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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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BATTERIE
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CHORALE - CHAN…
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VIOLONCELLE
XYLOPHONE
A Choral Africa
Non classifié
136
Piano & claviers
Piano seul
6
Orgue
2
Piano, Voix
1
Piano Facile
1
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1
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Voix
Chorale SATB
429
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122
Chorale 2 parties
103
Chorale TTBB
56
Chorale Unison
36
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31
Chorale
12
Voix haute
1
Pack Instrumental pour Chorale
1
Chorale SSATTB
1
+ 5 instrumentations
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Vents
Ensemble de saxophones
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
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1
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Trombone
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette (partie séparée)
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
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1
Ensemble de Trombones
1
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Quatuor à cordes: 2 violons, alto, violoncelle
2
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3
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1
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1
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1
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1
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1
Cloches
1
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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Vous avez sélectionné:
A Choral Africa
Orchestre
Partitions à imprimer
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Cyclone Galveston (orchestra)
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Orchestre
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INTERMÉDIAIRE
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Wesley Besancon
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Wesley Besancon
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Cyclone Galveston
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Wesley Besancon
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1147112 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contest,Festival,New Age. Score and part...
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Full Orchestra - Level 3 - SKU: A0.1147112 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contest,Festival,New Age. Score and parts. 104 pages. Wesley Besancon #747317. Published by Wesley Besancon (A0.1147112). Let’s get one thing straight, Cyclone Galveston was not actually a cyclone. The hurricane, however, did form near Africa which makes me consider it to be a cyclone. On August 27, 1900, Galveston, Texas would feel a punch that would knock down every single building. This piece represents that with swirling woodwinds, tornadic brass, and frightening percussion. In the center of the piece, there is a calm chorale to represent the eye of the storm. After that, it goes back to the evil cyclone themes.
$59.99
Cyclone Galveston (orchestra) - Score Only
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Orchestre
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INTERMÉDIAIRE
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Wesley Besancon
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Wesley Besancon
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Cyclone Galveston
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Wesley Besancon
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1150350 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contest,Festival,New Age. Score and part...
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Full Orchestra - Level 3 - SKU: A0.1150350 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contest,Festival,New Age. Score and parts. 12 pages. Wesley Besancon #750529. Published by Wesley Besancon (A0.1150350). Let’s get one thing straight, Cyclone Galveston was not actually a cyclone. The hurricane, however, did form near Africa which makes me consider it to be a cyclone. On August 27, 1900, Galveston, Texas would feel a punch that would knock down every single building. This piece represents that with swirling woodwinds, tornadic brass, and frightening percussion. In the center of the piece, there is a calm chorale to represent the eye of the storm. After that, it goes back to the evil cyclone themes.
$24.99
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds o
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 p...
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Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
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A Choral Africa
