Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Minima
Non classifié
265
Piano & claviers
Piano seul
192
Piano Facile
75
Instruments en Do
41
Orgue
37
Piano, Voix et Guitare
27
Piano, Voix
8
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
3
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 4 mains
2
2 Pianos, 8 mains
1
Accordéon
1
Piano (partie séparée)
1
Clavier
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare
7
Guitare notes et tablatures
4
Basse electrique
3
Ligne De Mélodie, (Paroles) et Accords
3
Paroles et Accords
2
4 Guitares (Quatuor)
2
2 Guitares (duo)
2
Ukulele
2
Guitare (partie séparée)
2
+ 4 instrumentations
Retracter
Voix
Chorale SATB
60
Chorale 2 parties
39
Chorale 3 parties
10
Chorale TTBB
8
Chorale SSAA
7
Chorale Unison
5
Chorale SSAATTBB
1
Voix moyenne, Piano
1
Chorale SSATTB
1
+ 4 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
13
Hautbois (partie séparée)
8
Flûte, Hautbois, Clarinette, Basson
7
Flûte traversière
7
Flûte traversière et Piano
7
2 Saxophones (duo)
6
Saxophone (partie séparée)
5
Saxophone Alto
5
Clarinette
5
3 Saxophones (trio)
4
Quintette de Saxophone: 5 saxophones
4
Hautbois, Piano (duo)
4
Saxophone Alto et Piano
4
2 Flûte à bec (duo)
3
Quatuor de Clarinettes: 4 clarinettes
3
Saxophone Soprano et Piano
3
Clarinette (partie séparée)
3
Clarinette et Piano
3
2 Flûtes traversières (duo)
3
Saxophone Tenor et Piano
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Ensemble de Clarinettes
2
3 Clarinettes (trio)
2
Cor anglais, Piano
2
Saxophone Baryton, Piano
2
2 Clarinettes (duo)
2
Flute (partie séparée)
2
Flûte, Clarinette (duo)
2
Flûte à Bec
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette Basse, Piano
1
5 Flûtes à bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Soprano, Piano
1
Flûte irlandaise
1
Saxophone Tenor
1
Flûte à bec Soprano
1
Clarinette, Basson (duo)
1
3 Flûtes à bec (trio)
1
Quatuor de Flûtes : 4 flûtes
1
Quatuor de Flûtes à bec
1
Quintette de Flûte : 5 flûtes
1
Flûte, Clarinette, Piano (trio)
1
+ 38 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
8
Tuba
7
Trompette (partie séparée)
6
Trombone
5
Cor
4
Trompette
4
Cor et Piano
4
Trombone et Piano
3
Cor (partie séparée)
3
Euphonium
2
Trompette, Piano
2
Cor anglais, Piano
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Trombone, Orgue
2
Tuba (partie séparée)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Euphonium, Piano (duo)
1
Tuba et Piano
1
Quatuor de cuivres: 4 trombones
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Cor (duo)
1
Quatuor de Cuivres
1
4 Tubas
1
Ensemble de Trombones
1
2 Trombones (duo)
1
Ensemble de Trompettes
1
2 Trompettes (duo)
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
38
Violon
15
Violon, Violoncelle (duo)
12
Violon et Piano
11
Trio à Cordes: violon, alto, violoncelle
8
4 Violoncelles
8
Harpe
8
Violoncelle
5
Violon, Alto (duo)
5
2 Violons (duo)
5
Violoncelle, Piano
5
Violon (partie séparée)
4
Alto (partie séparée)
4
Alto, Piano
4
2 Violoncelles (duo)
3
Contre Basse
3
Contrebasse, Piano (duo)
3
Alto seul
2
Alto, Violoncelle (duo)
2
2 Altos (duo)
2
Contrebasse (partie séparée)
2
Harpe, Flûte (duo)
1
Trio à cordes: 3 altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
Violoncelle, Orgue
1
Trio à cordes: 3 violins
1
Quatuor à cordes : 4 altos
1
Harpe et Piano
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
72
Cloches
30
Orchestre à Cordes
21
Orchestre
18
Orchestre de chambre
13
Ensemble Jazz
9
Ensemble de cuivres
5
Fanfare
1
Batterie (partie séparée)
1
Percussion (partie séparée)
1
Jazz combo
1
+ 6 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1
Partitions Numériques
18
Librairie Musicale
21
Matériel de Musique
704
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
A Minima
Orchestre
Partitions à imprimer
18 partitions trouvées
<
1
S. Prokofiev: Fleetingness, op. 22, (1915-17), orchestrated by A. Leytush - Score Only
#
Orchestre
#
INTERMÉDIAIRE
#
Contemporain
#
S
#
A
#
Comfort 2
#
S. Prokofiev: Fleetingness, op
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published ...
(+)
Full Orchestra - Level 3 - SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published by Arkady Leytush (A0.1344002). 1. Fear & Comfort 2. Slumber 3. Under & Above Water 4. Manipulate Magician 5. Bird Commotion 6. Tree of Us 7. Harp (original name) 8. Melancholy 9. In the Park 10. Grimaces 11. Jester 12. Lame Grasshopper & Dragonfly 13. Laziness 14. Tin Soldiers & Ballerina 15. Premonition of Impending Disaster 16. Unrealistic Hopes 17. Tears & Calm 18. Reverie 19. Overturn 20. Dreams About the FutureThe reason for writing was the poems of K. D. Balmont, two lines of which Prokofiev chose as an epigraph: “In every fleeting moment I see worlds, full of changing rainbow playâ€. In 1940-42, the famous avant-garde artist Alexander Rodchenko created a series of drawings illustrating “Fleetingnessâ€.
$100.00
A Great Light
#
Orchestre
#
Lloyd Larson
#
A Great Light
#
Hope Publishing - Digital
#
SheetMusicPlus
(Orchestra) - SKU: H1.C6037ODP Composed by Lloyd Larson. Piano with Optional Orchestra. Advent, Sacred. Set of Instrumental Parts. 92 pages. Hope Publis...
(+)
(Orchestra) - SKU: H1.C6037ODP Composed by Lloyd Larson. Piano with Optional Orchestra. Advent, Sacred. Set of Instrumental Parts. 92 pages. Hope Publishing - Digital #C6037ODP. Published by Hope Publishing - Digital (H1.C6037ODP). Lloyd Larson. Isaiah 9:2 - Isaiah 9:6.Original anthem From Lloyd Larson, this Advent anthem with a text based on Isaiah 9:2, 6 is built around an original melody which then leads into Come, Thou Long-Expected Jesus. It is easily learned with minimal rehearsal time. This setting comes from Lloyd's blockbuster cantata Were You There on That Christmas Night (code no. 8611). Orchestrations: Conductor's Score, Flute, Oboe (Soprano Sax or Clarinet), Clarinet, Bassoon (Bass Clarinet), Horn (Clarinet), 2 Trumpets, 2 Trombones (Baritone T. C. ), Percussion I & II, Piano, Harp, 2 Violins, Viola, Cello and String Reduction.
$89.95
March of Defiance
#
Orchestre
#
INTERMÉDIAIRE
#
Michael D
#
March of Defiance
#
Michael D. Blostein
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.921070 Composed by Michael D. Blostein. Contemporary,Patriotic. Score and parts. 38 pages. Michael D. Blostein #28461...
(+)
Full Orchestra - Level 3 - SKU: A0.921070 Composed by Michael D. Blostein. Contemporary,Patriotic. Score and parts. 38 pages. Michael D. Blostein #2846143. Published by Michael D. Blostein (A0.921070). In response to the terror attacks in their city beginning on 2013, the citizens of Paris – joined by world leaders – staged a march, nicknamed The March of Defiance on Sunday, January 11, 2015, to show the world they stood in solidarity against terrorism and hatred.Premiered at Carnegie Hall, this work is designed to embrace and exploit, in a minimal way, this same concept.Each new idea, often presented in a new voice, is introduced by a disruption in the 6/8 pattern, only to return to the original feel. As a new idea is introduced, it is layered upon the previously stated ideas, introduced by the additional disruption of an additional beat, always to return.The formal structure is a relatively simple contrapuntal exercise, eventually expanding to 6 layers/species, from which the piece, while still growing dynamically, begins to thin out horizontally while adding a bit more harmonic interest (often through dissonance).Eventually, as the tessitura of the orchestra rises and the mass of sound and layers becomes simply too much to tolerate, the march repents into a peaceful ending.The work includes parts for Alto, Tenor and Baritone Saxophones, as well as Euphonium.
$75.00
March of Defiance (score only)
#
Orchestre
#
INTERMÉDIAIRE
#
Michael D
#
March of Defiance
#
Michael D. Blostein
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.921074 Composed by Michael D. Blostein. Contemporary,Patriotic. Score and parts. 11 pages. Michael D. Blostein #28461...
(+)
Full Orchestra - Level 3 - SKU: A0.921074 Composed by Michael D. Blostein. Contemporary,Patriotic. Score and parts. 11 pages. Michael D. Blostein #2846149. Published by Michael D. Blostein (A0.921074). In response to the terror attacks in their city beginning on 2013, the citizens of Paris – joined by world leaders – staged a march, nicknamed The March of Defiance on Sunday, January 11, 2015, to show the world they stood in solidarity against terrorism and hatred.Premiered at Carnegie Hall, this work is designed to embrace and exploit, in a minimal way, this same concept.Each new idea, often presented in a new voice, is introduced by a disruption in the 6/8 pattern, only to return to the original feel. As a new idea is introduced, it is layered upon the previously stated ideas, introduced by the additional disruption of an additional beat, always to return.The formal structure is a relatively simple contrapuntal exercise, eventually expanding to 6 layers/species, from which the piece, while still growing dynamically, begins to thin out horizontally while adding a bit more harmonic interest (often through dissonance).Eventually, as the tessitura of the orchestra rises and the mass of sound and layers becomes simply too much to tolerate, the march repents into a peaceful ending.The work includes parts for Alto, Tenor and Baritone Saxophones, as well as Euphonium.This selection is the score only. For the score and parts, please select the other work title.
$10.00
E. Satie – Heures Séculaires et Instantanées, 1914
#
Orchestre
#
INTERMÉDIAIRE
#
Contemporain
#
Classique
#
Arkady Leytush
#
Arkady Leytush
#
E. Satie – Heures S&eacu
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1074008 By Arkady Leytush. By Erik Satie. Arranged by Arkady Leytush. 20th Century. Score and parts. 23 pages. Arkady...
(+)
Full Orchestra - Level 3 - SKU: A0.1074008 By Arkady Leytush. By Erik Satie. Arranged by Arkady Leytush. 20th Century. Score and parts. 23 pages. Arkady Leytush #678276. Published by Arkady Leytush (A0.1074008). E. Satie – Heures Séculaires et Instantanées, 1914, Orchestra suite 1. Obstacles venimeux 2. Crepuscule matinal 3. Affolments granitiques Duration about 4 minutes. Heures Séculaires et Instantanées (Hallowed by Time and Instant Hours), one of his humorous keyboard suites from the 1910s, contains Satie's famous warning to pianists against reading aloud the fanciful texts that adorned his score. Sati warns against reading aloud the texts written on his scores. This is the secret between the performer and the composer. “There are as many words as there are notes!†says the French composer-critic Guy Sacré. Biographer Rollo H. Myers saw Heures as an omen of surrealism (ten years before the fact) and a new phase in the relationship between text and music. “... For the first time, individual verbal witticisms and witticisms are replaced by something like a recitation or monologue, which is an integral part of the work: this is no longer a cursory comment, arbitrarily superimposed and often not related to the music that it accompanies, but a certain narrative, grotesque inspiration, which the music serves as an illustration. In addition to what has been said, I would like to add that being one of the first minimalists in modern music, Sati opens a new page in the combination of musical images and examples of abstract vision and imagination inspired by music with his illustrative texts in this humorous suite. This approach to composition soon led to the emergence of striking examples of the combination of music and animation. This short suite, full of humor and ingenuity, moved me when arranging to also emphasize this feature by choosing the full composition of the orchestra, where in each number of this suite the musicians of the orchestra play only a few notes in turn. On the one hand, this should bring great variety and contrast, on the other hand, a huge orchestra and a 4-minute suite in themselves cause a smile of inconsistency...
$40.00
Homage to O'Keeffe for Orchestra
#
Orchestre
#
AVANCÉ
#
Sy Brandon
#
Homage to O'Keeffe for Orchest
#
Sy Brandon
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Publi...
(+)
Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
To The Moon, Op. 48
#
Orchestre
#
INTERMÉDIAIRE
#
Chris Knapp
#
To The Moon, Op. 48
#
Chris Knapp
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1512855 Composed by Chris Knapp. 21st Century,Classical. 83 pages. Chris Knapp #1087810. Published by Chris Knapp (A0...
(+)
Full Orchestra - Level 3 - SKU: A0.1512855 Composed by Chris Knapp. 21st Century,Classical. 83 pages. Chris Knapp #1087810. Published by Chris Knapp (A0.1512855). About the piece'To The Moon' takes inspiration from the Earth's Moon, the beauty andmajesty of the celestial body and all it encompasses. It also charts the energy and excitement surrounding the space race and the ultimate goal to get to the Moon! The piece helps to explore extended tonalities and considers a different approach to Orchestral writing and performance choreography.This piece can be performed by any number of performers, ideally, traditional Orchestral numbers work well but experimentation with larger/fewer numbers on various parts within the different 'ensembles' can produce exciting results.Performance directionsThe ideal performing conditions for this piece are that the orchestra are split into 4 'ensembles' as indicated in the score. Each ensemble is grouped in a way that means all ensembles are pointing to the centre (see diagram 1 below). The audience should similarly be positioned around the room in a circle behinf each of the ensembles. Therefore, an ideal focal point for this performance would be a visual representation of the Moon in the centre of the room, ideally lit in some way. Representations of the Moon may take the form of a 3D lit representation (potentially made, perhaps a local Art project) or a projected representation onto the floor of the performance space. TheMoon should be of sufficient size as to not be lost in the space and careful planning should be done to ensure optimal visual effect. The role of the conductor during the performance ideally would be minimal, perhaps sat in one of the ensembles providing minimal direction. However, due to the capabilities of the performers, the conductor may have to take a more active role in the performance. In this case, diagram 1 (below) shows the ideal place for the conductor to be positioned so that performers can see as much as possible but so that attention is not diverted from the visual effect.To get in touch email me at: cknapp.nottingham@gmail.com.
$49.99
Crepusculaire for Orchestra
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Jesse Voogt
#
Crepusculaire for Orchestra
#
Jesse Voogt
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1346345 Composed by Jesse Voogt. 20th Century,21st Century,Classical,Contemporary. 57 pages. Jesse Voogt #931168. Pub...
(+)
Full Orchestra - Level 4 - SKU: A0.1346345 Composed by Jesse Voogt. 20th Century,21st Century,Classical,Contemporary. 57 pages. Jesse Voogt #931168. Published by Jesse Voogt (A0.1346345). Experience the beauty and mystery of the twilight hours with the orchestral version of ‘Crepusculaire’. This slightly nostalgic/minimalistic composition takes inspiration from the eerie quality of the twilight hours and the hopeful feeling one has when witnessing the rising or setting of the sun. With its haunting atmospheric qualities, ‘Crepusculaire’ is perfect for orchestras looking for a piece of music that’s somehow both uplifting and pensive. Includes transposed score (tabloid) and parts (B4)Approximate duration: 3 minutes Performance rights: Jesse Voogt is a member of BMIINSTRUMENTATION 3 Flutes (II = alto in G, III = piccolo) 2 Oboes English Horn Clarinet in Eâ™ Clarinet in Bâ™ Bass Clarinet in Bâ™ Soprano Saxophone in Bâ™*2 Bassoons Contrabassoon**4 Horns in F2 Trumpets in Bâ™ 2 Trombones Bass Trombone Tuba Timpani 2 Percussion (bass drum, sus. cymbal, large tam-tam, chimes, & glockenspiel) Celesta***Harp Strings***** Soprano Saxophonist: if unavailable, cue notes have been added to the Eâ™ Clarinet, Bâ™ Clarinet, & 1st & 2nd Oboe staves. ** Contrabassoon with low A0 extension preferred; ossia provided*** Celesta: if unavailable cue notes have been added to the Glockenspiel and Harp staves. **** Double basses with C extension preferred; ossia provided
$9.99
Concerto n° 1 for cembalo [fortepiano] and orchestra in C major - Score Only
#
Orchestre
#
INTERMÉDIAIRE
#
Opera
#
Classique
#
Johann Simon Mayr
#
Concerto n° 1 for cembalo
#
Artistic Score Engraving di Galvagno Michele
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1317490 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio & Michele Galvagno. 19th Century,Instructional,...
(+)
Full Orchestra - Level 3 - SKU: A0.1317490 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio & Michele Galvagno. 19th Century,Instructional,Opera,Romantic Period. 110 pages. Artistic Score Engraving di Galvagno Michele #906154. Published by Artistic Score Engraving di Galvagno Michele (A0.1317490). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible.A reduction for two pianos is available under Catalogue N° ASE 0051, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$45.00
Carmen Fantasy
#
Orchestre
#
INTERMÉDIAIRE
#
Opera
#
Classique
#
Georges Bizet
#
Armin Terzer
#
Carmen Fantasy
#
Armin Terzer
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.942170 Composed by Georges Bizet. Arranged by Armin Terzer. Opera,Romantic Period. Score and parts. 259 pages. Armin ...
(+)
Full Orchestra - Level 3 - SKU: A0.942170 Composed by Georges Bizet. Arranged by Armin Terzer. Opera,Romantic Period. Score and parts. 259 pages. Armin Terzer #5048273. Published by Armin Terzer (A0.942170). This arrangement for full orchestra of the famous Bizet opera Carmen strings together all the major (and some of the secondary) themes into a 20-minute medley: - Prelude (Introduction to Act 1 Les Toreadors & Prelude to Act 1) - Chorus of the Street Boys (Act 1 Le garde montante) - Habanera - Song and Recitative - Seguidilla and Duet (Act 1 Seguedille) - Finale (Act 1 Finale) - Act II: Entr'acte (Prelude to Act 2 Les dragons d’Alcala) - Gypsy Song (Act 2 Danse Boheme) - Toreador Song (Act 2 Chanson du Toreador) - Act III: Entr'acte (Prelude to Act 3 Intermezzo) - Sextet and Chorus (Introduction to Act 3 Marche des contrebandiers) - Air (Act 3 Nocturne) - Act IV: Entr'acte (Prelude to Act 4 Aragonaise) - March and Chorus – Finale (Act 4 Procession of the Toreadors) All the themes featured in the two orchestral suites by Ernest Guiraud are included. There are, however, major differences: - the themes appear in chronological order (like in the opera) - there are no distinct movements, this is a 20-minute romp featuring tune after tune - most parts, especially repetitive songs, are abridged to varying degrees - where appropriate, sections seamlessly segue into the next- the major tunes (Les Toreadors, Gypsy Song, Toreador Song) allow for applause afterwards - the orchestration follows the original (double woodwinds, 4 horns, 2 trumpets, 3 trombones, harp, timpani and 3 percussion, strings) with minimal changes to compensate for missing vocal lines Further cuts are possible and easy to make due to the clearly marked sections. This arrangement is meant to rival the orchestral suites in excitement and colours - but in a more organic/continuous format. It is ideal for any level orchestra (intermediate+) in any kind of setting.
$60.00
The Holberg Suite: Bassoon
#
Orchestre
#
Classique
#
Edvard Grieg
#
Victor Lopez
#
Festival.
#
The Holberg Suite: Bassoon
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017337_B1 Bassoon. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 2 pages. Alf...
(+)
Full Orchestra - SKU: AX.00-PC-0017337_B1 Bassoon. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017337_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017337_B1). UPC: 038081517452.With string parts as close to the original as possible, this full orchestra arrangement of two movements from Grieg's Holberg Suite is a gem! It may be performed by string or full orchestra, and, for ultimate flexibility, each movement can be performed alone. Featuring the Sarabande and Gavotte, careful attention has been paid to maintain the original intentions of the composer in this piece. Minimal accommodations were made by arranger Victor LA3pez to provide a more educationally-sound experience for the players. (8:10)Concert/Contest; Festival.
$3.00
The Holberg Suite: Flute
#
Orchestre
#
Classique
#
Edvard Grieg
#
Victor Lopez
#
Festival.
#
The Holberg Suite: Flute
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017337_F1 Flute. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 2 pages. Alfre...
(+)
Full Orchestra - SKU: AX.00-PC-0017337_F1 Flute. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017337_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017337_F1). UPC: 038081517452.With string parts as close to the original as possible, this full orchestra arrangement of two movements from Grieg's Holberg Suite is a gem! It may be performed by string or full orchestra, and, for ultimate flexibility, each movement can be performed alone. Featuring the Sarabande and Gavotte, careful attention has been paid to maintain the original intentions of the composer in this piece. Minimal accommodations were made by arranger Victor LA3pez to provide a more educationally-sound experience for the players. (8:10)Concert/Contest; Festival.
$3.00
The Holberg Suite: Cello
#
Orchestre
#
Classique
#
Edvard Grieg
#
Victor Lopez
#
Festival.
#
The Holberg Suite: Cello
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017337_VC1 Cello. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 3 pages. Alfr...
(+)
Full Orchestra - SKU: AX.00-PC-0017337_VC1 Cello. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017337_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017337_VC1). UPC: 038081517452.With string parts as close to the original as possible, this full orchestra arrangement of two movements from Grieg's Holberg Suite is a gem! It may be performed by string or full orchestra, and, for ultimate flexibility, each movement can be performed alone. Featuring the Sarabande and Gavotte, careful attention has been paid to maintain the original intentions of the composer in this piece. Minimal accommodations were made by arranger Victor LA3pez to provide a more educationally-sound experience for the players. (8:10)Concert/Contest; Festival.
$3.00
The Holberg Suite: Timpani
#
Orchestre
#
Classique
#
Edvard Grieg
#
Victor Lopez
#
Festival.
#
The Holberg Suite: Timpani
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017337_TMP Timpani. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 1 pages. Al...
(+)
Full Orchestra - SKU: AX.00-PC-0017337_TMP Timpani. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017337_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017337_TMP). UPC: 038081517452.With string parts as close to the original as possible, this full orchestra arrangement of two movements from Grieg's Holberg Suite is a gem! It may be performed by string or full orchestra, and, for ultimate flexibility, each movement can be performed alone. Featuring the Sarabande and Gavotte, careful attention has been paid to maintain the original intentions of the composer in this piece. Minimal accommodations were made by arranger Victor LA3pez to provide a more educationally-sound experience for the players. (8:10)Concert/Contest; Festival.
$3.00
The Holberg Suite: Score
#
Orchestre
#
Classique
#
Edvard Grieg
#
Victor Lopez
#
Festival.
#
The Holberg Suite: Score
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PR-0005616 Score. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Score. 21 pages. Alfred...
(+)
Full Orchestra - SKU: AX.00-PR-0005616 Score. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Score. 21 pages. Alfred Music - Digital Sheet Music #00-PR-0005616. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005616). UPC: 038081517452.With string parts as close to the original as possible, this full orchestra arrangement of two movements from Grieg's Holberg Suite is a gem! It may be performed by string or full orchestra, and, for ultimate flexibility, each movement can be performed alone. Featuring the Sarabande and Gavotte, careful attention has been paid to maintain the original intentions of the composer in this piece. Minimal accommodations were made by arranger Victor LA3pez to provide a more educationally-sound experience for the players. (8:10)Concert/Contest; Festival.
$10.00
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
A Minima 
