Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Thousand Years
Sheetmusicplus
Non classifié
349
Piano & claviers
Piano seul
132
Piano Facile
103
Piano, Voix
51
Piano, Voix et Guitare
28
Instruments en Do
16
Piano Trio: piano, violon, violoncelle
14
1 Piano, 4 mains
8
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano grosses notes
3
Piano (partie séparée)
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 4 mains
1
Clavier
1
Orgue
1
+ 10 instrumentations
Retracter
Guitares
Basse electrique
14
Guitare notes et tablatures
13
Guitare
9
Ligne De Mélodie, (Paroles) et Accords
7
Guitare Pedal Steel
2
Ukulele
2
Paroles et Accords
1
Piano, Guitare (duo)
1
Ensemble de guitares
1
2 Guitares (duo)
1
Guitare (partie séparée)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
39
Chorale SSAA
9
Chorale 3 parties
8
Chorale 2 parties
4
Chorale
2
Pack Instrumental pour Chorale
1
Voix basse, Piano
1
Chorale TTBB
1
+ 3 instrumentations
Retracter
Vents
Flûte traversière
42
Saxophone Alto
29
Flûte traversière et Piano
27
Clarinette
26
Hautbois (partie séparée)
24
2 Saxophones (duo)
23
Saxophone (partie séparée)
22
2 Clarinettes (duo)
21
Clarinette et Piano
19
Saxophone Tenor
18
Flûte, Clarinette (duo)
17
Quatuor de Saxophones: 4 saxophones
15
2 Flûtes traversières (duo)
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Hautbois, Piano (duo)
13
Flûte, Hautbois, Clarinette, Basson
12
Saxophone Alto et Piano
12
Saxophone Soprano et Piano
12
Saxophone Tenor et Piano
11
2 Hautbois (duo)
10
Flûte, Violon
9
3 Saxophones (trio)
9
Saxophone, Clarinette (duo)
9
Quintette de Saxophone: 5 saxophones
8
Flûte, Hautbois (duo)
8
Hautbois, Basson (duo)
8
Clarinette, Violon (duo)
7
Clarinette (partie séparée)
6
Hautbois, Clarinette (duo)
6
Saxophone Baryton, Piano
6
Quatuor de Clarinettes: 4 clarinettes
6
Flûte, Trompette (duo)
5
3 Clarinettes (trio)
5
Quatuor de Flûtes à bec
4
Hautbois, Trompette (duo)
4
Trio de Flûtes: 3 flûtes
4
Hautbois, Flûte
4
Hautbois, violon (duo)
4
Saxophone, Violon (duo)
4
Clarinette, Trompette (duo)
3
Quatuor de Flûtes : 4 flûtes
2
Hautbois
2
Flûte, Saxophone (duo)
2
Saxophone Soprano
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Alto (duo)
2
Clarinette, Violoncelle (duo)
2
Cor anglais, Piano
2
Flûte, Violoncelle
2
Flûte, Hautbois, Violon
1
Flute (partie séparée)
1
2 Flûte à bec (duo)
1
Flûte et Guitare
1
Ensemble De Flûte à bec
1
Flûte, Harpe et Violoncelle
1
Saxophone
1
Ensemble de Clarinettes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Clarinette et Basson
1
Hautbois, Violoncelle
1
Clarinette et Alto
1
Flute, harpe et violon
1
Clarinette, Basson (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte et Trio à cordes
1
Clarinette, Harpe (duo)
1
Clarinette Basse, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à Bec
1
Flûte, Violoncelle, Piano (trio)
1
3 Hautbois
1
2 Clarinettes, Basson
1
Flûte, Violon et Violoncelle
1
Clarinette, Trombone (duo)
1
Flûte, Hautbois, Basson
1
Flûte, Trombone (duo)
1
Flûte, Clarinette, Violon (trio)
1
+ 72 instrumentations
Retracter
Cuivres
Trompette
35
Trombone
30
Cor
20
Tuba
17
Trompette, Piano
16
Cor et Piano
13
Trombone et Piano
12
2 Trombones (duo)
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trompette, Saxophone (duo)
8
2 Cors (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Trompettes (duo)
7
Tuba et Piano
6
Trompette (partie séparée)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Euphonium
4
Euphonium, Piano (duo)
4
Trompette, Basson (duo)
4
Trombone, violoncelle (duo)
4
Trompette, violon (duo)
4
Trompette, Trombone (duo)
3
Quatuor de Cuivres
2
Cor anglais, Piano
2
3 Trompettes (trio)
1
Trompette, Cor (duo)
1
Trombone (partie séparée)
1
2 Tubas (duo)
1
Cor (partie séparée)
1
Cor, Violoncelle (duo)
1
Cor, Tuba (duo)
1
Tuba (partie séparée)
1
Quatuor de cuivres: 4 cors
1
4 Tubas
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
145
Violon
73
Violoncelle
44
Violon, Violoncelle (duo)
34
Violon et Piano
34
2 Violons (duo)
26
Violoncelle, Piano
26
Alto seul
25
Harpe
23
Trio à Cordes: violon, alto, violoncelle
20
Alto, Piano
20
2 Violoncelles (duo)
19
Contre Basse
14
Violon, Alto (duo)
13
Trio à Cordes: 2 violons, violoncelle
13
2 Altos (duo)
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Contrebasse, Piano (duo)
10
Alto, Violoncelle (duo)
10
Alto (partie séparée)
9
Trio à cordes
7
Violon (partie séparée)
6
4 Violoncelles
5
Contrebasse (partie séparée)
4
Trio à Cordes: 3 violoncelles
4
Violon, Guitare (duo)
4
Violoncelle (partie séparée)
3
Harpe, Violon, Violoncelle
2
Harpe et Piano
2
Harpe, Voix
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Basson (duo)
1
Alto et Harpe
1
Harpe, Flûte (duo)
1
Alto et Basson
1
Harpe, Violon (duo)
1
Trio à cordes: 3 altos
1
2 Harpes (duo)
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
32
Orchestre
9
Orchestre à Cordes
6
Percussion (partie séparée)
5
Fanfare
2
Batterie
2
Orchestre de chambre
2
Ensemble de cuivres
1
Batterie (partie séparée)
1
Marimba
1
Timbales (partie séparée)
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1
Partitions Numériques
9
Librairie Musicale
0
Matériel de Musique
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
A Thousand Years
SheetMusicPlus
Partitions à imprimer
9 partitions trouvées
<
1
Only from Blood Does Freedom Grow (Full Score and Parts)
#
Orchestre
#
FACILE
#
Stanley M Hoffman
#
Stanley M Hoffman
#
Only from Blood Does Freedom G
#
stanleymhoffman.com
#
SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. St...
(+)
Full Orchestra - Level 2 - SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00
Dream of Dunhuang - Ballet in 3 Acts, O,p.29 (1979 - 80) - Score Only
#
Orchestre
#
AVANCÉ
#
An-lun Huang
#
Dream of Dunhuang - Ballet in
#
DoReMi Edition
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1040096 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score and parts. 424 pag...
(+)
Full Orchestra - Level 5 - SKU: A0.1040096 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score and parts. 424 pages. DoReMi Edition #644919. Published by DoReMi Edition (A0.1040096). One of the Masterpieces of Chinese Music of 20th Century The magnificent cave art at Dunhuang, in Western China sets the stage for the ballet, “Dream of Dunhuangâ€. In the middle of the vast wastes of Western China, lies the oasis of Dunhuang, situated in today‘s Gansu Province. Since the Western Han Dynasty(202BC-8AC), Dunhuang was an important trading and cultural center on the famous “Silk Road’, the ribbon of communication which fostered the historic ties between East and West. In the East was China, source of treasured trading articles such as silk; in the West, the â€road“ branched to Venice, and north to what is today‘s Russia. The mural led caves at Dunhuang, which were begun the Northern Wei dynasty(336AD), and developed over one thousand years into the Qing Dynasty, re presents one of the world‘s richest cultural treasures. Drawing on bothn Western(Indian and Persian) as well as Chinese tradition, the caves, of which 492 remain intact, were decorated as a mines of religious devotion, with the initiation of Buddhism into China. The subjects of the murals, such as devise, demons, apsaras and bodhisattvas, represent the entire pantheon of Buddhist mythology, yet are also significant in their representation of muti-racial and muti-cultural influences, standing as an important testament to the age old exchange between East and West. A fabricated fantasia, the story of the ballet was inspirited by the famous artist, maestro Chang Shu-hong, who dedicated his whole life to Dunhuang. One of the Huang An-lun‘s major compositions with the play written by Xu Qing-dong, the score of “Dream of Dunhuang†was completed in mid-1979. The ballet has been dedicated to the composer‘s closest friends, Canadian writers John Fraser and Elizabeth MacCallun. Up to the date this CD being released, the ballet has never got a chance to performed in mainland China. Nevertheless, its music has been wildly performed and warmly received around the world. The Singapore premiere of its suite No.1 was performed by the SSO, conducted by Maestro Lim Yao. It has been also chosen as one of the “Master Piece of Chinese Music in 20th Century†in 1993. The world premiere of the complete ballet was performed successfully by the Russian State Ballet of Moscow, directed by its artist director, Vyatcheslav Godeyev, in 1994. Choreographed by Chen Min, it was took place in Taiwan with the Taiwan Symphony Orchestra, conducted by maestro David C.H.Chen. In 2002, ROI of Hong Kong has released the CD of the whole ballet, performed by the Russian Philharmonic Orchestra of Moscow. This is also the audio file attached. Before this recording conducted by the composer himself, the entire score was also performed by the Bolshoi Symphony Orchestra of Moscow in1995. The YouTube video was the World Premiere in Taiwan by the Russia National Ballet with the Taiwan symphony Orchestra, conducted by David Chen in 1994. The ballet, “ Dream of Dunhuang†depicts two young artists seeking the ultimate experience in love and expression. This two lovers arrived at desert and with the guidance of the celestial maiden, they discover the miracles of Dunhuang. It‘s divided into three acts: Act I: Desert, Act II: Cave, and Act III: Mogao cave.
$29.99
A Thousand Years - Conductor Score (Full Score)
#
Orchestre
#
Film/TV
#
Pop musique
#
Christina Perri
#
Larry Moore
#
Pop
#
A Thousand Years - Conductor S
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Christina Perri. Arranged by Larry Moore. Orchestra. Film/TV; Pop. Orchestra. 7 pages. Published by Hal Leonard - Digital Sheet Music ...
(+)
By Christina Perri. Arranged by Larry Moore. Orchestra. Film/TV; Pop. Orchestra. 7 pages. Published by Hal Leonard - Digital Sheet Music
$5.00
Dove
#
Orchestre
#
INTERMÉDIAIRE
#
Contemporain
#
Sebastian Yradier and Shan Zha
#
Javier MartÃnez Maya
#
Dove
#
Arte Nova Music Lab
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.742596 Composed by Sebastian Yradier and Shan Zhang. Arranged by Javier MartÃnez Maya. Contemporary. Score and par...
(+)
Full Orchestra - Level 3 - SKU: A0.742596 Composed by Sebastian Yradier and Shan Zhang. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 59 pages. Arte Nova Music Lab #6432131. Published by Arte Nova Music Lab (A0.742596). La Paloma, The Dove in English, is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) in the 1850s. In 1879, it was registered at the copyright office in Madrid as a Canción Americana con acompañamiento de Piano. Iradier was to die in obscurity within few years, never to learn how popular his song would become.Very quickly, La Paloma became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Cuba, Colombia, Hawaii, the Philippines, Germany, Romania, Venezuela, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years, the popularity of La Paloma has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds. There are more than one thousand versions of this song, and together with Yesterday by The Beatles, is one of the most-recorded songs in the history of music; it is certainly the most-recorded Spanish song.Taken from https://en.wikipedia.org/wiki/La_Paloma
$60.00
Love Will Forgive You Everything
#
Orchestre
#
FACILE
#
Hanka Ordonowna
#
Marek Czekala
#
Love Will Forgive You Everythi
#
Marek Czekala
#
SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1194600 By Hanka Ordonowna. By Henry Vars. Arranged by Marek Czekala. 20th Century,Film/TV. Score and parts. 29 pages...
(+)
Full Orchestra - Level 2 - SKU: A0.1194600 By Hanka Ordonowna. By Henry Vars. Arranged by Marek Czekala. 20th Century,Film/TV. Score and parts. 29 pages. Marek Czekala #793907. Published by Marek Czekala (A0.1194600). Love will forgive you everything - the song was written in 1933, the music was composed by Henryk Wars, and the words were written by Julian Tuwim (under the pseudonym Oldlen). The song was a hit in interwar Poland and remains so to this day. The song was written especially for the film The Spy in the Mask, which enjoyed a record attendance in cinemas. It was sung by Hanka Ordonówna and soon the song became her artistic showcase. Later, Ordonówna often resembled a song in the MaÅ‚e Qui Pro Quo theater. The piece performed by Ordonówna was recorded on the Syrena-Electro label, which was very popular at the time. The publisher's circulation reached tens of thousands of copies, and the discs with this recording were pressed for almost six years due to the constant interest in the song.MiÅ‚ość ci wszystko wybaczy – piosenka powstaÅ‚a w 1933 roku, do której muzykÄ™ skomponowaÅ‚ Henryk Wars, a sÅ‚owa napisaÅ‚ Julian Tuwim (pod ps. „Oldlenâ€). Piosenka byÅ‚a przebojem w miÄ™dzywojennej Polsce i pozostaje nim do dziÅ›. Utwór zostaÅ‚ napisany specjalnie na potrzeby filmu Szpieg w masce, cieszÄ…cego siÄ™ rekordowÄ… frekwencjÄ… w kinach. ZaÅ›piewaÅ‚a go w nim Hanka Ordonówna i wkrótce piosenka staÅ‚a siÄ™ jej artystycznÄ… wizytówkÄ…. W późniejszym czasie Ordonówna czÄ™sto przypominaÅ‚a piosenkÄ™ w teatrzyku MaÅ‚e Qui Pro Quo. Utwór w wykonaniu Ordonówny nagrany zostaÅ‚ na pÅ‚ytach bardzo popularnej wówczas wytwórni Syrena-Electro. NakÅ‚ad wydawnictwa osiÄ…gnÄ…Å‚ kilkadziesiÄ…t tysiÄ™cy egzemplarzy, a pÅ‚yty z tym nagraniem tÅ‚oczono przez blisko sześć lat z uwagi na niezmienne zainteresowanie piosenkÄ….Wikipedia.
$50.00
RAGING FURIES - Goettinnen der Rache
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Rainer Fabich Orchestra
#
Rainer Fabich
#
RAGING FURIES - Goettinnen der
#
Fajora Music
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,...
(+)
Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
Lily Park - I. Wind Bell
#
Orchestre
#
INTERMÉDIAIRE
#
Yoonjee Kim
#
Lily Park - I. Wind Bell
#
Yoonjee Kim
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1022807 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 4 pages. Yoonjee Kim #3417623. Published by Yoo...
(+)
Full Orchestra - Level 3 - SKU: A0.1022807 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 4 pages. Yoonjee Kim #3417623. Published by Yoonjee Kim (A0.1022807). Lily Park consists of three movements entitled Wind Bell, Goblin Lights, and Rock of Ages. The three movements are based on my personal impression of the cemetery, Lily Park, where all my grandparents are buried. The first movement, the shortest in duration, is slow and calm. It is introductory in quality, and expresses the pictorial impression of the cemetery by using various tone colors. This movement utilizes mixed instrumental consorts to project the concept of moderation and serenity. There is a close connection between the first movement and the last movement, as both features a wind-bell sound, a variety of percussion instruments, and slow tempi. The first movement focuses on the external appearance of the cemetery such as the quiet atmosphere, the wind, and the sound of bell ringing. The third movement represents the mental and emotional aspects of grief, memory of the funerals and reminiscent of my grandparents. The second movement is an imaginary night scene. For thousands of years, Korean have believed that goblins roam the tombs at night and are visible as blue and red lights. The movement is fast, busy and somewhat bizarre and whimsical, depicting the motion of the goblin lights. This contrasts with other two movements, thus the overall form becomes an arch shape. In addition, only the second movement is sectionalized by three different musical ideas while the first and the last movements are through composed with a single idea.I. Wind BellThe first movement expresses the general images of the cemetery; calm atmosphere, blowing wind, clean air, and a wide green field. The place is so quiet that the only the wind-bell ringing as the wind blows can be heard. In order to depict the wind-bell sound along with other optic and aural images, I create various tone colors by using various instrumental combinations in different transpositions and registrations.
$17.00
Lily Park - II. Goblin Lights
#
Orchestre
#
Yoonjee Kim
#
Lily Park - II. Goblin Lights
#
Yoonjee Kim
#
SheetMusicPlus
Full Orchestra - SKU: A0.1022809 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 16 pages. Yoonjee Kim #3417625. Published by Yoonjee Kim ...
(+)
Full Orchestra - SKU: A0.1022809 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 16 pages. Yoonjee Kim #3417625. Published by Yoonjee Kim (A0.1022809). Lily Park consists of three movements entitled Wind Bell, Goblin Lights, and Rock of Ages. The three movements are based on my personal impression of the cemetery, Lily Park, where all my grandparents are buried. The first movement, the shortest in duration, is slow and calm. It is introductory in quality, and expresses the pictorial impression of the cemetery by using various tone colors. This movement utilizes mixed instrumental consorts to project the concept of moderation and serenity. There is a close connection between the first movement and the last movement, as both features a wind-bell sound, a variety of percussion instruments, and slow tempi. The first movement focuses on the external appearance of the cemetery such as the quiet atmosphere, the wind, and the sound of bell ringing. The third movement represents the mental and emotional aspects of grief, memory of the funerals and reminiscent of my grandparents. The second movement is an imaginary night scene. For thousands of years, Korean have believed that goblins roam the tombs at night and are visible as blue and red lights. The movement is fast, busy and somewhat bizarre and whimsical, depicting the motion of the goblin lights. This contrasts with other two movements, thus the overall form becomes an arch shape. In addition, only the second movement is sectionalized by three different musical ideas while the first and the last movements are through composed with a single idea.II. Goblin Lights
$17.00
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
A Thousand Years 
