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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Adrian Bal
Non classifié
19
Piano & claviers
Piano seul
15
Piano, Voix
2
Instruments en Do
1
1 Piano, 4 mains
1
Orgue
1
Piano, Voix et Guitare
1
+ 1 instrumentations
Retracter
Guitares
Ukulele
5
Voix
Chorale SATB
1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Flûte, Hautbois, Clarinette, Basson
4
Ensemble de Clarinettes
4
Ensemble de Flûtes
3
Quatuor de Saxophones: 4 saxophones
3
Clarinette
2
Ensemble de saxophones
2
Quintette de Saxophone: 5 saxophones
2
Quatuor de Flûtes : 4 flûtes
1
Saxophone Tenor
1
Saxophone Alto
1
Hautbois
1
Saxophone Soprano
1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte traversière
1
Saxophone Alto et Piano
1
+ 11 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Ensemble de Trompettes
1
Trombone
1
Trompette
1
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cor
1
+ 2 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
10
Violon et Piano
2
2 Violons (duo)
1
Alto seul
1
Contre Basse
1
Violon
1
Violoncelle
1
Trio à Cordes: violon, alto, violoncelle
1
+ 3 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
105
Orchestre
5
Orchestre à Cordes
4
Orchestre de chambre
1
Timbales (partie séparée)
1
Fanfare
1
Ensemble de cuivres
1
Batterie
1
Ensemble Jazz
1
+ 4 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Vous avez sélectionné:
Adrian Bal
Orchestre
Partitions à imprimer
5 partitions trouvées
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Legendary Adriana
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Orchestre
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Amphibia Cultural Legacy
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Legendary Adriana
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Amphibia Cultural Legacy
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SheetMusicPlus
Full Orchestra - SKU: A0.650893 Composed by Amphibia Cultural Legacy. 20th Century,Broadway,Classical,Musical/Show,New Age,Opera. Score and parts. 2 pag...
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Full Orchestra - SKU: A0.650893 Composed by Amphibia Cultural Legacy. 20th Century,Broadway,Classical,Musical/Show,New Age,Opera. Score and parts. 2 pages. Amphibia Cultural Legacy #259640. Published by Amphibia Cultural Legacy (A0.650893). Amphibia Cultural Legacy has done it again with its incredible orchestral cover remix of the Legendary Adriana. This stunning piece of music is based on the original score from The Baby Factory NZ commercial videos. Still, Amphibia Cultural Legacy has taken it to a new level by adding additional instruments and layers.The result is a breathtaking rendition that does justice to the iconic Adriana. The orchestration is masterful, with each instrument perfectly balanced and playing off one another in a way that creates a truly immersive and emotional listening experience. Whether you're a fan of classical music or appreciate great artistry, this is a track you won't want to miss out on.Overall, Legendary Adriana is yet another testament to the incredible talent of Amphibia Cultural Legacy.
$20.00
The Song Is You
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Orchestre
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INTERMÉDIAIRE
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Adrian Bal
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Myrick Crampton
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The Song Is You
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MDC Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Piano,Trombone,Trumpet - Level 3 - SKU: A0.1498579 By Adrian Bal. By Jerome Ker...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Piano,Trombone,Trumpet - Level 3 - SKU: A0.1498579 By Adrian Bal. By Jerome Kern and Oscar Hammerstein. Arranged by Myrick Crampton. Broadway,Jazz,Musical/Show,Standards. 56 pages. MDC Music LLC #1074877. Published by MDC Music LLC (A0.1498579). Written for the 1932 musical, Music In The Air, a swinging arrangmenet for Jazz Octet with some modern touches! (Trumpet, Alto Sax, Trombone, Bari Sax, Guitar, Piano, Bass, and Drums).
$24.99
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 3 in A minor, op. 17
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Orchestre
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AVANCÉ
#
Contemporain
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Adrian Gagiu
#
Symphony No. 3 in A minor, op.
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Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
A Sky Full Of Stars
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Orchestre
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INTERMÉDIAIRE
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Coldplay
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Adrian Keating
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A Sky Full Of Stars
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Adrian Keating
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1110638 By Coldplay. By Avicii, Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Adrian Keati...
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Full Orchestra - Level 3 - SKU: A0.1110638 By Coldplay. By Avicii, Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Adrian Keating. 20th Century,Contemporary,Rock. Score and parts. 68 pages. Adrian Keating #712937. Published by Adrian Keating (A0.1110638). SKY FULL of STARS orchestral arrangement opens as a Harp Solo commissioned for a Corporate Function nearly 5mins in length possible for Intermediate-Level youth ensemble 2 Flutes 2 Oboes 2 Clarinets Bb 1 Bassoon 2 Trumpets Bb 2 Horns 2 Trombones 1 BassTrombone Timpani Snare Bass Drum susp Cymbal Harp Violin solo / Violin 1 Violin 2 Viola solo / viola Cello Solo / celli Double Bass the styles of my arrangements are based on 30+ years experience as a Principal Violinist with Opera Australia & 30+ years as an Electric Violinist playing in live bands.
$59.99
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