. Arranged by Elizabeth Ross. Christmas,Classical,Holiday,Religious,Traditional. Sco...
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Full Orchestra - Level 3 - SKU: A0.1142103 Composed by William C Dix. Arranged by Elizabeth Ross. Christmas,Classical,Holiday,Religious,Traditional. Score and Parts. 45 pages. Elizabeth Ross #742479. Published by Elizabeth Ross (A0.1142103). Intermediate Level Orchestral arrangement of a seasonal favorite.
$10.00
A Child This Day - Score
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Orchestre
#
Noël
#
Benjamin Harlan
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Christian
#
A Child This Day - Score
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Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Benjamin Harlan. Orchestra. Children; Christian; Christmas. EPak. 128 pages. Published by Hal Leonard - Digital Sheet Music...
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By Benjamin Harlan. Orchestra. Children; Christian; Christmas. EPak. 128 pages. Published by Hal Leonard - Digital Sheet Music
$25.00
Summer Holiday
#
Orchestre
#
DÉBUTANT
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Cliff Richard
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Samantha Jellett
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Summer Holiday
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Samantha Jellett
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SheetMusicPlus
Full Orchestra - Level 1 - SKU: A0.1269798 By Cliff Richard. By Brian Bennett and Bruce Welch. Arranged by Samantha Jellett. Children,Holiday,Instructio...
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Full Orchestra - Level 1 - SKU: A0.1269798 By Cliff Richard. By Brian Bennett and Bruce Welch. Arranged by Samantha Jellett. Children,Holiday,Instructional. Score and Parts. 20 pages. Samantha Jellett #862305. Published by Samantha Jellett (A0.1269798). Made famous by Cliff Richard, this arrangement of Bennett and Welch's Summer Holiday will be a favourite with junior ensemble players and great for programming into a summer concert.Parts and approximate difficulty level (ABRSM Grades):Violin 1/Cello 1/Flute 1: Grade 2Oboe/Clarinet 1: Grade 1Violin 2/Flute 2/Clarinet 2: Prelim-Grade 1 (low second finger required for Violin 2)Violin 3/Cello 2: beginner- open strings only (features col legno for fun and interest)Trumpet/Trombone: Prelim-Grade 1Piano: Prelim-Grade 1; features simple repeated patterns and chordsFull instrumentation is not needed for a successful performance; most combinations will work well, with any significant solos being reassigned to another instrument if necessary.Duration: 2'.
$49.99
Song of Joy for Soprano Voice, 2 Tenor Voices, Children's Choir, Choir and small Pops Orchestra Key
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Ludwig van Beethoven
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Daryl McKenzie
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Song of Joy for Soprano Voice,
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.745878 Composed by Ludwig van Beethoven (1770-1827). Arranged by Daryl McKenzie. Christmas,Holiday,Multicultural,Prai...
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Full Orchestra - Level 4 - SKU: A0.745878 Composed by Ludwig van Beethoven (1770-1827). Arranged by Daryl McKenzie. Christmas,Holiday,Multicultural,Praise & Worship,Spiritual,World. Score and parts. 66 pages. Daryl McKenzie #4725299. Published by Daryl McKenzie (A0.745878). Song of Joy Key of G major with Key change to A major for Soprano Voice, 2 Tenor Voices, Children's Choir, Choir and small Pops Orchestra - 2 Fl, Â Cl, 2 FHn, 3 Trpt, 2 Trb, P G B D, Timpani, Glock, Harp, Vln1, Vln2, Vla, VC, CB. Includes Rehearsal Piano part.Other versions of this song also available on SMP: Solo Soprano Voice, Choir and Pops Orchestra Key of F to G major. Â Solo Tenor Voice, Choir and Pops Orchestra or Big Band Key of Ab to Bb major : http://bit.ly/3EMliMm More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$69.99
CONJUNCTION: The Christmas Star of 2020
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Orchestre
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INTERMÉDIAIRE
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Noël
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Sta
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WheatMyer Music
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #649...
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Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
Rosary Sonatas: The Nativity
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Orchestre
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INTERMÉDIAIRE
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Nativity
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1081583 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Christmas,Classical,Sacred. Scor...
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Full Orchestra - Level 3 - SKU: A0.1081583 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Christmas,Classical,Sacred. Score and parts. 46 pages. JMJ Arrangements #685705. Published by JMJ Arrangements (A0.1081583). [W]hile [Joseph and Mary] were there, the time came for her to be delivered. And she gave birth to her first-born son and wrapped him in swaddling cloths, and laid him in a manger, because there was no place for them in the inn. And in that region there were shepherds out in the field, keeping watch over their flock by night. And an angel of the Lord appeared to them, and the glory of the Lord shone around them, and they were filled with fear. And the angel said to them, 'Be not afraid; for behold, I bring you good news of a great joy which will come to all the people; for to you is born this day in the city of David a Savior, who is Christ the Lord. And this will be a sign for you: you will find a babe wrapped in swaddling cloths and lying in a manger.' And suddenly there was with the angel a multitude of the heavenly host praising God and saying, 'Glory to God in the highest, and on earth peace among men with whom he is pleased!' When the angels went away from them into heaven, the shepherds said to one another, 'Let us go over to Bethlehem and see this thing that has happened, which the Lord has made known to us.' And they went with haste, and found Mary and Joseph, and the babe lying in a manger. And when they saw it they made known the saying which had been told them concerning this child; and all who heard it wondered at what the shepherds told them. But Mary kept all these things, pondering them in her heart. And the shepherds returned, glorifying and praising God for all they had heard and seen, as it had been told them. (Luke 2:6-20 RSV-CE).
$34.99
Max und Moritz
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Orchestre
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INTERMÉDIAIRE
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Alicia DomÃnguez Arcos Sona
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Alicia DomÃnguez Arcos
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Max und Moritz
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Alicia Dominguez
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1364714 By Alicia DomÃnguez Arcos Sonay. By Alicia DomÃnguez Arcos. Arranged by Alicia DomÃnguez Arcos. Broa...
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Full Orchestra - Level 3 - SKU: A0.1364714 By Alicia DomÃnguez Arcos Sonay. By Alicia DomÃnguez Arcos. Arranged by Alicia DomÃnguez Arcos. Broadway,Children,Film/TV,Multicultural,Musical/Show,Opera,World. 90 pages. Alicia Dominguez #949009. Published by Alicia Dominguez (A0.1364714). Complete Children's Opera Max and Moritz, a story of seven jokes. This highly witty and humorous tale, told entirely in rhymed couplets, was written and illustrated by Wilhelm Busch and published in 1865. Busch's classic tale of the terrible duo (now in the public domain) has become a proud part of culture in German-speaking countries. Even today, parents usually read these stories to their not-yet-literate children. To this day in Germany, Austria and Switzerland, a certain familiarity with the story and its rhymes is still presumed, as it is often referenced in mass communication. Let us never forget to compose for children, or for adults to set the stage or play for children.Symphony with children's voices as choral voices.
$20.00
Divinum Mysterium
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score ...
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Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
Autumn tableau
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Dario Duarte
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Autumn tableau
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Dario Duarte
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1080608 By Dario Duarte. By Dario Duarte. Classical,Contemporary,Folk,Multicultural,World. Score and parts. 45 pages....
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Full Orchestra - Level 4 - SKU: A0.1080608 By Dario Duarte. By Dario Duarte. Classical,Contemporary,Folk,Multicultural,World. Score and parts. 45 pages. Dario Duarte #684825. Published by Dario Duarte (A0.1080608). The piece consists of a description of a small tableau with an autumn theme in an idyllic town. In the region of the Latin American Andes, more precisely the tableau called ayacuchano is an art form very representative of the folklore of the region. Taking this idea of micro-stories, the work narrates four scenes of a day that begins at dawn and ends with the town's festival. Each story corresponds to the four sections of the music, which are performed successively. First tableau: Autumn morning lights. The change of season is perceived in the ashen morning lights of the autumn season, the sun rises lightly with a slight warmth, giving the ochre color that dominates the landscape a sense of tranquility and reflectiveness. The mood of this piece is one of contemplation. Second tableau: Noon in the town The tableau opens. It is midday. The whole town is busy with preparations for the harvest festival celebration. The music goes by with the sounds of the town and the joy of the inhabitants for the important festivity they are about to share as a community. The whole town is a great hustle and bustle. You hear barrel organs, feel the excitement of hanging banners and decorating the houses for the main parade. Third tableau. Little song for siesta time. A nostalgic voice sings an old folk song to lull the children to sleep. The voices of other adults of the town intertwine to sing a song to the sleeping children. It is a tender song that recovers the stillness and tranquility of the town at the hour when everyone returns to their homes to rest. Fourth tableau: Night of celebration. Harvest Festival The first chords of the town band can be heard in the distance, a melody invites to enter with enthusiasm to the place where the festival will take place. The dance begins, the band plays energetically and everyone participates in a dance of joy. In the most important moment of the party, the town's hymn is played, everyone joins in one voice to sing the song that distinguishes them. And now: the announcement of the winners of the harvest contest. Someone is honored and everyone applauds vigorously. Then the dancing continues again. Everyone occupies the center of the dance floor and enjoys being part of a colorful celebration of unity for the town. Instragram (to be contacted by the instrumental parts): @darioduartenunez.
$15.99
Land O' the Leal
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Orchestre
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Dan Adams
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Land O' the Leal
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Imagine Music - Digital
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SheetMusicPlus
Orchestra - SKU: IZ.OMW231 Composed by Dan Adams. Score and Parts. 55 pages. Imagine Music - Digital #OMW231. Published by Imagine Music - Digital (IZ.O...
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Orchestra - SKU: IZ.OMW231 Composed by Dan Adams. Score and Parts. 55 pages. Imagine Music - Digital #OMW231. Published by Imagine Music - Digital (IZ.OMW231). 9 x 12 inches.A collector of folk tunes, Lady Nairne (Carolina Oliphant) undoubtedly chose the traditional Scottish air “Hey, Tuttie, Tattie as the setting for her melancholy text because of its beauty and simplicity. Also known as the melody to Robert Burns' nationalistic “Scots Wha Hae, the folk tune has been part of Scottish life for centuries. Lady Nairne wrote her words upon the passing of the only child of her friend, Mrs. Archibald Campbell Colquhoun. In her setting, the Land O' The Leal is a reference to heaven, where they will someday be reunited. This orchestral arrangement of the old Scottish tune hopes to capture the serenity and hopefulness of her poem..
$70.00
Silent Night, Holy Night (for Orchestra)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Franz X
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Tito Abeleda
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Silent Night, Holy Night
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Visionary Quest Records
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. Visionary Quest R...
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Full Orchestra - Level 4 - SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. Visionary Quest Records #4895613. Published by Visionary Quest Records (A0.984555). To understand why I composed this arrangement of Silent Night, Holy Night in the way that I did, close your eyes and imagine taking a holy journey or pilgrimage to visit the Holy Nativity. I musically convey what I imagined it would have been like to make this long journey like the Three Wise Kings and others did to follow the Star of Bethlehem to see the Blessed Child that prophets had foretold. As each person begins the journey, you will hear the distinctly grave motif indicative of the quest that was before them. The brass gloriously herald one's approach to the Holy Nativity coupled with the commencement of the Silent Night, Holy Night carol theme upon one's arrival. The music Silent Night, Holy Night was originally composed in 1818 by Franz X. Gruber. The original lyrics were were written in German by James Mohr also in 1818. This Christmas Classic was translated to English in 1859 by John Young. I wrote this arrangement yesterday as an intermediate level piano solo.This is a re-imagined version of Franz Gruber's Christmas Carol classic Silent Night, Holy Night. Section A begins with a poignant introduction in C Minor, then modulates to C Major for the main Silent Night, Holy Night Christmas Carol theme in Section B. Section C returns to a new version of its introductory C Minor motif. The song segues back to its Silent Night, Holy Night theme, but modulating to D Major for its closing.F. Gruber's Silent Night, Holy Night (for Full Orchestra) Arranged by Tito Abeleda (1964 - ). = 70 pages. Duration = 4 minutes 42 seconds.INSTRUMENTATION - Piccolo 1.2nFlute 1.2.3nAlto FlutenOboe 1.2.3.4nCor Anglais 1.2nClarinet in E^bnClarinet in DnClarinet in B^b 1.2.3nClarinet in A 1.2.3nBassoon 1.2.3.4nContrabassoon 1.2nHorn in F 1–8nTrumpet in DnTrumpet in C 1.2.3.4nBass Trumpet in E^bnTrombone 1.2.3nTenor Tuba in B^b 1.2nBass Tuba in FnTimpani 1.2nCymbalsnTubular BellsnHarpnViolin InViolin IInViolanVioloncellonDouble BassContact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$35.00
Thérèse Brenet: Rondel for SATB chorus, orchestra and organ, score
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Orchestre
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AVANCÉ
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Contemporain
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533844 Composed by Therese Brenet. Contemporary. Score and parts. 13 pages. Musik Fabrik Music Publishing #3053313. P...
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Full Orchestra - Level 5 - SKU: A0.533844 Composed by Therese Brenet. Contemporary. Score and parts. 13 pages. Musik Fabrik Music Publishing #3053313. Published by Musik Fabrik Music Publishing (A0.533844). A setting of a poem in French by Tristan Corbières (1845-1875) for SATB chorus, and orchestra. The instrumentation is: 2220/2000/timp/3perc/hp/organ/strings. The work may be performed alone or together with the composer's two other owrks for chorus and orchestra (Ciels and Le Bois Amical). This is the score only. The orchestral parts are on rental from the publisher. The chorus part, which contains a piano reduction, is available for sale.RonelIl fait noir, enfant, voleur d'étincelles !Il n'est plus de nuits, il n'est plus de jours ;Dors... en attendant venir toutes cellesQui disaient : Jamais ! Qui disaient : Toujours !Entends-tu leurs pas ?... Ils ne sont pas lourds :Oh ! les pieds légers ! – l'Amour a des ailes...Il fait noir, enfant, voleur d'étincelles !Entends-tu leurs voix ?... Les caveaux sont sourds.Dors : Il pèse peu, ton faix d'immortelles :Ils ne viendront pas, tes amis les ours,Jeter leur pavé sur tes demoiselles...Il fait noir, enfant, voleur d'étincelles !English translationIt is Dark, child, thief of sparks!There are no longer nights, There are no longer daysSleep..waiting for those who say never, who say always, to arriveDo you hear their footsteps? They are not heavy.Oh, the light steps! Love has wings...It is Dark, child, thief of sparks!Do you hear their voices? The tombs are silent.Sleep, it weighs little, your weight of dried flowersThey will not come, your friends the bears,to throw their cobblestone on your firefliesIt is Dark, child, thief of sparks!Translation © 2008 by Paul Wehage
$16.95
Thérèse Brenet: Rondel for SATB chorus, orchestra and organ,chorus part
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Orchestre
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AVANCÉ
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Contemporain
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533845 Composed by Therese Brenet. Contemporary. Score and parts. 12 pages. Musik Fabrik Music Publishing #3053315. P...
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Full Orchestra - Level 5 - SKU: A0.533845 Composed by Therese Brenet. Contemporary. Score and parts. 12 pages. Musik Fabrik Music Publishing #3053315. Published by Musik Fabrik Music Publishing (A0.533845). A setting of a poem in French by Tristan Corbières (1845-1875) for SATB chorus, and orchestra. The instrumentation is: 2220/2000/timp/3perc/hp/organ/strings. The work may be performed alone or together with the composer's two other owrks for chorus and orchestra (Ciels and Le Bois Amical). This is the chorus part, which contains a piano reduction, only. The orchestral parts are on rental from the publisher. The score, is available for sale. Ronel Il fait noir, enfant, voleur d'étincelles ! Il n'est plus de nuits, il n'est plus de jours ; Dors... en attendant venir toutes celles Qui disaient : Jamais ! Qui disaient : Toujours ! Entends-tu leurs pas ?... Ils ne sont pas lourds : Oh ! les pieds légers ! – l'Amour a des ailes... Il fait noir, enfant, voleur d'étincelles ! Entends-tu leurs voix ?... Les caveaux sont sourds. Dors : Il pèse peu, ton faix d'immortelles : Ils ne viendront pas, tes amis les ours, Jeter leur pavé sur tes demoiselles... Il fait noir, enfant, voleur d'étincelles ! English translation It is Dark, child, thief of sparks! There are no longer nights, There are no longer days Sleep..waiting for those who say never, who say always, to arrive Do you hear their footsteps? They are not heavy. Oh, the light steps! Love has wings... It is Dark, child, thief of sparks! Do you hear their voices? The tombs are silent. Sleep, it weighs little, your weight of dried flowers They will not come, your friends the bears, to throw their cobblestone on your fireflies It is Dark, child, thief of sparks! Translation © 2008 by Paul Wehage
$2.50
Lantern Festival
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Orchestre
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Contemporain
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é¦¬æ°´é¾ Ma Shui Lon
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Lantern Festival>
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Lantern Festival
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SpringAutumnmusic
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SheetMusicPlus
Full Orchestra - SKU: A0.961995 Composed by é¦¬æ°´é¾ Ma Shui Long. 20th Century,Contemporary. Score and parts. 20 pages. SpringAutumnmusic #48...
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Full Orchestra - SKU: A0.961995 Composed by é¦¬æ°´é¾ Ma Shui Long. 20th Century,Contemporary. Score and parts. 20 pages. SpringAutumnmusic #48521. Published by SpringAutumnmusic (A0.961995). 《玩燈》1977年《玩燈─元宵節記趣》，管弦樂元宵夜，åšå…ƒå®µï¼Œæç‡ˆç± ï¼Œé€™æ˜¯ä½œè€…å…’æ™‚å¹´å¹´æ‰€ç›¼æœ›è€Œæœ€é«˜èˆˆçš„æ™‚åˆ»ã€‚é€™æ¸…æ–°çš„å›žæ†¶ï¼Œå°±æ˜¯æœ¬æ›²å¯«ä½œçš„æ›²æ„與動機。開始是一段åºï¼Œé‚£æ˜¯è¿Žç¥žçš„鑼鼓å¹å¥è²ï¼Œç”±é 而近。輕快活潑的主題由æ¤ä¸ä»‹å…¥å±•é–‹ã€‚家家戶戶å©å們，喜氣洋洋，æè‘—ç‡ˆç± çœ‹ç†±é¬§ã€‚å»Ÿå£å»£å ´ï¼Œæ¯å¹´é€¢æ¤ä½³ç¯€ï¼Œæ›´æ˜¯é»žç‡ˆçµå½©ï¼ŒèŠ±ç‡ˆæ¨£å¼ç³ç‘¯æ»¿ç›®ï¼Œç¾Žä¸å‹æ”¶ï¼Œæ›´æœ‰è¶£çš„是元宵節謎語晚會，舞é¾ã€èˆžç…，人山人海，一片熱鬧éžå¸¸çš„景象。曲ä¸ä¹ŸåŠ 入片段慢æ¿æ¨‚å¥ï¼Œé‚£æ˜¯å…ƒå®µç¯€ï¼Œå®¶å®¶æˆ¶æˆ¶åœ˜åœ“和氣至親的寫照。 全曲在輕快活潑的主題ä¸é€²è¡Œï¼Œæ¥å…¥é«˜æ½®ã€‚※本曲1977年應國家文化è—術基金會委託創作之作å“。åŒå¹´æ–¼å°åŒ—國父紀念館舉行世界首演，由廖年賦指æ®å°åŒ—世紀交響樂團擔任演出。1977< Lantern Festival>, for orchestra Hand lanterns and sweet yuanxiao rice dumplings are two traditional items children eagerly anticipate during the annual Lantern Festival; and the composer of this piece was inspired by recollections of this joyous time from his childhood. The composition starts with a brisk and lively prelude for drums, gongs and wind instruments to welcome the deity associated with the Lantern Festival. Delighted children everywhere carry lanterns and gather in the square in front of the local temple to celebrate this exciting event. Traditional activities include dancing dragons and lions, amusing riddles and numerous brightly-lit and beautifully decorated lanterns which complete the scene. The composer has also included adagio passages to portray the amiable mood of family reunion during this special holiday. The entire composition builds to a final crescendo in a lively pace. Lantern Festival was commissioned by the National Culture and Arts Foundation in 1977, and premiered the same year by the Taipei Century Symphony Orchestra, conducted by Nien-Fu David Liao Nianfu at Taiwan's National Dr. Sun Yat-sen Memorial Hall.
$14.99
El Noi de la Mare (for Orchestra)
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Orchestre
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INTERMÉDIAIRE
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Traditional
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Kenneth Abeling
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El Noi de la Mare
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.515228 Composed by Traditional. Arranged by Kenneth Abeling. 20th Century,Christian,Christmas,Sacred. Score and parts...
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Full Orchestra - Level 3 - SKU: A0.515228 Composed by Traditional. Arranged by Kenneth Abeling. 20th Century,Christian,Christmas,Sacred. Score and parts. 45 pages. LINCOLN MUSIC PUBLICATIONS #5992147. Published by LINCOLN MUSIC PUBLICATIONS (A0.515228). El Noi de la Mare (The Child of the Mother) is a very popular Catalan Christmas song arranged here for full Orchestra. This beautiful orchestration is a perfect addition to any Orchestra’s Christmas or Holiday Seasons repertoire. This is an intermediate level arrangement with a playing time of approximately 4:15. To view and listen to this piece in its entirety as well hundreds of other small ensemble arrangements and transcriptions by Kenneth Abeling please visit: https://lincolnmusicpublications.com/
$55.00
Jesus! - Printable Parts
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Orchestre
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Mary McDonald
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Jesus! - Printable Parts
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: LX.30-3537L The Resurrection of the Messiah. Composed by Mary McDonald. Choral Cantatas. Easter, Holy Week. Printable Parts...
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Full Orchestra - SKU: LX.30-3537L The Resurrection of the Messiah. Composed by Mary McDonald. Choral Cantatas. Easter, Holy Week. Printable Parts. 451 pages. Lorenz Publishing - Digital Sheet Music #e30/3537L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3537L). The resurrection of Jesus changed the world and continues to change the world today. Jesus! The Resurrection of the Messiah tells the intimate story of the grief, the fear, the hope, the love, the tenderness, and the longing of God for His children expressed through the life, death, and resurrection of Jesus. Mary McDonald and Rose Aspinall combined their talents to create a compelling musical that will take you through the emotions of the Triumphal Entry, the raising of Lazarus, the Last Supper, the moment in the garden when Jesus is arrested, the Crucifixion, and finally to the joyous Resurrection. This work may be programmed in its entirety or presented in segments during Palm Sunday, Holy Week, and Resurrection Sunday worship settings. It may be done with choir and piano alone or can include the optional orchestrations created by Michael Lawrence and Ed Hogan. This powerful worship tool is an inspiring reminder of the life-changing impact of this Deliverer, Redeemer, and Savior….Jesus!
$249.95
Joyful and Triumphant Overture (O Come, All Ye Faithful)
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Orchestre
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INTERMÉDIAIRE
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Michael Ware
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Michael Ware
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Joyful and Triumphant Overture
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Michael Ware Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1339990 By Michael Ware. By Michael Ware. Arranged by Michael Ware. Christmas,Classical,Holiday,Sacred,Traditional. 8...
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Full Orchestra - Level 3 - SKU: A0.1339990 By Michael Ware. By Michael Ware. Arranged by Michael Ware. Christmas,Classical,Holiday,Sacred,Traditional. 82 pages. Michael Ware Music #925654. Published by Michael Ware Music (A0.1339990). O Come, All Ye Faithful (ADESTE FIELES) is a Christmas carol classic which is widely used throughout the holiday season. Michael Ware’s exuberant orchestral overture captures the “Joyful and Triumphant†spirit of the traditional song. This setting works very well as a prelude to any Christmas program or worship service. Celebrate the Christ Child and come with the shepherds to Bethlehem.
$70.00
Out Of The East
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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The High Country Cowboys
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Bryan Kidd
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Out Of The East
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BryanKiddMusic.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1284901 By The High Country Cowboys. By Harry Noble. Arranged by Bryan Kidd. Christian,Christmas,Holiday,Praise & Wor...
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Full Orchestra - Level 4 - SKU: A0.1284901 By The High Country Cowboys. By Harry Noble. Arranged by Bryan Kidd. Christian,Christmas,Holiday,Praise & Worship,Standards. Score and Parts. 63 pages. BryanKiddMusic.com #876082. Published by BryanKiddMusic.com (A0.1284901). “Out of the East†– Harry Noble’s elegant setting of the Magi’s westward journey to worship the Christ Child. Edited and updated for full orchestra from Bryan Kidd’s arrangement for The United States Navy Band’s performance featuring guest vocalist, Tony Sandler. An obscure Christmas song… perhaps. But it will be a new Seasonal favorite for your audiences. Vocal range (Bass-Baritone) A 2 to B-flat 3 A letter-size (8.5x11) score and complete set of instrumental parts are included with the set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED). For the Tabloid-size (11x17) score, click here. NOTE: this arrangement is for FULL ORCHESTRA.  For the Concert Band arrangement, click here Please visit BryanKiddMusic.com With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.
$50.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
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Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
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A Child This Day - Percussion